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Created for PC #275
truck by prairiekittin
background by Google
cows by Bart van Damme
Gracias por sus visitas y comentarios
Thanks you for his visits and his comments
Merci pour leur visites et leur commentaries
Bron: hdl.handle.net/10934/RM0001.COLLECT.222122
Titel(s): Landschap met huizen en molen aan het water Delftshaven (originele titel)
Objecttype: prent
Objectnummer: RP-P-1913-1286
Catalogusreferentie: Collectie Rijksmuseum-1(4)
Opschriften / Merken verzamelaarsmerk, verso, gestempeld: Lugt 2233
Drawing From The Source
"For My people have committed two evils: They have forsaken Me, The fountain of living waters, To hew for themselves cisterns, Broken cisterns That can hold no water." Jeremiah 2:13
For us as believers, contentment should be governed by inner attitude and the decisions we make rather than by external circumstances. Because Paul had learned this secret, he was able to experience joy and peace in any kind of situation--whether he was surrounded by friends or isolated in a Roman prison; whether he had plenty or was in great need. The apostle understood what it meant to live in Christ and to have Christ living in him (John 15:1-9; Galatians 5:22-23). He had made a simple but profound faith decision to draw his life from the Lord and, as a result, had the calm assurance that what he possessed inside could never be stolen. He was confident in his identity as a child of the Almighty, with full access to the abundant life Jesus offers. I want to challenge you--this week, when something threatens to steal your contentment, choose to draw from God; decide to stop drawing from other sources and trying to be in control. When you find yourself becoming flustered, anxious, or angry, stop and say, "Lord, You are my source, and I draw from You the capacity to be kind. I draw from You the forgiveness I need to extend right now. I draw from You the love I need to express." This decision is a matter of simple trust. Watch and see how God will quiet your spirit and provide confidence when you draw only from Him as your source. You'll be surprised at your own attitude: when you respond from within--rather than from the flesh--Jesus will give you the ability to respond as He would.
_____
Dr. Charles Stanley
This is a slide from the talk we gave at Open Source Bridge in Portland in June, 2011. In this talk we take a practical look at the design process and techniques everyone should know.
How many product ideas never make it to market? Some failure is OK, but why does it happen so often? We don’t believe it’s because of bad ideas. We believe that teams are missing a holistic approach to design for people, inside and outside the organization.
Download slides from one of our talks or
learn how to invite a ZURBian to speak at your event or www.zurbspeak.com
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Source Connection aims to fight poverty by empowering men and women to improve their standard of living by sharing knowledge. The Simonga village Project and the Mandia Drinking Water Project are examples. Any gift is directly used for the aim, no money for bureaucracy!
ASK SOURCE CONNECTION (info@sourceconnection.nl) to get the news letter "De Supporter" to be regularly informed about the progress.
My first color film with my Semflex Standard 3.5, a French TLR camera year 1959, in Lyon, France, June 6, 2024.
The camera was equipped with a FOCA AUV protective filter and a FOCA metal shade hood. The camera was loaded with a 12-exposure 120 format Kodak Gold Professional 200. Three views of the series were done using the close-up Semflex lenses "101" with parallax compensation.
Expositions were determined for 200 ISO using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas. Typically I used the 1/100s or 1/200s with aperture ranging from f/11 to f/4.5.
Parc de la Tête d'Or, June 6, 2024
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed by a local lab service using the Kodak C-41 process.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite set to the cool color temperature 9000K and fitted with film holder "Lobster" to maintain flat the 70mm films.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG. Some documentary smartphone color picture are also included in the dedicated album.
About the camera and lenses :
New in my camera collection this French Semflex TLR year 1959-1960 equipped with f=75mm SOM Berthiot lenses.
The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire). The SEM camera's was known essentially for the TLR Semflex that were a great commercial success in France until the 70's. The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called Orec with 5 leaves capable of the 1/400s to 1s with B.
Semflex received in majority French optics Berthiot with 3 or 4 lenses (Tessar type). Some camera's were also mounted with Angénieux lenses.
Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions.
My Semflex in a middle grade version Standard 3.5 type-10 (1959-1960). It was the last version mounted with the 3-lens SOM Berthiot 1:3.5 f=75mm. I got the camera with set of accessories and several documents including the user manual of the Semflex Standard 4.5 versions. The accessories include a leather SEM ever-ready bag, a Semflex push-on shade hood, a Semflex push-on yellow filter x2 in its original box, and close-focusing lenses. The 1D one is constructed with a prism for the finder lens that compensates the parallax in the zone 1m to 0.5m.
The decorative ring around each lenses can also receive push-on accessories in 36mm diameter as the FOCA or Leitz 36mm filter series. I adapted two protective lens caps from Kodak film canister snapped covers.
Harwell Science and Innovation Campus
Oxfordshire
2023.06.10
en.wikipedia.org/wiki/Diamond_Light_Source
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ComputerWorld's OSBC: Major enterprises have long used sophisticated data warehousing and data mining strategies, built on complex and expensive proprietary software and hardware, to gain competitive advantage. In the past decade, however, open source has increasingly lowered the bar to Big Data adoption. More and more, Big Data has become the key to owning new markets and growing business – and open source has fueled the Big Data trend, serving as the force of innovation in cloud, data and mobile technologies.
This is a slide from the talk we gave at Open Source Bridge in Portland in June, 2011. In this talk we take a practical look at the design process and techniques everyone should know.
How many product ideas never make it to market? Some failure is OK, but why does it happen so often? We don’t believe it’s because of bad ideas. We believe that teams are missing a holistic approach to design for people, inside and outside the organization.
Download slides from one of our talks or
learn how to invite a ZURBian to speak at your event or www.zurbspeak.com
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).