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#Shooting parisien lors de l’Event create Paris Office Business EMEA 2024 organisé par @gettyimages
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A photographer on the lower leve of the Outer Drive Bridge in Chicago - took a while to get a decent silhouette with no cars blocking the view.
Đây là mẫu nam buổi Shooting hqa của mình ^^ Oaaaa...công nhận diễn làm couple khó hơn mình nghĩ ~>.<~
A special family portrait of Panpan,Meumeu and their lovely doodle, Pantoufle.Their work on flickr are one of the most original styles that I have ever seen. Sharing an amazing chemistry and immense talent together...
Keep doing what you love and ignore those haters :)
Thank you for this photo shoot!
🎧 : You are the reason - Calumn Scott & Leona Lewis Duet
(Their favourite song together ❤)
... of the floral variety. Shooting stars are my favorite wildflowers. They are essentially primroses with reflexed petals. They were previously placed in their own genus (Dodecatheon) based on this remarkable floral trait, but have recently been put back into the primrose group (Primula).
The petal positioning of shooting stars would seem to hinder pollinators from landing on the flower. However they rely on a "buzz" pollination strategy, where vibration of the pollinator's (usually bumble bees) flight muscles causes tightly held pollen to fall off the anthers and land on the legs and body of the pollinator or directly on to the stigma of the same flower. Buzz pollination occurs in other species with similar flower morphology, such as some plants in the tomato family.
66028 leads the late running 1103 Exeter Riverside to St Blazey empty clays.
My original plan was to shoot this working from the other side of the tracks and incorporate the progress of the avalanche shelter but due to the train running 90 late the sun had crossed the tracks.
All was not lost as loads of vegitation has been removed allowing this shot to be bagged.
First time driving around Bangkok and shoot doll photo. Only possible during new year because traffic jam everyday....
Location is usually fills with people because it's literally in front of the train station. Only few 1-2 minutes gap while less people are around.
Another composition from my trip to Cleddon Shoots in Monmouthshire, Wales.
© www.stevetholephotography.co.uk. All Rights Reserved
During my four-day loss of internet service, I decided I had enough images to start another collection, Shooting Sandstone.
From San Francisco to San Diego, I have shot sandstone, cliffs, rocks, formations, caves, whatever.
Going through the images and picking the best was something I have been thinking about for a while now. Thanks to AT&T, I finally had time.
Here's one from Just before going to Vegas with Nelly Bowes. I love how soft it is like shes going into the portal and reaching for the star to save her.
Get a magazine of my best stuff here: www.blurb.ca/b/7557563-shadow-play
Amsterdam, Dam ( Square )
Photographing this scene but someone of the crew asked me, for who I was photographing because this was a shoot for an onlineshop. I explained that I was a streetphotographer, so no problem but when posting the photo but I had to mention the name, here it is : "Alysa" ( www.alysamode.nl )
Eine Nachtaufnahme vom Stausee Heyda in Thüringen mit der Milchstraße und vielen Sternschnuppen. Aufgenommen mit der D800 und Sigma Art 20mm.
Shell on the beach at Inch Strand. I like the pattern in the sand behind the shell making it look like a shooting star or a rocket.
the macromonday theme for today (4/24) is "intentional blur". took more than 30 pictures of these painted stars, which are each well under an inch. this may be my favorite of the 4 possibilities to post for today because it is so colorful but i think the one with the jean's rivet is the best example of blur with a little point and shoot......
.........(later) much as i love this one, i think i'm going with the jean's rivet one since the stars may be longer than the 3 inches allowed.
spontanes shooting einer tollen Mischlingshündin - ein Energiebündel
spontaneous shooting of a great mixed breed bitch - a bundle of energy
It's late and I'm awake
Staring at the wall
Open up my window
Head falls out the door
No one else around
And a shimmer takes my eye
I lift my head
Blinded by the sky
Feel my weight in front
Following the sound
Moves away so fast
Falling to the ground
I know what is more to come
Jump back to my feet
Now I only see ahead of me
Chasing down the street
Give my love to a shooting star
But she moves so fast
That I can't keep up
I'm chasing
I'm in love with a shooting star
But she moves so fast
When she falls then
I'll be waiting
A few moments after shooting the last shot I happened to look behind me to see one of the most intense rainbows I've seen for a long time, I could see a wall of rain rapidly approaching to my right and knew it would be only moments before it would be on me.
I didn't have much time to recompose my shot as I could already feel the first heavy drops of rain on the side of my face, luckily the sun was still shining hitting the trees in the woods making them really stand out against the darker dramatic sky.(1/30 f6.3 @ 7mm NiSi 0.9 Reverse + 0.6 Hard ND grad filters 3d printed holder)
Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo