View allAll Photos Tagged Solidus

Follis - 1⁄288 Second Solidus Nomisma

Byzantine Empire

(Nikephoros III Botaneiates)

Christ bust - nimbus cruciger - pallium - colobium - benediction - gospels

IC-XC

Latin cross with X

globule - two pellets

1078-1081

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.57.a

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople, Byzantine period

 

gold

Diameter: 2 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.53.a

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold Solidus, 582-602, Constantinople, Byzantine

Angel/ Tiberius

NG.1990.4.44

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold Solidus, 602-610, Constantinople, Byzantine

Angel/ Phocas

NG.1990.4.50

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold Solidus, 578-582, Constantinople, Byzantine

Cross/ Tiberius II

NG.1990.4.42

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 638-641, Constantinople, Byzantine

Three figures/ Cross

NG.1990.4.75

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 638-641, Constantinople, Byzantine

Three figures/ Cross

NG.1990.4.77

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 641-654, Constantinople, Byzantine

Constans II/ Cross

NG.1990.4.80

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 681-685, Constantinople, Byzantine

Constantine/ Heraclius and Tiberius

NG.1990.4.90

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold Solidus, 582-602, Byzantine Empire, Constantinople, Byzantine

Angel/ Maurice Tiberius

NG.1990.4.47

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold Solidus, 527-565, Constantinople, Byzantine

Angel/Emperor Justin I

NG.1990.4.26

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.1 cm (13/16 in.)

 

The Norweb Collection

clevelandart.org/art/1964.422.a

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The solidus is the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.57.b

Think about Childrens ''Happy children day' Solidus Techno Power provides best services of SOLAR EPC,ROOFTOP SOLAR PV,SOLAR STREET LIGHT We have trained installers in Patiala,Punjab & can ensure your project delivers clean,reliable energy from the sun.High Quality Solar Products in Cheap Prices.

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 613-638, Carthage, North Africa, Byzantine

Heraclius and Constantine/ Cross

NG.1990.4.73

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The <em>solidus </em>is the basic gold coin of 24 karats; the <em>tremissis</em>, a gold coin of one-third the weight and value of the solidus; and the <em>nomisma</em>, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.9 cm (1 1/8 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.63.a

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople, Byzantine period

 

gold

Diameter: 2.1 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.52.b

Constantine I, 307 – 337.

 

Solidus, Treveri 313-315, AV 4.46 g. CONSTANTI – NVS P F AVG Laureate head r. Rev. VICTOR OMNI – VM GENTIVM Emperor in military attire, standing l., holding standard and shield; in l. field, two suppliants and behind, captive seated l. In exergue, PTR. C 574. Alföldi 655. RIC 27. Depeyrot 37/7. Extremely rare. A lovely portrait and an interesting reverse type, minor marks, otherwise about extremely fine / extremely fine.

 

Provenance:

 

- Sotheby, Wilkinson & Hodge, 1908, O'Hagan, 761 sales.

- From the Henri Hoffmann and the Pierre Bastien collections.

 

NUMISMATICA ARS CLASSICA, NAC AG, Auction 111, lot 221.

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople, Byzantine period

 

gold

Diameter: 2 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.53.b

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.59.b

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 654-668, Constantinople, Byzantine

Constans II and Constantine/ Cross

NG.1990.4.85

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.9 cm (1 1/8 in.)

 

The Norweb Collection

clevelandart.org/art/1964.424.b

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The <em>solidus </em>is the basic gold coin of 24 karats; the <em>tremissis</em>, a gold coin of one-third the weight and value of the solidus; and the <em>nomisma</em>, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.9 cm (1 1/8 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.63

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople

 

gold

Diameter: 2.3 cm (7/8 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.61.a

Obverse: Bust of Constantius Gallus right, draped and wearing cuirass. DNCONSTANTI VSNOBCAES Reverse: Roma and Constantinopolis enthroned, the former facing, the latter turned to the left. Between them they support an inscribed wreath. Roma holds spear in right hand, Constantinopolis a scepter in left hand. GLORIA REI PVBLICAE VOT / V. / MVLT / X (on tablet) TES (between two stars in exergue)

 

HIDE FULL DESCRIPTION

Provenance

By 1935: U.S. Private Collection; April 4, 1935: Anonymous gift to MFA in memory of Zoë Wilbour

 

Credit Line

Anonymous gift in memory of Zoë Wilbour (1864–1885)

 

Roman, Imperial Period, A.D. 350–355

 

Mint

Thessalonica

 

Dimensions

Diameter: 22 mm. Weight: 4.37 gm. Die Axis: 11

 

Accession Number

35.297

 

Medium or Technique

Gold

coins ha c om/ itm/ ancients/ byzantine/ ancients-constantine-v-copronymus-ad-740-1-775-with-leo-iii-av-solidus-20mm-444-gm-6h-ngc-ms-4-5-4-5/ a/ 61430-24116. s

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The solidus is the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople, Byzantine period

 

gold

Diameter: 2 cm (13/16 in.)

 

Did you know...

This side of the coin shows the image of an angel holding a jeweled cross and orb.

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.55.b

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.7 cm (1 1/16 in.)

 

The Norweb Collection

clevelandart.org/art/1964.425

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.7 cm (1 1/16 in.)

 

The Norweb Collection

clevelandart.org/art/1964.425.b

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium, Constantinople, Byzantine period

 

gold

Diameter: 2.1 cm (13/16 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.52.a

The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The <em>solidus </em>is the basic gold coin of 24 karats; the <em>tremissis</em>, a gold coin of one-third the weight and value of the solidus; and the <em>nomisma</em>, which in the 10th century replaced the solidus as the standard gold coin.

Byzantium

 

gold

Diameter: 2.9 cm (1 1/8 in.)

 

Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken

clevelandart.org/art/1968.63.b

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 654-668, Constantinople, Byzantine

Constans II and Constantine/ Cross

NG.1990.4.85

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 641-654, Constantinople, Byzantine

Constans II/ Cross

NG.1990.4.80

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 641-654, Constantinople, Byzantine

Constans II/ Cross

NG.1990.4.80

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 613-638, Constantinople, Byzantine

Heraclius and Constantine/ Cross

NG.1990.4.68

From the Collections of Nickle Galleries, University of Calgary. Photo: Brittany DeMone.

Gold solidus, 613-638, Constantinople, Byzantine

Heraclius and Constantine/ Cross

NG.1990.4.71

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