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Cyprien Gaillard at Sprüth Magers at Art Cologne 2021. Complete Art Cologne 2021 coverage: vernissage.tv/2021/11/20/art-cologne-2021/

Part of the Kosuth exhibition at Spruth Magers showed books and catalogues illustrating some of his recent installations.

Here on the Casa Encendida, Madrid in 2008.

Exhibition Review - Thomas Demand: 'Latent Forms' Sprüth Magers, London till 19th Dec 2015.

  

I reach through Thomas to an empty space

that twists and moves

and makes patterns I can't get to,

a world safe within its creases. - Drenched Co

  

Comment: "In my opinion, Demand is interested in the crease patterns (CP) of our past- CPs in the wrappers of salient events. His origami skills helps him to recreate wrappers from pictures (complete with marks of tape) to take amazing pictures of these CPs. Now though, he has no event, just CPs of a potential event. And he takes pictures of this and makes us imagine the event thus wonderfully walking the fine line between reality, photographic reality and fiction. Fabulous!" - FaSa.

  

See spruethmagers.com/exhibitions/396

See also www.woundsthatbind.com/2015/11/exhibition-review-thomas-d...

See also www.soaked.space/2015/11/exhibition-review-thomas-demand-...

  

Caption: Image above: Thomas Demand, LATENT FORMS, Installation View, Sprueth Magers London Photography copyright Kris Emmerson.

Image courtesy of Sprueth Magers. Copyright Thomas Demand, VG Bild-Kunst, Bonn / DACS, London. Photography copyright Kris Emmerson.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

  

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Simone Leigh, "Cowrie (Sage)," 2015

Michail Pirgelis 'adopted', Sprüth Magers Berlin, 2014 / Courtesy Sprüth Magers Berlin / featured on artfridge.de

Spruth Magers Berlin London. Photographic enlargement of dictionary definition, 1968.

Ines first discovered John Baldessari¹s art in Frankfurt almost ten years

prior, one afternoon when Eddy left her to wander through a modern art

museum. She had since admired his work, and found it influential

instinctually. She thought that if they ever met, they¹d get along grandly

as seemingly they were both visually obsessed with the same simple things

about life and Los Angeles.

Michail Pirgelis 'adopted', Sprüth Magers Berlin, 2014 / Courtesy Sprüth Magers Berlin / featured on artfridge.de

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