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A long planned visit to Leeds to record the church.

Leeds is just off the M20, and nearby to Leeds Castle, which means the roads are often busy. St Nicholas is on the main road leading up the down, but before the road gets narrow as it winds between the timber framed houses. Thankfully there is good parking next door, so we were able to get off the main road and out of the traffic, as unbeknown to us, there was a classical music show on that night, and most of Kent were going and in the process of arriving.

St Nicholas is a grand church, the chancel and two side chapels are partially hidden behind a very fine Rood Screen, which at first didn't look original, but actually is.

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One of the largest twelfth-century towers in Kent. The arch between tower and nave is of three very plain orders with no hint of the usual zigzag moulding of the period, and is so large that a meeting room has recently been built into it. The nave has three bay aisles and short chapels to north and south of the chancel. The outstanding rood screen was partially reconstructed in 1892, and runs the full width of nave and aisles - with the staircase doorways in the south aisle. That the chancel was rebuilt in the sixteenth century may be seen by the plain sedilia through which is cut one of two hagioscopes from chapels to chancel. The north chapel contains some good seventeenth- and eighteenth-century tablets and monuments. The stained glass shows some excellent examples of the work of Heaton, Butler and Bayne (south aisle) whilst there is an uncharacteristically poor example of the work of C.E. Kempe & Co. Ltd. in the north aisle. The church has recently been reordered to provide a spacious, light and manageable interior with excellent lighting and a welcoming atmosphere without damaging the character of the building.

www.kentchurches.info/church.asp?p=Leeds

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LEEDS

IS the next parish southward from Hollingborne. Kilburne says, that one Ledian, a chief counsellor to king Ethelbert II. who began his reign in 978, raised a fortress here, which was called in Latin, from him, Ledani Castrum, and in process of time in English, LEEDS. This castle was afterwards demolished by the Danes, and continued in that situation till the time of the Norman conquest.

THE PRESENT CASTLE is situated at the southeast boundary of this parish, adjoining to Bromfield, which includes a part of the castle itself. It is situated in the midst of the park, an ample description of it the reader will find hereafter. The Lenham rivulet takes its course through the park, and having supplied the moat, in which the castle stands, and the several waters in the grounds there, and having received into it the several small streamlets from Hollingborne, and one from the opposite side, which comes from Leeds abbey, it flows on, and at a small distance from Caring street, in this parish, adjoining to Bersted, the principal estate of which name there belongs to the Drapers company, it turns a mill, and then goes on to Maidstone, where it joins the river Medway. The high road from Ashford and Lenham runs close by the outside of the pales of Leeds park, at the northern boundary of the parish next to Hollingborne, and thence goes on towards Bersted and Maidstone, from which the park is distant a little more than five miles; here the soil is a deep sand, but near the river it changes to a black moorish earth. Southward from the castle the ground rises, at about three quarters of a mile south-west from it is Leeds abbey, the front of which is a handsome well-looking building, of the time of queen Elizabeth. It is not unpleasantly situated on a gentle eminence, and is well watered by a small stream which rises just above it, and here turns a mill. It is well cloathed with wood at the back part of it, to which the ground still keeps rising; adjoining to the abbey grounds westward is Leeds-street, a long straggling row of houses, near a mile in length, having the church at the south end of it; here the soil becomes a red unfertile earth much mixed with slints, which continues till it joins to Langley and Otham.

LEEDS was part of those possessions given by William the Conqueror to his half-brother Odo, bishop of Baieux; accordingly it is thus entered, under the general title of that prelate's lands, in the survey of Domesday, taken in the year 1080.

Adelold holds of the bishop (of Baieux) Esiedes. It was taxed at three sulings. The arable land is twelve carucates. In demesne there are two carucates, and twenty-eight villeins, with eight borderers, having seven carucates. There is a church, and eighteen servants. There are two arpends of vineyard, and eight acres of meadow. Wood for the pannage of twenty bogs, and five mills of the villeins. In the time of king Edward the Confessor, it was worth sixteen pounds, the like when be received it, now twenty pounds, and yet it pays twentyfive pounds. Earl Leuuin held it.

Of this manor the abbot of St. Augustine has half a suling, which is worth ten shillings, in exchange of the park of the bishop of Baieux. The earl of Ewe has four denns of this manor, which are worth twenty shillings.

The mention of the two arpends of vineyard in the above survey, is another instance of there having been such in this county in early times, some further observations of which the reader will find in the description of the parish of Chart Sutton, not far distant, and he will likewise observe, that at the above time the bishop of Baieux had a park here, which he acquired by exchange with the abbot of St. Augustine, who must therefore have had possessions here before that time.

On the bishop of Baieux's disgrace, about four years after the taking of the above-mentioned survey, this estate, among the rest of his possessions, became consiscated to the crown.

After which it was granted by king William to the eminent family of Crevequer, called in antient charters Creveceur, and in Latin, De Crepito Corde, who at first made Chatham in this county their seat, or caput baroniæ, i. e. the principal manor of their barony, for some time, until they removed hither, being before frequently written Domini de Cetham.

Robert, son of Hamon de Crevequer, who had probably a grant of Leeds from the Conqueror, appears to have held it of the king, as of his castle of Dover, in capite by barony, their barony, which consisted of five knight's sees, being stiled Baronia de Crevequer . (fn. 1) He erected the castle here, to which he asterwards removed the capital seat of his barony. This castle being environed with water, was frequently mentioned in antient writings by the name of Le Mote. In the north-west part of it he built a chapel, in which he placed three canons, which on his foundation of the priory of Leeds, in the 19th year of king Henry I. he removed thither.

His descendant, Hamon de Crevequer, lived in the reign of king Henry III. in the 19th year of which, he was joined with Walterand Teutonicus, or Teys, in the wardenship of the five ports, and the next year had possession granted to him of the lands of William de Albrincis or Averenches, whose daughter and heir Maud he had married. He died in the 47th year of king Henry III. possessed of the manor of Ledes, held of the king in capite, as belonging to his barony of Chatham; upon which Robert, his grandson, viz. son of Hamon his son, who died in his life-time, succeeded him as his heir, and in the 52d year of that reign, exchanged the manor of Ledes, with its appurtenances, together with a moiety of all his fees, with Roger de Leyburne, for the manors of Trottesclyve and Flete. He lest William de Leyburne, his son and heir, who in the 2d year of king Edward I. had possession granted to him of the manor of Ledes, as well as of the rest of his inheritance, of which Eleanor, countess of Winchester, his father's widow, was not endowed. (fn. 2)

His son, William de Leyborne, observing that the king looked on the strength of this fortress with a jealous eye, in the beginning of king Edward Ist.'s reign reinstated the crown in the possession of both the manor and castle; and the king having, in his 27th year married Margaret, sister of Philip, king of France, he settled them, being then of the clear yearly value of 21l. 6s. 8d. among other premises, as part of her dower. She survived the king her husband, who died in 1307, and in the 5th year of the next reign of king Edward II. by the king's recommendation, appointed Bartholomew de Badlesmere, a nobleman of great power and eminence, and much in that prince's favor, governor of this castle. (fn. 3) She died possessed of them in the 10th year of that reign; on which they came once more into the hands of the crown, and in the beginning of the next year the king appointed Bartholomew de Badlesmere, above-mentioned, governor of this castle, as well as of that of Bristol. In the 11th year of that reign, the king granted to him in see, this manor and castle, and the advowson of the priory of Ledes, in exchange for the manor of Addresley, in Shropshire. Being possessed of great possessions, especially in this county, he was usually stiled, the rich lord Badlesmere of Ledes. Being pussed up through ambition and his great wealth, he forgot his allegiance, and associated himself with the earl of Lancaster, and the discontented barons; which the king being well informed of, resolved, if possible, to gain possession of this strong fortress of Ledes: to effect which, under pretence of the queen's going on a pilgrimage to Canterbury, she set forward for that city with a large train of attendants, and, with a secret intention of surprising this castle, sent her marshal with others of her servants, to prepare lodging for her and her suit in it. The lord Badlesmere's family, that is, his wife, son, and four daughters, were at that time in it, together with all his treasure, deposited there for safety, under the care of Thomas Colepeper, the castellan, who refused the queen's servants admittance, and on her coming up, peremptorily persisted in denying her or any one entrance, without letters from his lord. The queen, upon this, made some attempt to gain admittance by force, and a skirmish ensued, in which one or more of her attendants were slain, but being repulsed, she was obliged to relinquish her design, and to retire for a lodging elsewhere.

The king, chagrined at the failure of his scheme, and highly resenting the indignity offered to the queen, sent a force under the earls of Pembroke and Richmond, to besiege the castle; (fn. 4) and those within it finding no hopes of relief, for though the lord Badlesmere had induced the barons to endeavours to raise the siege, yet they never advanced nearer than Kingston, yielded it up. Upon which, the lady Badlesmere and her children were sent prisoners to the tower of London, Thomas Colepeper, the castellan, was hung up, and the king took possession of the castle, as well as of all the lord Badlesmere's goods and treasures in it. But by others, Thomas de Aldone is said to have been castellan at this time, and that the castle being taken, he, with the lord Badlesmere's wife, his only son Giles, his daughters, Sir Bartholomew de Burgershe, and his wife, were sent to the tower of London by the king's order; and that afterwards, he caused Walter Colepeper, bailiff of the Seven Hundreds, to be drawn in a pitiable manner at the tails of horses, and to be hung just by this castle; on which Thomas Colepeper, and others, who were with him in Tunbridge castle, hearing of the king's approach, sled to the barons.

After which the lord Badlesmere, being taken prisoner in Yorkshire, was sent to Canterbury, and there drawn and hanged at the gallows of Blean, and his head being cut off, was set on a pole on Burgate, in that city. Upon which the manor and castle of Leeds, became part of the royal revenue and the castle remained in a most ruinous condition till the year 1359, anno 34 Edward III. in which year that munisicent prelate, William of Wickham, was constituted by the king, chief warden and surveyor of his castle of Ledes, among others, (fn. 5) having power to appoint all workmen, to provide materials, and to order every thing with regard to building and repairs; and in those manors to hold leets and other courts of trespass and misdemeanors, and to enquire of the king's liberties and rights; and from his attention to the re-edisying and rebuilding the rest of them, there is little doubt but he restored this of Leeds to a very superior state to whatever it had been before, insomuch, that it induced king Richard to visit it several times, particularly in his 19th year, in which several of his instruments were dated at his castle of Ledes; and it appears to have been at that time accounted a fortress of some strength, for in the beginning of the next reign, that unfortunate prince was, by order of king Henry IV. sent prisoner to this castle; and that king himself resided here part of the month of April in his 2d year.

After which, archbishop Arundel, whose mind was by no means inferior to his high birth, procured a grant of this castle, where he frequently resided and kept his court, whilst the process against the lord Cobham was carrying forward, and some of his instruments were dated from his castle of Ledes in the year 1413, being the year in which he died. On his death it reverted again to the crown, and became accounted as one of the king's houses, many of the principal gentry of the county being instrusted with the custody of it:

In the 7th year of king Henry V. Joane of Navarre, the second queen of the late king Henry IV. being accused of conspiring against the life of the king, her son-in-law, was committed to Leeds-castle, there to remain during the king's pleasure; and being afterwards ordered into Sir John Pelham's custody, he removed her to the castle of Pevensey, in Sussex.

In the 18th year of king Henry VI. archbishop Chichele sat at the king's castle of Leeds, in the process against Eleanor, duchess of Gloucester, for forcery and witchcrast.

King Edward IV. in his 11th year, made Ralph St. Leger, esq. of Ulcomb, who had served the office of sheriff of this county three years before, constable of this castle for life, and annexed one of the parks as a farther emolument to that office. He died that year, and was buried with his ancestors at Ulcomb.

Sir Thomas Bourchier resided at Leeds castle in the 1st year of king Richard III. in which year he had commission, among others of the principal gentry of this county, to receive the oaths of allegiance to king Richard, of the inhabitants of the several parts of Kent therein mentioned; in which year, the king confirmed the liberties of Leeds priory, in recompence of twentyfour acres of land in Bromfield, granted for the enlargement of his park of Ledes.

In the 4th year of king Henry VIII. Henry Guildford, esq. had a grant of the office of constable of Leeds castle, and of the parkership of it; and in the 12th year of that reign, he had a grant of the custody of the manor of Leeds, with sundry perquisities, for forty years. He died in the 23d year of that reign, having re-edisied great part of the castle, at the king's no small charge.

But the fee simple of the manor and castle of Leeds remained in the hands of the crown, till Edward VI. in his 6th year, granted them, with their appurtenances in the parishes of Leeds, Langley, and Sutton, to Sir Anthony St. Leger, lord deputy of Ireland, to hold in capite by knight's service.

His son, Sir Warham St. Leger, succeeded him in this manor and castle, and was afterwards chief governor of Munster, in Ireland, in which province he was unfortunately slain in 1599, (fn. 6) but before his death he alienated this manor and castle to Sir Richard Smyth, fourth son of Thomas Smyth, esq. of Westenhanger, commonly called Customer Smyth.

Sir Richard Smyth resided at Leeds castle, of which he died possessed in 1628, and was buried in Ashford church, where there is a costly monument erected to his memory.

Sir John Smith, his only son, succeeded his father, and resided at Leeds castle, and dying s. p. in 1632, was buried in this church; upon which his two sisters, Alice, wife of Sir Timothy Thornhill, and Mary, of Maurice Barrow, esq. became his coheirs, and entitled their respective husbands to the property of this manor and castle, which they afterwards joined in the sale of to Sir T. Culpeper, of Hollingborne, who settled this estate, after his purchase of it, on his eldest son Cheney Culpeper, remainder to his two other sons, Francis and Thomas. Cheney Culpeper, esq. resided at Leedscastle for some time, till at length persuading his brother Sir Thomas Culpeper, of Hollingborne, (then his only surviving brother, Francis being dead. s. p.) to cut off the entail of this estate, he alienated it to his cousin Sir John Colepeper, lord Colepeper, only son of Sir John Culpeper, of Wigsell, in Sussex, whose younger brother Francis was of Greenway-court, in Hollingborne, and was father of Sir Thomas Culpeper, the purchaser of this estate as before-mentioned.

Sir John Colepeper represented this county in parliament in the 16th year of king Charles I. and being a person, who by his abilities had raised himself much in the king's favor, was made of his privy council, and chancellor of the exchequer, afterwards master of the rolls, and governor of the Isle of Wight. During the troubles of that monarch, he continued stedfast to the royal cause, and as a reward for his services, was in 1644 created lord Colepeper, baron of Thoresway, in Lincolnshire.

After the king's death he continued abroad with king Charles II. in his exile. During his absence, Leeds-castle seems to have been in the possession of the usurping powers, and to have been made use of by them, for the assembling of their committee men and sequestrators, and for a receptacle to imprison the ejected ministers, for in 1652, all his estates had been declared by parliament forfeited, for treason against the state. He died in 1660, a few weeks only after the restoration, and was buried at Hollingborne. He bore for his arms, Argent, a bend ingrailed gules, the antient bearing of this family; he left by his second wife Judith, daughter of Sir Thomas Culpeper, of Hollingborne, several children, of whom Thomas was his successor in title and estates, and died without male issue as will be mentioned hereafter, John succeeded his brother in the title, and died in 1719 s. p. and Cheney succeeded his brother in the title, and died at his residence of Hoston St. John, in 1725, s. p. likewise, by which the title became extinct; they all, with the rest of the branch of the family, lie buried at Hollingborne. Thomas, lord Colepeper, the eldest son, succeeded his father in title, and in this manor and castle, where he resided, and having married Margaret, daughter of Signior Jean de Hesse, of a noble family in Germany, he left by her a sole daughter and heir Catherine, who intitled her husband Thomas, lord Fairfax, of Cameron, in Scotland, to this manor and castle, with his other estates in this neighbourhood.

The family of Fairfax appear by old evidences in the hands of the family to have been in possession of lands in Yorkshire near six hundred years ago. Richard Fairfax was possessed of lands in that county in the reign of king John, whose grandson William Fairfax in the time of king Henry III. purchased the manor of Walton, in the West Riding, where he and his successors resided for many generations afterwards, and from whom descended the Fairfax's, of Walton and Gilling, in Yorkshire; of whom, Sir Thomas Fairfax, of Gilling, was created viscount Fairfax, of the kingdom of Ireland, which title became extinct in 1772; and from a younger branch of them descended Sir Thomas Fairfax, of Denton, who lived in queen Elizabeth's reign, and changed the original field of his coat armour from argent to or, bearing for his arms, Or, 3 bars gemelles, gules, surmounted of a lion rampant, sable, crown'd, of the first, and was father of Sir. T. Fairfax, who was, for his services to James and Charles I. created in 1627 lord Fairfax, baron of Cameron, in Scotland. He died in 1640, having had ten sons and two daughters; of whom, Ferdinando was his successor; Henry was rector of Bolton Percy, and had two sons, Henry, who became lord Fairfax, and Bryan, who was ancestor of Bryan Fairfax, late commissioner of the customs; and colonel Charles Fairfax, of Menston, was the noted antiquary, whose issue settled there.

Ferdinando, the second lord Fairfax, in the civil wars of king Charles I. was made general of the parliamentary forces, and died at York in 1646. His son, Sir Thomas Fairfax, succeeded him as lord Fairfax, and in all his posts under the parliament, and was that famous general so noted in English history during the civil wars, being made commander in chief of all the parliamentary forces; but at last he grew so weary of the distress and confusion which his former actions had brought upon his unhappy country, that he heartily concurred in the restoration of king Charles II. After which he retired to his seat at Bilborough, in Yorkshire, where he died in 1671, and was buried there, leaving by Anne, daughter and coheir of Horatio, lord Vere of Tilbury, a truly loyal and virtuous lady, an only daughter; upon which the title devolved to Henry Fairfax, esq. of Oglesthorpe, in Yorkshire, his first cousin, eldest son of Henry, rector of Bolton Percy, the second son of Thomas, the first lord Fairfax. Henry, lord Fairfax, died in 1680, and was succeeded by his eldest son Thomas, fifth lord Fairfax, who was bred to a military life, and rose to the rank of a brigadier-general. He represented Yorkshire in several parliaments and marrying Catherine, daughter and heir of Thomas, lord Colepeper, possessed, in her right this manor and castle, and other large possessions, as before-mentioned. (fn. 7)

He died possessed of them in 1710, leaving three sons and four daughters, Thomas, who succeeded him as lord Fairfax; Henry Culpeper, who died unmarried, in 1734; and Robert, of whom hereafter. Of the daughters, Margaret married David Wilkins, D. D. and prebendary of Canterbury, and Francis married Denny Martin, esq. Thomas, lord Fairfax, the son, resided at Leeds-castle till his quitting England, to reside on his great possessions in Virginia, where he continued to the time of his death. On his departure from England, he gave up the possession of this manor and castle, with his other estates in this neighbourhood, to his only surviving brother, the hon. Robert Fairfax, who afterwards resided at Leeds-castle, and on his brother's death unmarried, in 1782, succeeded to the title of lord Fairfax. He was at first bred to a military life, but becoming possessed of Leeds castle, he retired there, and afterwards twice served in parliament for the town of Maidstoue, as he did afterwards in two successive parliaments for this county. He was twice married; first to Marsha, daughter and coheir of Anthony Collins, esq. of Baddow, in Essex, by whom he had one son, who died an instant; and, secondly, to one of the daughters of Thomas Best, esq. of Chatham, who died s. p. in 1750. Lord Fairfax dying s. p. in 1793, this castle and manor, with the rest of his estates in this county, came to his nephew the Rev. Denny Martin, the eldest son of his sister Frances, by Denny Martin, esq. of Loose, who had before his uncle's death been created D. D. and had, with the royal licence, assumed the name and arms of Fairfax. Dr. Fairfax is the present possessor of this manor and castle, and resides here, being at present unmarried.

A court leet and court baron is held for the manor of Leeds, at which three borsholders are appointed. It is divided into six divisions, or yokes as they are called, viz. Church-yoke, Ferinland-yoke, Mill-yoke, Russerken-yoke, Stockwell-yoke, and Lees-yoke.

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First of all, I see from the Church of England website, the dedication is Laurence rather than Lawrence, so will correct my previous shots.

And with St Laurence, I have completed the listed churches in the Dover Deanery, a task that has taken some seven and a half years, and in which I have been frustrated by three churches that remained locked to me. But thanks to the internet and requesting access, I did finally get inside Whitfield, Preston and Betteshanger and cross them off the list.

I did see inside Hougham too, about 15 months ago during the Heritage Weekend, but found that the parish had arranged a festival to take place art the same time, and the inside was covered in quilts and carpets.

Of course.

St Laurence is situated on a down between Dover and Capel, and the village is dominated by the TV mast which beams us all TV and radio in the area. You approach the village up steep and narrow lanes from the Old Folkestone Road, or from River in Dover, and the church itself is in the middle of Church Hougham, down a dead end lane.

Unlike on previous visits, the door was unlocked so I dd not have to find a keyholder. The lightswitch beside the door lit just a single bulb above the doorway to the porch, but on a bright winter day, the church was full enough with light.

It was clear that the south wall of the chancel is leaning out at an alarming angle, but in fairly recent times, a buttress has been built to save it from falling.

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In its day this must have been a magnificent church. Its day would have been during the period 1100 to 1150, for a large building was constructed at this time. Even today the remains are impressive. As in many east Kent churches there is no chancel arch. There is a tremendous lean to the south chancel wall. It also shows the blocked arcade to a former south chapel. The north chapel has an impressive east window in Early English style which was copied by the Victorians when they replaced the chancel east window, and for once it is possible to compare the Victorian and medieval work almost side by side. While nineteenth-century windows are fine elsewhere in the church this juxta-position at Hougham clearly demonstrates the superiority of the medieval work. By far the most interesting feature at Hougham is the tower. The arch from the nave is particularly lofty and leads into an extremely tall and spacious chamber which can best be described as cavern-like.

www.kentchurches.info/church.asp?p=Hougham

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OR Huffam, as it is called, and frequently written in Domesday, Hicham, being so denominated from its high situation, lies the next parish eastward from Polton. Part of it only is within this hundred of Bewsborough; another part is within the hundred of Folkestone; and the residue is within the jurisdiction of the cinque ports, and of the corporation of the town and port of Dover. A borsholder, for that part of this parish which is within the hundred of Bewsborough, is chosen at the court leet of the hundred.

THE PARISH of Hougham lies among the high eastern hills of Kent, in a healthy though a very rude and wild country. In the midst of it are two streets, called Church Hougham, and East Hougham; in the former of which the church stands, and at the south-west part of it, a hamlet called West Hougham. Great part of this parish is full of small inclosures, interspersed with frequent coppice wood, and much rough ground. The soil is but poor and barren, consisting of either chalk or a red earth, covered with a rotten slint stone, with which the narrow roads here abound. Towards the eastern part of it the ground lies high, being an open uninclosed down, across which the high road leads from Folkestone to Dover, quite to the sea-shore, over which the chalk cliffs here rise to a great height; from hence there is a most beautiful prospect over the channel, and the Bologne hills on the coast of France. Near the bottom of these cliffs are three holes, called Lydden Spouts, through which the subterraneous waters empty themselves continually on the beach of the shore; and the belief of the country is, that the waters of the Nailborne, at Drelingore, in Alkham, at least four miles distant, communicate subterraneously with these spouts, which increase as the springs heighten by wind and weather. Over these spouts, in the middle of the cliff, are two large square rooms cut out of the chalk, one within the other; they are called the Coining-house, and have a very difficult way to come at them, the cliff here being upwards of four hundred feet high.

When the plague raged in London in the year 1665, it was brought to Dover, and great numbers died there of the pestilence in that and the following years, for the burial of whom a piece of ground was bought in this parish, on the side of the hill fronting the pier fort, and consecrated for that purpose. It is computed that upwards of nine hundred of those who died of this pestilence were buried in it, since which it has been constantly known by the name of the Graves.

Henry Benger, gent. was of Hougham, and resided here anno 1619, and descended from John Benger, of Maningford, in Wiltshire. They bore for their arms, Or, a cross vert, surmounted by a bendlet, gules. (fn. 1)

THE PARISH OF HOUGHAM was part of those lands which were given to Fulbert de Dover, for the desence of Dover castle, (fn. 2) which made up together the barony of Fulbert, or Fobert, as it was usually called, being held in capite by barony, of which Chilham became the chief seat, or caput baroniæof which this place, as appears by the book of Dover castle, was afterwards held by knight's service. Among these lands was included THE MANOR OF HOUGHAM, otherwise called THE ELMES, at times called by the names of Great Hougham, alias Chilverton; and likewise Southcourt, from its situation in regard to the manor of Northcourt, alias Little Hougham, in this parish.

This manor was held in manner as above-mentioned by a family who took their surname of Hougham from it. This family bore for their arms, Argent, five chevronels, sable; which Philipott (fn. 3) says they bore in allusion to those of their superior lords, of whom they held lands, the Averenches, or Albrincis, lords of the barony of Folkestone, whose arms were, Or, five chevronels, gulesFrom this family of Hougham descended those of Weddington, in Ash, near Sandwich, now extinct; and from the latter collaterally, those now of St. Paul's near Canterbury. One of the above mentioned family, Robert de Hougham, held it in king Richard I.'s reign, and was present with that king at the siege of Acon, in Palestine. At length his descendant Robert de Hougham, leaving two daughters his coheirs, of whom Benedicta was married to John de Shelving, and the other to Waretius de Valoignes, the latter became entitled to this manor, on the share of his wife's inheritance; and in the 14th year of king Edward III. obtained a charter of free-warren for this manor of Hougham. He left two daughters his coheirs, one of whom married Sir Francis Fogge; the other Maud, married Thomas de Aldelyn, or Aldon, who in her right became possessed of this manor.

Thomas de Aldelyn, or Aldon, as the name was afterwards written, died possessed of this manor in the 35th year of the above reign; but it should seem that he had no further interest in it but for his life, for Maud his wife before her death had infeoffed William Tapaline and others in this manor, and they passed it away to Stephen, Richard, and John de Combe, the latter of whom was of Hastingligh, and afterwards became sole possessor of it. He conveyed this manor in the 10th year of king Richard II. in trust to sell it; after which it came into the name of Heron, in which it remained at the end of king Henry IV.'s reign, and from which it was after some interval alienated to William Fineux, gent. of Swingfield, who had three sons; Sir John Fineux, chief justice of the king's bench, who purchased Haw-house, in Herne, under which, an account of him and his descendants may be seen; William, to whom his father gave this manor of Southcourt; and Richard, who was of Dover. (fn. 4)

William Fineux, who had this manor of Southcourt by gift of his father, resided at Hougham, and dying possessed of it in 1534, s.p. he by his will gave it to William, the eldest son of his brother Richard deceased, who afterwards resided here, and in his direct descendants it continued down to Thomas Fineux, gent. of Dover, who in king Charles II.'s reign passed away this manor to Robert Breton, gent. who resided at the mansion, called the Elmes, in this parish, formerly the residence of the Nepueus, several of whom lie buried in this church, which seat he had purchased of William Nepueu, esq. of Twickenham, the grandson of Peter, the first builder of it, who was a native of France, and came over to England upon the edict of Nantes, and brought with him a considerable property. He died in 1658, and lies buried in Hougham church. They bore for their arms, Azure, a fleece, or. Robert Breton above-mentioned was descended from the Bretons, of Barwell, and on the mother's side from the Bassingtons, of Temple Rothley, in Leicestershire, being the son > of Nich. Breton, of Norton, near Daventry. He died possessed of this estate, and was buried in this church. His great-grandson M. Breton, esq. afterwards of Kennington-house, (fn. 5) alienated both manor and seat to Robert Lacy, esq. who resided at Elmes, where he served the office of sheriff in the year 1739, and he died possessed of them about the year 1746; upon which they came to his son-in-law Granado Piggott, esq. who in 1749 passed them away to Mr. Phineas Stringer, of Dover, who died in 1757, leaving two sons, Phineas, of whom hereafter; and George, of Canterbury. Phineas, the eldest son, is of Dover, and married the daughter of Mr. Richard Rouse, of Dover, by whom he has an only daughter and heir, married to Mr. Edward Broadrip, gent. of Dover. He bears for his arms, Per chevron, or, and sable, in chief, two eagles displayed of the second; in base, a fleur de lis of the first. He succeeded his father in this manor and seat, and is the present owner of them.

A court baron is held for this manor, the boundaries of which, as I am informed, begin at High-cliff, from whence they extend along the coast, to a place called Jews-gut, and there leaving the cliff, on towards Capel, whence including West Hougham, they go down to the Elmes, and the land of Dover priory.

THE MANOR OF HOUGHAM-COURT, alias NORTHCOURT, which latter name it took from its situation in regard to the former described manor of South court, was comprehended as part of those lands which, as has been mentioned before, were given to Fulbert de Dover, and with other lands made up the barony of Fobert, of which it was held afterwards by knight's service, by the family of Basing, of eminent account in the city of London during the reigns of king John and king Henry III. for the high offices of trust which they bore in it. At length Sir Thomas de Basing succeeding to this manor, he alienated it to Adam Sare, whose heirs were in the possession of it in the 20th year of king Edward III. How it passed afterwards, I have not found, till the beginning of king Henry VI.'s reign, when it was alienated to Clive, commonly called Cliffe, a family of good account in the counties of Salop and and Essex; from whence, at the latter end of that reign, it passed by sale to William Hextal, esq. of East Peckham. One of his daughters and coheirs Margaret, entitled her husband Wm. Whetenhall, esq. commonly called Whetnall, citizen and alderman of London, to it. (fn. 6) His descendant William Whetenhall about the middle of king Henry VIII.'s reign sold it to John Boys, esq. of Fredville, in whose descendants it continued down to Major John Boys, of Fredville, who possessed it in 1656.

Before his death he alienated this manor; but now it passed afterwards I have not learned, only that it became vested in the name of Woodroofe; and in the year 1720, William Woodroofe, clerk, of Cambridgeshire, sold one moiety of it to John Walker, citizen and draper, of London, who passed it away to Francis Cabot, and he, at his death in 1753, devised it to his widow Barbara, as she did to her father Mr. Robert Cooper, of Salisbury, and her brother in law William Barnes. In 1786, this moiety was in possession of Robert, son of the above-mentioned Robert Cooper, and of Anne Barnes, and they joined in the sale of it to Mr. Michael Becker, of Dover, who in 1792 sold it to Mr. Philip Leman, of Dover castle, the present owner of it.

The other moiety continued afterwards in the descendants of William Woodroofe above-mentioned down to the Rev. Mr. Woodroofe, of Shoreham, in this county, the present possessor of it; so that this manor remains in undivided moieties at this time.

There is no court held for this manor; to it is annexed the right to wreck of the sea along the coast, from High cliff to Archcliff fort.

SIBERTON, alias SIBERSTON, is a manor in the north-east part of this parish, which made likewise part of the barony of Fobert before-mentioned, of which it was held by knight's service. John de Herste held this manor in the 2d year of king John, and in the 20th year of king Edward III. the heirs of another John de Herst held it by the description of lands in Siberston, of the barony of Chilham, by the like service, and the payment of ward to Dover castle; not long after which it appears to have been in the possession of a family who took their surname from it, one of whom, Richard de Siberston, as appeared by an old dateless deed of that time, demised it to John Monins, in whose descendants it continued down to Edward Monins, esq. of Waldershare, whose lands were disgavelled by the act of the 2d and 3d Edward VI. He died possessed of it in the 6th year of that reign, and by his will gave this manor of Seberston, to his second son George Monins, and he sold it to Thomas Pepper, jurat of Dover, who dying in the 17th year of queen Elizabeth, gave it to Thomas, son of Richard Pepper, and he in king James I.'s reign alienated it to Moulton, of Redriff, in whose descendants it remained at the time of the restoration of king Charles II. 1660, after which it was alienated, after some intermediate owners, to Mr. Phineas Stringer, of Dover, whose son, of the same name, is the present possessor of it.

But this manor, by unity of possessionhas for some year since been so blended with that of Hougham, otherwise called the Elmes, above described, that it is now accounted one and the same manor.

THE TITHES of the manor of Siberston, lying in Elms bottom, in this parish, were part of the possessions of the priory of St. Martin, in Dover, and continued so till the dissolution of it in the 27th year of Henry VIII. when this portion of tithes, among the rest of the possessions of the priory, came into the king's hands, who granted it with the scite and other possessions of the priory, in his 29th year, to the archbishop in exchange, in manner as has been already frequently mentioned before, in which state it has continued ever since, his grace the archbishop being at this time entitled to the inheritance of it. John Monins, esq. of Canterbury, is the present lessee of it.

FARTHINGLOE, alias VENSON DANE, is another manor in this parish, which was antiently part of the possessions of the canons of St. Martin, under the general title of whose possessions it is thus entered in the survey of Domesday:

In Beusberg hundred. In Ferlingelai, William the son of Ganfrid holds one suling, and there he has in demesne one carucate, and four villeins, with one carucate. It is worth four pounds. In the time of king Edward the Confessor, six pounds. Sired held it as a prebend.

And immediately following, under the title of the same possessions:

In Hicham, Balduin holds one suling, and there he has four villeins, and five borderers, with two carucates. It is worth four pounds. In the time of king Edward the Confessor, one hundred shillings. Eduuin holds it.

As the canons of St. Martin's priory had other possessions in this parish, besides the manor of Farthingloe, the latter entry no doubt contains the description of them, and includes their estate here, called Venson Dane, alias Wellclose, mentioned below, which together with the manor of Farthingloe, remained parcel of the possessions of the above priory, till the final suppression of it in the 27th year of king Henry VIII. when they both came into the king's hands, who granted them in his 29th year to the archbishop in exchange, as has been already more particularly mentioned before; since which this manor of Farthingloe, with the estate of Venson Dane, alias Wellclose, has remained parcel of the possessions of the see of Canterbury, his grace the archbishop being at this time entitled to the inheritance of them. The interest of the present lease is vested in the widow of Mr. Nath. Walker, deceased, and Mr. John Marsh (the present occupier); the former possessing the lands, and the latter the great tithes, for their respective shares.

This estate is exempted from the payment of the great or corn tithes. There is not any court held for this manor.

The manor of Farthingloe was held of the prior and canons in king Henry III.'s time, by a family, who from their residence at it, took their surname from it. One of them, Matilda de Farthingloe, is mentioned by Prynne, anno 44 Henry III.

MAXTON, or Maxton court, is another manor situated in this parish, at no great distance from Farthingloe, which in king Henry III.'s reign, as appears by the book of knights fees kept in the king's remembrancer's office, was in the possession of Stephen Manekyn, who held it by knight's service of the barony of Fobert, and together with other lands elsewhere made up that barony, and were given for the desence of Dover castle. After this it seems to have been divided into moieties, and to have been held by Richard Walsham, and Alice, daughter of Stephen Manekin, who alienated the whole of it to William, son of Nicholas Archer, of Dover, whose seal was, A stag's head, caboshed, as appears by a deed in the Surrenden library, dated anno 17 Edward III. His son William Archer, in the 21st year of the next reign of king Richard II. passed it away by sale to John Alkham, of Alkham, a family of good estate in this neighbourhood, in the descendants of which this manor remained for some time; but at the latter end of king Edward IV. it was become the property of Roger Appleton, from whom it passed to Hobday, and thence to Harman, of Crayford, from which name it was sold by Thomas Harman to Sir James Hales, who at or about the middle of queen Elizabeth's reign alienated it to Andrews, of Dover, who some few years afterwards sold it to Pepper, and he in king James I.'s reign conveyed it to Sir Thomas Wilford, of IIden, who in king Charles I.'s reign passed it away to Mr. William Richards, of Dover, whose descendant of the same name, devised it to his nephew John Sladden, of Dover, merchant, as he did to his sister Mary, who carried it in marriage to Mr. Thomas Fagge, of Dover, whose trustees, after his death, to perform the uses of her will, sold it in 1783 to Tho. Biggs, esq. of Dover, the present owner of it, who has much improved the mansion of this manor, by making several additional buildings to it. A court baron is held for this manor.

Charities.

THOMAS PEPPER, jurat of Dover, by his will in 1574, de vised to the poor within the parishes of our Lady of Dover and Hougham, one annuity of 40s to be distributed equally between them, issuing out of his manor of Syberstone, and the lands belonging to it, with power to distrain, &c. now vested in Phineas Stringer, esq. and the money is distributed to such as do not receive weekly allowance of the parish.

There is a house divided into two small dwellings, inhabited by two persons placed there by the churchwardens and overseers of the poor; but how it came to the parish is not known.

The poor constantly maintained are about twenty-five, casually fifteen.

HOUGHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Dover.

The church, which is dedicated to St. Laurence, is an ancient building, but small, consisting of two small isles and a chancel, having neither tower nor steeple, but it has a place for three small bells. In the chancel lie buried several of the families of Hougham and Malmaines; the brasses of whose stones have been long since torn off, though the lines of their portraitures still remain. In the chancel is a monument for Wm. Fyneux, esq. son of Robert. He died in 1587; arms, Vert, a chevron, between three eagles displayed, or, crowned, gules, impaling Warren, azure, a cross, or; in the first and fourth quarters, a martlet; in the second and third, a chaplet of the second. Another for Peter Nepeau, gent. who lies buried in a vault underneath; he built and resided at the Elmes, in this parish, still continuing the trade of a merchant; he died in 1658. William, his only surviving son, married Sarah, daughter of Mr. Bulteel, of Tournay, in Flanders, who was also buried in this chancel. His youngest son William succeeded to the Elmes, which he sold, and settled at Twickenham; he died in 1710; arms, Azure, a fleece, or. Another for Robert Breton, esq he died in 1707; arms, Azure, a bend between six mullets, pierced, or. And for William Hannington, esq. who married a daughter of William Monings, lieutenant-governor of Dover-castle; he died in 1607.

¶This church was part of the possessions of the priory of St. Martin, to which it was appropriated by archbishop Stratford, in 1345, and a vicarage endowed in it, (fn. 7) both which were at the suppression, in the 27th year of king Henry VIII. granted with the scite of the priory and other possessions of it in the exchange to the archbishop, with a reservation of the antient pension from the prior of forty shillings to the vicar, in manner as has been frequently more particularly mentioned before. In which state they now continue, his grace the archbishop being possessed of the appropriation of this church, with the advowson of the vicarage of it. The parsonage is called Little Hougham court, which with the tithes are held under the archbishop by Mr. Thomas Walker, of Dover. The glebe land is ninety acres.

In 1588 here were one hundred and twenty communicants, and it was valued at forty pounds per annum. This vicarage is valued in the king's books at 6l. 13s. 4d. Archbishop Juxon, anno 14 Charles II. augmented this vicarage with twenty-five pounds, to be paid by the lessee of the great tithes, which was again confirmed anno 22 of that reign. The vicar still receives the antient pension of forty shillings from the archbishop. It is now a discharged living of about the clear yearly value of forty-six pounds.

www.british-history.ac.uk/survey-kent/vol9/pp451-462

The Metropolitan Cathedral of Saints Vitus, Wenceslaus and Adalbert (Czech: metropolitní katedrála svatého Víta, Václava a Vojtěcha) is a Roman Catholic metropolitan cathedral in Prague, the seat of the Archbishop of Prague. Until 1997, the cathedral was dedicated only to Saint Vitus, and is still commonly named only as St. Vitus Cathedral.

This cathedral is a prominent example of Gothic architecture and is the largest and most important church in the country. Located within Prague Castle and containing the tombs of many Bohemian kings and Holy Roman Emperors, the cathedral is under the ownership of the Czech government as part of the Prague Castle complex.[1] Cathedral dimensions are 124 by 60 metres (407 ft × 197 ft), the main tower is 96.5 metres (317 ft) high, front towers 82 metres (269 ft), arch height 33.2 metres (109 ft).[2]

Origins

The current cathedral is the third of a series of religious buildings at the site, all dedicated to St. Vitus. The first church was an early Romanesque rotunda founded by Wenceslaus I, Duke of Bohemia in 930. This patron saint was chosen because Wenceslaus had acquired a holy relic – the arm of St. Vitus – from Emperor Henry I. It is also possible that Wenceslaus, wanting to convert his subjects to Christianity more easily, chose a saint whose name (Svatý Vít in Czech) sounds very much like the name of Slavic solar deity Svantevit. Two religious populations, the increasing Christian and decreasing pagan community, lived simultaneously in Prague castle at least until the 11th century.

In the year 1060, as the bishopric of Prague was founded, prince Spytihněv II embarked on building a more spacious church, as it became clear the existing rotunda was too small to accommodate the faithful. A much larger and more representative Romanesque basilica was built in its spot. Though still not completely reconstructed, most experts agree it was a triple-aisled basilica with two choirs and a pair of towers connected to the western transept. The design of the cathedral nods to Romanesque architecture of the Holy Roman Empire, most notably to the abbey church in Hildesheim and the Speyer Cathedral. The southern apse of the rotunda was incorporated into the eastern transept of the new church because it housed the tomb of St. Wenceslaus, who had by now become the patron saint of the Czech princes. A bishop's mansion was also built south of the new church, and was considerably enlarged and extended in the mid 12th-century.

The Gothic Cathedral

Construction of the present-day Gothic Cathedral began on 21 November 1344, when the see of Prague was elevated to an archbishopric. King John of Bohemia laid the foundation stone for the new building.[3] The patrons were the chapter of cathedral (led by a Dean), the Archbishop Arnost of Pardubice, and, above all, Charles IV, King of Bohemia and a soon-to-be Holy Roman Emperor, who intended the new cathedral to be a coronation church, family crypt, treasury for the most precious relics of the kingdom, and the last resting place cum pilgrimage site of patron saint Wenceslaus. The first master builder was a Frenchman Matthias of Arras, summoned from the Papal Palace in Avignon. Matthias designed the overall layout of the building as, basically, an import of French Gothic: a triple-naved basilica with flying buttresses, short transept, five-bayed choir and decagon apse with ambulatory and radiating chapels. However, he lived to build only the easternmost parts of the choir: the arcades and the ambulatory. The slender verticality of Late French Gothic and clear, almost rigid respect of proportions distinguish his work today.

After Matthias' death in 1352, 23-year-old Peter Parler assumed control of the cathedral workshop as master builder. He was son of the architect of the Heilig-Kreuz-Münster in Schwäbisch Gmünd. Initially, Parler only worked on plans left by his predecessor, building the sacristy on the north side of the choir and the chapel on the south. Once he finished all that Matthias left unfinished, he continued according to his own ideas. Parler's bold and innovative design brought in a unique new synthesis of Gothic elements in architecture. This is best exemplified in the vaults he designed for the choir. The so-called Parler's vaults or net-vaults have double (not single, as in classic High Gothic groin vaults) diagonal ribs that span the width of the choir-bay. The crossing pairs of ribs create a net-like construction (hence the name), which considerably strengthens the vault. They also give a lively ornamentation to the ceiling, as the interlocking vaulted bays create a dynamic zigzag pattern the length of the cathedral.

While Matthias of Arras was schooled as a geometer, thus putting an emphasis on rigid systems of proportions and clear, mathematical compositions in his design, Parler was trained as a sculptor and woodcarver. He treated architecture as a sculpture, almost as if playing with structural forms in stone. Aside from his bold vaults, the peculiarities of his work can also be seen in the design of pillars (with classic, bell-shaped columns which were almost forgotten by High Gothic), the ingenious dome vault of new St Wenceslaus chapel, the undulating clerestory walls, the original window tracery (no two of his windows are the same, the ornamentation is always different) and the blind tracery panels of the buttresses. Architectural sculpture was given a considerable role while Parler was in charge of construction, as can be seen in the corbels, the passageway lintels, and, particularly, in the busts on the triforium, which depict faces of the royal family, saints, Prague bishops, and the two master builders, including Parler himself.

Work on the cathedral, however, proceeded slowly, because the Emperor commissioned Parler with many other projects, such as the construction of the new Charles Bridge in Prague and many churches throughout the Czech realm. By 1397, when Peter Parler died, only the choir and parts of the transept were finished.

After Peter Parler's death in 1399 his sons, Wenzel Parler and particularly Johannes Parler, continued his work; they in turn were succeeded by a certain Master Petrilk, who by all accounts was also a member of Parler's workshop. Under these three masters, the transept and the great tower on its south side were finished. So was the gable which connects the tower with the south transept. Nicknamed 'Golden Gate' (likely because of the golden mosaic of Last Judgment depicted on it), it is through this portal that the kings entered the cathedral for coronation ceremonies.

The entire building process came to a halt with the beginning of Hussite War in the first half of 15th century. The war brought an end to the workshop that operated steadily over for almost a century, and the furnishings of cathedral, dozens of pictures and sculptures, suffered heavily from the ravages of Hussite iconoclasm. As if this was not enough, a great fire in 1541 heavily damaged the cathedral.

St. Wenceslas Chapel

Perhaps the most outstanding place in the cathedral is the Chapel of St. Wenceslas, which houses relics of the saint. Peter Parler constructed the room between 1344 and 1364 with a ribbed vault. The lower portions of the walls are decorated with over 1300 semi-precious stones and paintings depicting the Passion of Jesus dating from the original decoration of the chapel in 1372–1373. The upper area of the walls have paintings depicting the life of St. Wenceslas, by the Master of the Litoměřice Altarpiece between 1506 and 1509. Above the altar, is a Gothic statue of St. Wenceslas created by Jindrich Parler (Peter's nephew) in 1373. The Chapel is not open to the public, but it can be viewed from the doorways.

A small door with seven locks, in the southwest corner of the chapel, leads to the Crown Chamber containing the Czech Crown Jewels, which are displayed to the public only once every (circa) eight years.

Renaissance and Baroque

Through most of the following centuries, the cathedral stood only half-finished. It was built to the great tower and a transept, which was closed by a provisional wall. In the place of a three-aisled nave-to-be-built, a timber-roofed construction stood, and services were held separately there from the interior of the choir. Several attempts to continue the work on cathedral were mostly unsuccessful. In the latter half of 15th century, king Vladislav Jagiellon commissioned the great Renaissance-Gothic architect Benedict Ried to continue the work on the cathedral, but almost as soon as the work began, it was cut short because of lack of funds. Later attempts to finish the cathedral only brought some Renaissance and Baroque elements into the Gothic building, most notably the obviously different Baroque spire of the south tower and the great organ in the northern wing of transept.

Completion in 19th and 20th century

In 1844, Václav Pešina, an energetic St. Vitus canon, together with Neo-Gothic architect Josef Kranner presented a program for renovation and completion of the great cathedral at the gathering of German architects in Prague. The same year a society under the full name "Union for Completion of the Cathedral of St. Vitus in Prague" was formed, whose aim was to repair, complete and rid the structure of everything mutilated and stylistically inimical. Josef Kranner headed the work from 1861 to 1866 which consisted mostly of repairs, removing Baroque decorations deemed unnecessary and restoring the interior. In 1870 workers finally laid the foundations of the new nave, and in 1873, after Kramer's death, architect Josef Mocker assumed control of the reconstruction. He designed the west façade in a typical classic Gothic manner with two towers, and the same design was adopted, after his death, by the third and final architect of restoration, Kamil Hilbert.

In the 1920s the sculptor Vojtěch Sucharda worked on the façade, and the famous Czech Art Nouveau painter Alfons Mucha decorated the new windows in the north part of nave. Frantisek Kysela designed the Rose Window 1925-7 which depicts scenes from the Biblical story of creation. By the time of St. Wenceslas jubilee in 1929, the St. Vitus cathedral was finally finished, nearly 600 years after it was begun. Despite the fact that entire western half of Cathedral is a Neo-Gothic addition, much of the design and elements developed by Peter Parler were used in the restoration, giving the Cathedral as a whole a harmonious, unified look.

Influence

The Cathedral of St. Vitus had a tremendous influence on the development of Late Gothic style characteristic for Central Europe. Members of Parler workshop, and indeed, the Parler family (both of which were established at the building site of St. Vitus) designed numerous churches and buildings across Central Europe. More notable examples include Stephansdom cathedral in Vienna, Strasbourg Cathedral, Church of St. Marko in Zagreb and the Church of St. Barbara in Kutna Hora, also in Czech Republic. Regional Gothic styles of Slovenia, northern Croatia, Austria, Czech Republic, and southern Germany were all heavily influenced by Parler design.

Of particular interest are Parler's net vaults. The Late Gothic of Central Europe is characterised by ornate and extraordinary vaulting, a practice which was started by Parler's development of his own vaulting system for the choir of St. Vitus cathedral. Another regional Gothic style also displays amazing ingenuity and ornamentation in the design of vaults, the Perpendicular Style of English Gothic. A question remains of what was influenced by what. Some British art and architecture historians suspected that Peter Parler might have travelled to England at some point in his life, studying the great English Gothic cathedrals, which then inspired his work on St Vitus. However, taking into account that the Perpendicular style and the use of truly extravagant vaults in English Gothic began at the very end of 14th century, it is also quite possible that it was St Vitus Cathedral of Prague that influenced the development of English Gothic.[4]

Recent history

In 1997, on 1000th anniversary of the death of Saint Voitechus, the patrocinium (dedication) of the church was re-dedicated to Saint Wenceslaus and Saint Adalbert. The previous Romanesque basilica had this triple patrocinium to the main Bohemian patrons since 1038 when relics of Saint Adalbert were placed here.

In 1954, a government decree entrusted the whole Prague Castle into ownership of "all Czechoslovak people" and into administration of the President's Office. Beginning in 1992, after the Velvet Revolution the church filed several petitions requesting a determination on the true owner of the structure. After 14 years, in June 2006, the City Court in Prague decided that the 1954 decree did not change the ownership of the cathedral and the owner is the Metropolitan Chapter at Saint Vitus. In September 2006, the President's Office ceded the administration to the Metropolitan Chapter. However, in February 2007, the Supreme Court of the Czech Republic reversed the decision of the City Court and returned the case to the common court. In September 2007, the District Court of Praha 7 decided that the cathedral is owned by the Czech Republic, this decision was confirmed by the City Court in Prague and the Constitutional Court rejected the appeal of the Metropolitan Chapter, however noted that the chapter unquestionably owns the interior furnishings of the cathedral. The Metropolitan Chapter considered continuing the case in the European Court for Human Rights however in May 2010, the new Prague Archbishop Dominik Duka and the state president Václav Klaus together declared that they did not wish to continue with court conflicts. They constituted that the seven persons who are traditionally holders of the keys of the Saint Wenceslaus Chamber with the Bohemian Crown Jewels become also a board to coordinate and organize administration and use of the cathedral. However, controversy about ownership of some related canonry houses continues.

In July 2012, the Chamber of Deputies passed a bill to compensate the churches for property seized by the Communist government.[5] The Senate approved the bill in November 2012 and the government implemented it the following June after clearing legal challenges.[6]

Services

Regular religious services in the Cathedral are:

•Sunday 08:30 Mass, 10:00 Mass (celebrated in Latin every last Sunday of the month) and 17:00 Vespers (not during July to September)

•Monday 07:00 Mass

•Tuesday 07:00 Mass

•Wednesday 07:00 Mass

•Thursday 07:00 Mass

•Friday 07:00 Mass, 18:00 Mass

•Saturday 07:00 Mass

Confessions: (Czech and English)

•Sunday 09:30 – 10:00

•Friday 17:30 – 17:50

Further reading

•Fučíková, Eliška, Martin Halata, Klára Halmanová, Pvel Scheufler. "Prague Castle in Photographs /1956-1900". Prague: Správa Pražského hradu a Nakladatelství KANT, 2005. ISBN 80-86217-94-9

•K. Benešovská, P. Chotebor, T. Durdík, M. Placek, D. Prix, V. Razim. "Architecture of the Gothic", vol. 2 of "Ten centuries of architecture" series, Prague Castle Administration & DaDa, a.s., Prague 2001, ISBN 80-86161-41-2 (English version)

The Sanctury of the St Kilda Presbyterian Church features three beautiful 1880s Ferguson and Urie stained glass windows; Faith on the left, Charity in the middle and Hope on the right. All are executed in iridescent reds, yellows, greens and blues, to reflect the colour palate used in other Ferguson and Urie windows elsewhere around the church.

Built on the crest of a hill in a prominent position overlooking St Kilda and the bay is the grand St Kilda Presbyterian Church.

The St Kilda Presbyterian Church's interior is cool, spacious and lofty, with high ceilings of tongue and groove boards laid diagonally, and a large apse whose ceiling was once painted with golden star stenciling. The bluestone walls are so thick that the sounds of the busy intersection of Barkley Street and Alma Road barely permeate the church's interior, and it is easy to forget that you are in such a noisy inner Melbourne suburb. The cedar pews of the church are divided by two grand aisles which feature tall cast iron columns with Corinthian capitals. At the rear of the building towards Alma Road there are twin porches and a narthex with a staircase that leads to the rear gallery where the choir sang from. It apparently once housed an organ by William Anderson, but the space today is used as an office and Bible study area. The current impressive Fincham and Hobday organ from 1892 sits in the north-east corner of the church. It cost £1030.00 to acquire and install. The church is flooded with light, even on an overcast day with a powerful thunder storm brewing (as the weather was on my visit). The reason for such light is because of the very large Gothic windows, many of which are filled with quarry glass by Ferguson and Urie featuring geometric tracery with coloured borders. The church also features stained glass windows designed by Ferguson and Urie, including the impressive rose window, British stained glass artist Ernest Richard Suffling, Brooks, Robinson and Company Glass Merchants, Mathieson and Gibson of Melbourne and one by Australian stained glass artist Napier Waller.

Opened in 1886, the St Kilda Presbyterian church was designed by the architects firm of Wilson and Beswicke, a business founded in 1881 by Ralph Wilson and John Beswicke (1847 - 1925) when they became partners for a short period. The church is constructed of bluestone with freestone dressings and designed in typical Victorian Gothic style. The foundation stone, which may be found on the Alma Road facade, was laid by the Governor of Victoria Sir Henry Barkly on 27 January. When it was built, the St Kilda Presbyterian Church was surrounded by large properties with grand mansions built upon them, so the congregation were largely very affluent and wished for a place of worship that reflected its stature not only in location atop a hill, but in size and grandeur.

The exterior facades of the church on Barkley Street and Alma Road are dominated by a magnificent tower topped by an imposing tower. The location of the church and the height of the tower made the spire a landmark for mariners sailing into Melbourne's port. The tower features corner pinnacles and round spaces for the insertion of a clock, which never took place. Common Victorian Gothic architectural features of the St Kilda Presbyterian Church include complex bar tracery over the windows, wall buttresses which identify structural bays, gabled roof vents, parapeted gables and excellent stone masonry across the entire structure.

I am very grateful to the Reverend Paul Lee for allowing me the opportunity to photograph the interior of the St Kilda Presbyterian Church so extensively.

The architects Wilson and Beswicke were also responsible for the Brighton, Dandenong, Essendon, Hawthorn and Malvern Town Halls and the Brisbane Wesleyan Church on the corner of Albert and Ann Streets. They also designed shops in the inner Melbourne suburbs of Auburn and Fitzroy. They also designed several individual houses, including "Tudor House" in Williamstown, "Tudor Lodge" in Hawthorn and "Rotha" in Hawthorn, the latter of which is where John Beswicke lived.

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

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CAVE 10

The double storied Buddhist cathedral-cum-monastery - the only chaitya griha at Ellora Cave - is stylistically and palaeographically datable to 7th century AD. It is a beautiful creation of artists, who have copied the contemporary wooden constructions in cave architecture. The most remarkable feature is the Music Gallery on the upper floor and the beautiful carve facade. The facade is decorated with a number of friezes of animals, couples and a beautifully carved window, which allows light to the cave. It consists of a large courtyard with double storeyed apartements on both sides and an apsidal pillared hall on a raised platform.

The spacious hall apsidal on plan, has thirty pillars arranged in an elongated apse. The object of worship is a seated image of preaching Buddha flanked by two Bodhisattvas and celestial couples all carved against the stupa, which serves as an ornamental background. The drum of the stupa is also decorated with panels of Buddha and Bodhisattvas. The ribbed vault gives an echo effect in the hall when a person standing at one end of the columns of the nave creates any sound.

The upper floor is approached by a flight of steps cut in to the sidewall of verandha. It is possible that from this Musc-Gallery, background music was provided to the monks, chanting mantras below. It may also have been used for seating important visitors during prayers.

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Ellora (\e-ˈlȯr-ə\, Marathi: वेरूळ Vērūḷa), is an archaeological site, 29 km North-West of the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta dynasty. It is also known as Elapura (in the Rashtrakuta literature-Kannada). Well known for its monumental caves, Ellora is a World Heritage Site. Ellora represents the epitome of Indian rock-cut architecture. The 34 "caves" are actually structures excavated out of the vertical face of the Charanandri hills. Buddhist, Hindu and Jain rock-cut temples and viharas and mathas were built between the 5th century and 10th century. The 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, built in proximity, demonstrate the religious harmony prevalent during this period of Indian history. It is a protected monument under the Archaeological Survey of India.

ETYMOLOGY

Ellora, also called Verula or Elura, is the cave form of the Ancient name Elapura.

HISTORY

Ellora is known for Hindu, Buddhist and Jain cave temples built during (6th and 9th centuries) the rule of the Kalachuri, Chalukya and Rashtrakuta dynasties. The Jagannatha Sabha a group of five Jain cave temples of 9th century built by Rashtrakuta.

THE BUDDHIST CAVES

These caves were built during the 5th-7th century. It was initially thought that the Buddhist caves were one of the earliest structures, created between the fifth and eighth centuries, with caves 1-5 in the first phase (400-600) and 6-12 in the later phase (mid 7th-mid 8th), but now it is clear to the modern scholars that some of the Hindu caves (27,29,21,28,19,26,20,17 and 14) precede these caves.[citation needed] The earliest Buddhist cave is Cave 6, followed by 5,2,3,5 (right wing), 4,7,8,10 and 9. Caves 11 and 12 were the last. All the Buddhist caves were constructed between 630-700.

These structures consist mostly of viharas or monasteries: large, multi-storeyed buildings carved into the mountain face, including living quarters, sleeping quarters, kitchens, and other rooms. Some of these monastery caves have shrines including carvings of Gautama Buddha, bodhisattvas and saints. In many of these caves, sculptors have endeavoured to give the stone the look of wood.

Most famous of the Buddhist caves is cave 10, (refer map) a chaitya hall (chandrashala) or 'Vishvakarma cave', popularly known as the 'Carpenter's Cave'. Beyond its multi-storeyed entry is a cathedral-like stupa hall also known as chaitya, whose ceiling has been carved to give the impression of wooden beams. At the heart of this cave is a 15-foot statue of Buddha seated in a preaching pose. Amongst other Buddhist caves, all of the first nine (caves 1–9) are monasteries. The last two caves, Do Tal (cave 11) and Tin Tal (cave 12) have three stories.

CAVE 10

Cave 10 is a vihara with eight cells, four in the back wall and four in the right wall. It had a portico in the front with a cell. Possibly served as a granary for other viharas.

THE VISHWAKARMA

The Vishwakarma (Cave 10) is the only chaitya griha amongst the Buddhist group of caves. It is locally known as Vishwakarma or Sutar ka jhopda "carpenter's hut". It follows the pattern of construction of Caves 19 and 26 of Ajanta. On stylistic grounds, the date of construction of this cave is assigned to 700 A.D. The chaitya once had a high screen wall, which is ruined at present. At the front is a rock-cut court, which is entered through a flight of steps. On either side are pillared porticos with chambers in their back walls. These were probably intended to have subsidiary shrines but not completed. The pillared verandah of the chaitya has a small shrine at either end and a single cell in the far end of the back wall. The corridor columns have massive squarish shafts and ghata-pallava (vase and foliage) capitals. The main hall is apsidal on plan and is divided into a central nave and side aisles by 28 octagonal columns with plain bracket capitals. In the apsidal end of the chaitya hall is a stupa on the face of which a colossal 3.30 m high seated Buddha in vyakhyana mudra (teaching posture) is carved. A large Bodhi tree is carved at the back. The hall has a vaulted roof in which ribs have been carved in the rock imitating the wooden ones.

THE HINDU CAVES

The Hindu caves were constructed between the middle of sixth century to the end of the eighth century. The early caves (caves 17–29) were constructed during the Kalachuri period. The work first commenced in Caves 28, 27 and 19. These were followed by two most impressive caves constructed in the early phase - Caves 29 and 21. Along with these two, work was underway at Caves 20 and 26, and slightly later at Caves 17, 19 and 28. The caves 14, 15 and 16 were constructed during the Rashtrakuta period. The work began in Caves 14 and 15 and culminated in Cave 16. All these structures represent a different style of creative vision and execution skills. Some were of such complexity that they required several generations of planning and co-ordination to complete.

THE KAILASANATHA TEMPLE

Cave 16, also known as the Kailasa temple, is the unrivaled centerpiece of Ellora. This is designed to recall Mount Kailash, the abode of Lord Shiva – looks like a freestanding, multi-storeyed temple complex, but it was carved out of one single rock, and covers an area double the size of Parthenon in Athens. Initially the temple was covered with white plaster thus even more increasing the similarity to snow-covered Mount Kailash.

All the carvings are done in more than one level. A two-storeyed gateway resembling a South Indian Gopura opens to reveal a U-shaped courtyard. The courtyard is edged by columned galleries three storeys high. The galleries are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.

Within the courtyard are three structures. As is traditional in Shiva temples, the first is a large image of the sacred bull Nandi in front of the central temple. The central temple - Nandi Mantapa or Mandapa - houses the Lingam. The Nandi Mandapa stands on 16 pillars and is 29.3 m high. The base of the Nandi Mandapa has been carved to suggest that life-sized elephants are holding the structure aloft. A living rock bridge connects the Nandi Mandapa to the Shiva temple behind it. The temple itself is a tall pyramidal structure reminiscent of a South Indian Dravidian temple. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous lingam at its heart – carved from living stone, is carved with niches, pilasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. Most of the deities at the left of the entrance are Shaivaite (followers of Shiva) while on the right hand side the deities are Vaishnavaites (followers of Vishnu). There are two Dhvajastambhas (pillars with the flagstaff) in the courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, the abode of Lord Shiva, with his full might is a landmark in Indian art. The construction of this cave was a feat of human genius – it entailed the removal of 200,000 tonnes of rock, and took 100 years to complete.

The temple is a splendid achievement of Rashtrakuta Karnata architecture. This project was started by Krishna I (757–773) of the Rashtrakuta dynasty that ruled from Manyakheta in present day Karnataka state. His rule had also spread to southern India, hence this temple was excavated in the prevailing style. Its builders modelled it on the lines of the Virupaksha Temple in Pattadakal. Being a south Indian style temple, it does not have a shikhara common to north Indian temples. – The Guide to the Architecture of the Indian Subcontinent, 1996, Takeo Kamiya, Japan Architects Academy and archaeological Survey of India.

THE DASHAVATARA

The Dashavatara (Cave 15) was begun as a Buddhist monastery. It has an open court with a free-standing monolithic mandapa at the middle and a two-storeyed excavated temple at the rear. The layout of the temple is closely related to caves 11 and 12. Large sculptural panels between the wall columns on the upper floor illustrate a wide range of themes, which include the ten avatars of Vishnu. An inscription of grant of Dantidurga is found on the back wall of the front mandapa. According to Coomaraswamy, the finest relief of this cave is the one depicting the death of Hiranyakashipu, where Vishnu in man-lion (Narasimha) form, emerges from a pillar to lay a fatal hand upon the shoulder of Hiranyakashipu.

OTHER HINDU CAVES

CAVE 21

Other notable Hindu caves are the Rameshvara (Cave 21), which has figurines of river goddesses Ganga and Yamuna at the entrance and the Dhumar Lena (Cave 29) whose design is similar to the cave temple on Elephanta Island near Mumbai. Two other caves, the Ravan ki Khai (Cave 14) and the Nilkantha (Cave 22) also have several sculptures. The rest of the Hindu caves, which include the Kumbharvada (Cave 25) and the Gopilena (Cave 27) have no significant sculptures.

The five Jain caves at Ellora belong to the ninth and tenth centuries. They all belong to the Digambara sect. Jain caves reveal specific dimensions of Jain philosophy and tradition. They reflect a strict sense of asceticism – they are not relatively large as compared to others, but they present exceptionally detailed art works. The most remarkable Jain shrines are the Chhota Kailash (cave 30), the Indra Sabha (cave 32) and the Jagannath Sabha (cave 33). Cave 31 is an unfinished four-pillared hall and a shrine. Cave 34 is a small cave, which can be approached through an opening on the left side of Cave 33. Amongst other devotional carvings, a place called samvatsarana can be found in Elora caves. Samvatsarana is of special interest to Jains, as it is a hall where the tirthankara preaches after attaining omniscience.

THE INDRA SABHA

The Indra Sabha (Cave 32) is a two storeyed cave with one more monolithic shrine in its court. It has a very fine carving of the lotus flower on the ceiling. It got the appellation "Indra Sabha" probably it is significantly ornate and also because of the sculpture of the yaksha (dedicated attendant deity) Matanga on an elephant, which was wrongly identified as that of Indra. On the upper level of the double-storied shrine excavated at the rear of the court, an U image of Ambika, the yakshini of Neminath, is found seated on her lion under a mango tree, laden with fruits.

OTHER JAIN CAVES

All other Jain caves are also characterized by intricate detailing. Many of the structures had rich paintings in the ceilings - fragments of which are still visible.

GEOLOGY OF ELLORA

Ellora occupies a relatively flat region of the Western Ghats. Ancient volcanic activity in this area created many layered basalt formations, known as Deccan Traps. During the Cretaceous, one such volcanic hill formed on the southwest-facing side of Ellora. Its vertical face made access to many layers of rock formations easier, enabling architects to pick basalt with finer grains for more detailed sculpting.

INSCRIPTIONS AT ELLORA

Several inscriptions at Ellora range from 6th century to 15th century. The best known of them is an inscription of Rashtrakuta Dantidurga (c. 753-57 A.D.) on the back wall of the front mandapa of Cave 15, which gives an account of his conquests. Inscriptions on the Kailash temple itself range from 9th to 15th century. Jain cave Jagannatha Sabha has 3 inscriptions that give the names of monks and donors. A Parshvanth temple on the hill has a 11th-century inscription that gives the name of the donor from Vardhanapura.

The Great Kailasa (Cave 16) is attributed to Krishna I (c. 757-83 A.D.), the successor and uncle of Dantidurga. A copper plate grant by Karka II (c. 812-13 A.D.) narrates that a great edifice was built on a hill by Krishnaraja at Elapura (Ellora).

The Ellora caves, unlike Ajanta, were never lost. There have been several written records that indicate that these caves were visited regularly. The earliest is that of the Arab geographer Al-Mas‘udi of the 10th century A.D. In 1352 A.D. Sultan Hasan Gangu Bahmani, who camped at the site and visited the caves. The others are by Firishta, Thevenot (1633–67), Niccolao Manucci (1653-1708), Charles Warre Malet (1794), and Seely (1824)

WIKIPEDIA

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Tindari anciently Tyndaris or Tyndarion (Greek: Τυνδαρίς, Strab.; Τυνδάριον, Ptol.) is a small city (a frazione) in the comune of Patti, in the Province of Messina in Sicily, between Barcellona Pozzo di Gotto and Cefalù.Tindari has a famous sanctuary and is also famous for the poem "Vento a Tindari", written by Salvatore Quasimodo.Tyndaris was situated on a bold and lofty hill standing out as a promontory into the spacious bay of the Tyrrhenian Sea bounded by the Punta di Milazzo on the east, and the Capo Calavià on the west, and according to the Itineraries was 36 miles from Messana (modern Messina). It was a Greek city, and one of the latest of all the cities in Sicily that could claim a purely Greek origin, having been founded by the elder Dionysius in 396 or 395 BC. The original settlers were the remains of the Messenian exiles, who had been driven from Naupactus, Zacynthus, and the Peloponnese by the Spartans after the close of the Peloponnesian War. These had at first been established by Dionysius at Messana, when he repeopled that city; but the Spartans having taken umbrage at this, he transferred them to the site of Tyndaris, which had previously been included in the territory of Abacaenum. The colonists themselves gave to their new city the name of Tyndaris, from their native divinities, the "Tyndaridae" or Dioscuri, and readily admitting fresh citizens from other quarters, soon raised their whole population to the number of 5000 citizens. The new city thus rose at once to be a place of considerable importance.It is next mentioned in 344 BC, when it was one of the first cities that declared in favor of Timoleon after his landing in Sicily.At a later period we find it mentioned as espousing the cause of Hieron, and supporting him during his war against the Mamertines, 269 BC. On that occasion he rested his position upon Tyndaris on the left, and on Tauromenium (modern Taormina) on the right.Indeed the strong position of Tyndaris made it an important strategic post on the Tyrrhenian sea, as Tauromenium was on the Sicilian sea, and hence we find it frequently mentioned in accounts of subsequent wars. In the First Punic War it was at first dependent upon Carthage; and though the citizens, alarmed at the progress of the Roman arms, were at one time on the point of turning to Rome, they were restrained by the Carthaginians, who carried off all the chief citizens as hostages. In 257 BC, the Battle of Tyndaris took place off the coast of Tyndaris, between the city and the Liparaean islands, in which a Roman fleet under Gaius Atilius Regulus obtained some advantage over the Carthaginian fleet, but without any decisive result. The Roman fleet is described on that occasion as touching at the promontory of Tyndaris, but the city had not yet fallen into their hands, and it was not until after the fall of Panormus (modern Palermo) in 254 BC that Tyndaris expelled the Carthaginian garrison and joined the Roman alliance.We hear little of Tyndaris under Roman government, but it appears to have been a flourishing and considerable city. Cicero calls it nobilissima civitas and we learn from him that the inhabitants had displayed their zeal and fidelity towards the Romans upon many occasions. Among others they supplied naval forces for the armament of Scipio Africanus the Younger, a service for which he repaid them by restoring to them a statue of Mercury which had been carried off by the Carthaginiansn and which continued as an object of great veneration in the city, until it was stolen by the rapacious Verres. Tyndaris was also one of seventeen cities selected by the Roman senate, apparently as an honorary distinction, to contribute to certain offerings to the temple of Venus at Eryx. In other respects it had no peculiar privileges, and was in the condition of an ordinary municipal town, with its own magistrates, local senate, etc., but was certainly in the time of Cicero one of the most considerable places in the island. It, however, suffered severely from the exactions of Verres and the inhabitants, to revenge themselves on their oppressor, publicly demolished his statue as soon as he had quit the island. Tyndaris again bore a considerable part in the war between Sextus Pompeius and Octavian (36 BC). It was one of the points occupied and fortified by the former, when preparing for the defence of the Sicilian straits, but was taken by Agrippa after his naval victory at Mylae, and became one of his chief posts, from which he carried on offensive warfare against Pompey. Subsequently to this we hear nothing more of Tyndaris in history; but there is no doubt of its having continued to subsist throughout the period of the Roman Empire. Strabo speaks of it as one of the places on the north coast of Sicily which, in his time, still deserved the name of cities; and Pliny gives it the title of a Colonia. It is probable that it received a colony under Augustus, as we find it bearing in an inscription the titles of Colonia Augusta Tyndaritanorum. Pliny indeed mentions a great calamity which the city had sustained, when (he tells us) half of it was swallowed up by the sea, probably from an earthquake having caused the fall of part of the hill on which it stands, but we have no clue to the date of this event; The Itineraries attest the existence of Tyndaris, apparently still as a considerable place, in the fourth century. By the 19th century, the site of Tyndaris was wholly deserted, but the name was retained by a church, which crowned the most elevated point of the hill on which the city formerly stood, and was still called the Madonna di Tindaro. It is c. 180 m above the sea-level, and forms a conspicuous landmark to sailors. Considerable ruins of the ancient city, are also visible. It occupied the whole plateau or summit of the hill, and the remains of the ancient walls may be traced, at intervals, all round the brow of the cliffs, except in one part, facing the sea, where the cliff is now quite precipitous. It is not improbable that it is here that a part of the cliff fell in, in the manner recorded by Pliny Two gates of the city are also still distinctly to be traced. The chief monuments, of which the ruins are still extant within the circuit of the walls, are: the theatre, of which the remains are in imperfect condition, but sufficient to show that it was not of large size, and apparently of Roman construction, or at least, like that of Tauromenium, rebuilt in Roman times upon the Greek foundations; a large edifice with two handsome stone arches, commonly called a Gymnasium, but the real purpose of which is very difficult to determine; several other edifices of Roman times, but of wholly uncertain character, a mosaic pavement, and some Roman tombs.

Tìndari è una frazione di Patti, comune italiano della provincia di Messina in Sicilia.La città venne fondata da Dionisio di Siracusa nel 396 a.C. come colonia di mercenari siracusani che avevano partecipato alla guerra contro Cartagine, nel territorio della città sicula di Abacaenum (Tripi), e prese il nome di Tyndaris, in onore di Tindaro, re di Sparta e sposo di Leda, padre putativo di Elena e dei Dioscuri, Castore e Polluce.Durante la prima guerra punica, sotto il controllo di Gerone II di Siracusa, fu base navale cartaginese, e nelle sue acque si combatté nel 257 a.C. la battaglia di Tindari, nella quale la flotta romana, guidata dal console Aulo Atilio Calatino, mise in fuga quella cartaginese.Con Siracusa passò in seguito nell'orbita romana e fu base navale di Sesto Pompeo. Presa da Augusto nel 36 a.C., che vi dedusse la colonia romana di Colonia Augusta Tyndaritanorum, una delle cinque della Sicilia, Cicerone la citò come nobilissima civitas.Nel I secolo d.C. subì le conseguenze di una grande frana, mentre nel IV secolo fu soggetta a due distruttivi terremotiSede vescovile, venne conquistata dai Bizantini nel 535 e cadde nel 836, nelle mani degli Arabi dai quali venne distrutta.Vi rimase il santuario dedicato alla Madonna Nera di Tindari, progressivamente ingrandito, che ospita una Maria con il Bambino scolpita in legno, considerata apportatrice di grazie e miracolosa.Il Santuario di Tindari si trova all'estremità orientale del promontorio, a strapiombo sul mare, in corrispondenza dell'antica acropoli, dove una piccola chiesa era stata costruita sui resti della città abbandonata.La statua della Madonna Nera, scolpita in legno di cedro, vi venne collocata in epoca imprecisata, forse giunta qui dall'Oriente in seguito al fenomeno dell'iconoclastia, nell'VIII-IX secolo.La chiesa, distrutta nel 1544 dai pirati algerini, venne ricostruita tra il 1552 e il 1598 e il santuario venne ampliato dal vescovo Giuseppe Pullano con la costruzione di una nuova chiesa più grande che fu consacrata nel 1979. La festa del santuario si svolge ogni anno tra il 7 e l'8 settembre.

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The "The Gables" has a beautiful dining room with a spacious bay window and a smaller lancet window featuring Art Nouveau stained glass, and an elegant tiled fireplace. It was the first room used for a wedding breakfast when "The Gables" became a venue for hire. The stained glass in both the bay window and the side lancet window feature stylised Art Nouveau fruit hanging from elegantly draped branches and vines. Some look like oranges, some apples and others plums.

"The Gables" is a substantial villa that sits proudly on leafy Finch Street in the exclusive inner city suburb of East Malvern.

Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, "The Gables" is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. "The Gables" remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted "The Gables" into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie "Squizzy" Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house's billiards room). "The Gables" became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, "The Gables" ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o'clock at night. Throughout its history, "The Gables" has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of "The Gables" have been retained for the future generations.

Grand in its proportions, "The Gables" is a sprawling villa that is built of red brick, but its main feature, as the name suggests, is its many ornamented gables. The front façade is dominated by six different sized gables, each supported by ornamental Art Nouveau influenced timber brackets. The front and side of the house is skirted by a wide verandah decorated with wooden balustrades and rounded fretwork. "The Gables" features two grand bay windows and three other large sets of windows along the front facade, all of which feature beautiful and delicate Art Nouveau stained glass of stylised flowers or fruit. Impressive Art Nouveau stained glass windows can also be found around the entrance, which features the quote made quite popular at the time by Australian soprano Nellie Melba "east, west, home's best." Art Nouveau stained glass can be found in all of the principal rooms of the house; both upstairs and down. “The Gables” also features distinctive chimneys and the classic Queen Anne high pitched gable roofs with decorative barge-boards, terra-cotta tiles and ornate capping.

As a result of Federation in 1901, it was not unusual to find Australian flora and fauna celebrated in architecture. This is true of "The Gables", which features intricate plaster work and leadlight throughout the mansion showing off Australian gum leaves and flowers. "The Gables" has fifteen beautifully renovated rooms, many of which are traditionally decorated, including beautiful chandeliers, ornate restored wood and tile fireplaces, leadlight windows, parquetry flooring, sixteen foot ceilings and a sweeping staircase. The drawing room still also features the original leadlight conservatory "The Gables" boasted when it was first built.

"The Gables", set on an acre of land, still retains many of the original trees, including the original hedge and two enormous cypress trees in the front. The garden was designed by William Guilfoyle, the master landscape architect of the Royal Botanical Gardens, and "The Gables" still retains much of it original structure. It features a rose-covered gazebo, a pond and fountain, as well as the tallest Norfolk Island pine in the area, which can be seen from some of the tallest skyscrapers in the Melbourne CBD.

Henry Hardie Kemp was born in Lancashire in 1859 and designed many other fine homes around Melbourne, particularly in Kew, including his own home “Held Lawn” (1913). He also designed the APA Building in Elizabeth Street in 1889 (demolished in 1980) and the Melbourne Assembly Hall on Collins Street between 1914 and 1915. He died in Melbourne in 1946.

Beverley Ussher was born in Melbourne in 1868 and designed homes and commercial buildings around Melbourne, as well as homes in the country. He designed "Milliara" (John Whiting house) in Toorak, in 1895 (since demolished) and "Blackwood Homestead" in Western Australia. He died in 1908.

Beverley Ussher and Henry Kemp formed a partnership in 1899, which lasted until Beverley's death in 1908. Their last building design together was the Professional Chambers building in Collins Street in 1908. Both men had strong Arts and Crafts commitments, and both had been in partnerships before forming their own. The practice specialised in domestic work and their houses epitomize the Marseilles-tiled Queen Anne Federation style houses characteristic of Melbourne, and considered now to be a truly distinctive Australian genre. Their designs use red bricks, terracotta tiles and casement windows, avoid applied ornamentation and develop substantial timber details. The picturesque character of the houses results from a conscious attempt to express externally with gables, dormers, bays, roof axes, and chimneys, the functional variety of rooms within. The iconic Federation houses by Beverley Ussher and Henry Kemp did not appear until 1892-4. Then, several of those appeared in Malvern, Canterbury and Kew.

Queen Anne style was mostly a residential style inspired by the Arts and Crafts movement in England, but also encompassed some of the more stylised elements of Art Nouveau, which gave it an more decorative look. Queen Anne style was most popular around the time of Federation. With complex roofline structures and undulating facades, many Queen Anne houses fell out of fashion at the beginning of the modern era, and were demolished.

living room in custom home,stone fireplace,grand piano,big screen,archways,contemporary furnishings

This was my first time using a shared toilet in my accommodation while overseas... Happy and surprised to say that this was a good experience... toilet was really clean and dry! =)

Spacious Executive Harbour View Room at The Ritz-Carlton Hong Kong. Room was on Level 112.

Rotterdam

Cruise: TB11 / 14 Day Southern Caribbean

Depart: Tampa Jan 14, 2018 / Return: Tampa Jan 28, 2018.

Neptune Suite 7030 / SA/Navigation Deck

Jan 14, 2018Tampa, Florida

Jan 15, 2018Key West, Florida

Jan 16, 2018At sea

Jan 17, 2018At sea

Jan 18, 2018San Juan, Puerto Rico

Jan 19, 2018St. Thomas, U.S. Virgin Islands

Jan 20, 2018St. John's, Antigua

Jan 21, 2018Castries, St. Lucia

Jan 22, 2018At sea

Jan 23, 2018Willemstad, Curacao

Jan 24, 2018Oranjestad, Aruba

Jan 25, 2018At sea

Jan 26, 2018Georgetown, Grand Cayman

Jan 27, 2018At sea

Jan 28, 2018Tampa, Florida

MS Rotterdam was in Freeport Bahamas dry dock from October 26 through November 3, 2017

Brief history…

On January 31, 1997 Holland America Line announced the withdrawal of the old Rotterdam (V). The 1959-built forty year old ship was retired after making twenty-nine world cruises. This date coincided with the 1992 amendments to the SOLAS 74 (Safety of Life at Sea). SOLAS is an international maritime treaty which sets minimum safety standards in the construction, equipment and operation of merchant ships. The owner of Holland America, Carnival, clearly knew that the Rotterdam didn't fit into their future plans. In January 1995 Carnival ordered a 62,000 GRT cruise ship from the Italian yard Fincantieri. The new Rotterdam would be capable of a service speed of 25 knots (28.7695 mph). With this size and speed the ship could continue the Round the World cruises and transatlantic crossings until then allotted to the old Rotterdam. The new Rotterdam was fitted with a diesel electric plant, configured around five Sulzer 16ZA40s diesel engines that develop 57,600 MegaWatt. Rotterdam VI was delivered in Venice on November 7, 1997.

The ceremony was attended by Fincantieri chairman, Corrado Antonini and Carnival Corp. honorary chairman, Ted Arison. Carnival was forced to warn shareholders that fourth quarter earnings could be cut as a consequence of the late delivery. The final ship price was $350 million. The delay was attributed manpower shortages at the Fincantieri yard of Venice-Marghera. Others cited the ship did not meet the 25 knots contractual speed in her sea trials.

Six ships have borne the name of Rotterdam. When the newest Rotterdam VI was launched (named after the city of Rotterdam, Netherlands) it was the largest, fastest and grandest of all the Rotterdams. The ship had a gleaming dark blue hull and white superstucture with twin side by side funnels. The main interior designer of the Rotterdam was F.C.J. Dingemans, of the firm VFD Interiors BV. At that time The Rotterdam was the Holland America's flagship, and felt more classic and more formal with the use of additional wood and dark colors.

Peter McHugh, president of Holland America at the time, said there was no intent to rebuild the Rotterdam V. That Rotterdam was retired on September 30, 1997 after 40 years of service. The ship was purchased by Premier Cruises and after refurbishment was known as the Rembrandt. On 12 June 2013, the Rembrandt was sold to WestCord Hotels. The ss Rotterdam is permanently moored at the Kop van Katendrecht in Rotterdam. It is a 4-star hotel and a museum with 254 bedrooms furnished in 50’s style. Peter McHugh served as President and Chief Operating Officer of the Holland America Line and Westours Inc. from January 1996 to October 1999. McHugh was also a senior manager with Pan Am, TWA, and was President of Thomas Cook, NA. The Holland America Line was founded in 1873 as the Dutch-America Steamship Company (Dutch: Nederlandsch-Amerikaansche Stoomvaart Maatschappij), a shipping and passenger line. Because it was headquartered in Rotterdam and provided service to the Americas, it became known as Holland America Line (HAL). Its headquarters are in Seattle, Washington. In 1989, HAL became a wholly owned subsidiary of Carnival Corp.

Some new features of the Rotterdam VI was an entire deck designated as the concierge level with its own lounge for the occupants of the 4 penthouse suites and 36 full suites. The Rotterdam offered Holland America's first alternative dining room - the 88-seat Odyssey restaurant. The 747-seat two level main dining room was the La Fontaine. The Rotterdam was designed to steam at the maximum of 25 knots allowing it to cover the long distances in world cruises. It's nickname was the "Fastdam". At its launch the Rotterdam was furnished with more than $2 million in antiques and art works depicting the golden age of Dutch shipping. The two-level Las Vegas style showroom was known as the Queen's Lounge. The night club/disco was the Crow's Nest. The Lido Deck included the Lido restaurant/cafeteria and the Hot Dog/Hamburger corner. The ship fuel capacity allowed the ship to cruise at full speed for up to 17 days before re-fueling. The ship has the capability of turning 300,000 gallons of seawater into freshwater every day. The builder was Fincantieri, one of Europe's largest shipbuilding groups. Fincantieri employs about 10,000 working at eight shipyards, two design centers, one research center and two production sites for mechanical components.

For its November 1997 first cruise Captain Kees Buckens piloted the Rotterdam from Barcelona to Fort Lauderdale. The ship arrived in Fort Lauderdale on December 4, 1997. Several introductory events were held hosting thousands of travel agents and past passengers. A blog from the year 2000 had this to say about Captain Kees Buckens. "Captain Kees Buckens was a hoot... from the first nights cocktail party that he hosted til most nights that he closed the Crows Nest. Professional... warm and likes to buy drinks for all. Quite a ping pong player too." Kees Buckens more recently is a lecturer and programme director at New Zealand Maritime School.

In addition to its fleet of cruise ships, Holland America also owns the Westmark hotel chain which operates in Alaska and the Yukon, and Worldwide Shore Services, which provides warehouse and logistical support for the company. HAL shares its headquarters in Seattle’s Uptown Queen Anne, Seattle, Washington district with the above mentioned subsidiaries. Finally, HAL owns “Half Moon Cay” (its own private island in the Caribbean, officially known as Little San Salvador Island); nearly all of the line’s cruises through the region spend at least a day there.

Carnival Corporation owns:

Carnival Cruise Lines (25 ships)

Princess Cruises (17 ships)

Costa Cruises (15 ships)

Holland America Line (14 ships)

AIDA (11 ships)

P&O Cruises (UK) (7 ships)

P&O Cruises (Australia) (5 ships)

Cunard (3 ships)

Seabourn (4 ships)

Fathom (1 ship)

compiled by Dick Johnson, February, 2018

richardlloydjohnson@hotmail.com

Spacious living area with plenty of seating and an incredible view!

Spacious.

Bathroom of the Executive suite all with marble wall giving a spacious feel with double sink.

Executive suite room also grant you access to the Executive Club lounge. Crowne Plaza Shanghai Anting is located in Jiading district of Shanghai. It is only 15 minutes away from the Famous Formula one shanghai circuit.

Spacious Executive Harbour View Room at The Ritz-Carlton Hong Kong. Room was on Level 112.

Spacious Executive Harbour View Room at The Ritz-Carlton Hong Kong. Room was on Level 112.

www.vrbo.com/1730746

Looking for a vacation rental in northern Michigan? We have the perfect place for your group to stay! A Large spacious house. Newly remodeled (November 2019). Secluded setting at the end of a private road in a quiet neighborhood. Includes 5 Bedrooms, 2 ½ baths, large kitchen, with seating for 12-20 including a dining Farm table. 2 fridges. (yes, 2 fridges, Both with large ice makers). Dishwasher. Fully stocked kitchen including new Induction cooking stove and large kitchen sink. Good size living room with large 70’’ HD flat screen T.V. with satellite service, stereo system and DVD player with large selection of DVD discs. Wireless DSL internet. 3 couches- two with queen hide-a beds. 3 King bedrooms, 2 Queen size bunk beds (4 beds) in bedroom #4. And one Full size bunk bed (2 beds) in bedroom #5. Nine beds in total. Full size washer and dryer. Flat screen televisions in every bedroom. Outdoor fire pit area with wood benches for seating. Nice deck with BBq grill for outdoor entertaining. King master has a large bathroom with a 70’’ soaking tub. Centrally located just outside Gaylord. A short 10 minute drive to town where you’ll find plenty of dining options as well as all your shopping needs. The perfect place to make your “Up north vacation home base.” Enjoy all our area has to offer. Boating and swimming. Fishing. Hiking. Snowmobiling. Skiing. Golfing and so much more!

We also own a 24 hour accessible gated and locked storage facility with outdoor parking conveniently located less than 4 miles from this vacation rental that we will allow extra vehicles and trailer parking for free during your stay. Plenty of room for all of our guests to bring their own trailer and store it at our facility worry free.

Furnished with all the amenities of home just bring clothes and food.

www.vrbo.com/1730746

Spacious Executive Harbour View Room at The Ritz-Carlton Hong Kong. Room was on Level 112.

spacious rooms

"Spacious mall with a medieval church as a central feature, with supermarket and dining options."

Advertisement showing the wide, spacious interior of the clothing store tenanted by Daniel H. Rockhill and Franklin S. Wilson at 205-207 (ie. 603-605) Chestnut Street. Male clerks and patrons organize and sort through goods displayed in piles on tables throughout the ornately decorated store, which is adorned by pilasters, rounded pediments, rosettes, and flowery chandeliers and light fixtures. Two male clerks assist patrons in the foreground; one speaks with a woman and a young boy, and the other helps two gentlemen. Rockhill & Wilson moved their business from 111 (ie. 321) Chestnut Street to this location in 1857, and operated here until 1882.

Thanks for the comments. Please don't use this image on websites, blogs or other media without my explicit written permission. copyright all rights reserved.

Spacious master bedroom featuring king-sized bed with an amazing view

Spacious sundeck with stylish facilities for guests to have utmost relaxation on board

Spacious deck