View allAll Photos Tagged SpringInLondon
Incanto is an amazingly excellent Italian restaurant and deli right at the top of Harrow On The Hill. They serve excellent snacks and home made ice cream in the deli along with some scrumptious cakes and pies. This is in addition to the full Italian lunch and dinner menu that they also have in the main restaurant. Worth a visit if you're in the area. Check their web site
The grass verges have yet to be mowed in Harrow so a lot of wild flowers such as Dandelion, butter cups and daisies are sprouting up all over the place. I'll miss them once they lawn mows hack them down.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.
A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.
This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.
From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.
Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.