View allAll Photos Tagged SlitScan
Shot by placing leeks upright in a cup on top of a microwave turntable. I slowly spun them while recording with a static slit.a
Photo taken of a horse race at Saratoga Race Course on September 1, 2012. Photo was taken with a modified Nikon EM camera that was hand-cranked as the horses ran by. Photo by Chuck Miller.
Exposition galerie plein art, Le Vigan. Du 29 novembre au 14 décembre 2013.
+ d'infos sur l'événement :
fr.calameo.com/books/00117035042b4b1b65341
Œuvres présentées sur cette exposition :
Solaris et Enveloppe temporelle_Tron
Détail des œuvres :
SOLARIS
# Thierry Guibert et Emmanuel Hourquet
www.thierryguibert.fr/?page_id=506
Installation, impression Forex.
Dans la continuité du travail mené par Thierry Guibert, Solaris rassemble la question d’une temporalité en permanente évolution, linéraire certes, mais défragmentée. Solaris est un projet qui crée des disques graphiques, lesquels, lorsqu’ils sont mis en mouvement produisent des images mobiles interprétées également comme sons. À l’intersection de l’ombro-cinéma et de la performance sonore, ce projet questionne le disque comme support mais aussi comme objet évolutif et visuel. La restranscription sonore ne peut fonctionner que lorsque le mouvement est engagé, ce qui, d’une certaine manière confirme par l’inverse la mécanique opérée dans les “Enveloppes Temporelles”. Ainsi, le mouvement révèle, rend visible une part fugitive, immanente et propre à l’oeuvre.
Co-production Guibert, Hourquet, OUDEIS (www.oudeis.fr/)
Enveloppe Temporelle_Tron
www.thierryguibert.fr/?page_id=712
Si Thierry Guibert est un plasticien inscrit dans le champ des arts numériques, sa démarche s’appuie sur une analyse et une culture de l’image, plus particulièrement celle du cinéma. Ce nouveau travail : « Enveloppes temporelles » consiste en la captation globale d’un film et vise à retranscrire sa totalité en une seule et même image. Celle-ci prend la forme d’un panoramique et s’étale sur plusieurs mètres. Fondé sur la technique du slitscan - procédé consistant à analyser et assembler des tranches de pixels de façon récursive les unes à la suite des autres - Enveloppes temporelles retourne l’enveloppe du film pour en révéler, de façon fantomatique, sa part invisible. La temporalité est subitement altérée, déroutée, le mouvement n’est pas figé mais au contraire fait l’objet d’une révélation, une transformation permanente incapable de fixer l’instant.
Production Oudeis.
The source photographs were taken by Ansgar on the HelsinkiIn blog between February 2014 and January 2015.
See last year's:
www.flickr.com/search/?tags=ullanlinnanm%C3%A4kiintwelvem...
And the previous year's:
The first in a series of daily #appsperiment projects I am going to try to keep going for a month and see if I can keep it up from there. This one was made with Slit Scan for the background, at one frame per second on my walk through the parking lot to the office this morning. The foreground is the crowd from the They Might Be Giants concert that I went to this weekend. Both were tweaked in Camera+ for color and clarity. The crowd was extracted with Eraser and duplicated flipped and then all 3 images blended with Image Blender. Came out pretty cool, I think!
Slitscan photo taken of Capital City Diamond Kings pitcher Miles Kelly
during Albany Twilight League baseball game on June 12, 2013. Shot with modified Nikon EM camera, Nikkor 50-300mm telephoto lens, Kodak 400 film. Photo taken by Chuck Miller.
low tech DYI experiment- a long exposure; taken through a slit in one end of a box which moves slowly across the frame
This is a slit photography from one of my digital videos, see some explanations and tips here : www.flickr.com/photos/24151359@N04/sets/72157622751601733/
Modified Ilford Envoy camera. Birmingham Flckrmeet, Sutton Park, Birmingham, 12th June 2011,
Kodak TMax400 (TMY) film in HC110 (dilution B) 7 minutes.
Taken with a slit-cam adapted from a simple point and shoot camera. This is a modification of the camera I used last year.
www.flickr.com/photos/tony_kemplen/4033135422/
This time it takes standard width frames rather than strips which were several frames wide.
The shutter was wedged open using a piece of plastic tube and some blu-tac, and a 1mm slit, made from black card, was mounted at the film plane. Each time the shutter release is pressed, the motor winds on one frame, in the process moving it past the slit and making the exposure. Each exposure takes somewhat less than a second. The camera, an Olympus Trip 300 (£1.25 from a charity shop), has a slide across lens cover which is ideal to keep light out of the lens between exposures.
The camera was held still during this exposure.
Self-portrait made from 52 images combined via a slit scanning type method.
Made with processing.org .
Hybrid image of a snapshot and a crossshot slitscan.
I have to write the stitching program for cross shot.
斜めスリットスキャン用のプログラムを書かねば。
The source photographs were taken by Ansgar on the HelsinkiIn blog between February 2014 and January 2015.
See last year's:
www.flickr.com/search/?tags=ullanlinnanm%C3%A4kiintwelvem...
And the previous year's:
On the way home from Vianen, sleepbootdagen 25 - 27 mei 2017
Picture made with slitscan technique: MatchTemplate
07:16 28-05-2017
A very early experiment with slit-scan photography. Basically I used a scanner on edge and the lens from an old junky Polaroid instant camera to project the image onto the scanner.
I hacked the scanner to remove the light, and got a few shots before my computer ran a calibration and realized that the scanner was "malfunctioning". It's fun, but I think I have a better way now. That and I couldn't afford the program that actually has no problem with this sort of thing.
It's also possible to use an unmodified scanner-- you can use a large magnifying lens (like in the lit magnifiers at the office store) to project a large image onto a scanner bed. It works, but now well, and the depth of field is fiendishly narrow. But it is possible if you don't want to cut anything up.
Gothic view from the graveyard behind St Mary's in Moseley, Birmingham, pointing into the sun. Please view at original size. The St Mary's graveyard is special because it is so dark and unkempt and therefore has this moodiness that works so well in B+W (and duotone).
Slitscan. Petri TTL adapted for slitscans, with Prinz-Galaxy 135mm lens. Jessops rebadged APX100 in Rodinol 1+50 (13mins). 4th June 2008.
Another heavy carriage train. I should better use the movies on YouTube rather than my own ones. Their movies are really wonderful.
An example of skewed and linear trainscan. They are the same image with different projections.
Photo taken of a horse race at Saratoga Race Course on September 1, 2012. Photo was taken with a modified Nikon EM camera that was hand-cranked as the horses ran by. Photo by Chuck Miller.
One of my hacks from Music Hack Day Helsinki, 2013.
See also: www.youtube.com/watch?v=zo08aPEQuqs
"Hackscan - takes a video and summarizes it intelligently into a single image by extracting single columns [or rows] of pixels from each frame. The result is a crazy looking image that captures the essence of the video."
musicmachinery.com/2013/11/18/children-of-the-hack-angry-...
More info: www.hackerleague.org/hackathons/music-hack-day-helsinki-2...
Code here: github.com/hugovk/musichackdayhelsinki
The only slitscan photo at Shanghai. Long distance trains are not running inside the city and all the subway stations equip the safety doors, so it was no chance to take the side view of the trains.
This is also a test for the trainscanner with GUI under development..
One of my hacks from Music Hack Day Helsinki, 2013.
"Hackscan - takes a video and summarizes it intelligently into a single image by extracting single columns [or rows] of pixels from each frame. The result is a crazy looking image that captures the essence of the video."
musicmachinery.com/2013/11/18/children-of-the-hack-angry-...
More info: www.hackerleague.org/hackathons/music-hack-day-helsinki-2...
Code here: github.com/hugovk/musichackdayhelsinki
50frames of the picture were taken by HD camcorder, and the color of each pixel is decided by the majority in the time sequence.
ビデオカメラで撮った50枚の画像の、個々のピクセルで多数決処理を行い、背景色だけを抽出した。単なる平均と違い、うまくいけば人間は完全に消し去ることができる。
Designed for Starbucks' 12 oz "Create your own tumbler".
www.starbucks.co.jp/goods/howtofun.html#Cytumbler
Resolution is 300dpi. I wrote a mathmap script to convert the panorama into fan shape conformally.
スリットカメラ実験をもうちょっとやりたいのだが、全然時間がない。なんせうちの近くにはJRが走ってない。
