View allAll Photos Tagged Soutine,
Oil on canvas; 47 x 27.9 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Oil on canvas; 95.9 x 60 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Paris – hier et aujourd'hui. Boulevard du Montparnasse. This is the Café du Dôme which opened in 1898 and was one of the first cafés in the Montparnasse area. In the 1920s it was one of the popular places for painters, sculptors, writers, models, expat Americans, etc. It is located just a stone’s throw away from three other famous Montparnasse cafés; La Rotonde, La Coupole and Le Sélect. Le Dome, back in those days, was much larger than it is today. If you notice on the far right, in the old photo, there is an awning which was part of the café, today it is a tabac (tobacco shop). Now the terrace is small and there is an expensive fish restaurant located there. Some of the renowned who frequented the place; Pablo Picasso, Paul Gauguin, Ernest Hemingway, Vladimir Lenin, Henry Miller, Sinclair Lewis, Amedeo Modigliani, Man Ray, Chaim Soutine, Henri Cartier-Bresson and Kiki of Montparnasse just to name a few. In the 22 plus years of living here and the countless times I have passed this café, I’ve never been inside. Why bother, Le Sélect is nearby and much better (of course, a very personal observation).
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Oil on canvas; 100 x 73.3 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
c. 1926. Oli sobre tela. 102,2 x 76,1 cm. Museu de Belles Arts de Houston, Houston. 74.248. Obra exposada.
1926. Oli sobre tela. 97,5 x 63,3 cm. Art Institute of Chicago, Chicago. 1937.167. Obra exposada: Galeria 392.
Statue of the prisoner of war.
This marble statue was sculpted by Eugène-Ernest Chrétien (1840-1909). It represents a vanquished Gaul who is restrained with irons. This statue, entrusted to the town by the State, was previously on display inside the Town Hall. It was later transferred to this location.
Châteaudun (French pronunciation: [ʃɑtodœ̃]) is a commune in the Eure-et-Loir department in northern France. It is a sub-prefecture of the department. It was the site of the Battle of Châteaudun during the Franco-Prussian War.
Geography
Châteaudun is located about 45 km northwest of Orléans, and about 50 km south-southwest of Chartres. It lies on the river Loir, a tributary of the Sarthe.
History
Châteaudun (Latin Castrodunum), which dates from the Gallo-Roman period, was in the middle ages the capital of the County of Dunois.
The streets, which radiate from a central square, have a uniformity due to the reconstruction of the town after fires in 1723 and 1870.
Employment
The area is rich agricultural land, but a major local employer is the Châteaudun Air Base just to the east of the town, and much larger than the town itself.
Main sights
The town has a château, founded in the 10th century, known for being the first on the road to Loire Valley from Paris. Châteaundun also has a museum, the "Musée des beaux arts et d'histoire naturelle". The museum is diverse, the most popular exhibition being the big collection of stuffed birds. In addition, there are often temporary exhibitions, recent examples including the war of Asia, ancient Egypt and insects.
Personalities
Châteaudun was the birthplace of:
Pierre Guédron (1570–1620), composer
Nicolas Chaperon (1612–1656) painter
Edmond Modeste Lescarbault (1814), doctor and amateur astronomer
Romain Feillu (1984) road racing cyclist
Brice Feillu (1985) road racing cyclist
Twin towns - sister cities
Châteaudun is twinned with:
Republic of Ireland Arklow, Ireland
Czech Republic Kroměříž, Czech Republic
Spain Marchena, Spain
Germany Schweinfurt, Germany
Canada Trois-Rivières, Canada
Eure-et-Loir is a French department, named after the Eure and Loir rivers. It is located in the region of Centre-Val de Loire. In 2019, Eure-et-Loir had a population of 431,575.
History
Eure-et-Loir is one of the original 83 departments created during the French Revolution on March 4, 1790 pursuant to the Act of December 22, 1789. It was created mainly from parts of the former provinces of Orléanais (Beauce) and Maine (Perche), but also parts of Île-de-France (Drouais, Thymerais, Valley of the Avre, Hurepoix).
The current department corresponds to the central part of the land of the Carnutes who had their capital at Autricum (Chartres). The Carnutes are known for their commitment, real or imagined, to the ancient Druidic religion. A holy place in the "Forest of the Carnutes" used to host the annual Druidic assembly. In the north of the department another pre-Roman people, the little-known Durocasses, had their capital at Dreux.
Geography
Eure-et-Loir comprises the main part of the region of Beauce, politically it belongs to the current region of Centre-Val de Loire and is surrounded by the departments of Loir-et-Cher, Loiret, Essonne, Yvelines, Eure, Orne, and Sarthe.
Principal towns
The most populous commune is Chartres, the prefecture. As of 2019, there are 6 communes with more than 10,000 inhabitants:
CommunePopulation (2019)
Chartres 38,534
Dreux 30,646
Lucé 15,403
Châteaudun 13,096
Vernouillet 12,472
Mainvilliers 11,127
Economy
The Eure-et-Loir is a department of agricultural tradition (Beauce), but also at the forefront in three economic sectors :
Agriculture
The department is a major economic player in the production of grain and oilseed in France.[6] Its agricultural economy is still heavily dependent on the economic and regulatory environment of the markets for crops. The Eure-et-Loir region is the first grain producer of France. It is also the national leader in the production of rapeseed and peas. Wheat production is by far the most dominant in the area. Nearly 40% of all farmland is devoted to the cultivation of wheat, which has generated an average of 29% of the commercial agricultural production of the department over the last 5 years.
The "Pôle AgroDynamic also promotes agriculture in the department", a grouping of subsidiaries providing added values in different sectors: agro-energy, agribusiness, agricultural materials, Agrohealth.
Industries
The Cosmetic Valley cluster, around Chartres, which is the most important centre of the French beauty and well-being (perfumes/cosmetics) industry, with big names such as Guerlain, Paco Rabanne, Lolita Lempicka, Jean-Charles de Castelbajac and Jean-Paul Gaultier. The Cosmetic Valley represents 2.5 billion euros of turnover, includes 200 companies, collaborates with the Universities of Orleans and Paris and employs more than 30,000 employees.
The pharmaceutical industry, around Dreux and the Polepharma cluster. Created in 2002 under the leadership of CODEL Polepharma is a cluster of French pharmaceutical production which includes companies like Ipsen, Novo Nordisk, Laboratoires Expanscience, LEO Pharma, Ethypharm Famar, Norgine, Nypro, Synerlab / Sophartex and Seratec. The cluster represents 50% of drug production in France and 30,000 jobs. The Pharma cluster is also one of the creators of the inter-regional alliance "Pharma Valley" that has partner networks: Polepharma, CBS and Grepic. This alliance represents 60% of the production sites located in France and 2.5 billion euros of turnover.
the agri-food industry, promoted by Agrodynamic (rural center of excellence), with two major companies in the sector: Ebly at Chateaudun and an Andros at Auneau.
woodcraft and furniture industry around the association Perchebois.
the rubber and plastics industry, through the cluster Elastopole.
the elevator manufacturer Octé has its head office in Châteauneuf-en-Thymerais
Energy
The department also has the lead in renewable energy. Already ranked second nationally in terms of power generation through its wind farms located in particular in the Beauce region of Eure-et-Loir in 2012 will be the largest producer of electricity with photovoltaic French original creation on the airbase NATO disused Crucey-Villages near Brezolles in the region's natural Thymerais, the largest photovoltaic park in France. Given in February 2011 by the General Council to the operator, EDF Energies Nouvelles, the park will cover 245 ha of the military base and produce the equivalent output of 160 wind turbines.
Tourism
The most important tourist attraction is the cathedral of Chartres, with its magnificent stained-glass windows.
Church: Saint-Pierre of Dreux, Saint-Denis (Toury)
Chapelle Royale of Dreux
Beffroi of Dreux
Bonneval Abbey
Castle of Anet, of Chateaudun, of Maillebois, of Maintenon, of Montigny (Cloyes-sur-Loir), of Montigny-sur-Avre, of Charbonnières (Authon-du-Perche), Castle Saint-John (Nogent-le-Rotrou), Castle of Villepion (Orgères-en-Beauce), Castle of Reverseaux (Voves)
Regional parc of the Perche
Notable people
Middle Ages
Hasting, viking chief who was Count of Chartres (882 - 892)
Hugues Capet (c. 939 – 996), King of the Franks, deceased near Voves
Fulbert de Chartres (952-970 – 1028), bishop founder of School of Chartres
Bernard of Tiron (1046 - 1117), founder of the monastic order of Tiron and of the abbey of Thiron-Gardais
John of Salisbury (1115 - 1180), student of Abélard and of Fulbert de Chartres. British intellectual, friend of Thomas Becket. Bishop of Chartres from 1176 to 1180.
Philippe VI of France (1293 – 1350), died at the Abbey of Notre-Dame of Coulombs, near Nogent-le-Roi
Jean II of France (1319 – 1364), who signed the Treaty of Brétigny during the Hundred Years War at Sours, a village near Chartres
Renaissance
Joan of France, Duchess of Berry (1464 - 1505), born in Nogent-le-Roi, wife of Louis XII of France, canonised by the Pope Pius XII in 1950.
Diane de Poitiers (1499 - 1566), favourite of Henry II of France
Rémy Belleau (1526 - 1577), poet of the Pléiade
Henri IV of France (1553 - 1610), crowned in Chartres Cathedral
Jean Louis de Nogaret de La Valette (1554 – 1642), Duc d'Épernon, minion of Henri III of France.
Maximilien de Béthune (1559 - 1641), duke of Sully-sur-Loire died at the Villebon château, buried at Nogent-le-Rotrou)
19th and 20th century
Émile Zola (1840 – 1902), who was inspired by Romilly-sur-Aigre for his novel La Terre
Marcel Proust (1871 – 1922) spent time during his youth in the town Illiers-Combray where his aunt lived
Paul-Félix Armand-Delille (1874 – 1963), bacteriologist
Chaïm Soutine (1893 – 1943), painter
Simone Segouin (1925 - ), also known by her nom de guerre Nicole Minet, is a former French Resistance fighter who served in the Francs-Tireurs et Partisans group.
Lolita Lempicka (1954 - ), fashion designer and perfumer who lives in Berchères-sur-Vesgre
Oil on canvas; 81 x 65.1 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Explore #481 02-05-09
Part of a special exhibit of pastels seen while we were visiting the Musee d'Orsay, this beautiful portrait of a young girl and her dog by Louise Breslau really stood out in the room where it was on display.
This is my last painting from the Musee d'Orsay. Tomorrow I move on to yet another art museum, Musee de l'Orangerie, which offers a fabulous concentration of masterpieces from the Jean Walter and Paul Guillaume Collection. It starts in the Impressionist period and leads into Neo-Impressionism, featuring works by Monet, Cézanne, Renoir, Picasso, Rousseau, Matisse, Derain, Modigliani, Soutine, Utrillo and Laurencin.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Ink and watercolor on paper.
Léonard Tsugouharu Foujita was a painter and printmaker born in Tokyo, Japan who applied Japanese ink techniques to Western style paintings.
Immediately after graduating secondary school, Foujita wished to study in France, but on the advice of Mori Ogai (his father's senpai military physician) he decided to study western art in Japan first. In 1910 when he was twenty-four years old Foujita graduated from what is now the Tokyo National University of Fine Arts and Music. His paintings during the period before he moved to France were often signed "Fujita" rather than the gallicized "Foujita" he adopted later.
Three years later he went to Montparnasse in Paris, France. When he arrived there, knowing nobody, he met Amedeo Modigliani, Pascin, Chaim Soutine, and Fernand Léger and became friends with Juan Gris, Pablo Picasso and Henri Matisse. Foujita claimed in his memoir that he met Picasso less than a week after his arrival, but a recent biographer, relying on letters Foujita sent to his first wife in Japan, clearly shows that it was several months until he met Picasso. He also took dance lessons from the legendary Isadora Duncan.[2]
Foujita had his first studio at no. 5 rue Delambre in Montparnasse... Many models came over to Foujita's place to enjoy this luxury, among them Man Ray's very liberated lover, Kiki, who boldly posed for Foujita in the nude... Another portrait of Kiki titled "Reclining Nude with Toile de Jouy .... was the sensation of Paris at the Salon d'Automne in 1922, selling for more than 8,000 francs.... Within a few years, particularly after his 1918 exposition, he achieved great fame as a painter of beautiful women and cats in a very original technique. He is one of the few Montparnasse artists who made a great deal of money in his early years. By 1925, Tsuguharu Foujita had received the Belgian Order of Leopold and the French government awarded him the Legion of Honor.
After the breakup of his third marriage, and his flight to Brazil in 1931 (with his new love, Mady), Foujita traveled and painted all over Latin America, giving hugely successful exhibitions along the way. In Buenos Aires, Argentina, 60,000 people attended his exhibition, and more than 10,000 queued up for his autograph. In 1932 he contributed a work to the Pax Mundi, a large folio book produced by the League of Nations calling for a prolonged world peace.[3] However, by 1933 he was welcomed back as a minor celebrity to Japan where he stayed and became a noted producer of militaristic propaganda during the war. For example, in 1938 the Imperial Navy Information Office supported his visit to China as an official war artist.
On his return to France, Foujita converted to Catholicism. He was baptised in Reims cathedral on 14 October 1959, with René Lalou (the head of the Mumm champagne house) as his godfather and Françoise Taittinger as his godmother. This is reflected in his last major work,at the age of 80, the design, building and decoration of the Foujita chapel in the gardens of the Mumm champagne house in Reims, France, which he completed in 1966, not long before his death.
en.wikipedia.org/wiki/Tsuguharu_Foujita
The Musée de l'Orangerie is an important art gallery of impressionist and post-impressionist paintings located in the Tuileries Gardens, Paris. Though most famous for being the permanent home for eight Water Lilies murals by Claude Monet, the museum also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaim Soutine, and Maurice Utrillo, a.o.
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Huile sur toile, 81 x 100 cm, 1924, Moma, New York.
Dans cette adaptation troublante de La Raie de Jean-Siméon Chardin exécutée en 1725-1726, Soutine associe les entrailles sanglantes du poisson à une bouche souriante, presque humaine. Il a réanimé le rayon mort en se concentrant sur son ventre vibrant et a utilisé des coups de pinceau épais et fluides pour suggérer une chair lisse (cf. Moma).
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Ink, oil and gold foil on canvas; 61.2 x 38.8 cm.
Léonard Tsugouharu Foujita was a painter and printmaker born in Tokyo, Japan who applied Japanese ink techniques to Western style paintings.
Immediately after graduating secondary school, Foujita wished to study in France, but on the advice of Mori Ogai (his father's senpai military physician) he decided to study western art in Japan first. In 1910 when he was twenty-four years old Foujita graduated from what is now the Tokyo National University of Fine Arts and Music. His paintings during the period before he moved to France were often signed "Fujita" rather than the gallicized "Foujita" he adopted later.
Three years later he went to Montparnasse in Paris, France. When he arrived there, knowing nobody, he met Amedeo Modigliani, Pascin, Chaim Soutine, and Fernand Léger and became friends with Juan Gris, Pablo Picasso and Henri Matisse. Foujita claimed in his memoir that he met Picasso less than a week after his arrival, but a recent biographer, relying on letters Foujita sent to his first wife in Japan, clearly shows that it was several months until he met Picasso. He also took dance lessons from the legendary Isadora Duncan.[2]
Foujita had his first studio at no. 5 rue Delambre in Montparnasse... Many models came over to Foujita's place to enjoy this luxury, among them Man Ray's very liberated lover, Kiki, who boldly posed for Foujita in the nude... Another portrait of Kiki titled "Reclining Nude with Toile de Jouy .... was the sensation of Paris at the Salon d'Automne in 1922, selling for more than 8,000 francs.... Within a few years, particularly after his 1918 exposition, he achieved great fame as a painter of beautiful women and cats in a very original technique. He is one of the few Montparnasse artists who made a great deal of money in his early years. By 1925, Tsuguharu Foujita had received the Belgian Order of Leopold and the French government awarded him the Legion of Honor.
After the breakup of his third marriage, and his flight to Brazil in 1931 (with his new love, Mady), Foujita traveled and painted all over Latin America, giving hugely successful exhibitions along the way. In Buenos Aires, Argentina, 60,000 people attended his exhibition, and more than 10,000 queued up for his autograph. In 1932 he contributed a work to the Pax Mundi, a large folio book produced by the League of Nations calling for a prolonged world peace.[3] However, by 1933 he was welcomed back as a minor celebrity to Japan where he stayed and became a noted producer of militaristic propaganda during the war. For example, in 1938 the Imperial Navy Information Office supported his visit to China as an official war artist.
On his return to France, Foujita converted to Catholicism. He was baptised in Reims cathedral on 14 October 1959, with René Lalou (the head of the Mumm champagne house) as his godfather and Françoise Taittinger as his godmother. This is reflected in his last major work,at the age of 80, the design, building and decoration of the Foujita chapel in the gardens of the Mumm champagne house in Reims, France, which he completed in 1966, not long before his death.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Week 5 Portraits of Painters (2) (1021 – 1025)10/27 – 10/31/2019 ID 1022
Chaïm Soutine Russian (active in France) 1893-1943
Self-Portrait , about 1918
Oil on canvas
Born in a small town near Minsk and trained as an artist in Lithuania, Soutine moved to Paris in 1913. There, he became a member of the cosmopolitan artistic world of Montparnasse and the group that critics of the 1920s called “The Paris School.” Here, Soutine portrays himself facing the easel, a composition inspired by a Rembrandt self-portrait and a formula exploited earlier by Vincent van Gogh and Paul Cézanne. Whereas those masters showed themselves as heroic, purposeful figures before a canvas, Soutine depicts himself as a small figure turning to face us; he included on the reverse of the artist’s canvas a dark, mysterious figure, perhaps a lurking alter ego.
The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum
From the Placard: Princeton University Art Museum, NJ
en.wikipedia.org/wiki/Chaim_Soutine
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Huile sur toile, 54 x 65 cm, 1924, museum of Art, Philadelphie.
En 1923, Chaim Soutine quitta Céret dans les Pyrénées pour s'installer à Cagnes-sur-Mer sur la côte d'Azur, où il vivra et travaillera pendant les deux années suivantes, se lançant dans une deuxième série de peintures inspirées des villes et des campagnes qu'il rencontra au cours des années 1920. Dans cette œuvre, les maisons, les routes et les arbres sont disposés sur une pente raide et vertigineuse, semblable aux vues de Céret de l'artiste, mais la palette est beaucoup plus lumineuse et la composition plus ouverte. L’effet général est celui de la légèreté, par opposition à la claustrophobie des tumultueuses peintures de Céret (cf. museum of Art de Philadelphie).
Claude Monet
French, 1840-1926
Oil on canvas
Courtesy of the Kirkland Family
This sunny, breezy painting captures the fleeting
effects of light and atmosphere at the broad
expanse of the Seine River at Vetheuil and
the ridge to the north. French Impressionist
Claude Monet moved to Vetheuil from Argenteuil,
in the suburbs of Paris, for reasons of cost and
tranquility. Farther up the Seine from Paris, Vetheuil
provided abundant natural beauty and an escape
from urban encroachment. His new home was
next to the location depicted in the museum's
River at Lavacourt of 1879, on view in Throughlines.
------------------------------------
Portland Art Museum
Pissarro to Picasso: Masterworks on Loan from the Kirkland Family Collection
Thanks to the generosity of the Kirkland family of Los Angeles, visitors to the Portland Art Museum will be able to enjoy fourteen art treasures from the family’s collection, many of which have not been publicly displayed for decades. The works span nearly a century, from the monumental 1887 canvas of Jamaica by Martin Johnson Heade, to Marc Chagall’s 1975 The Betrothed, these works follow the revolutionary changes in art in Europe and the United States. Two still lifes by Pablo Picasso trace the shift from the astonishing 1912 debut of cubism with La Glace (bowl of ice cream) to its mature form in 1938.
The landscape form transmutes from Heade’s highly detailed canvas to Claude Monet’s light-filled Impressionist masterpiece Banks of the Seine River near Vétheuil, to Chaim Soutine’s blood-red expressionist 1918 Southern Landscape. Also included are rare landscapes by Henri Matisse and Georgia O’Keeffe, and a stunning scene of lovers floating in the night sky by Chagall based on stories in Thousand and One Nights. The Portland Art Museum is grateful to be able to exhibit these artworks during the Monet to Matisse: French Moderns exhibition, providing a number of provocative parallels to the treasures on loan this summer from the Brooklyn Museum.
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Albert Coombs Barnes (Philadelphia, January 2, 1872 – Phoenixville, Pennsylvania, July 24, 1951) was an American chemist and art collector. From about 1910, when he was in his late 30s, Barnes began to dedicate himself to the study and pursuit of art. Barnes's collection grew to house 69 Cézannes (more than in all the museums in Paris) as well as 60 Matisses, 44 Picassos, and an astonishing 181 Renoirs. The 2,500 items in the collection include major works by (among others) Rousseau, Modiggliani, Soutine, Seurat, Degas, and van Gogh. Barnes died in an automobile crash. Driving from Ker-Feal to Merion, he failed to stop at a stop sign and was hit broadside by a truck near Phoenixville. He was killed instantly.
gandalfsgarden.blogspot.com/2012/03/giorgio-de-chirico-po...
Huile sur toile, 80 × 100 cm, 1919, musée de l'Orangerie, Paris.
Si cette nature morte est composée d’objets traditionnels : cafetière, bouteille, compotier et pièces de viandes, son traitement est étonnant, avec une véritable danse des objets qui perturbe totalement notre perception. La table s’incurve sur le coté droit, les objets s’étirent et se tordent, se haussent du col, semblent flotter au dessus de la table, plus que d’y être posés, à l’exception toutefois de la pièce de viande à gauche qui seule semble peser sur son support. Le compotier est en équilibre instable et sur quoi repose bien la cafetière ? Quant à ce qui semble être une gigue de chevreuil, elle ne semble reposer sur la table que par une pointe. Les pièces de viande sont animées de touches nerveuses et curvilignes qui en font vibrer les tons rouges sang. Le vert de la table dont la partie gauche est curieusement vide et le vert plus sourd de l’arrière-plan font ressortir les tons rouges des chairs (cf. Paul Guillaume et Domenica Walter, musée de l'Orangerie).
Oil on canvas; 55 x 38 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Oil on canvas; 92 x 60 cm.
Modigliani was born into a Jewish family of merchants. As a child he suffered from pleurisy and typhus, which prevented him from receiving a conventional education. In 1898 he began to study painting. After a brief stay in Florence in 1902, he continued his artistic studies in Venice, remaining there until the winter of 1906, when he left for Paris. His early admiration for Italian Renaissance painting—especially that of Siena—was to last throughout his life. In Paris Modigliani became interested in the Post-Impressionist paintings of Paul Cézanne. His initial important contacts were with the poets André Salmon and Max Jacob, with the artist Pablo Picasso, and—in 1907—with Paul Alexandre, a friend of many avant-garde artists and the first to become interested in Modigliani and to buy his works. In 1908 the artist exhibited five or six paintings at the Salon des Indépendants. In 1909 Modigliani met the Romanian sculptor Constantin Brancusi, on whose advice he seriously studied African sculpture. To prepare himself for creating his own sculpture, he intensified his graphic experiments. In his drawings Modigliani tried to give the function of limiting or enclosing volumes to his contours. In 1912 he exhibited at the Salon d’Automne eight stone heads whose elongated and simplified forms reflect the influence of African sculpture. Modigliani returned entirely to painting about 1915, but his experience as a sculptor had fundamental consequences for his painting style. The characteristics of Modigliani’s sculptured heads—long necks and noses, simplified features, and long oval faces—became typical of his paintings. He reduced and almost eliminated chiaroscuro (the use of gradations of light and shadow to achieve the illusion of three-dimensionality), and he achieved a sense of solidity with strong contours and the richness of juxtaposed colors.
The outbreak of World War I in 1914 increased the difficulties of Modigliani’s life. Alexandre and some of his other friends were at the front, his paintings did not sell, and his already delicate health was deteriorating because of his poverty, feverish work ethic, and abuse of alcohol and drugs. He was in the midst of a troubled affair with the South African poet Beatrice Hastings, with whom he lived for two years, from 1914 to 1916. He was assisted, however, by the art dealer Paul Guillaume and especially by the Polish poet Leopold Zborowski, who bought or helped him to sell a few paintings and drawings.
Modigliani was not a professional portraitist; for him the portrait was only an occasion to isolate a figure as a kind of sculptural relief through firm and expressive contour drawing. He painted his friends, usually personalities of the Parisian artistic and literary world (such as the artists Juan Gris and Jacques Lipchitz, the writer and artist Jean Cocteau, and the poet Max Jacob), but he also portrayed unknown people, including models, servants, and girls from the neighborhood. In 1917 he began painting a series of about 30 large female nudes that, with their warm, glowing colors and sensuous, rounded forms, are among his best works. In December of that year Berthe Weill organized a solo show for him in her gallery, but the police judged the nudes indecent and had them removed.
In 1917 Modigliani began a love affair with the young painter Jeanne Hébuterne, with whom he went to live on the Côte d’Azur. Their daughter, Jeanne, was born in November 1918. His painting became increasingly refined in line and delicate in colour. A more tranquil life and the climate of the Mediterranean, however, did not restore the artist’s undermined health. After returning to Paris in May 1919, he became ill in January 1920; 10 days later he died of tubercular meningitis. Little-known outside avant-garde Parisian circles, Modigliani had seldom participated in official exhibitions. Fame came after his death, with a solo exhibition at the Bernheim-Jeune Gallery in 1922 and later with a biography by André Salmon. For decades critical evaluations of Modigliani’s work were overshadowed by the dramatic story of his tragic life, but he is now acknowledged as one of the most significant and original artists of his time.
Built 1927
Established 1885
The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States, with an encyclopedic collection which spans the globe from ancient Egyptian and European works to contemporary art.
The museum building is highly regarded by architects. The original building, designed by Paul Philippe Cret, is flanked by north and south wings with the white marble as the main exterior material for the entire structure. The museum's first painting was donated in 1883 and its collection consists of over 65,000 works.
The museum contains 100 galleries of art from around the world. Diego Rivera's Detroit Industry cycle of frescoes span the upper and lower levels to surround the central grand marble court of the museum. The armor collection of William Randolph Hearst lines the main hall entry way to the grand court.
The collection is a strong survey of American history, with acknowledged masterpieces of painting, sculpture, furniture and decorative arts from the 18th century, 19th century, and 20th century, with contemporary American art in all media also being collected. The breadth of the collection includes such American artists as John James Audubon, George Bellows, George Caleb Bingham, Alexander Calder, Mary Cassatt, Dale Chihuly, Frederic Edwin Church, Thomas Cole, John Singleton Copley, Robert Colescott, Leon Dabo, Thomas Wilmer Dewing, Thomas Eakins, Childe Hassam, Robert Henri, Winslow Homer, George Inness, Martin Lewis, Georgia O'Keeffe, Charles Willson Peale, Rembrandt Peale, Tom Phardel, Duncan Phyfe, Hiram Powers, Sharon Que, Frederic Remington, Paul Revere, Augustus Saint-Gaudens, John Singer Sargent, John French Sloan, Tony Smith, Marylyn Dintenfass, Gilbert Stuart, Yves Tanguy, Henry Ossawa Tanner, Louis Comfort Tiffany, Andy Warhol, William T. Williams, Anne Wilson, Andrew Wyeth, and James McNeil Whistler.
The early 20th century was a period of prolific collecting for the museum, which acquired such works as a dragon tile relief from the Ishtar Gate of Babylon, an Egyptian relief of Mourning Women and a statuette of a Seated Scribe, Pieter Bruegel the Elder's The Wedding Dance, Saint Jerome in His Study by Jan van Eyck and Giovanni Bellini's Madonna and Child.
Early purchases included French paintings by Claude Monet, Odilon Redon, Eugène Boudin, and Edgar Degas, as well as Old Masters including Gerard ter Borch, Peter Paul Rubens, Albrecht Dürer and Rembrandt van Rijn. The museum includes works by Vincent van Gogh including a self-portrait. The self-portrait of Vincent van Gogh and The Window by Henri Matisse were purchased in 1922 and were the first paintings by these two artists to enter an American public collection. Later important acquisitions include Hans Holbein the Younger's Portrait of a Woman, James Abbott McNeill Whistler's Nocturne in Black and Gold: The Falling Rocket, and works by Paul Cézanne, Eugène Delacroix, Auguste Rodin, Jean-Baptiste Carpeaux and François Rude.
German Expressionism was embraced and collected early on by the DIA, with works by Heinrich Campendonk, Franz Marc, Karl Schmidt-Rottluff, Max Beckmann, Karl Hofer, Emil Nolde, Lovis Corinth, Ernst Barlach, Georg Kolbe, Wilhelm Lehmbruck, Erich Heckel, Ernst Ludwig Kirchner, Paula Modersohn-Becker, and Max Pechstein in the collection. Non-German artists in the Expressionist movement include Oskar Kokoschka, Wassily Kandinsky, Chaim Soutine and Edvard Munch.
The Nut Gatherers by William-Adolphe Bouguereau is, by some accounts, the most popular painting in the collection.
Oil on canvas; 81.5 x 54.5 cm.
Chaïm Soutine was a Jewish, expressionist painter from Belarus. He has been interpreted as a forerunner of Abstract Expressionism. From 1910–1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913 he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times.
In 1923, the American collector Dr. Albert C. Barnes visited his studio and immediately bought 60 of Soutine's paintings. In February 2006, the oil painting of the series 'Le Boeuf Ecorche' (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christies auction held in London - after it was estimated to fetch £4.8 million.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer.
Huile sur toile, 67 x 91 cm, 1922, museum of Art, Philadelphie.
Chaim Soutine a vécu à Céret, une petite ville aux pentes abruptes des Pyrénées françaises, de 1919 à 1922, où il a exécuté une célèbre série de peintures de paysages turbulents. Cette composition aux peintures épaisses représente les bâtiments vertigineux aux murs blancs et les arbres en surplomb de la place de la Liberté à Céret. Achevé vers la fin de la première résidence de Soutine dans le sud de la France, au cours de laquelle les paysages de l'artiste devinrent de plus en plus angoissés et frénétiques, Paysage à Céret imprègne la pittoresque place de la ville d'une atmosphère menaçante dans laquelle les formes convulsives des bâtiments et des arbres se tendent et se poussent. sur la surface de la toile, avec presque aucun ciel en vue (cf. mueum of Art de Philadelphie).
TWORKOV, JACK (1900–1982), U.S. educator, printmaker, painter. Tworkov was born in Biala, Poland and immigrated to the U.S. in 1913. He studied at Columbia University, the National Academy of Design, and the Art Students League. Tworkov worked as an artist for the Works Project Administration's Federal Art Project in 1935, where he met Willem de Kooning. Both men emerged as forces in the Abstract Expressionist movement. Tworkov was also one of the founders of The Club, a loose New York association of Abstract Expressionists which met to discuss matters relating to art making. Like many other Abstract Expressionists, Tworkov's early work consisted of figures and still-lifes. He also rendered images in a cubist style before adopting the visual aspects of Abstract Expressionism. As to be expected, his early work shared many stylistic characteristics with that of de Kooning. As Tworkov gained eminence along with his colleagues in the New York School representational subject matter became subsumed in abundantly textured long, dashing, diagonal brush strokes, as in his painting Blue Note from 1959. Among other influences, Tworkov also turned to the art of the marginalized Expressionist painter Chaim Soutine as a source of inspiration; in fact, Tworkov wrote an article on Soutine during the latter's 1950 show at MOMA. Tworkov achieved the illusion of vibrating and multiple fields or screens of color from a cool, restricted palette and subtle nuances of tone. Likely influenced by the Minimalists, Tworkov integrated grids and other ordering systems into his images from the 1960s onward, such as Shield (1961) and Variables II (1964–65). One of his major series of paintings, House of the Sun, refers to Ulysses, whose epic adventures suggested a variety of themes to the artist. Tworkov taught at numerous institutions: the American University, Black Mountain College (other luminaries of this period such as John Cage, Franz Kline, and Lyonel Feininger also taught here during the 1940s), Queens College, the Pratt Institute, and Yale University, where he functioned as chairman of the art department. He was a recipient of a Corcoran Gold Medal in 1963. Tworkov's art has been exhibited at numerous major museums, including the Art Institute of Chicago, the Guggenheim Museum, the Museum of Modern Art, New York, the Pennsylvania Academy, and the Whitney Museum, among other venues. His work is in the collections of the Hirschhorn Museum and Sculpture Garden, the National Gallery of Art, Washington, D.C., and the Smithsonian Museum of American Art.