View allAll Photos Tagged SlitScan
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This is a slits scan photograph of the Beach at Hitlon Head Island created from about 15 minutes of HD footage of people passing in front of the camera. Includes me and my kids =)
This effect was obtained by using SlitScan on a moving BART train. The phone was held as steady as possible, but the inevitable movement was captured as the frame was scanned.
Moseley village, Birmingham, 17th Nov 2007.
The car moving right to left appears incredibly long (I had to look at it twice to recognise it as a car at all) whereas the vehicles moving left to right are shortened.
Photograph taken using my mobile phone which has a simple shutter. The effect of the slowly moving train makes the resulting image slant, similar to Lartigue's famous photo of the racing car.
Slit-scan picture from a movie. I recorded a video at 120 fps then took a slice from each frame and joined them using processing. (www.processing.org)
On the left is a frame from the video.
On the right is the joined In this case the video was recorded in portrait to make better use of the "horizontal" width of the frame.up slits.
Microworld Arcadia was a group art show organised by Genetic Moo at the Arcadecardiff gallery in the Queens Arcade shopping mall for two weeks in May 2013. The show consisted of interactive and generative artworks by different artists. The art works responded to the audience, the gallery and importantly to each other, so the space was constantly changing in pixels, sound, colour and motion. Each day different works were brought together in different combinations.
Day 9 at Microworld Arcadia was inclusivity day. Wendy Keay-Bright came in and brought her Somantics interactive Kinect apps including Kaleidoscope, Sparkle and Slitscan programs. People of all types enjoyed these simple intuitive engagements. Genetic Moo ran Starfish and It's Alive ant colony was projected over Stefan Samociuk's video.
Microworld Arcadia was a big success breaking attendance records for the gallery and we plan to take the show on tour in the future, working with different sets of local artists each time to create interactive digital Microworlds around the UK and beyond.
For more information about the show see www.geneticmoo.com
Slit-scan picture from a movie. I recorded a video at 120 fps then took a slice from each frame and joined them using processing. (www.processing.org)
On the left is a frame from the video.
On the right is the joined up slits.
This was taken with my camera-phone by panning along with the red car in the foreground. Since the camera-phone scans the image in lines rather slowly (in this case from bottom to top) and the building in the background was moving left to right relative to the image as the picture was taken, it appears to lean over towards the moving car, in the same way as the people in Henri Lartigue's famous image lean.
I used some contrast adjustment and selective sharpening (to make the red car sharp but the rest soft) in the Gimp, but no shearing, rotation or other transformations.
Still frame x=1920 from reconstructed video, projected onto t,y instead x,y. Each frame like this is therefore a 'slit scan' photograph, capturing all time data for a single location.
Watch the whole video at youtu.be/ZDN2c6s6b-8 (HD fullscreen recommended).
Giverny of the Midwest
exhibition and print installation
2 x 12 meters of performative scans
GALLERY AOP, Johanneburg South Africa