Sprocket Hole Revolution
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Desde casi el mismo sitio que la foto anterior pero la vista de otro lateral de la Catedral. Esta vez a F16 y bastante más tiempo de exposición.
Cámara: Belair X 6-12 + 35mm Back
Película: Kodak 100 TMax
ISO: 100
Velocidad Obturación: 25 Segundos
Apertura : f16
Distancia Focal: 90mm
Objetivo: Belairgon 90mm f8
Tamaño Negativo: 33mm x 104mm
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar
Bueno, lo que veo que me viene haciendo falta es mirar la burbuja de nivel del trípode.... porque a la vista está...
Cámara: Belair X 6-12 + 35mm Back
Película: Kodak 100 TMax
ISO: 100
Velocidad Obturación: 20 Segundos
Apertura : f16
Distancia Focal: 90mm Equivalente 32mm
Objetivo: Belairgon 90mm f8
Tamaño Negativo: 33mm x 104mm
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar
Cámara: Belair X 6-12 + 35mm Back
Película: Kodak 100 TMax
ISO: 100
Velocidad Obturación: 15 Segundos
Apertura : f16
Distancia Focal: 90mm Equivalente 32mm
Objetivo: Belairgon 90mm f8
Tamaño Negativo: 33mm x 104mm
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar
FPP EDU 200 Shot on an RB67 and developed in HC-110b. Digitized with a Canon 6D in two shots and stitched
En esta zona delante de la Catedral más iluminada probé con una apertura más abierta con la intención de captar algún transeúnte, salieron 3 segundos de exposición y se puede intuir las tres figuras que se alejan por la calle.
Cámara: Belair X 6-12 + 35mm Back
Película: Kodak 100 TMax
ISO: 100
Velocidad Obturación: 3 Segundos
Apertura : f8
Distancia Focal: 90mm
Objetivo: Belairgon 90mm f8
Tamaño Negativo: 33mm x 104mm
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar
Mamiya RB67, 127 mm lens, FPP EDU 200 film, HC-110 B, 6:00@72 degrees. Digitized with a Canon 6D in two shots and stitched
Until this day they still don´t now how many graduate students who entered this building and never came out again...
Landsarkivet, Göteborg, Sweden.
now available in my etsy shop!
thank you, everyone, for the continued views and favs of this photo.
xo
Kodak Vision 3 250D f/22 1/2s +ND cent +ND grad.
Some new film stock for the 6x12. This is Kodak Vision 3 70mm cinema film (essentially 70mm IMAX) cut down from bulk reels and hand rolled into 120 wrappers by B2 in Melbourne. Rem-jet layer intact (unlike Cinestill). This has then been processed in ECN-2 chemistry (rather than C-41) following rem-jet removal, and scanned on a Hasselblad Flextight scanner, again by B2 in Melbourne.
Sprocket holes are for film registration (not winding) in IMAX equipment, they are not, unfortunately, spaced enough to clear the frame size of the Horseman. The current state of the art IMAX cameras and projectors use the 1570 format (15 sprocket holes in 70mm), think Dunkirk, Interstellar, Oppenheimer, Star Wars, with 18k scans for SFX and recompiled to film for the fortunate venues to have 1570 projection equipment, less than 20 cinemas worldwide screen full length movies in 1570. But with a native resolution of 16k, vs say 4k laser IMAX, or standard cinema DCI 2k or DCI 4k, they are worth a watch…
By no means new, but the financial driver behind ongoing refinement of film technology, with unprecedented film latitude in particular spilling down to the still photography space (why, for example, Ektar can now boast +/- 5 stops).
This is another image from my new "Blackbird, Fly" camera... I'm still getting the hang of what to shoot with it.
Double exposure, taken at Cannon Beach a couple of months ago.
Formco since the 80s (I believe) but I don't know who originally operated here. Elkhart, Indiana.
400TX@400; HC110[J]45semi-stand (because I couldn't remember what film was loaded); re-rolled onto 120 backing paper and shot in my Zeiss Ikon Nettar.
So...the "dark leaks" are really from me creasing the edge a little when I removed from the spool. I'm not used to 35mm so I usually just pull the film straight off. You don't have to break the spool open with 120. I'll hopefully remember next time. Also, I think that's called "bromide drag"...where the sprocket holes weep. Again, I don't usually mess with 35mm. It's just for fun.
agfa isola. ferrania solaris fg100 (expired). scan from negative.
happy holidays, everyone! i´ve been away for some days - trying to catch up with your comments and photostreams as soon as possible!
This is probably my favorite shot from my first BBF roll. For some reason it was hellishly difficult to upload.
1st attempt shooting 35mm in a Holga. Pretty happy to have got anything. Next time I'm gonna try it with slide film to xpro...
Holga, C-41 Konica film, scanned from contact sheet.
If you do sprocket hole shots, take extra special care to hold the camera straight, because you won't be able to fix any tilt in post-processing.
This would have been pretty good, but for the tilt.
Shot at Frankfurt airport.
Camera: Pentacon Six TL
Lens: Schneider Kreuznach Xenotar 80 km f/2.8
Ilford XP2 400 black&white 135 negative film
Developed and scanned by www.meinfilmlab.de
Mamiya RB67, FPP EDU 200 film, HC-110 B, 6:00@72 degrees. Digitized with a Canon 6D in two shots and stitched