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en.m.wikipedia.org/wiki/75_Livingston_Street
75 Livingston Street
The building was designed by architect Abraham J. Simberg,and built in 1926.The building was initially designed to have a dining room on the terrace of the 25th floor and to be 430 ft high (131 m).
At one time in the past,the structure was called the Court-Livingston,due to its alternate street address of 66 Court Street.Originally constructed as an office tower, the building was converted into cooperative apartments in 1981.In 2010 the building was included in the Borough Hall Skyscraper Historic District, which would landmark it,as well as several of the surrounding buildings.This inclusion came with disagreements from many residents of the building who claimed that,not only was the building's architecture not significant enough to merit landmark status,but also argued that the status would be financially adverse for those living in the building.However, despite their claims the building was included in the Historic District and was land-marked in 2011.
en.m.wikipedia.org/wiki/75_Livingston_Street
75 Livingston Street
The building was designed by architect Abraham J. Simberg,and built in 1926.The building was initially designed to have a dining room on the terrace of the 25th floor and to be 430 ft high (131 m).
At one time in the past,the structure was called the Court-Livingston,due to its alternate street address of 66 Court Street.Originally constructed as an office tower, the building was converted into cooperative apartments in 1981.In 2010 the building was included in the Borough Hall Skyscraper Historic District, which would landmark it,as well as several of the surrounding buildings.This inclusion came with disagreements from many residents of the building who claimed that,not only was the building's architecture not significant enough to merit landmark status,but also argued that the status would be financially adverse for those living in the building.However, despite their claims the building was included in the Historic District and was land-marked in 2011.
Tune "Going To A Go-Go" - The Rolling Stones ♫♪
Simberg outfits by Pauliina for Maitreya and Maitreya Petite
marketplace.secondlife.com/p/PAULIINA-Simberg-outfit-for-...
Hugo Simberg
Oil on canvas
Finnish National Gallery
Ateneum Art Museum
Ahlström Collection, Helsini
Currently at the exhibition GOTHIC MODERN in the ALBERTINA in Vienna www.albertina.at/en/exhibitions/
"Hugo Gerhard Simberg (24 June 1873 – 12 July 1917) was a Finnish symbolist painter and graphic artist. [...] Simberg's most famous painting is The Wounded Angel." en.wikipedia.org/wiki/Hugo_Simberg
Classical Art in Ateneum, Finnish National Gallery. Of the left side of the statue, there is Hugo Simberg´s "Wounded Angel".
On the right there is Edelfelt´s "A Child´s Funeral"
Bellmanhuset ligger på Urvädersgränd 3 på Södermalm i Stockholm. Byggnaden är blåklassad av Stadsmuseet i Stockholm, vilket innebär att bebyggelsen har "synnerligen höga kulturhistoriska värden" motsvarande fordringarna för byggnadsminnen.
Här bodde skalden Carl Michael Bellman under sin mest produktiva period 1770–1774 och här skrev han de flesta av sina Fredmans epistlar och Fredmans sånger.
Hovslagaren Adam Wollman lät uppföra den ursprungliga stenbyggnaden, som hösten 1763 inköptes av Sven Simberg, inspektör vid Stora sjötullen. Simberg genomförde en om- och tillbyggnad och på hösten 1764 stod fastigheten färdig i det skick den i stort sett har bevarats i till idag. Tomtens östra del utnyttjades som kryddgård. Ännu i början av 1900-talet fanns den kvar med sin lummiga grönska, inhägnad mot gränden av ett högt rödmålat plank.
Huset ägs idag av Ordenssällskapet Par Bricole (som Bellman var med och grundade) och visas den första söndagen varje månad för allmänheten.
Källa: Wikipedia
" En las sombras de la noche, tiendes sobre mí tus alas de nácar para ser fiel testigo de lo invisible "
AlbertoCuadrado
Thanks for the visit, comments, awards, invitations and favourites. Please don't use this image on websites, blogs or other media without my explicit permission.
All rights reserved.©albertocuadrado
Theme in the Hiekkaoliivi`s Saturday Surprise -challenge was "Joy". I think I have to explain a little bit this one.
My mum has been in the hospital over three weeks and my joy of christmas was that she could come home for the Christmas Eve and spend that day with us. But still... I felt so bad when we had to take her back to hospital in the evening.
That image what I used is from the Hugo Simberg`s painting called Wounded angel (I`m not sure is that right translation, In Finnish: Haavoittunut enkeli). I love that painting!
Simberg painted that after he had been in the hospital over six month. He said that he wanted to fight through the illness because he want to get that painting finished.
Card is not available.
An Angel who can see in the darkness...
This is a AI generated image with my assistance: 3 minutes to direct the prompt (on Dream) + 8 hours of my digital handpaint.
I mainly restored the anatomy of the ear and the breast that didn't quite match. The breast had very undefined nipples and, especially two sort of chicken wings bones under the skin that branched off from the breastbone were inappropriate. I removed them via shading and spray paint, then I reconstructed the breast and a portion of the neck and painted a gracious top.
The feathers on top left of the head were trunkated, so I painted the tips that were missing. Lightened the skin, sharpened the contrasts and strengthened the red and orange tones. Lots of shading to obtain a more soft and painterly result.
I've modified her nose that was seeming to me too short and thick. I painted the lower part of the wing too + reshaped the blindfold.
The directions I gave at the prompt were very long but, what mattered to me is all there, included a good dosis of
Michelangelo Merisi, (my most favorite Old Master) and some drops of Hugo Simberg as a memory of the "Wounded Angel" he painted in 1903 and that inspired my unique profile icon too, about 10 years ago.
To obtain what I wanted I made many attempts, this is my 20th.
Does this image represent my concept I meant to lend? Yes.
Is this image "me"? I think in a way it is.
Did it request my talent? Yes, a little bit at least.
My culture? Of course yes.
My vision of light painting? Definitely yes.
Being a purist photographer, this is something new and unusual for me but this is NOT photography and I will never ever allow any improvisated photographer dispute with me about Photography against Artificial Intelligence because they have nothing to do one another and this diatribe is absurd, bigot and immensely stupid.
Can AI become art?? This is all to be proven.
What I am sure about is that if an artist, a true one, was artist from before the AI advent and now & then he uses AI too, as he was artist he will remain artist in all he makes, no matters the tools he uses.
But, since I administrate quite a few groups, I felt I cannot rate AI submissions if I don't know what they are. Experimenting AI was needed and it's even fun! But it will never ever be like to make a handpainting or a drawing, be it as original traditional art or as digital art using digital brushes.
And, I would also add, that, I could be very wrong but, in the future, the more AI develops and the more rare will be true handmade artworks, the more the real object of desire for Art fans, amateurs, collectors will be to own a unique handmade artwork that cannot be reproduced, where you can really "touch" the strokes by the artist.
I believe, ethically, it is correct to always mention if a digital image is a computer generated one via the Artificial Intelligence.
Also: I keep seeing Top top Photography Groups hosting AI images... I wonder if their admins are aware they are approving and even inviting images that are NOT photography, admitting they care about the difference...
Do you like this image? I do... Let's leave it to the viewers to rate how they feel about watching it.
I hope you enjoy!
(Any comment and critique very welcome)
The office building designed by architect Kurt Simberg that was completed in 1963 on the plot from which the so-called Huber house had been on going demolition.
Kalevankatu. Helsinki, Finland.
MAR-2024
iPhone 15 PRO
MPro camera app
Dressed in art! My friend Pauliina made these two wonderful and complete outfits, using RL art by the Finnish artist Hugo Simberg!
How cool is that!?
Outfit for Maitreya Lara and Lara Petite available here:
marketplace.secondlife.com/p/PAULIINA-Simberg-outfit-for-...
The final result, improved after the upload of yesterday. Curious to see how the image had sorted out from the prompt instead?
Then see the left section of this dyptich: flic.kr/p/2nUwm19
I think, I have painted over about the 60/70 of the total surface of this image. I believe it was worthy as I truly liked it and didn't want to discharge. The wing to the left was missing, so I completely painted it (digital manual strokes).
It involved me in a phase of restoring the picture, followed by my digital hand painting that has been particularly fun to obtain the closest result to which I had imagined while directing the AI prompt.
It would be interesting that someone takes the time to review my whole stream in order to realize this image applies very much to my style but most important is me and how I feel. On about 20 attempts, after refining the image as explained here and in my two previous up-loads, this is the result I can recognize per me, myself and I.
(Not that I look like her, no no, I'm very blond, other kind of beauty :-)
I hope you like it and thanks in advance for all the visits, comments and quality faves!
Edit: strange but true, I've licensed my image for s Publishing Company, so, even if not requested in the contract, I had the idea to 'slightly' vary it once more for my Flickr stream by adding at her beautiful breast a gracious flowery top ;-)
White Angel
Straight from the camera. Done in collaboration with missmoody.
Light painting version of Finnish artist Hugo Simberg's classic Wounded Angel painting. Idea by missmoody. This was one hell of a shot to execute, phew!
More light painted classic paintings to come, also in collaboration with hhuhtamo!
Order my art prints here!
75 Livingston St is a co-op in Brooklyn.It's height is 399 ft to the tip,with 105 units on 32 floors.The building has a pyramidal tower on the top.The wedding cake skyscraper (called that because of the setbacks on top of the building) supposedly has the best views in the borough.It was formerly the Brooklyn Chamber of Commerce Building.It was built in 1928 in the Art Deco neo-Gothic style.The architect was Ukrainian,Abraham J.Simberg.If you're interested,apt 14C (6 rm,3B,2bth) is going for $2,200,000!It's a steal..
it really is.Please comment and thank you for viewing..
- A diptychon just for comparison -
For my own educational I have been experimenting how to instruct a prompt on Wombo for AI generated or assisted images.
I dunno if someone has ever done to show what he obtained and his own elaboration. I will share this test with pleasure.
Left: there is exactly the image I obtained from the prompt, a very low def picture, around 120Kb. I don't know if this depends from the fact I did not register at their site but, eventually, the very first thing I had to do was...
right: to try to sort out a larger image. So I started to process it by painting and shading on it to conceal the noise and the pixelated effect due to the low def. Then I saved the image at the maximum def making it larger. Then I started to modify the shape of the face (it was longer and I rounded it), the nose and then I had lot to do with that sort of wing bones in the breast. Indeed I had requested the Angel should have had wings on the shoulders, not in the back! I had imagined the Angel's wings not hardly visible in the usual position on the back but, instead, almost embracing, protecting the Angel, like a sort of feathery cape, also at the scope to show more the wings than as usual if an angel is illustrated frontally.
The AI replied proposing an idea of under-the-skin winged bones in the forefront (see, left image, oh My!)
I repainted most of the breast and neck to conceal this error, made the neck thinner, recolored the skin, lightened the excessive grey tones, perfectioned the breast and nipples shape, finished the feathers on the left side of the head that were missing, basically I painted them.
In this definive version, I have completely painted the right wing with red feathers as it was missing in the prompt image.
The next upload will be the final result at the highest possible definition and zoomable (here visible to the right in lower def.)
I think it was worth while to try to improve, enlighten and retouch this image as I wanted to keep it. My sensory idea to let the Angel emerge from the darkness and show her like illuminated by candlelight has worked, at least, so I think :-)
No big need to say my main style, the one I love the most is the Light Painting.
AI seems to have a very low def., maybe there are paying versions that grant a higher definition of the images.
Another problem I encoutered and frequently saw elsewhere: hands and eyes still seem not accurate, sometimes the hands appear unfinished or deformed or even with too many or too few fingers... Luckily this image has no hands nor eyes visible, this is part of the preparation idea to sort out the concept and no big problems, just to make the test with a drop of genial plus ;-)
"Can dance be captured in a work of visual art? How does one suspend a moving body or moment in a painting? The Dance! Movement in the Visual Arts 1880–2020 exhibition is looking for answers to these questions by exploring more than 140 works by 50 artists.
The arched halls of Tennispalatsi will be filled with works in which dance reflects passion, bliss, and joie de vivre to wistfulness, sorrow and vulnerability. The works in the exhibition show how our bodies can be vital, full of life and flowing as well as tired, sick and dying at the same time. The diverse exhibition consists of delicate and quiet paintings and video art that are also full of life and explode with energy. The heavy material of the sculptures has been forged to take light shapes of movement and the unfinished line of the sketches carries the flow of movement. The photographs depict the historical story of modern dance, but also provide a current view on identity and being a dancer.
The exhibition brings together artists from different eras, with women represented comprehensively. Gems from Finnish collections include works by Anna Estarriola, Eva Gyldén, Sini Pelkki, Kalervo Palsa, Laila Pullinen, Eino Ruutsalo, Hugo Simberg, Ellen Thesleff and Venny Soldan-Brofeldt. The exhibition also features notable international works from the likes of Edgar Degas and Louise Bourgeois. Contemporary art reflecting on dance is also highlighted in tapestries created by Sonja Jokiniemi for the exhibition as well as Bárbara Wagner & Benjamin de Burca’s massive installation, to name few."
Hugo Simberg est l'un des neuf enfants du colonel Nicolai Edward Simberg (1822-1915) et de sa seconde épouse Ebba Matilda Widenius (1840-1897). Son père a aussi eu neuf enfants de son premier mariage.
Hugo Simberg grandit à Hamina et, dès l'âge de huit ans, à Viipuri.
En 1891, il entre à l'École de dessin de Viipuri.
De 1893 à 1895, il étudie à l'école de dessin de l'association des arts, et partage la même classe qu'Hilda Flodin et Ester Helenius[3].
Dès ses premières œuvres, il laisse voir son penchant pour l'art symboliste, mais l'Ateneum ne lui donne pas la possibilité d'étudier les matières qui lui semblent importantes. Découragé, il décide alors d'écrire au maître du symbolisme Akseli Gallen-Kallela, qui l'accepte comme étudiant à Ruovesi en 1895. Commence alors la phase certainement la plus importante du développement artistique d'Hugo Simberg. Gallen-Kallela l'encourage à développer son propre style. Le jeune Simberg passe l'été à Niemenlauta, la résidence d'été de la famille à proximité de Viipuri. Les paysages de cette région influenceront ses œuvres à venir.
En 1896, Hugo Simberg voyage à Londres et, en 1897, il séjourne à Paris, puis entreprend un périple en Italie. Durant ces années, il présente ses travaux aux expositions de l'association des artistes finlandais. Ses succès lui permettent de devenir membre de l'association des artistes finlandais et, bientôt, on lui offre d'enseigner à École de dessin de Viipuri.
Les travaux de construction de la cathédrale de Tampere, conçue par Lars Sonck, débutent en 1903. L'architecte Lars Sonck veut que la cathédrale soit un ouvrage d'esprit Art nouveau et demande à Magnus Enckell de réaliser le retable et à Hugo Simberg de peindre la voûte et les vitraux, ce que dernier fera en 1905–1906. Il peint deux fresques murales : Haavoittunut enkeli (l'ange blessé) et Kuoleman puutarha (le jardin de la mort), et sur la rambarde de la galerie Köynnöksenkantajat. Ces peintures ne sont pas des décorations habituelles pour une église, mais pour les vitraux Simberg emploie l'univers propre aux valeurs traditionnelles chrétiennes. En dépit de cela, le garçon nu, peint dans la scène intitulée Köynnöksenkantajat, est du jamais vue et cause beaucoup de remous dans la bonne société finlandaise.
De 1907 à 1917, Simberg enseigne à l'école de dessin de l'association des arts.
Lors de l'exposition artistique de Paris en 1908, l'artiste finlandais subit un choc sévère quand les critiques l'estiment terne et incolore. De nombreux artistes cherchent dès ce moment à s'engager dans des voies nouvelles, mais Simberg reste symboliste, aussi juge-t-on qu'il a fait son temps. Conscient de cette réaction, Simberg décide d'exposer des œuvres à l'aspect naturaliste, coloriste ou même impressionniste, mais fidèle à lui-même il continue en parallèle de peindre des œuvres imaginaires comme il les aime. Dans ses productions jaillit toujours ce monde de fantaisie imaginative qui lui est propre. Alors que, pour d'autres artistes le symbolisme n'a été qu'une mode passagère, lui en a fait sa forme naturelle d'expression.
Il était également illustrateur de contes[4]. Ésotériques et symbolistes, telles apparaissent les miniatures de Simberg, aussi étranges que certains rêves. Leur compréhension peut toutefois être facilitée par la lecture des Contes d’Andersen.
Hugo Simberg repose au cimetière d'Hietaniemi[5].
Finnish painter Hugo Simberg photographed his two year old son Tom in Helsinki´s Southern Harbour in 1913. The original picture - here shown colorized by me - is in the Finnish National Gallery archive.
Tom Simberg (1911-2006) served as a reconnaisance pilot in Finland´s Winter war and the Continuation war against the Red Army. After the war he was managing director for a media company.
Hugo Simberg painted his son in some of his paintings. Here is a link to one:
Based on the painting of the same name by Hugo Simberg.
I finally found a good/free screen capture program, so I have a speed edit of this! Watch here!
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Copyright (c) 2015 Rachael Martin Photography. All rights reserved.
Season of Touit - Picture 6
Week 35, Saturday
There is a snake at top ceiling in one of the churches in my home town. It's different from all the churches I've ever visited, because the other churches often have something heavenly painted in their ceilings or they are without pictures. This snake was painted by Hugo Simberg, a Finnish symbolist painter, at 1905–06. The other frescos he did for that particular church, like The Garden of Death and The Wounded Angel, were also controversial at their time. While his frescos and decoration are interesting as a whole, I find the snake at top of the church and above the religious community to be most interesting of them all. There are different interpretations about the meaning, but the way I see it, it is a kind of a warning to religious community and human kind: evil and temptation always threatens the human community and one must continuously strive against it. In the end, religious concepts of good and evil serve very little when trying to understand the complexity of the world and it's dangers, but I find idea of one generation warning the other intriguing. If you would get opportunity to warn the future generations about something that threatens the human community and life in general, what would it be? Greediness of the people, modern way of life, political ideologies, alienation from nature? Something else maybe?
Now that I've introduced the lenses I'm using for next seven weeks (Zeiss Touit 2.8/12 and Touit 2.8/50M), I would like to move to actual shooting experience. Starting with the Touit 2.8/12 the foremost feeling that I've felt shooting with it is the feeling of being secure. I know it sounds weird at first, but this feeling is related to a fact the 2.8/12 replaces my wide-angle needs to which I've used the Sony kit lens (SEL1855) before. Working in wide-angle with the kit lens I always had to be careful not to cross certain limits of the lens. For example, I often had to make sure I'm using small enough aperture to get the image quality I was after. At around f/8 it becomes solid enough that I can get good image quality in the corners also, if the image needs it. In short, with the kit lens I had to add a fourth variable into exposure triangle: image quality and how I supposed it would react to other variables. Afterwards I was always on my toes when checking the image at the computer screen later on. Are trees at the edge 'good enough', is the foreground at the bottom ok, etc.. Working with the Touit 2.8/12 is different and liberating experience. I don't have to stress about the image quality because I know it's much more than 'good enough' in any aperture and starting wide open at f/2.8. While I've become to appreciate this certainty, I also feel it is something that is less discussed when evaluating benefits of this or that lens with charts and diagrams. It's not about absolute sharpness (even though I think the Zeiss delivers here), it's about having a good tools which you can trust even if it isn't the most serious photography that you are doing.
Year of the Alpha – 52 Weeks of Sony Alpha Photography: www.yearofthealpha.com
“Nature Morte is a reinterpretation of The Garden of Death by Hugo Simberg. We recreated the old subject from a contemporary perspective. The original etching by Simberg is mounted on the wall as part of our work in Kiasma."
Read more here:
www.kiasma.fi/en/exhibitions-events/ars-fennica/pekka-tei...
Oil on canvas; 127 x 154 cm.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland. the wounded angel.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
Simberg's fresco on the wall of Tampere Cathedral in Finland (1905-1906). He described it as "The place where the dead end up before going to Heaven".
The Lutheran Tampere Cathedral was designed by Finnish architect Lars Sonck and built between 1902-1907. The frescoes were painted by the symbolist Hugo Simberg.
The cathedral is famous for its frescoes, painted by the symbolist Hugo Simberg between 1905 and 1906.[2] The paintings aroused considerable adverse criticism in their time[3], featuring versions of Simberg's The Wounded Angel and The Garden of Death. Of particular controversy was Simberg's painting of a winged serpent on a red background in the highest point of the ceiling, which some contemporaries interpreted as a symbol of sin and corruption.
The altar-piece, representing the future resurrection of people of all races, was painted by Magnus Enckell. – Wikipedia
A II 1703.taiteilija: Simberg, Hugo.nimi: Haavoittunut enkeli.ajoitus: 1903.mitat: 127x154 cm.pääluokka: maalaus.museo/om.: AT ; LV.kokoelma: Ahlström..kuvanro: 26001.valokuvaaja: Aaltonen, Hannu VTM, 1993..skannaus:.laite:AgfaScanT5000+/PS6.0.1/ tå.resoluutio: 300ppi.
artist / taiteilija: Hugo Simberg (1873–1917)
title / teosnimi: The Wounded Angel / Haavoittunut enkeli
date / ajoitus: 1903
technique / tekniikka: oil on canvas / öljy kankaalle
measurements / mitat: 127 cm x 154 cm
collection / kokoelma: Ahlström Collection / Ahlströmin kokoelma
Finnish National Gallery / Ateneum Art Museum
Kansallisgalleria / Ateneumin taidemuseo
inv. no. A II 1703
photo / kuva: Finnish National Gallery / Kansallisgalleria / Hannu Aaltonen
Watercolor and gouache on paper; 16 x 17 cm.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
Oil on canvas; 43 x 30.5 cm.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
Oil on canvas.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland. the wounded angel.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
A light display at Ateneum (National Gallery of Finland).
Should you find youself in Helsinki between now and January 26th, there is an utterly excellent exhibition called Gothic Modern at Ateneum. The exhibition presents modern art from the 19th and 20th centuries that is inspired by European medieval and Northern Renaissance art. The themes of the diverse exhibition include death and rituals, but also sexuality and enlightenment. The artists featured in the exhibition include Arnold Böcklin, Lucas Cranach the Elder, Akseli Gallen-Kallela, Vincent van Gogh, Theodor Kittelsen, Käthe Kollwitz, Edvard Munch, Hugo Simberg, Helene Schjerfbeck, Marianne Stokes, and Gustave Van de Woestyne. In addition to paintings and prints, the exhibition displays objects, sculptures and furniture.
If you cannot make it to Helsinki, the exhibition will travel Oslo (February to June) and Vienna (September to January).
Oil on canvas; 31.3 x 43.5 cm.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Simberg was born at Hamina (original Swedish Fredrikshamn) in Finland, the son of Colonel Nicolai Simberg and Ebba Matilda Simberg. In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and also studied at the Drawing School of the Finnish Art Association (1893–1895), but in 1895 decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi.
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including 'Autumn, Frost', 'The Devil Playing Music' and 'Aunt Alexandra' (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association, and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art. In 1904 he was commissioned to decorate the interior of Saint John's church in Tampere, a project which he carried out with Magnus Enckell between 1904 and 1906. From 1907 to 1917 Simberg taught at the Drawing School of the Finnish Art Association. He died at Ahtari in 1917.
The two characters Simberg used most frequently for his art are the "Poor Devil" and Death personified. Simberg's paintings emphasize mainly topics macabre or supernatural. A good example of this is his painting "Death Listens". The painting depicts Death, personified as a skeleton wearing a black coat, listening with a bowed head as a young man plays the violin. In the background, there is an old woman lying on a bed, pale and apparently sickly. There is a suggestion that Death is there for the old woman, but that he is pausing so the young man, possibly the dying woman's son, can have time to finish his violin playing.
Simberg's famous painting The Wounded Angel, too, is somewhat gloomy, its titular character appearing in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland. the wounded angel.
Simberg was a print-maker and photographer as well as a painter. One of his early photographs, named 'Guido, Fish Boy', shows a boy sitting on a rock, looking out to sea. He made photographs and drawings of naked pre-pubesent boys, some carrying large wreaths. Images of wreath-carrying boys (frontal nudity not quite visible) are a motif of Simberg's frescoes in the Tampere Cathedral, painted between 1905 and 1906.
In 2002 Hans Bruno Lund introduced the concept
"Multicomplex Management (MCM)" as a platform
for a new series of management concepts and tools,
e.g. "Expected Creative Potential (ECP)", desig-
ned as personal tools for the CEO of large, multicom-
plex organizations in addition to the traditional mana-
gement concepts and tools.
As of January 2010 the new concepts / tools "Multicomplex Management (MCM)" and "Expected Creative Potential (ECP)" were referred to on more than 800.000 websites or 40.000.000 webpages.
Literature:
Lund, Hans Bruno
Multicomplex Management (MCM)
Version 3
CD-ROM, 741 colored illustrations
Hans Bruno Lund
Skodsborg
Denmark
2009
A multicomplex organization:
Organization Structure Model used: Nordic Industrial Fund - Nordic Council of Ministers - Bio & Chemistry Division (BCD) - Division REI-activities (Research / Education / Innovation): 5 programmes: NordFood, Nordic Wood, NordPap, NordBio and NordYeast; 748 projects; 6.000 participating private and public companies, institutions, organizations and agencies in 62 countries. BCD connected 180.000 researchers, operators, engineers, technicians and company, organization and agency executives (1998). BCD was - in combination with NordTek (the organization managing the cooperation of the 23 Nordic technical universities) - the largest industrial and technological REI-network in Northern Europe. BCD was a 27.000 ECP Organization connecting 278.000 people totalling 2.7 million ECP.
Hans Bruno Lund
Contact: hansbrunolund@hotmail.com
Pictures to Multicomplex Management (MCM): 1, 2, 3, ... , 16.
Multicomplex Management (MCM) Pictures:
Picture 1 - 9 on Page 1
Picture 10 on Page 2
Picture 11 - 12 on Page 6
Picture 13 - 15 on Page 7
Picture 16 on Page 8
Multicomplex Management (MCM) is explained in Picture 2.
Expected Creative Potential (ECP) is explained in Picture 2.
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FOUR CATEGORIES OF ORGANIZATION STRUCTURES
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The above mentioned concepts and tools are part of an ongoing project “Multicomplex Management (MCM)”.
In “Multicomplex Management” we divide organizations into four categories according to their total ECP:
SIMPLE ORGANIZATIONS
Total ECP ranging from 0.1 to approx. 100.
SEMICOMPLEX ORGANIZATIONS
Total ECP ranging from approx. 100 to approx. 1.000.
COMPLEX ORGANIZATIONS
Total ECP ranging from approx. 1.000 to 10.000.
MULTICOMPLEX ORGANIZATIONS
Total ECP exceeding 10.000.
=====================================================
BCD´S NORDIC WOOD PROGRAMME OFFICERS
=====================================================
Woodbased industries are extremely important to the Nordic countries economies.
In The Nordic Industrial Fund´s Bio & Chemistry Division´s NORDIC WOOD Programme (see Picture 1 and 4) 662 participants from industry, organizations, government agencies and academia and several thousand assistants worked together to place the quality and application possibilities of Nordic wood on the global map.
For further informations see Multicomplex Management (MCM) Picture 1, 2, 3 and 4.
The NORDIC WOOD Programme Officers:
A
Aasheim Erik NOR l
Abildskov Erik DEN l
Abrahamsen Keld DEN l
Abrahamsson Roland SWE l
Adelhøj John DEN l
Ahlefeldt-Laurvig Preben DEN l
Ahveninen Harri FIN l
Akselsen Bertil NOR l
Aksila Ilpo FIN l
Alsmarker T SWE l
Andersen Andreas NOR l
Andersen B O DEN l
Andersen Bent DEN l
Andersen Erling DEN l
Andersen Ole Aa DEN l
Andersen Ole F DEN l
Andersson Inger SWE l
Andersson Conny SWE l
Andersson Inge SWE l
Andersson S SWE l
Andreasson Kjell SWE l
Andreasson Nils R SWE l
Andren Hans SWE l
Anneling Roger SWE l
Anniki FIN l
Anttilainen Kari FIN l
Apneseth Terje NOR l
Arfvidsson Jesper SWE l
Armannsson A ICE l
Aschehoug Øyvind NOR l
Asikainen Kalevi FIN l
Asplund Inge-Bo SWE l
Aune Petter NOR l
Aure Leif Jarle NOR l
Aven Heine NOR l
Axelsson Lennart SWE l
Axelsson Mikael SWE l
B
Baadsgaard-Jensen Jørgen DEN l
Baardsen J B NOR l
Backlund Marlene SWE l
Bark Carl SWE l
Barklund Åke SWE l
Bednar Helmut AUS l
Beijar Kurt FIN l
Bengtsson Bengt SWE l
Berg Anders SWE l
Berg Asbjørn DEN l
Bergenudd Gunn. SWE l
Bergkvist Lars SWE l
Bergman Petri FIN l
Bergman Östen SWE l
Bergsodden Rolf NOR l
Bertelsen Ib DEN l
Birkeland Per NOR l
Birkeland Rolf NOR l
Bjørke Norvald NOR l
Bjørkmann W R NOR l
Björstrand Eija SWE l
Blick Rolf N SWE l
Borgström Bo FIN l
Boström Clas SWE l
Boström Ola SWE l
Bovim Nils I NOR l
Bredvig John DEN l
Brenøe Per Tutein DEN l
Brodin Kjell SWE l
Broström Birger SWE l
Browall Anders SWE l
Brundin Jan SWE l
Bruun Thomas DEN l
Burvall Almar SWE l
Bylund Nils SWE l
Bäck Gunnar SWE l
Böhn Rolf SWE l
C
Carlin Mats NOR l
Carling Olle SWE l
Carlson Leif SWE l
Carlsson Brage SWE l
Casselbrant Sven SWE l
Christensen A DEN l
Christensen Georg DEN l
Christensen H DEN l
Christensen K W DEN l
Christensen P Chr DEN l
Christensen P C DEN l
D
Dahlgren Torbjörn SWE l
Djurberg Bengt SWE l
Dockered Bo SWE l
Drevland Leif NOR l
Dueholm Sten DEN l
E
Echmark Sören SWE l
Edlund Bo SWE l
Edlund Marie L SWE l
Edlundh Nils SWE l
Edvardsen Kåre NOR l
Ehmsen Jens C DEN l
Eilavaara Erkki FIN l
Einfeldt Martin DEN l
Ekeberg Sven NOR l
Eklöf Tor FIN l
Ekros Ewert SWE l
Eld Lars Erik SWE I
Ellersgaard Franz DEN l
Elowson Torbjörn SWE l
Enge Bjørn NOR l
Engström Roger SWE l
Enoksson Kjell-Å SWE l
Ericsson Sveneric SWE l
Eriksson Hillevi SWE l
Eriksson Håkan SWE l
Eriksson P Erik SWE l
Eriksson Peter SWE l
Evans Fred NOR l
F
Fagerström Guy SWE l
Fahlgren Krister SWE l
Fjogstad Gunn NOR l
Fjällström Börge SWE l
Flarup Christian J DEN l
Flensted H C DEN l
Flinck Mats SWE l
Folke Jens DEN l
Fonselius Mikael FIN l
Forsman Curt FIN l
Frankson Björn SWE l
Fredriksson Nils-O SWE l
Fredriksson Ove SWE l
Fridh Mats SWE l
Fröblom Jorma FIN l
Fröding Anders SWE l
Fuglem Arnstein NOR l
G
Gatenholm P SWE l
Gilling Stig DEN l
Gilstad Per O NOR l
Gislason Helgi ICE l
Gjerdrum Peder NOR l
Gjestvang Per A K NOR l
Gjølsiø Simen NOR l
Gloslie Svein NOR l
Gollenia Erhard SWE l
Gorandsrud Karl J NOR l
Gram-Johan. NOR l
Granath Bernt SWE l
Granath Olle SWE l
Grande Øystein NOR l
Granhus Andreas NOR l
Graversen N C DEN l
Groth Siwert SWE l
Grønne Kristian DEN l
Grøseth Inge NOR l
Grøsfjeld Sigvald NOR l
Grönlund A SWE l
GudMundsson Benj.ICE l
Gudmundsson Jon ICE l
Gudmundsson Sig.ICE l
Gunnarsson Bjarni ICE l
Gunnarsson T ICE l
Gustafsson Leif G SWE l
Gustafsson Martin SWE l
Gustafsson Stig-I SWE l
Gustavsson Gösta SWE l
Gustavsson S SWE l
Gylland Roar NOR l
Gårdstam Sven-Å SWE l
Gäbel Karin SWE l
H
Haanpää Sanna SWE l
Haaponen Jouko FIN l
Haavaldsen Tore NOR l
Haglind Ulf SWE l
Hagsted Jan SWE l
Hakala Herman FIN l
Hakala Juha FIN l
Halfdanarson Jon ICE l
Halmrast Rolf-Erik NOR l
Halvorsen Per NOR l
Hamar Bjarne NOR l
Hammarström L G SWE l
Hammer Per SWE l
Handeland Sigbj. NOR l
Habeborg Knut NOR l
Hansen Bruno DEN l
Hansen Børge DEN l
Hansen Flemming DEN l
Hansen H V DEN l
Hansen Ib DEN l
Hansen Oluf DEN l
Hansen Orla DEN l
Hansen Torben C DEN l
Hansson Bert SWE l
Haugen John V NOR l
Haugesen Niels NOR l
Hautanen H FIN l
Heikkilä Timo FIN l
Heimdal Sigurd NOR l
Heinonen Ismo FIN l
Heiskanen Antti FIN l
Helland Thor NOR l
Hellberg Lennart SWE l
Henriksen Bjarne DEN l
Henriksen Flem. B DEN l
Henriksen Keld H DEN l
Herholdt Kry DEN l
Hiltunen Aaro FIN l
Hoffmeyer Preben DEN l
Hollender Kjell SWE l
Holm Bo T SWE l
Holmestad Åge NOR l
Holmgren Anders SWE l
Holmila Pertti FIN l
Holmström S-O SWE l
Holst Jørgen DEN l
Holtet Geir NOR l
Hordvik Hans NOR l
Horttanainen Timo FIN l
Houmann Arne DEN l
Husgafvel Pertti FIN l
Huuska Wesa FIN l
Høst Erik DEN l
Hämäläinen Pertti FIN l
Hässler Birgitta SWE l
Hörnfeldt Sven SWE l
I
Isaksson Jan SWE l
Isleifsson Runar ICE l
Iso-Kuusela Martti FIN l
Isotalo Ilmo FIN l
Itäaho Sakari FIN l
J
Jacobsen Kristian DEN l
Jacobsson Monika SWE l
Jakobsen Thomas DEN l
Janatuinen Aila FIN l
Jansson Stef SWE l
Jarlsson Henry SWE l
Jensen Bent DEN l
Jensen Bjørn NOR l
Jensen C G DEN l
Jensen G Degn DEN l
Jensen Lasse DEN l
Johannesen Stein NOR l
Johannessen R NOR l
Johansen Bent M DEN l
Johansen B L DEN l
Johansen Finn NOR l
Johansen Morten L NOR l
Johansson Carl-J SWE l
Johansson C SWE l
Johansson Curt SWE l
Johansson G SWE l
Johansson Ingvar SWE l
Johansson Lennart SWE l
Johansson Stig SWE l
Johansson S SWE l
Johnsen Asgeir NOR l
Johnsen Torbjörn SWE l
Johnson Tore E NOR l
Jokinen Risto FIN l
Jonasson Hallgrim. ICE l
Jonsson Rune SWE l
Juel Tommy SWE l
Jukkola Seppo FIN l
Junttila Aame FIN l
Just Alar EST l
Jutila Aarne FIN l
Juvonen Arto FIN l
Jønsson Bent DEN l
Jönsson Holger SWE l
K
Kahila Pekka FIN l
Kahrs Johan C NOR l
Kairi Matti FIN l
Kalstad Trond NOR l
Kanerva Pekka FIN l
Kangas Eero FIN l
Kangas Seppo FIN l
Karlsson Bernt-O SWE l
Karlsson Ingvar SWE l
Karlsson Rune SWE l
Karlsson Sigurd SWE l
Kauppi Pekka FIN l
Kauppinen Markku FIN l
Kautonen Harri FIN l
Keronen Asko FIN l
Ketola Matti FIN l
Kettunen Jyrki FIN l
Kjellberg Anders SWE l
Kjellberg Tommy SWE l
Kjer Hans-Henrik DEN l
Kjos Ola NOR l
Kjær Siri NOR l
Klegard Jon SWE l
Klemmensen P DEN l
Kleppe Otto NOR l
Knuppert-H DEN l
Knutsen Nils NOR l
Koch Anne Pia DEN l
Kokko Hannu FIN l
Kokkonen Ossi FIN l
Kolu Keijo FIN l
Kolvisto Martti FIN l
Koskela Heikki FIN l
Koskinen Kari FIN l
Koskinen Markku FIN l
Kosonen Esa FIN l
Kringstad Knut NOR l
Kristensen Kai DEN l
Kristiansen S NOR l
Kronheffer Åke SWE l
Kronqvist Lars FIN l
Kroon Olle SWE l
Kurikka Ari FiN l
Kuusela Juuso FIN l
Kuusilehto Juhani FIN I
Kuusivaara Matti FIN l
Kvist Knud E DEN l
Kværner Sverre NOR l
L
Ladegaard Bengt DEN l
Lakka Antti FIN l
Langerud Sverre NOR l
Larsen Hans J DEN l
Larsson Bengt SWE l
Larsson Lars-Erik SWE l
Larsson Stig SWE l
Laupsa Jan NOR l
Lax Tarja FIN l
Lehtonen Eero FIN l
Lehtonen Matti FIN l
Lehtonen Kari FIN l
Lehtonen Markku FIN l
Leinos Markku FIN l
Lerbeck Torben DEN l
Liesiö Tiina FIN l
Lilja Olavi FIN l
Lillandt Kai FIN l
Lindahl Ulf SWE l
Lindberg Anders SWE l
Lindberg Ralf FIN l
Lindblad Kaj SWE l
Lindblad Kaj SWE l
Lindbäck Arne SWE l
Lindgren Greger SWE l
Lindgren Jan Eric SWE l
Linne Tarmo FIN l
Linngård Ove SWE l
Liski Kari FIN l
Liusvaara Antero FIN l
Loftsson Jon ICE l
Lorentzen Ulrik DEN l
Ludviksson Vi ICE l
Luikku Mikko FIN l
Lund Christian DEN l
Lundberg Nikolaj DEN l
Lycken Anders SWE l
Lydsson Thröstur ICE l
Lysell Rolf SWE l
Løvall Tore NOR l
Lähteenmäki M FIN l
Löfhjelm Jan FIN l
Lönner Göran SWE l
Lönnstedt Lars SWE l
Lövgren Mats SWE l
M
Maaranto Jouni FIN l
Makkonen Sakari FIN l
Malmgren Kurt R SWE l
Marklund K-A SWE l
Markland Lars-G SWE l
Marklund Per Olof SWE l
Marstein Anne U NOR l
Martinsson Owe SWE l
Matheson C H NOR l
Metsä Aarni FIN l
Micheelsen Charl DEN l
Mikkelsen Hardy DEN l
Mikkelsen Steen DEN l
Mikkola Esko FIN l
Mikkola Olavi FIN l
Modin Olle SWE l
Moilanen Urpo FIN l
Moisio Teernu FIN l
Moland Ingmar NOR l
Morgan Neil SWE l
Mygind Arne DEN l
Müller Magbar NOR l
Mæhlum Ove NOR l
Mørkved Karl NOR l
Mårtensson A SWE l
Mäenpää Antti FIN l
Mättänen Mauri FIN l
Møller Tage Bojsen DEN l
N
Nielsen Dam H DEN l
Nielsen Ewa DEN l
Nielsen Hans DEN l
Nielsen Helle S DEN l
Nielsson Bo SWE l
Niemi Panu FIN l
Niemi Veli-Jussi FIN l
Nieminen Jorma FIN l
Nieminen Markku FIN l
Nihlman Lilian SWE l
Niinio Jukka FIN l
Nikander Kari FIN l
Nilsen Jørgen DEN l
Nilsson Axel J NOR l
Nilsson Erik NOR l
Nilsson Lars-G SWE l
Nordin Karl-Erik SWE l
Nordlund Olli-Pekka FIN l
Nordskott Frank NOR l
Norell Inger SWE l
Norrby Magnus SWE l
Nummi Juhani FIN l
Nurro Pekka FIN l
Nussbaum Ralph SWE l
Nyberg Timo FIN l
Nyberg Ulf SWE l
Nyborg Lars SWE l
Nydahl Anders SWE l
Nykyri Reijo S FIN l
Nylund Kjell FIN l
Nylund Roger FIN l
Nyström Kenneth NOR l
Nævdal Johannes NOR l
O
Ohlson Sören SWE l
Ohlsson Sven SWE l
Oikarainen M FIN l
Olesen Per Ole DEN l
Olofsson Jürgen SWE l
Olsen Erling NOR l
Olsen Gunnar DEN l
Olsen Jørgen DEN l
Olsson Bo SWE l
Olsson Kenth SWE l
Olsson Lars SWE l
Olsson Per SWE l
Opdal Tore NOR l
Opland Oddvar NOR l
Opstad Finn R NOR l
Osvaldsson G ICE l
Ottosen Niels S SWE l
Overgaard Lars DEN l
Overgaard N M DEN l
P
Paajanen Tero FIN l
Padel Johan SWE I
Pajakkala Pekka FIN l
Palmer Lennart SWE l
Palmqvist Jan SWE l
Palsson Hafsteinn ICE l
Parikka Arto FIN l
Pasanen Raimo FIN l
Paulsson Anders SWE l
Pedersen Erik DEN l
Pedersen Joan G DEN l
Pedersen Jørgen Ø DEN l
Pekkola Timo FIN l
Pelkonen Arno FIN l
Pennanen Olavi FIN l
Persson Börje SWE l
Persson Ingvar SWE l
Persson Olle SWE l
Persson Olle SWE l
Persson Per SWE l
Petersen Børge DEN l
Petersen Margit DEN l
Petersson Hans SWE l
Petre Erik SWE l
Pettersen D F NOR l
Pettersson Dan SWE l
Piispanen Kari FIN l
Pontanen Tuomo FIN l
Poulsen Erik DEN l
Prebensen Knud DEN l
Pöljö Timo FIN l
Pöllönen Jussi FIN l
R
Raahauge Helge DEN l
Ragnarsson S ICE l
Rahlff Espen NOR l
Raknes Eirik NOR l
Ramstad Trond NOR l
Ranta Jukka-P SWE l
Rantan Hannu FIN l
Rasimus Pekka SWE l
Rasmussen Frede DEN l
Rasmussen Joh NOR l
Rasmussen Kåre NOR l
Rautamäki Pertti FIN l
Rautiainen Liisa FIN l
Ravn Erik DEN l
Rehn Paul SWE l
Reinhardt Arne DEN l
Reinikka Antti FIN l
Remes Markku FIN l
Remröd Jan SWE l
Retzell Thomas SWE l
Riberholt Hilmer DEN l
Riipola Kirsti FIN l
Ringsby Lars SWE l
Rintala Mauno FIN l
Roald Brit NOR l
Rommi Harri FIN l
Rudolfsson Leif SWE l
Rydén Måns SWE l
Rørå Arne NOR l
Rådström Lennart SWE l
Rönnqvist Lennart SWE l
S
Saarelainen Urho FIN l
Saarnio Markku FIN l
Saarnivaara Veli-P FIN l
Saastamoinen M FIN l
Sainio Jorma FIN l
Salmenlinna Erkki FIN l
Salminen Urpo FIN l
Salonen Ari FIN l
Samuelsson Pär M SWE l
Samuelsson Sture SWE l
Sandal Svein J NOR l
Sandbekk R NOR l
Sandberg Dick SWE l
Sandstedt Peter SWE l
Sandvik Kåre NOR l
Sandviknes Jan NOR l
Sandwall Per-Olof SWE l
Santaholma Heikki FIN l
Sarparanta Jorma FIN l
Sauer Christian DEN l
Saunamäki Paavo FIN l
Savolainen M FIN l
Savolainen Osmo FIN l
Schmidt Torbjörn SWE l
Schotte Lennart SWE l
Seilo Seppo FIN l
Sellberg Kristian SWE l
Selvig Arthur NOR l
Seppälä Heikki FIN l
Seppänen Leo FIN l
Sevel Torben DEN l
Sheard Len DEN l
Sigurjonsson Jon ICE l
Silen Jouko FIN l
Simberg Henrik FIN l
Simonsen Jørn E NOR l
Simonsen Peter B DEN l
Sipi Marketta FIN l
Sjöblom Ingmar FIN l
Sjödin Vidar SWE l
Sjökvist Göran SWE l
Sjöström Eero FIN l
Skarp Sven-Uno SWE l
Skjernov Claes DEN l
Skoglund Bjørn NOR l
Skoogh Per-Olof SWE l
Skovbo Henrik DEN l
Skovengaard John DEN l
Skytte Sten FIN l
Snorrason Jon ICE l
Solberg Birger FIN l
Solhaug Johan NOR l
Solheim Arve NOR l
Solli Kjell H NOR l
Spångberg Håkan SWE l
Stavset Torbjørn NOR l
Steenberg Börje SWE l
Stefansson Fridb. ICE l
Steinthorsson Gudbrandur ICE l
Stendahl Olle SWE l
Stenfelt Peter SWE l
Stibe Göran SWE l
Stjern Jostein NOR l
Stone Gunnar SWE l
Straarup Peter DEN l
Strömberg Lena FIN l
Sund Haumann NOR l
Sundblad Erik SWE l
Sundström Henrik SWE l
Suonranta Antti FIN l
Svendsen C DEN l
Svensson Barbro SWE l
Svensson Bengt SWE l
Svensson Jan-Erik SWE l
Svensson Nils Eric SWE l
Svensson Sven O SWE l
Svinding Knud DEN l
Syvelä Jari FIN l
Sæmundsson O ICE l
Sørensen Kay DEN l
Söderlind Lars SWE l
T
Talgø Finn NOR l
Tandstad Gistav NOR l
Tervala Tomi FIN l
Terziev Nasko SWE l
Thelandersson S SWE l
Thomassen H NOR l
Thomassen T NOR l
Thomsen Kjell NOR l
Thomsen Kurt NOR l
Thomsen Palle DEN l
Thoresen S NOR l
Thorfinnsson Thor ICE l
Thorkildsen Tor NOR l
T-Ussing Henrik DEN l
Thorsteinsson E ICE l
Thulstrup Henning DEN l
Thörnqvist Thom SWE l
Tiikkanen Matti FIN l
Tiltnes Sverre NOR l
Toratti Tomi FIN l
Torbjørnsen Per NOR l
Torstensson Paul SWE l
Torvinen Pauli FIN l
Toverød Håkon NOR l
Tuominen Juha FIN l
Tyry Anja-Leena FIN l
Tønsberg Dag A NOR l
U
Uggla Dan SWE l
Ulfsbol Arve NOR l
Uoti Martti FIN l
Usenius Arto FIN l
Ussing M DEN l
Uusijärvi Richard SWE l
V
Vainio Seppo FIN l
Vainio Seppo FIN l
Valoaho Matti FIN l
Vasara Petri FIN l
Vepsälainen Jussi FIN l
Vesa Esko FIN l
Vestergaard J DEN l
Vestergaard M DEN l
Vesterinen Jukka FIN l
Viertola Martti FIN l
Vihavainen Tuija FIN l
Vindheim Knud NOR l
Voll Roar NOR l
Værnes Trond NOR l
W
Wachtmeister T SWE l
Wadell Tord SWE l
Wager Petri FIN l
Wang Qiao SWE l
Wareborn Ingem SWE l
Warg Anders SWE l
Wargsjö Agneta SWE l
Weissenberg M von FIN l
Wennberg Kåre NOR l
Westergerb Ulf SWE l
Westin Bertil SWE l
Westin Mikael SWE l
Widmark H SWE l
Wigren Pernilla SWE l
Wikberg Mats SWE l
Wiklund Martin SWE l
Wikman Rolf SWE l
Wilborn Jan F NOR l
Wänglöf Göran SWE l
Y
Ylä-Sahra Juhani FIN l
Z
Zelander Bertil SWE l
Ø
Ødegaard Per NOR l
Øhlenschlæge DEN l
Ørnslund Torben DEN l
Østergaard Aage DEN l
Østergård Morten DEN l
Østerlie Tore NOR l
Øyen Jan NOR l
Ödsen Kai SWE l
Öqvist Hans SWE l
Östman Birgit SWE l
Å
Ådland Helge NOR l
Åkeson Rune SWE l
Åsfjord Edvin NOR l
Åström Birger SWE l
Literature
Lund, Hans Bruno
Multicomplex Management (MCM)
Version 3
CD-ROM, 741 colored illustrations
Dr. Hans Bruno Lund, Management Consultant
Skodsborg
Denmark
2009
Not available in libraries
"Can dance be captured in a work of visual art? How does one suspend a moving body or moment in a painting? The Dance! Movement in the Visual Arts 1880–2020 exhibition is looking for answers to these questions by exploring more than 140 works by 50 artists.
The arched halls of Tennispalatsi will be filled with works in which dance reflects passion, bliss, and joie de vivre to wistfulness, sorrow and vulnerability. The works in the exhibition show how our bodies can be vital, full of life and flowing as well as tired, sick and dying at the same time. The diverse exhibition consists of delicate and quiet paintings and video art that are also full of life and explode with energy. The heavy material of the sculptures has been forged to take light shapes of movement and the unfinished line of the sketches carries the flow of movement. The photographs depict the historical story of modern dance, but also provide a current view on identity and being a dancer.
The exhibition brings together artists from different eras, with women represented comprehensively. Gems from Finnish collections include works by Anna Estarriola, Eva Gyldén, Sini Pelkki, Kalervo Palsa, Laila Pullinen, Eino Ruutsalo, Hugo Simberg, Ellen Thesleff and Venny Soldan-Brofeldt. The exhibition also features notable international works from the likes of Edgar Degas and Louise Bourgeois. Contemporary art reflecting on dance is also highlighted in tapestries created by Sonja Jokiniemi for the exhibition as well as Bárbara Wagner & Benjamin de Burca’s massive installation, to name few."