View allAll Photos Tagged SocialNetworking
The Social Couple - 2013
Con: Lisa Baldi e Paolo Moznich
Soggetto: Michele Leccese
Musica: Luca Francini
Regia: Stefano Masi
Follow me on:
Bridgette Guerzon Mills
Social Network, fiber art outdoor installation.
Woven and crocheted piece to illustrate the mycelium network underground that allows trees to communicate with each other.
Art on the trail, Lake Roland, Baltimore, 2016
A visualisation showing my Instagram network (user 'speedoflife'). The image shows all the users I either follow or am followed by, and the relationships between them. Different colours show different 'modules', or communities, in the network.
Notes: The data was taken from the Instagram API using Python, and loaded into the NetworkX package for analysing networks. It was then exported into the GraphML format, which allowed it to be loaded into the Gephi software and visualised. From Gephi it was exported to PDF, tidied up in Illustrator, and finally exported to PNG format.
"in-significant issue"
mar.abr.may2011
otoñosurprimaveranorte | ISBN 978-1-4457-9262-0
(ñ)
in-significante
No ya las cosas sino el discurso de las cosas.
No ya la interacción con el objeto sino sólo con el discurso del objeto.
Ausencia de significados en un Imperio de significantes.
Update retórico: Discurso surfeador que no defiende ninguna postura, que sospecha.
Surfeador sin fondo, disecciones de un forense de los sentidos.
¿Sublimación de los lenguajes?
¿Deconstrucción apocalíptica?
¿Gestión de los desechos en el final del juego?
¿De qué hablamos cuando hablamos? ¿A qué hacemos referencia?
¿Sabe usted a qué me refiero?
El medio vuelto masaje.
Cuando el mensaje del medio es sólo el masaje del discurso.
Adicción masiva al soma diario de un discurso “renovado”, distractivo, sin consecuencias ni contenido, paradigmático en los mass-media y las redes sociales.
Las palabras y las cosas
Lo que se nombra y es nombrado, convenciones culturales, significante-significado-imagen acústica-etiquetas.
El canal como portador de ruido incontrolable…
¿Cada vez a más alto nivel (como se entiende esta fórmula en programación) y más lejos de los objetos y fenómenos?
###
(sh)
in-significant
Not even things but the discourse on things.
Not even interaction with the object but just with the discourse on the object.
Absence of significance in an Empire of signifiers.
Rhetorical update: Surfer discourse not defending any stance, just suspecting.
Bottomless surfer, dissections by a forensic surgeon of the senses.
Sublimation of languages?
Apocalyptic deconstruction?
Waste management at the end of the game?
What do we speak about when we speak? What do we refer to?
Do you know what I’m talking about?
The medium turned into massage.
When the message from the medium is just the massage of discourse.
Massive addiction to the daily soma of a “renewed” discourse, a distracting one, without consequences or content, paradigmatic on mass-media and social networks.
Words and things.
What names and is named, cultural conventions, significance-signifier-jingle-label.
Channel as the bearer of uncontrollable noise.
At a higher level every day (as this formula is understood in programming) and further from objects and phenomena?
###
(ç)
in-signifiant
Pas même les choses, mais le discours sur les choses.
Pas même l’interaction avec l’objet, mais seulement le discours sur l’objet.
Absence de signification dans un empire de signifiants.
Mise à jour rhétorique: le discours a-revendicatif de l’internaute, seulement soupçonneux.
Internaute sans fond, dissection par un médecin légiste du sens.
Sublimation des langues ?
Déconstruction apocalyptique ?
La gestion des déchets à la fin du jeu ?
De quoi parlons-nous lorsque nous parlons ? A quoi faisons-nous référence ?
Savez-vous de quoi je veux parler ?
Le message devenu massage.
Lorsque le message du medium n’est que le massage du discours.
Dépendance massive au soma quotidien d’un discours “rénové”, distrayant, sans conséquence ni contenu, paradigmatique de media de masse et de réseaux sociaux.
Les mots et les choses.
Ce qui nomme et est nommé, conventions culturels, signification-signifiant-bruitage-étiquette ?
Canal en tant que colporteur de bruits incontrôlables.
Toujours plus haut chaque jour (telle que cette formule est entendue en programmation) et de tant d’autres à partir d’objets et de phénomènes?
###
edit(ing), direct(ing) & complements_
art direct(ing) & design(ing)_
colacao & ordenaciones_
biotranslat(ing) & reflejos_
(h)original music_
(h)original video_
front cover(ing) index_ players
open(ing) in-troduction_ alain vaissiere
clos(ing) macbeth_ leonie polah
back(c)over(ing) discourse_ thomas hagström
...from
roman aixendri
azurebumble
hernán dardes
manuel diumenjó
wilma eras
oriol espinal
ezook
thomas hagström
h.o.
kozology
françoise lucas
jorge montecof
graciela oses
alicia pallas
leonie polah
fernando prats
beatriz giovanna ramírez
miguel ruibal
juan pablo sáenz
jef safi
nirvana sq
alain vaissiere
susan wolff
dou_ble_you
from...
a coruña
acuitzio del canje
amsterdam
barcelona
buenos aires
campredó
dundee
grenoble
london
mar del plata
nijmegen
polop
seattle
struer
tarragona
terrassa
toronto
toulouse
# # #
YSE #27 Original Music | YSE #27 Original Video | YSElected videos
# # #
Official WEBsite | Flickr Group | Facebook | MySpace | Twitter | YouTube
Also @ Vimeo, Hi5, Tumblr & more.
Réalisé avec TouchGraph, application de Facebook. Publié dans le journal "Vendredi" www.flickr.com/photos/luc/3602502005/
Each white Dot is a person, each red line is a mutual connection, the dot in the middle is Robert Scoble who has 1010 mutual connections. Each circle is a degree of separation from Scoble. There are more than 20.000 people in the Twitter network. This data was collected between 9 and 15 of March. The image is generated using Graphviz. You can download it full size here.
The Story:
We’ve been around for a little while before and ran into some hiccups along the way. We learned a lot about what, and what not to do.
The site grew too large, too fast. We ended up moving it to a virtual dedicated server and there it sat for a few happy weeks until our MySql database grew too large for its virtualized container. We recovered what we could, but the database was beyond repair due to the large number of tables. Sadly we were new to this and didn’t value backups.
In this new iteration we’ve decided to start out on a dedicated server generously donated by The Mischief Co. We’re hoping that with the power of this server combined with nightly offsite backups we will be good as gold for this improved iteration of Shuttrr.
The Now:
Old members and newbies, Shuttrr wants you. If you need an invite, just give me your email address and I'll send it right over.
Once registered, you are free to send out as many invites as you want.
Free Business networking tips at: www.youtube.com/user/TheProgressAgent
More info at www.DeanLindsay.com
"Dean Lindsay is truly one of the best and most insightful speakers out there. I have hired him, heard him and read his work. He is always top notch with profitable tips and strategies - plus he is fun to watch.
Dean Lindsay rocks!"
-- Paul Rosowski,
Teknion
Regional Vice President - Central
"Dean was TERRIFIC!! He did a lot of homework on World Kitchen and started his presentation by impressively naming off all of the brands we carry! Heck, some days I can’t even do that! He made a real connection with my troops and gave us some great philosophy and tips for our busy season on both Customer Service and Phone Sales. He was a great kick-off to our extended hours busy season and I give Dean an A+ for his presentation."
-- Geri Barton, Director of Customer Service, World Kitchen LLC
(The World Kitchen Brands are Baker's Secret, Chicago Cutlery, Corelle,
Corningware, EKCO, Magnalite, OLFA, Pyrex, Revere, Vision)
Spotlighted as an OUTSTANDING SPEAKER by the International Association of Speakers Bureaus and Recognized as a ‘Sales-and-Networking Guru’ by the Dallas Business Journal, Dean Lindsay delivers killer keynotes, breakouts, general session presentations, and interactive boot camps that Empower PROGRESS in Sales, Service and Workplace Performance.
Dean serves as Guest Lecturer to UCLA and University of Dallas MBA programs as well as the International Call Management Institute.
Dean Lindsay helps build Priceless Business Relationships. Priceless Business Relationships are the key to: Teamwork and Productivity, Solid, Customer Care, Servant Leadership, Retention and Morale, Organizational Success, Quality Referral Generation, Recruiting Quality Professionals
and MORE SALES.
His speaking and consulting style is refreshingly daring, imaginative, and a lot of fun (Be sure and watch Dean's speaker demo).
Dean's writing has been endorsed Ken Blanchard - author of The One Minute Manager and Brian Tracy along with many others.
For More Info or to contact Dean Lindsay, log onto: www.DeanLindsay.com
Dean's new book is:
The Progress Challenge :
Working and Winning in a World of Change
“If you desire to become a better leader, I recommend you add Dean Lindsay's The Progress Challenge to your leadership toolkit. I especially liked the insight into the life and work of Viktor Frankl as well as Dean's use of humor throughout the book - a valuable and enjoyable read. The Progress Challenge is an honorable challenge that anyone aiming to make a positive difference should take.”
-- Ramon F. Baez
Vice President and Chief Information Officer
Kimberly-Clark Corporation
“If ever there was a right message at the right time, it's Dean Lindsay's book, The Progress Challenge. Dean is right that just changing isn't enough. We've got to make progress! Good ideas and practical examples.”
-- Joe Calloway
Author of Becoming A Category of One
For More Info or to contact Dean Lindsay, log onto: www.DeanLindsay.com
The First Social Networking Website In The World #Six_Degrees, #Social_Networking, #SocialMedia, #Websites #Contfeed
Check out here >> cofd.co/zg67r
A poster for the lectures in ETH university, Zurich, Switzerland dedicated to social networks analysis.
The graph (originally in SVG) that thefacebook.com can generate of my friends at Loyola. An interesting project might be to add a note next to all of these friends.
www.intersectionconsulting.comFiltering has become an essential part of social media listening – With so much social noise, you have to be able to fine tune the signals in order to gain some value.
I think the ability to streamline conversations helps make us more social. Fewer, more meaningful social network connections may actually result in all of us becoming more engaged.
In the notes, commenters on the IMDB boards discuss the relative merits of The Social Network and some old movie from, like, 200 years ago called Citizen Kane that everyone keeps going on about.
The Selfie.The 21st Century's most annoying fad. The social network generation loose the ability to communicate in person. "Excuse me can you take my picture" is confined to the history books.
Visualisation de mon réseau social réalisé avec Nexus avec les contacts Facebook. rurl.org/r9i
Connexion partagées avec Christophe Ducamp dans Facebook.
Shared connexion with Christophe Ducamp in Facebook.
The database is a choas. A folksonomt doesn't have a topview. Important is the moment of particpation.
Please comment!
Discussing some of the findings from the first study into the educational effects of social networks.
This graph contains all Twitter users who sent tweets that contained the hashtag #tcamp12 from April 28 to May 1, 2012. In this graph there are 367 nodes (“Twitter users”) with 1107 unique edges (“mentions”). The graph is laid out using the Fruchterman-Reingold algorithm. Twitter users are grouped by color automagically by the Clauset-Newman-Moore clustering algorithm. Twitter users are sized by betweenness centrality.
Top ten users ranked by betweenness of centrality:
tcampdc23502.981
sunfoundation 16236.783
craigfifer15258.757
tsagov14022.989
citizentools13420.000
elle_mccann12504.825
digiphile11569.597
_anna_shaw10835.748
javaun8020.142
joelogon7213.984
For comparison the average betweenness centrality is 834.807
Overall graph metrics:
Vertices367
Unique Edges1107
Self-Loops164
Maximum Geodesic Distance (Diameter)8
Average Geodesic Distance3.540974
Graph Density0.007020443
Modularity0.447527
I, too, am taking no chances with being deleted from Facebook, so if you'd like to connect with me on SLX Connect, I'd love it if you did!
Here I am simply "Skye McLeod"
slxconnect.com/index.php?a=profile&u=skyemcleod
It’s a beautiful day in this neighborhood,
A beautiful day for a neighbor,
Would you be mine? Could you be mine?
It’s a neighborly day in this beautywood,
A neighborly day for a beauty,
Would you be mine? Could you be mine?
I have always wanted to have a neighbor just like you,
I’ve always wanted to live in a neighborhood with you.
So let’s make the most of this beautiful day,
Since we’re together, we might as well say,
Would you be mine? Could you be mine?
Won’t you be my neighbor?
Won’t you please, won’t you please,
Please won’t you be my neighbor?
danoviz.wordpress.com/2008/03/
You add entities and connect them together with lines. And that’s where many of the commercial products end. Sure it makes it a little easier to visualize networks, but it is hardly an accurate or sophisticated methodology for what visualization and analysis should be able to accomplish. Maybe you want to employ Social Network Analysis, and it certainly is a great tool for finding central players in a network. But both the etch-a-sketch and SNA routes aren’t going to yield accurate or comprehensive analysis unless the system takes metadata into account. Let’s assume you are visualizing a terrorist network. You have your three key bad guys and the various people, places, and things associated with them. Then you have some connections directly between the three key bad guys. Use the etch-a-sketch approach and you could manually lay out the graph to support just about any kind of hypothesis. Add SNA and automatic layouts and now you are starting to see actual meaning. But what if SNA identifies Bad Guy A as the most central node in the network? And what if Bad Guy A is dead? Dead guys are hardly the most central node in a network after they are dead.
120: the average number of ‘friends’ people have on Facebook. Women tend to have slighty more than men; however, both sexes have much a smaller group of core ‘friends’ with whom they communicate regularly
www.economist.com/science/displaystory.cfm?story_id=13176...