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1934 Bronze "Bust of young man" by LEON INDENBAUM 1890-1981. This Russian sculptor naturalized French born in Belarus, arrives in Paris in 1911 where he hosted Soutine and Modigliani in his workshop of the "La Ruche". Amedeo Modigliani and Diego Rivera each painted a portrait of Leon Indenbaum. Léon Indenbaum sculpted the busts of Chaim Soutine, of Leonard Foujita, of Chana Orloff ... In 1968, Léon Indenbaum received from the "Institut de France" the prestigious sculpture prize "Wildenstein" for all of his work. One of his sculptures "Musiciens et antilopes" beats the 2004 world record at Christie's Paris for a 20th century decorative artwork at $ 4.6M. Bronze sculpture of 12 inch - 30 cm.
An auction of MacDougall's on June 6, 2018 in London. "Bust Chaim Soutine" carved in 1918 by his friend LEON INDENBAUM 1890-1981. This Russian sculptor naturalized French was born in Belarus, he arrived in 1911 in Paris with his friend Chaim Soutine, they will participate in the movement "Ecole de Paris" with ... Archipenko, Bourdelle, Brancusi, Chapiro, Chagall, Csaky, Foujita, Kikoine, Kremegne, Modigliani, Orloff, Picasso, Rivera, Zadkine ... Leon Indenbaum's sculpture "Musicians and Antelopes" broke the 1964 world sales record for a $ 4.6 million decorative work of the 20th century at Christie's. In 1968 he won the prestigious "Wildenstein" prize for all his work ... Bronze 19.6 inch - 50 cm, estimation £ 7,000 / £ 9,000.
1928 "THE CUBIST HEN" by LEON INDENBAUM 1890-1981. Sculpture 19.7 in. - 50 cm. This Russian sculptor lives in LA RUCHE in Paris where he hosted Soutine and Modigliani. He works for Bourdelle and Maillol. He participated in the movement ECOLE DE PARIS with his friends: Foujita, Matisse, Orloff, Rivera, Giacometti, Miro, Picasso, Kikoine, Kahlo ... Gets in 1968 the prestigious Wildenstein prize. One of his sculptures beats the world record for 1964 for a 20th century decorative artwork at $ 4.6M
1925 "Head of Chana Orloff" by his friend the Russian sculptor LEON INDENBAUM 1890-1981. Sculpted in Paris at "La Ruche", center of the artistic creation of the early 20th century, housing the artists studios of ... Chagall, Modigliani, Soutine, Foujita, Kikoine, Indenbaum, Rivera, Kahlo, Leger, Zadkine, Laurencin, Marevna, Archipenko , Kremegne, Epstein, Orloff, Lipchitz, Bourdelle, Boucher, Chapiro, Brancusi, Indenbaum, Miestchaninoff, Volovick, Csaky, Kisling, Lipsi, Laurens, Morel, Szwarc, Altman, Dorignac, Dobrinsky ... Bronze sculpture of 17 inch - 43 cm.
1930 Art-Belarus Museum "Bust of a young girl" "Ourida" by Leon Indenbaum 1890-1981. This French sculptor of Jewish origin born in Belarus, arrived in Paris in 1911 and gathered at "La Ruche" with his Belarusian compatriots … Marc Chagall, Michel Kikoine, Pinchus Kremegne, Ossip Lubitch, Oscar Miestchaninoff, Chaim Soutine, Ossip Zadkine, Serge Zelikson … These painters and sculptors formed the basis of the movement "Ecole de Paris". Bronze sculpture16 inch - 42 cm, bought in 2013 in London at Christie's by the Museum ART-BELARUS Minsk - Gazprom Fondation.
1930 "The little wild boar" by LEON INDENBAUM 1890-1981, Russian sculptor naturalized French born in Belarus. He participated in the movement "Ecole de Paris" with his friends Archipenko, Brancusi, Braque, Bugatti, Chagall, Chapiro, Cocteau, Csaky, Foujita, Giacometti, Janniot, Kahlo, Kikoine, Laurencin, Laurens, Lichitz, Leger, Matisse, Miestchaninoff, Modigliani, Miro, Orloff, Picasso, Pompon, Rivera, Soutine, Utrillo, Zadkine… In 1968, Indenbaum received the prestigious award of sculpture "Wildenstein" of the "Institut de France". One of his sculptures beats the world record 2004 for a decorative artwork of the 20th century at $ 4.6M. Bronze sculpture "The little wild boar" 4.4 x 3.5 inch - 11 x 9 cm.
1914 "Head of Christ" by LEON INDENBAUM 1890-1981, this Russian sculptor of Jewish religion, naturalized French born in Belarus, arrived in Paris at Montparnasse with his friends born in the Russian Empire of the time … Marc Chagall, Michel Kikoine, Pinchus Kremegne, Jacques Lipchitz, Chaim Soutine, Ossip Zadkine, Alexander Archipenko, Joseph Csaky, Constantin Brancusi, Jacques Chapiro, Chana Orloff … In 1968, Indenbaum received the prestigious "Georges Wildenstein" Award of "Institut de France" for all of his work. Bronze sculpture offered in 1918 to Mr. and Mrs. Ostrouon, restaurateur of "La Ruche"in exchange for meals for Leon Indenbaum's penniless friends ...
1922 BUST OF A YOUNG GIRL by Leon Indenbaum 1890-1981. This Belarus sculptor (Russian Empire) of Jewish religion, naturalized French , arrived in Paris in 1911 in "La Ruche" with his Belarusian compatriots and friends … Marc Chagall, Michel Kikoine, Pinchus Kremegne, Ossip Lubitch, Oscar Miestchaninoff, Chaim Soutine, Ossip Zadkine, Serge Zelikson … This marble was commissioned in 1922 by the bankers, the brothers Georges and Marcel Benard, patrons of the artist and great collectors of Henry Matisse, Pierre Bonnard ...
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1936 "Woman's bust to the sweater" by LEON INDENBAUM 1890-1981. This Russian sculptor of Jewish religion, naturalized French born in Belarus, arrives in Paris in 1911 where he hosted Soutine and Modigliani in his workshop of the LA RUCHE. Amedeo Modigliani and Diego Rivera each made a portrait of Leon Indenbaum. Léon Indenbaum sculpted the busts of Chaim Soutine, of Leonard Foujita, of Chana Orloff ... In 1968, Léon Indenbaum received from the "Institut de France" the prestigious sculpture prize "Wildenstein" for all of his work.
1937 "Bust of young man" by LEON INDENBAUM 1890-1981. This Russian sculptor of Jewish religion, naturalized French born in Belarus, arrives in Paris in 1911 where he hosted Soutine and Modigliani in his workshop of the "La Ruche". Amedeo Modigliani and Diego Rivera each painted a portrait of Leon Indenbaum. Léon Indenbaum sculpted the busts of Chaim Soutine, of Leonard Foujita, of Chana Orloff ... In 1968, Léon Indenbaum received from the "Institut de France" the prestigious sculpture prize "Wildenstein" for all of his work. One of his sculptures "Musiciens et antilopes" beats the 2004 world record at Christie's Paris for a 20th century decorative artwork at $ 4.6M. "Bust of the young boy" terracotta sculpture of 10 inch - 25 cm.
In 1928, Maria Lani, an invented German star, arrived in Paris. Conductors of the deception, her brother and her husband pretend to be her agents and ask all the popular artists to paint her portrait. Enthused by her beauty and her supposed celebrity, many of them complied: fifty-one portraits, painted by Bonnard, Rouault, Dufy, Vuillard, Soutine or even Foujita, sculpted by Despiau, Bourdelle or even Zadkine, are exhibited at Georges Bernheim in November 1930, before being taken across the Atlantic by the trio of crooks.
Despite this incredible story, the identity of the model is of little importance to Picabia. The portrait is part of the series of Transparencies developed by the artist between 1927 and 1932: it was then inspired by the cubist treatment of volumes as much as surrealist collages. Inventive and willingly unclassifiable, Picabia is interested in turn in these two currents. Active member of the avant-garde alongside Marcel Duchamp, involved following Tristan Tzara in the Dada movement, he approaches all styles with an insatiable curiosity, alternately painter, illustrator, draftsman or even poet...
After the production of Monsters , colorful and deformed characters resulting from all sorts of collages, and as a new period of his private life began alongside the young Olga Molher, he began the Transparency series . In these paintings, the artist superimposes several figurative motifs whose color and scale he modifies. When these works were presented in October 1928, the film critic Gaston Ravel referred to them as "over-impressionism", referring to the simultaneity of superimposed film images: the ambition was then to give the sensation of the third dimension without the aid of perspective.
The subjects often have as their starting point classical figures by Botticelli or Piero della Francesca, or even ancient statuary, reworked from printed reproductions. The stereotypical faces offer the possibility of questioning the perception of the planes and the theme of the gaze: the motif of the multiple eyes here places the portrait at the heart of a questioning of the very idea of vision.