View allAll Photos Tagged Soutine,
1935 A NAKED TEENAGER by LEON INDENBAUM 1890-1981. Sculpture 31.5 inch - 80 cm. This Russian sculptor lives in LA RUCHE in Paris where he hosted Soutine and Modigliani. He works for Bourdelle and Maillol. He participated in the movement ECOLE DE PARIS with his friends: Foujita, Matisse, Rivera, Giacometti, Kikoine, Hepworth ... Obtained in 1968 the prestigious Wildenstein prize. One of his sculptures beats the world record for 1964 for a 20th century decorative artwork at $ 4.6M
Huile srue toile, 97 x 63 cm, 1926, Art Institute, Chicago.
Au milieu des années 1920, Chaim Soutine a réalisé un groupe de natures mortes représentant des volailles suspendues et des morceaux de viande fraîchement découpés, sujets représentés dans l'art européen depuis des siècles. Plutôt que de représenter les animaux sans vie et mous, il les a souvent représentés comme des figures tragiques, comme ici. La qualité animée de la peinture épaisse et tourbillonnante suggère que l’oiseau se tord dans ses derniers instants. Ces natures mortes viscérales ont été inspirées par l’étude de Soutine sur les scènes de marché hollandais du XVIIe siècle, mais ont été peintes d’après des carcasses qu’il avait disposées dans son atelier (cf. Art Institute).
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Ceret (nom oficial francès, Céret) és la vila i municipi capital del Vallespir, a la Catalunya Nord. El seu terme està en part al pla, a uns 175 metres sobre el nivell del mar, i en part a 1.400 metres d'alt.
Administrativament, és el cap de la sots-prefectura de Ceret, al departament dels Pirineus Orientals, dins la regió del Llenguadoc-Rosselló, a França.
La ciutat és coneguda per les estades de grans pintors i escultors: el 1910 s'hi establí Manolo Hugué, amic de Pablo Picasso, el qual hi va estar el 1911, i més tard s'hi va unir Georges Braque, i el poeta Max Jacob. Del 1911 al 1914 Picasso hi va pintar moltes obres cubistes. Pel mateix temps també varen estar a la vila Juan Gris i Auguste Herbin.[2] El 1919 els lituans Chaïm Soutine i Pinchus Krémegne, expressionistes, i el cubista André Masson. Més tard, Marc Chagall, Raoul Dufy, Albert Marquet i Jean Cocteau. El 1950 Pierre Brune, instal·lat a Ceret des del 1916, hi va fundar el Museu d'Art Modern, al qual Picasso i Matisse van donar diverses obres. El 1953, Picasso va tornar a Céret, i va donar al museu més obres. El 1983 hi va anar a pintar Antoni Tàpies i se li va dedicar una sala del museu. El 1990 es va portar a Ceret un llenç de Picasso del període blau (el Retrat de Corina Pere Romeu).
Cité Falguière, Paris
Old house for artists, where Amedeo Modigliani and Chaïm Soutine lived and worked. Now, an association invites artists from everywhere for residences. More information : www.lairarts.com
Detail from Soleil couchant by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
Detail from Les Nuages by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
Detail from Les deux saules by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
Chaïm Soutine（1893 - 1943）
Oil on canvas
63.2 x 52.3 cm
www.christies.com/lotfinder/paintings/chaim-soutine-paysa...
Estimate : £ 240,000 - £ 350,000
Christie's
Impressionist & Modern Works Day Sale
London, 3 Feb 2016
WOMAN WALKING - 1932 - by ALBERTO GIACOMETTI (1901-1966) - This Swiss sculptor of the movement ECOLE DE PARIS (all artists between 1905 and 1939) ... Giacometti works with his friends, young painters and sculptors: Modigliani, Soutine, Foujita, Kahlo, Chagall, Rivera, Indenbaum, Bourdelle, Orloff, Brancusi, Valadon, Kikoine, Bugatti, Laurencin, Matisse, Miro, Picasso, Leger, Archipenko, Bonnard, Lipchitz, Utrillo … Plaster Woman warking, 60 x 11 x 15.4 in. (152 x 28 x 39 cm)
ca. 1929
Oil on canvas
H. 39-3/8, W. 28-7/8 inches (100 x 73.3 cm.)
Madeleine Castaing - Chaim Soutine
The Metropolitan Museum of Art
1000 Fifth Avenue. New York, New York 10028 USA
Huile sur toile, 83 x 65 cm, 1923-1924, centre Pompidou, Paris.
Le peintre russe Chaïm Soutine arrive à Paris vers 1912-1913, après une formation à Minsk chez un nommé Krueger, et la fréquentation de l’École des Beaux-Arts de Vilna (Vilnius). Accueilli, dès 1913, par le sculpteur russe Oscar Miestchaninoff dans son atelier, cité Falguière à Montparnasse, il rencontre un grand nombre des artistes de l’école de Paris : les Russes Zadkine, Chagall, Lipchitz, ou encore Kikoïne et Krémègne qu’il a connus à Minsk et à Vilna, puis Modigliani, avec lequel il partagera une longue amitié. Tous ont trouvé refuge à la cité Falguière ou à La Ruche, lieux incontournables de l’effervescence artistique de Montparnasse.
Dix ans se sont écoulés lorsque Soutine peint le Portrait du sculpteur Oscar Miestchaninoff. Alors qu’il se partage entre Cagnes et Paris, l'artiste continue de mener une vie de bohème sans le sou, hébergé chez ses amis à La Ruche ou en banlieue. Dans ce portrait du sculpteur, la représentation frontale, la profondeur psychologique du personnage, traits qu’il développera par la suite, sont déjà présents. Il y porte une attention particulière aux éléments saillants du corps, aux parties asymétriques du visage et au regard, composants dont la variété d’expressions "interdisent d’y voir une simple projection de la personnalité de l’artiste", note Maurice Tuchman (cf. catalogue d'exposition, Los Angeles, LACMA, 1968). Comme dans le portrait peint par Modigliani en 1916 (Portrait du sculpteur Oscar Miestchaninoff), Miestchaninoff est ici une figure imposante, sûre d’elle-même. Cette toile est sans doute l’un des rares exemples, où "l’équilibre architectonique", dont parlait Élie Faure, semble intact et inébranlable (Élie Faure, Soutine , Paris, Éd. Crès, 1929, p. 6) (cf. Dorothée Deyriès-Henry, centre Pompidou).
Detail from le matin clair aux saules by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
1917 "WOMAN AND CHILD OF THE ARTIST" by LEON INDENBAUM 1890-1981. Wood Sculpture 145 cm - 53.3 inch. Collection Jacques Doucet and Paul Poiret. Sell 2013 at Christie's London us $ 95.000 (private collection) This Russian sculptor lives in LA RUCHE Paris. He formed with his friends L'ECOLE DE PARIS: Soutine, Modigliani, Foujita, Chagall, Rivera ... Gets in 1968 the prestigious Wildenstein prize. One of his sculptures beats the world record for 1964 for a 20th century decorative artwork at $ 4.6M
White Box presents
Hyman Bloom
Paintings and Drawings 1940–2005
(“The Rabbinical Series”)
July 17 through September 23
Hyman Bloom (1913–2009) was a Latvian-born painter influenced by Eastern European Jewish heritage, Middle Eastern
and South Asian music, and mortality. Bloom and his family immigrated to Boston in the 1920s where he was discovered at
14, and received a scholarship to study drawing under famed Harvard art professor, Denman Ross.
The Rabbinical paintings presented in this exhibition, permeated by historical influences ranging from Grünewald and
Rembrandt, to Redon and Soutine, to Indian tantric art and Chinese painting, reflect the mystical and macabre with vivid
intensity: sordid subjects depicted in sensual, jewel-like colors. According to the artist, his works serve as “an attempt to cope
with one’s destiny and become master of it.”
Art critic, Thomas Hess, hailed Bloom in Art News as “one of the outstanding painters of his generation”. Bloom’s
“successors” Jackson Pollock and Willem de Kooning considered him the first Abstract Expressionist. His first public showing
contained thirteen paintings in the Museum of Modern Art exhibition “Americans 1942”, curated by Dorothy C. Miller. Bloom
represented the United States at the 1950 Venice Biennale alongside Gorky, Pollock, and de Kooning. In 1954, a traveling
retrospective of his work appeared at the Whitney Museum of American Art, to critical and press acclaim. In the mid-50s, he
participated in an experiment recording the effects of LSD in his drawings.
Bloom was a key figure in the Boston Expressionist movement. His shy, reclusive nature did not allow for joining arms
with the Abstract Expressionist explosion in the art world of the mid-20th century in New York. Rather, uninterested in fame,
Bloom veered off in his own direction, evoking the spiritual and the metaphysical, and not succumbing either to the pop art
movement that became ubiquitous later. Nonetheless, he remains an important link in American post-war art history, and his
work has been increasingly revisited since his death at the age of 96.
Georgia O'Keeffe
American, 1887-1986
Oil on canvas
Courtesy of the Kirkland Family
From 1943 to 1947, American modern artist
Georgia O'Keeffe painted a series of landscapes
framed by animal bones, in this case the openings
in a bleached pelvis of an unknown species.
These images became for one writer "portals
to the universe." The artist said of the series,
"When I started painting the pelvis bones I was
most interested in the holes in the bones-what
I saw through them-particularly the blue from
holding them up against the sky .... They were the
most beautiful thing against the Blue-that Blue
that will always be there as it is now after all man's
destruction is finished."
------------------------------------
Portland Art Museum
Pissarro to Picasso: Masterworks on Loan from the Kirkland Family Collection
Thanks to the generosity of the Kirkland family of Los Angeles, visitors to the Portland Art Museum will be able to enjoy fourteen art treasures from the family’s collection, many of which have not been publicly displayed for decades. The works span nearly a century, from the monumental 1887 canvas of Jamaica by Martin Johnson Heade, to Marc Chagall’s 1975 The Betrothed, these works follow the revolutionary changes in art in Europe and the United States. Two still lifes by Pablo Picasso trace the shift from the astonishing 1912 debut of cubism with La Glace (bowl of ice cream) to its mature form in 1938.
The landscape form transmutes from Heade’s highly detailed canvas to Claude Monet’s light-filled Impressionist masterpiece Banks of the Seine River near Vétheuil, to Chaim Soutine’s blood-red expressionist 1918 Southern Landscape. Also included are rare landscapes by Henri Matisse and Georgia O’Keeffe, and a stunning scene of lovers floating in the night sky by Chagall based on stories in Thousand and One Nights. The Portland Art Museum is grateful to be able to exhibit these artworks during the Monet to Matisse: French Moderns exhibition, providing a number of provocative parallels to the treasures on loan this summer from the Brooklyn Museum.
-------------------------------------
Detail from Les deux saules by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
Detail from le matin aux saules by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
Detail from le matin clair aux saules by Claude Monet.
Claude Monet, born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting.
The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located in Paris.
It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde.
A cycle of Monet's water-lily paintings, known as the Nympheas, was arranged on the ground floor of the Orangerie in 1927.
The museum was closed to the public from the end of August 1999 until May 2006. The Orangerie was renovated in order to move Les Nympheas to the upper floor of the gallery.
They are now available under direct diffused light as was originally intended by Monet.
The eight paintings are displayed in two rooms. They are:
1) Le Matin aux saules
2) Le Matin clair aux saules
3) Reflets d'arbres
4) Les Nuages
5) Soleil couchant
6) Reflets verts
7) Les deux saules
8) Matin.
White Box presents
Hyman Bloom
Paintings and Drawings 1940–2005
(“The Rabbinical Series”)
July 17 through September 23
Hyman Bloom (1913–2009) was a Latvian-born painter influenced by Eastern European Jewish heritage, Middle Eastern
and South Asian music, and mortality. Bloom and his family immigrated to Boston in the 1920s where he was discovered at
14, and received a scholarship to study drawing under famed Harvard art professor, Denman Ross.
The Rabbinical paintings presented in this exhibition, permeated by historical influences ranging from Grünewald and
Rembrandt, to Redon and Soutine, to Indian tantric art and Chinese painting, reflect the mystical and macabre with vivid
intensity: sordid subjects depicted in sensual, jewel-like colors. According to the artist, his works serve as “an attempt to cope
with one’s destiny and become master of it.”
Art critic, Thomas Hess, hailed Bloom in Art News as “one of the outstanding painters of his generation”. Bloom’s
“successors” Jackson Pollock and Willem de Kooning considered him the first Abstract Expressionist. His first public showing
contained thirteen paintings in the Museum of Modern Art exhibition “Americans 1942”, curated by Dorothy C. Miller. Bloom
represented the United States at the 1950 Venice Biennale alongside Gorky, Pollock, and de Kooning. In 1954, a traveling
retrospective of his work appeared at the Whitney Museum of American Art, to critical and press acclaim. In the mid-50s, he
participated in an experiment recording the effects of LSD in his drawings.
Bloom was a key figure in the Boston Expressionist movement. His shy, reclusive nature did not allow for joining arms
with the Abstract Expressionist explosion in the art world of the mid-20th century in New York. Rather, uninterested in fame,
Bloom veered off in his own direction, evoking the spiritual and the metaphysical, and not succumbing either to the pop art
movement that became ubiquitous later. Nonetheless, he remains an important link in American post-war art history, and his
work has been increasingly revisited since his death at the age of 96.