View allAll Photos Tagged Simple_Stage
The Royal Albert Hall is quiet as we are one of the first to enter the arena prior to James performing live later in the evening. We were in Row 7 of the Rausing Circle, so our backs to the wall of arches surrounding this incredible theatre. A one-night-only show by James, so a simple stage set up but still an incredible show and I'm insanely jealous of the official photographer who I spotted a few times zipping around the stage to catch the right shot. I'd love to see them!
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Rowena Cade was born in 1893 in Derbyshire. Rowena discovered the Minack headland, when renting a house at Lamorna, and bought it for £100. There she built a house for herself and her mother using granite from a St. Levan quarry.
She offered to let local friends put on "The Tempest" in her gardens, using the rugged coastline offered an appropriate backdrop but there were no seats for the audience. So she set about constructing what we know today as the Minack Theatre.It took six months for Rowena and two Cornish craftsmen to build a simple stage and some rough seating
Granite was cut by hand from local rock. The terraces were in-filled with earth.
Over the next seven years the theatre was improved.
Through the early fifties she and Billy Rawlings completed an access road, a car park and a flight of 90 steps up from the beach.
Unable to afford the cost of granite, she had developed her own technique for working with cement. She fetched sand from Porthcurno beach, initially with bags on her back and then in her car. She worked each winter in all weathers until she was in her mid-eighties.
Details of the rock art station 'Vente Bourbon 3' found by D. Caldwell (published 2015) - one of many important new stations found in the forest of Fontainebleau.
A rock art detail is here presented as a flat template (left), abstracted into line (centre left) and then 'extruded' and reperceived as a simple stage (centre right); for activities such as dance (right) and other post Celtic and early medieval rural activities that may align to solstice, full moon and other calendar and social justifications. Here each dot is a space for an individual with the representation of a stage that is large enough for 12 people at any one time. Here the activity was 'remembered' or 'envisaged' within a rock art station. Fontainebleau is far from the growing urban influences of Paris and Orléans and perhaps deep in its scrublands, ancient and illiterate ways lasted longest in a world where the scale and approximate graphology of writing was common knowledge.
Having two sets of steps leading up to the stage would allow for greater numbers of people to rise to elevation for as one group leaves, others arrive, without problems of passing. Dispute over the starting square or numbers allowed on the stage are also reduced by the simple grid.
AJM 29.03.20
The traditional dancers were based on a number of initial public domain images.
At dawn, the Zhushan Sunrise Observation Deck becomes a simple stage for the silhouette show against the brightening sky. After an early morning train ride, a group of expectant onlookers gathers, standing in silent excitement as the sun climbs over the mountains. With cameras ready, they aim to capture the moment light overtakes the darkness. The sky's soft purples, oranges, and yellows offer a beautiful canvas for the sunrise. It's a shared experience, a quiet ceremony where individuals come together to greet the start of a new day.
Lens: Leica Summicron-C 40mm f/2
Featured Image from Swayam Jyotish Photobook
ARTIST STATEMENT
The light from this container of photographs is non-dual from the innate light within each one of us. So too is physical light reflected in a jar of water or subtle light projected from the Chitta (mind-heart) in dream state. At its best the camera is a simple tool to transfer light through a lens recorded by a censor. At its root, consciousness is all-pervading and who we are. Consciousness, the Light of lights, proceeds from us and lends itself into the moment. The practice of Vichar (self-inquiry) reminds us of that same light appearing as the Jiva (individual-soul) and leads us to the revelation of Atman (universal-soul) and "Who Am I?" With that realization Nkosi Sri Govindaji approaches India with complete adoration and awareness of the Absolute Self in all, Brahman
Leica M11 / 21mm Super-Elmar f/3.4 ASPH
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
BURGOS
In 884, as part of the policy of repopulating the territories reconquered by the Christians, Alfonso III, king of Leon, trying to slow down the advance of the Muslims, ordered Count Diego Rodríguez to create a city on the banks of the Arlanzón. The origin of Burgos is, therefore, military. It benefits from a privileged geographical location due to the fact that it is halfway between Madrid and the French border, as well as very close cities such as Bilbao, Santander, Logroño or Valladolid, among others.
After being a simple stage of the Camino de Santiago, Burgos comes to dominate the Segovia-Bilbao commercial axis, that is to say the route for exporting wool, the main resource of Castile. At the end of the 15th century, the merchants of Burgos, after having established a de facto monopoly on the trade of this raw material, reigned over Old Castile and maintained agents in the main commercial centres of Western Europe: Nantes and Rouen, Antwerp and Bruges. They settled in Seville to take advantage of the relations established with America, and the quest for fortune took them to the Canaries, Cape Verde and Guinea. From the 16th century, however, the bourgeoisie of Burgos, until then the most prosperous in Spain, experienced decline.
CATHEDRAL
Burgos Cathedral is an immense Gothic church, built from 1220, in the ornate taste fashionable in Germany and France at that time.
Third cathedral in Spain by its dimensions (84 m long and 60 m wide), its construction will take more than three centuries.
Featured Image from Swayam Jyotish Photobook
ARTIST STATEMENT
The light from this container of photographs is non-dual from the innate light within each one of us. So too is physical light reflected in a jar of water or subtle light projected from the Chitta (mind-heart) in dream state. At its best the camera is a simple tool to transfer light through a lens recorded by a censor. At its root, consciousness is all-pervading and who we are. Consciousness, the Light of lights, proceeds from us and lends itself into the moment. The practice of Vichar (self-inquiry) reminds us of that same light appearing as the Jiva (individual-soul) and leads us to the revelation of Atman (universal-soul) and "Who Am I?" With that realization Nkosi Sri Govindaji approaches India with complete adoration and awareness of the Absolute Self in all, Brahman
Leica M11 / Leica 21mm f 3.4 Super Elmar ASPH
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Details of the rock art station 'Vente Bourbon 3' found by D. Caldwell around 2014 (published 2015) - one of many important and unpolluted rock art stations recently found in the forest of Fontainebleau.
After isolating a line composite and projecting it as a representation of a stage (see below), I have looked at other 'glyphs' to see if they might be schematic representations with shared themes.
The top photograph of a 'glyph' is often referred to as a swastika even if swastikas do not have dots between arms and end bars with a fade. I preferred the term 'ornamented cross'.
The lower photograph of a 'glyph' has been rotated by 180 degrees and can be seen pictured in its original alcove position to the left of the potential stage (see second image below). As there is no notion of perspective, I have assumed that the 'artist' simply wanted to show diagonal buttress into the base of a pole planted near the potential 'stage', before then extending the lines for a side-on view. With this in mind it makes no difference to rotate the image as pictured above. The local area's soil is sandy, and the bedrock is near the surface, and a Maypole without buttresses may have occurred once, but 'never again' (!). A buttressed pole without dancers might be presented in its schematic simplicity without any cords activated by dancers, or as a simple pole.
Seen from above and this time with dancers, a Maypole can be a combination of people with cords and dancers taking up the space between. Here a dot represents a space for a person.
Combining the side image with the schematic image from above and then animating the dots with people results in the representation above right.
Today many folk dancers are uniformed into exact local costume and regimented into perfect dance steps. This sense of perfection is very human, and its spirit of modelling and emulation must be envisaged in large get-togethers into the late great ages of prehistory. On saying that, local dances that spin on into evenings can also involve hats falling sideways, buttons coming undone, trousers slacking and dancers exalted aside dancers shy. Rings of onlookers watching circles of dance; interchanging between actor and observer. In the image of Maypole dancing, I have tried to capture this latter energy of informal collective spirit.
Maypoles are 'trees' of fertility and they symbolise the forces of nature. Erected poles, ornamented poles, selected saplings cut and set or signified trees are all variants of the Maypole that exist throughout quiet and dynamic details of Europe (and not simply a Germanic tradition is can be seen quoted), with other tangents in the rest of the world: north American sun-dance, Siberian Ysyakh, Egypt and so on. Broad rural detailing and specificities require time - deep time - and it is generally accepted that the Maypole celebrations crossed the bridge between late prehistory and history. The wide manifest suggest a point of 'origin' from far further than simply the Iron age (as is quoted).
A Maypole is a common structure associated with dance and festivity that might be set near a simple stage, and seeing a schematic juxtaposition of these two elements is not shocking.
In 1579 the Catholic Church made a decree regarding Maypoles making it unlawful to 'walk them in the streets and to plant them with crazy and ridiculous ceremonies' and it is perhaps logical to expect the rock art to have been generated from a prior date. This was not the first time that this Church had involved itself with trees as in 452, the Council at Tours "exhorts the clergy to excommunicate those who, at certain ...trees, are sacrificing to the devil" - with the word "sacrificing" probably imbibed with a little stigmatic interpretation and interchangeable with "dancing around".
Attaching cords to the top of a pole can abstract significance from the act of braiding and unbraiding cords of different colour, as dancers back and forth with a variety of inter-combination. Should this rock art 'glyph' be a representation of a Maypole, then the simple four cord variety may be either an early example (lets imagine a cord for each season) or a simplification (let's say that four cords are enough to communicate to others an inclusion of a Maypole with eight or more becoming messy and looking like a sun).
Pipes and drums and a small choir of singers: people from an extended region drawn to the magical monoliths; a stage with two sets of stairs and a couple of Maypoles would allow people to dance in lines, circles or to snake around and between. Even those who admit that they cannot dance, or that they are too old to dance, would be drawn to join in or clap as they watch the new generation rub static and emotional memories into trusted contact.
AJM 31.03.20
BURGOS
In 884, as part of the policy of repopulating the territories reconquered by the Christians, Alfonso III, king of Leon, trying to slow down the advance of the Muslims, ordered Count Diego Rodríguez to create a city on the banks of the Arlanzón. The origin of Burgos is, therefore, military. It benefits from a privileged geographical location due to the fact that it is halfway between Madrid and the French border, as well as very close cities such as Bilbao, Santander, Logroño or Valladolid, among others.
After being a simple stage of the Camino de Santiago, Burgos comes to dominate the Segovia-Bilbao commercial axis, that is to say the route for exporting wool, the main resource of Castile. At the end of the 15th century, the merchants of Burgos, after having established a de facto monopoly on the trade of this raw material, reigned over Old Castile and maintained agents in the main commercial centres of Western Europe: Nantes and Rouen, Antwerp and Bruges. They settled in Seville to take advantage of the relations established with America, and the quest for fortune took them to the Canaries, Cape Verde and Guinea. From the 16th century, however, the bourgeoisie of Burgos, until then the most prosperous in Spain, experienced decline.
CATHEDRAL
Burgos Cathedral is an immense Gothic church, built from 1220, in the ornate taste fashionable in Germany and France at that time.
Third cathedral in Spain by its dimensions (84 m long and 60 m wide), its construction will take more than three centuries.
BURGOS
In 884, as part of the policy of repopulating the territories reconquered by the Christians, Alfonso III, king of Leon, trying to slow down the advance of the Muslims, ordered Count Diego Rodríguez to create a city on the banks of the Arlanzón. The origin of Burgos is, therefore, military. It benefits from a privileged geographical location due to the fact that it is halfway between Madrid and the French border, as well as very close cities such as Bilbao, Santander, Logroño or Valladolid, among others.
After being a simple stage of the Camino de Santiago, Burgos comes to dominate the Segovia-Bilbao commercial axis, that is to say the route for exporting wool, the main resource of Castile. At the end of the 15th century, the merchants of Burgos, after having established a de facto monopoly on the trade of this raw material, reigned over Old Castile and maintained agents in the main commercial centres of Western Europe: Nantes and Rouen, Antwerp and Bruges. They settled in Seville to take advantage of the relations established with America, and the quest for fortune took them to the Canaries, Cape Verde and Guinea. From the 16th century, however, the bourgeoisie of Burgos, until then the most prosperous in Spain, experienced decline.
CATHEDRAL
Burgos Cathedral is an immense Gothic church, built from 1220, in the ornate taste fashionable in Germany and France at that time.
Third cathedral in Spain by its dimensions (84 m long and 60 m wide), its construction will take more than three centuries.
Live Version All I want For Christmas Is You, www.starnow.com/media/751050
Xmas Showreel, www.starnow.co.uk/media/829675
www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV crew.man
MARIAH CAREY BRINGS SOME FESTIVE FABULOUSNESS TO LONDON’S O2 ARENA – REVIEW
The Queen of Christmas finally brings her seasonal show to the UK.
When Mariah Carey took ownership of Christmas in 1994 with the release of her monster hit ‘All I Want For Christmas Is You’, even she probably never imagined entire tours would be built around the enduring popularity of the song.
After four years of Christmas shows in the US, Ms Carey brought her entourage to the UK, taking over Manchester Arena and London’s O2. At the former, she took a moment to address the crowd and say how Manchester had to be the first night of her UK shows following last May’s bombing, and pay tribute to the “strength and resilience” the city had shown, and how love will always endure.
We joined Mimi on her second night at The O2 in London where she opened in a glittering gold and white gown. Her vocals glided between seasonal classics from her two Christmas albums, as well as hitting the upbeat highs of self-penned tracks like the seriously underrated ‘Oh Santa!’ and her new mawkish ballad ‘The Star’, from the animated movie of the same name for which she’s been nominated for a Golden Globe.
The Christmas standards take the spotlight here. “Wrong show” she says to the opening beats of ‘Fantasy’ – she’s in town to celebrate her favourite, most “festive” time of year on this visit.
Carey probably could have done without the ballet routines and unnecessary stage antics from the dancers, never mind the disjointed screen visuals that at times were amateur at best. She would do well to employ a decent creative director to give her the wrappings her status deserves, while the too-long interludes steal the momentum that her mighty presence on stage commands. All the crowd want is Mariah on a stage singing and delivering sass. Simple stage delivery works for Adele, we don’t need bells and whistles from Ms Carey, or her four costume changes. But would you expect anything less from a woman that is escorted by hand up every step? She is hardly known for modesty.
In an industry in which autotune-ready popstars come packaged and ready to roll off the production line, Mariah maintains a curious relevance to older and younger fans alike. She is one of the few last great vocal divas of an era once dominated by Celine Dion and Whitney. Don’t listen to the detractors: we were ten rows from the front and we can confirm she was most definitely singing live. (Mostly. ‘Emotions’ may have been sung over her own backing vocals.) And in case you’re wondering, her pipes were on form. Although her singing peak of the ’90s may be behind her, the songbird still capably straddles the octaves, slipping effortlessly from the breathy lower register to those famous whistle notes.
‘We Belong Together’ and ‘Hero’ had the crowd of gays, mums, girls, and children singing along, before the encore of ‘All I Want For Christmas’ tore the house down. Every moment that Mariah is on stage is pure gold, as you’d expect from the diva of all divas. But next time Ms Carey, can we have a little less OTT and a little more you?
Live Version All I want For Christmas Is You, www.starnow.com/media/751050
Xmas Showreel, www.starnow.co.uk/media/829675
www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV crew.man
MARIAH CAREY BRINGS SOME FESTIVE FABULOUSNESS TO LONDON’S O2 ARENA – REVIEW
The Queen of Christmas finally brings her seasonal show to the UK.
When Mariah Carey took ownership of Christmas in 1994 with the release of her monster hit ‘All I Want For Christmas Is You’, even she probably never imagined entire tours would be built around the enduring popularity of the song.
After four years of Christmas shows in the US, Ms Carey brought her entourage to the UK, taking over Manchester Arena and London’s O2. At the former, she took a moment to address the crowd and say how Manchester had to be the first night of her UK shows following last May’s bombing, and pay tribute to the “strength and resilience” the city had shown, and how love will always endure.
We joined Mimi on her second night at The O2 in London where she opened in a glittering gold and white gown. Her vocals glided between seasonal classics from her two Christmas albums, as well as hitting the upbeat highs of self-penned tracks like the seriously underrated ‘Oh Santa!’ and her new mawkish ballad ‘The Star’, from the animated movie of the same name for which she’s been nominated for a Golden Globe.
The Christmas standards take the spotlight here. “Wrong show” she says to the opening beats of ‘Fantasy’ – she’s in town to celebrate her favourite, most “festive” time of year on this visit.
Carey probably could have done without the ballet routines and unnecessary stage antics from the dancers, never mind the disjointed screen visuals that at times were amateur at best. She would do well to employ a decent creative director to give her the wrappings her status deserves, while the too-long interludes steal the momentum that her mighty presence on stage commands. All the crowd want is Mariah on a stage singing and delivering sass. Simple stage delivery works for Adele, we don’t need bells and whistles from Ms Carey, or her four costume changes. But would you expect anything less from a woman that is escorted by hand up every step? She is hardly known for modesty.
In an industry in which autotune-ready popstars come packaged and ready to roll off the production line, Mariah maintains a curious relevance to older and younger fans alike. She is one of the few last great vocal divas of an era once dominated by Celine Dion and Whitney. Don’t listen to the detractors: we were ten rows from the front and we can confirm she was most definitely singing live. (Mostly. ‘Emotions’ may have been sung over her own backing vocals.) And in case you’re wondering, her pipes were on form. Although her singing peak of the ’90s may be behind her, the songbird still capably straddles the octaves, slipping effortlessly from the breathy lower register to those famous whistle notes.
‘We Belong Together’ and ‘Hero’ had the crowd of gays, mums, girls, and children singing along, before the encore of ‘All I Want For Christmas’ tore the house down. Every moment that Mariah is on stage is pure gold, as you’d expect from the diva of all divas. But next time Ms Carey, can we have a little less OTT and a little more you?
Gabriel-Jacques de Saint-Aubin (1724-80) - A street show in Paris, 1760. Harlequin and Crispin, characters from the commedia dell' arte, are seen duelling on a simple stage : detail
These striking images were created with Phoebe Leighton when she joined The Photography Squad team with other dancers from Trinity Laban Conservatoire.
It’s been a real pleasure to work with such talented, creative individuals such as Phoebe.
The Photography Squad team will be confirming dates for these type of workshops (and others) soon.
Gabriel-Jacques de Saint-Aubin - A Street Show in Paris (1760)
Harlequin and Crispin are seen duelling on a simple stage. They are characters from the 'commedia dell'arte', a popular form of comic theatre that originated in Italy. Street theatre was popular in 18th-century Paris. The trees in this picture form a arch which makes the spectators as much a spectacle as the show itself. A picture of approximately the same size, 'La Réunion du Boulevard' (now at Perpignan), may have been intended as a pendant. An etching by Duclos of this picture gives the painter and the date, 1760.
commons.wikimedia.org/wiki/File:Gabriel-Jacques_de_Saint-...
Live Version All I want For Christmas Is You, www.starnow.com/media/751050
Xmas Showreel, www.starnow.co.uk/media/829675
www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV crew.man
MARIAH CAREY BRINGS SOME FESTIVE FABULOUSNESS TO LONDON’S O2 ARENA – REVIEW
The Queen of Christmas finally brings her seasonal show to the UK.
When Mariah Carey took ownership of Christmas in 1994 with the release of her monster hit ‘All I Want For Christmas Is You’, even she probably never imagined entire tours would be built around the enduring popularity of the song.
After four years of Christmas shows in the US, Ms Carey brought her entourage to the UK, taking over Manchester Arena and London’s O2. At the former, she took a moment to address the crowd and say how Manchester had to be the first night of her UK shows following last May’s bombing, and pay tribute to the “strength and resilience” the city had shown, and how love will always endure.
We joined Mimi on her second night at The O2 in London where she opened in a glittering gold and white gown. Her vocals glided between seasonal classics from her two Christmas albums, as well as hitting the upbeat highs of self-penned tracks like the seriously underrated ‘Oh Santa!’ and her new mawkish ballad ‘The Star’, from the animated movie of the same name for which she’s been nominated for a Golden Globe.
The Christmas standards take the spotlight here. “Wrong show” she says to the opening beats of ‘Fantasy’ – she’s in town to celebrate her favourite, most “festive” time of year on this visit.
Carey probably could have done without the ballet routines and unnecessary stage antics from the dancers, never mind the disjointed screen visuals that at times were amateur at best. She would do well to employ a decent creative director to give her the wrappings her status deserves, while the too-long interludes steal the momentum that her mighty presence on stage commands. All the crowd want is Mariah on a stage singing and delivering sass. Simple stage delivery works for Adele, we don’t need bells and whistles from Ms Carey, or her four costume changes. But would you expect anything less from a woman that is escorted by hand up every step? She is hardly known for modesty.
In an industry in which autotune-ready popstars come packaged and ready to roll off the production line, Mariah maintains a curious relevance to older and younger fans alike. She is one of the few last great vocal divas of an era once dominated by Celine Dion and Whitney. Don’t listen to the detractors: we were ten rows from the front and we can confirm she was most definitely singing live. (Mostly. ‘Emotions’ may have been sung over her own backing vocals.) And in case you’re wondering, her pipes were on form. Although her singing peak of the ’90s may be behind her, the songbird still capably straddles the octaves, slipping effortlessly from the breathy lower register to those famous whistle notes.
‘We Belong Together’ and ‘Hero’ had the crowd of gays, mums, girls, and children singing along, before the encore of ‘All I Want For Christmas’ tore the house down. Every moment that Mariah is on stage is pure gold, as you’d expect from the diva of all divas. But next time Ms Carey, can we have a little less OTT and a little more you?
BURGOS
In 884, as part of the policy of repopulating the territories reconquered by the Christians, Alfonso III, king of Leon, trying to slow down the advance of the Muslims, ordered Count Diego Rodríguez to create a city on the banks of the Arlanzón. The origin of Burgos is, therefore, military. It benefits from a privileged geographical location due to the fact that it is halfway between Madrid and the French border, as well as very close cities such as Bilbao, Santander, Logroño or Valladolid, among others.
After being a simple stage of the Camino de Santiago, Burgos comes to dominate the Segovia-Bilbao commercial axis, that is to say the route for exporting wool, the main resource of Castile. At the end of the 15th century, the merchants of Burgos, after having established a de facto monopoly on the trade of this raw material, reigned over Old Castile and maintained agents in the main commercial centres of Western Europe: Nantes and Rouen, Antwerp and Bruges. They settled in Seville to take advantage of the relations established with America, and the quest for fortune took them to the Canaries, Cape Verde and Guinea. From the 16th century, however, the bourgeoisie of Burgos, until then the most prosperous in Spain, experienced decline.
CATHEDRAL
Burgos Cathedral is an immense Gothic church, built from 1220, in the ornate taste fashionable in Germany and France at that time.
Third cathedral in Spain by its dimensions (84 m long and 60 m wide), its construction will take more than three centuries.
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A minimalist theater set from 1940s Hungary featuring a simple stage design with chairs, framed portraits, and sparse décor.
Live Version All I want For Christmas Is You, www.starnow.com/media/751050
Xmas Showreel, www.starnow.co.uk/media/829675
www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV www.starnow.co.uk/christopherw33618
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
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MARIAH CAREY BRINGS SOME FESTIVE FABULOUSNESS TO LONDON’S O2 ARENA – REVIEW
The Queen of Christmas finally brings her seasonal show to the UK.
When Mariah Carey took ownership of Christmas in 1994 with the release of her monster hit ‘All I Want For Christmas Is You’, even she probably never imagined entire tours would be built around the enduring popularity of the song.
After four years of Christmas shows in the US, Ms Carey brought her entourage to the UK, taking over Manchester Arena and London’s O2. At the former, she took a moment to address the crowd and say how Manchester had to be the first night of her UK shows following last May’s bombing, and pay tribute to the “strength and resilience” the city had shown, and how love will always endure.
We joined Mimi on her second night at The O2 in London where she opened in a glittering gold and white gown. Her vocals glided between seasonal classics from her two Christmas albums, as well as hitting the upbeat highs of self-penned tracks like the seriously underrated ‘Oh Santa!’ and her new mawkish ballad ‘The Star’, from the animated movie of the same name for which she’s been nominated for a Golden Globe.
The Christmas standards take the spotlight here. “Wrong show” she says to the opening beats of ‘Fantasy’ – she’s in town to celebrate her favourite, most “festive” time of year on this visit.
Carey probably could have done without the ballet routines and unnecessary stage antics from the dancers, never mind the disjointed screen visuals that at times were amateur at best. She would do well to employ a decent creative director to give her the wrappings her status deserves, while the too-long interludes steal the momentum that her mighty presence on stage commands. All the crowd want is Mariah on a stage singing and delivering sass. Simple stage delivery works for Adele, we don’t need bells and whistles from Ms Carey, or her four costume changes. But would you expect anything less from a woman that is escorted by hand up every step? She is hardly known for modesty.
In an industry in which autotune-ready popstars come packaged and ready to roll off the production line, Mariah maintains a curious relevance to older and younger fans alike. She is one of the few last great vocal divas of an era once dominated by Celine Dion and Whitney. Don’t listen to the detractors: we were ten rows from the front and we can confirm she was most definitely singing live. (Mostly. ‘Emotions’ may have been sung over her own backing vocals.) And in case you’re wondering, her pipes were on form. Although her singing peak of the ’90s may be behind her, the songbird still capably straddles the octaves, slipping effortlessly from the breathy lower register to those famous whistle notes.
‘We Belong Together’ and ‘Hero’ had the crowd of gays, mums, girls, and children singing along, before the encore of ‘All I Want For Christmas’ tore the house down. Every moment that Mariah is on stage is pure gold, as you’d expect from the diva of all divas. But next time Ms Carey, can we have a little less OTT and a little more you?
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MARIAH CAREY BRINGS SOME FESTIVE FABULOUSNESS TO LONDON’S O2 ARENA – REVIEW
The Queen of Christmas finally brings her seasonal show to the UK.
When Mariah Carey took ownership of Christmas in 1994 with the release of her monster hit ‘All I Want For Christmas Is You’, even she probably never imagined entire tours would be built around the enduring popularity of the song.
After four years of Christmas shows in the US, Ms Carey brought her entourage to the UK, taking over Manchester Arena and London’s O2. At the former, she took a moment to address the crowd and say how Manchester had to be the first night of her UK shows following last May’s bombing, and pay tribute to the “strength and resilience” the city had shown, and how love will always endure.
We joined Mimi on her second night at The O2 in London where she opened in a glittering gold and white gown. Her vocals glided between seasonal classics from her two Christmas albums, as well as hitting the upbeat highs of self-penned tracks like the seriously underrated ‘Oh Santa!’ and her new mawkish ballad ‘The Star’, from the animated movie of the same name for which she’s been nominated for a Golden Globe.
The Christmas standards take the spotlight here. “Wrong show” she says to the opening beats of ‘Fantasy’ – she’s in town to celebrate her favourite, most “festive” time of year on this visit.
Carey probably could have done without the ballet routines and unnecessary stage antics from the dancers, never mind the disjointed screen visuals that at times were amateur at best. She would do well to employ a decent creative director to give her the wrappings her status deserves, while the too-long interludes steal the momentum that her mighty presence on stage commands. All the crowd want is Mariah on a stage singing and delivering sass. Simple stage delivery works for Adele, we don’t need bells and whistles from Ms Carey, or her four costume changes. But would you expect anything less from a woman that is escorted by hand up every step? She is hardly known for modesty.
In an industry in which autotune-ready popstars come packaged and ready to roll off the production line, Mariah maintains a curious relevance to older and younger fans alike. She is one of the few last great vocal divas of an era once dominated by Celine Dion and Whitney. Don’t listen to the detractors: we were ten rows from the front and we can confirm she was most definitely singing live. (Mostly. ‘Emotions’ may have been sung over her own backing vocals.) And in case you’re wondering, her pipes were on form. Although her singing peak of the ’90s may be behind her, the songbird still capably straddles the octaves, slipping effortlessly from the breathy lower register to those famous whistle notes.
‘We Belong Together’ and ‘Hero’ had the crowd of gays, mums, girls, and children singing along, before the encore of ‘All I Want For Christmas’ tore the house down. Every moment that Mariah is on stage is pure gold, as you’d expect from the diva of all divas. But next time Ms Carey, can we have a little less OTT and a little more you?
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Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Mehndi #Event #a2z_Events_Solutions #Marquee #Fun_stuff #Selfie_props #Selfi_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Grand #Mehndi #Event #a2z_Events_Solutions #Marquee
#Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden #Rikshaw_Entry
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Barat #Reception #Behria #Farm #House
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
Barat Pasco Society
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#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
Acrylics on Canvas (sold) this is suppose to be visual music. I tried to paint Jazz :)
the Multimedia Artist Danny "MushroomBrain" Hennesy
The Creator of Multiverses and King Queen and Emperor of
Make Noise and Love :)
4 mushroomBrain and TRANSVESTITEstallion and ART!!!
New #Barat #Stage with #backside #Entry for #BRIDE
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Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Barat #Reception #Behria #Farm #House
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Mehndi #Event #Gulbahar #Society #Behria #Farm #House
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Barat #Reception #Behria #Farm #House
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Mehndi #Event #DHA Follow us on Instagram @a2zevents and @DclassyClicks Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869 #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Barat #Reception #Behria #Farm #House
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers