View allAll Photos Tagged Slaughter
Twitch: www.twitch.tv/dirty_burger88
Facebook: www.facebook.com/dirtyminiatures
Instagram: www.instagram.com/dirty_burger88
CoolMini: www.coolminiornot.com/artist/D...
From Cooper Landing, we hiked up Slaughter Ridge last Saturday. Sitting on wet ground, I composed this image through my 90mm lens employing a front standard drop with some forward tilt. I exposed a single sheet of Velvia 50 for 1/4 second at f/22. The hike down was a bit uncomfortable as my rear was soaked. It rained all night and we woke to fresh snow above the 3800’ level Sunday morning.
©Max Slaughter 2009 all rights reserved
model Haley MM# 1245364
Strobist info: ABR 800 in a 54"moon unit @1/2 on camera right.AB800s in large AB soft boxes on camera laft and right behind model @1/4 to background. AB1600 in AB22"beauty dish @1/16 on boom above model. Fired by PWIIs.
This was my first opportunity to shoot with Haley. Tall, slim, young, gorgeous, and inexperienced I think she did well. What do you think? I love her attitude.
I will admit- I've had to cheat a little here, this is a town I visited not too long ago- Very cosy and scenic, almost peaceful if not for the name Slaughter!
The Scene:
A large posh office. Two clients, well-dressed city gents, sit facing a large table at which stands Mr. Tid, the account manager of the architectural firm. (original cast: Mr Tid, Graham Chapman; Mr Wiggin, John Cleese; City Gent One, Michael Palin; Client 2:, Terry Jones; Mr Wymer, Eric Idle)
“Mr. Wiggin: This is a 12-story block combining classical neo-Georgian features with the efficiency of modern techniques. The tenants arrive here and are carried along the corridor on a conveyor belt in extreme comfort, past murals depicting Mediterranean scenes, towards the rotating knives. The last twenty feet of the corridor are heavily soundproofed. The blood pours down these chutes and the mangled flesh slurps into these...
Client 1: Excuse me.
Mr. Wiggin: Yes?
Client 1: Did you say 'knives'?
Mr. Wiggin: Rotating knives, yes.
Client 2: Do I take it that you are proposing to slaughter our tenants?
Mr. Wiggin: ...Does that not fit in with your plans?
Client 1: Not really. We asked for a simple block of flats.
Mr. Wiggin: Oh. I hadn't fully divined your attitude towards the tenants. You see I mainly design slaughter houses”
From: The Architects Sketch, by John Cleese and Graham Chapman. From: Monty Python's Flying Circus, 20 October 1970. Transcribed By Dawn Whiteside. A bit of Le Cobusier history might be used here - during the design of the Philips pavillion (for the World Exhibition 1958 in Brussels) he used a slaughterhouse metaphore.
Displayed here are the parking decks of the luxury ‘Hoge Heren’ apartment towers in downtown Rotterdam, near the northern approach of the Erasmusbrug. The building is designed by Wiel Arets. Within it walls it offers a very broad range of services & facilities ;-)
At night the decks looks a bit eerie, sinister and surreal; a fine motive for the Monty Python Quoters group.
Best viewed Large with a black background
Location for the An American Werewolf in London (1981) - exterior of the Slaughtered Lamb pub and graveyard scenes. To be found in Crickadarn, Wales (near Builth Wells). The interior of the pub scene was filmed in the Black Swan, Surrey, England.
The chicken is left to bleed to death. Pretty cruel, but it makes me recall stories from my mum's youth, reminding me that this is how it's always been done.
Bilgewater from League of Legends.
flic.kr/s/aHBqjAeH2F. (More Images Here)
Nestled away in the Blue Flame Isles archipelago, Bilgewater is a port city like no other—home to serpent hunters, dock gangs, and smugglers from across the known world. Here, fortunes are made and ambitions shattered in the blink of an eye. For those fleeing justice, debt, or persecution, Bilgewater can be a place of new beginnings, for no one on these twisted streets cares about your past. Even so, with each new dawn, careless travelers can always be found floating in the harbor, their purses empty and their throats slit…
Most photos by: Anders Martin Hulth
Hung upside down by shackles, thousands of chickens are killed every hour at the slaughterhouse.
(Feel free to distribute freely for not-for-profit use, but please credit Farm Sanctuary. If you are media and are in need of a high-resolution version of this image, please contact us and request the file "chicken slaughter-2_1".)
I documented the slaughtering of 19 cows last weekend for a funeral party in Ilesa, Osun State Nigeria. #JujuFilms Warning: Some images may be found disturbing.
Here's the first version of the custom Slaughter. I have a Retaliation Road Block with the camo pants coming. That's going to be the body I'm going to use.
Mercer and Slaughter have a running tally of Cobra troopers taken out. Mercer is pissed off, because the sarge took out all the Cobra troopers before he even entered the compound. Now the sarge's tally is over his, by eight troopers.
The north chancel window contains the bulk of the church's surviving ancient glass, assembled here in the latter part of the 19th century (by glaziers who added their own pieces which may confuse the untrained eye). The centre light contains three heraldic quatrefoils relocated from the traceries of other windows in the church.
Bilton lies immediately west of Rugby and though originally a rural village it is now very much a suburb of the town. It still however retains some of its village character and its ancient parish church of St Mark is happily set away from the busy roads in a more peaceful enclave, its spire and tower emerging from the dense surrounding foliage to announce its presence.
St Mark's church dates back to the mid 14th century and is a good example of the Decorated style with its large windows adorned with flowing tracery. All of the surviving medieval work dates from this phase (there were doubtless earlier buildings on the site that were in turn replaced) and the tower and spire have remained unaltered ever since. The body of the church however has seen some dramatic alterations since it originally only consisted of an aisle-less nave and chancel.
The first major intervention came in 1873 when G.F.Bodley restored the church (the chancel adornments and east window are of this time) and extended it by adding the present north aisle. The second major extension came as recently as 1962 when the south aisle was added to balance that on the north, greatly increasing the interior space. On both occasions the work was done very sensitively by simply dismantling the medieval nave walls and re-assembling them further outwards to create the aisles, so that technically only their end walls are new work (along with the roofs and arcades within), thus one could be forgiven for inspecting the exterior with its ancient stonework and not suspecting any enlargement had taken place (I'd known the church for years having grown up locally, but only recently found out parts of it are only twelve years older than I am!).
The interior is now more open and spacious than it ever was before, the new south aisle being particularly light and pleasant within. Few will notice that the three-bay nave arcades aren't ancient, as Bodley's work on the north ably mimics medieval work and the newer arches on the south side imitate them (a rare example of church architecture of this period being so sensitive, trying so hard to subtly fit in with earlier work). The chancel beyond is more richly furnished with fine stalls and a handsome organ case from one of the Cambridge colleges, redecorated with gilding and Bodley's stenciling on the wall around it. There are several stained glass windows of varying dates and styles from the Victorian period but the real treasures here are the surviving fragments of the church's original 14th century glass, collected mostly into the north chancel window (a few more are set high up in the east window of the north aisle). Most of what remains is a jumble of fragments (with a few deceptive Victorian heads thrown into the mix) along with some reset heraldic tracery lights, but the tiny scene of a man about to slaughter a pig at the lower right corner ('December' from a series of the medieval 'Labours of the Months') is a real gem.
Years ago St Mark's church used to be open more regularly, but these days is normally only open for services, so one is best advised to make prior arrangements to see inside or visit after a service as I did on this occasion (many thanks to Reverend Tim for staying on slightly longer before locking up to allow me a little more time to finish).