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Another shifted composition. This is a side view of the building that once served as the locomotive shops for the Monessen Southwestern Railway.
My first Tilt-Shift on a picture that I took last year in Italy.
Let me know what do yu think about it.
Wind-sculpted textures of the Mesquite Flat Sand Dunes in Death Valley National Park, where shifting sands echo the movement of water across a vast desert landscape. Side-lit by low-angle sunlight, the intricate ripple patterns and flowing contours reveal the constant, unseen forces that shape this environment over time. The interplay of light and shadow transforms the dunes into an abstract study of motion, rhythm, and impermanence. In this fleeting moment, the desert’s surface becomes a quiet record of nature’s invisible currents at work.
follow me at thelimitdne.tumblr.com ! :D
It's the busy and crowded Tokyo city!
1st attempt at tilt shift lol
comments or suggestions are welcomed.
I got talking cars tonight... and Lego_Knight and ARA were posting their cars... so here's mine.
...and yes I do somewhat regret not getting a bigger MOC transporter.
...and yes, my hockey gear DOES fit inside (I brought with me for test drives!)
Often providing great opportunities for photos shift changes on some coal mining operations were exciting places to be. This was Nancheng in Jixi and an Sy is being serviced in the pollution/gloom..
"OK, everyone out of the pool"
If nature was as over saturated and vibrant as photographers sculpt it, work would be hard.
Voigtlander 21mm 1.8 Ultron VM
Handheld, IC, Way over saturated and vibrant, Sasso burn.
Camera: Sony A7iii
Lens: Bronica Zenzanon-S 50mm f/3.5 & Bronica Zenzanon-PS 800 f/2.8
Adaptor: Fotodiox Pro Tilt/Shift Bronica SQ/S to Sony E-Mount
Filter: Polarizer (Hoya Alpha CIR-PL 77mm)
Celebrated a friend's birthday at his family's farm in Gloucester last weekend and camped there for the night. Luckily I woke up early enough to see the fog before it lifted. It was the best weekend!
Electric Locomotive 8606 was involved in a fairly intensive fortnight of work recently dropping and picking up rail at various sites throughout the City Underground. On 16 May it is seen here on the Bankstown Line running as E700 to the City Outer line to drop off rail.
2019-05-16 Pacific National-SETS 8606 Canterbury E700
First attempt at tilt-shift photography. The idea is to create the impression that you are viewing a model. There are basically two methods. The first is to buy a specialist lens, the second is via software use. If you would like to know more see the link below.
www.tiltshiftphotography.net/photoshop-tutorial.php
This link shows a video using approximately 6000 tilt shift photos which is a must see.
Made explore 46
EOS 5D Mark II © 2014 Klaus Ficker. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
This is my attempt to do the whole tiltshift thing. I ran across a Photoshop tutorial on doing the effect and delicious'ed it. When I saw my boss going through his pictures of a mission trip he went on I noticed this pic and thought it would be a good one to try the effect on. I think it turned out great but you be the judge. Comments welcomed and encouraged.
Asahi Pentax KX, smc Pentax Shift 1:3.5 28mm, Y48(Y2) yellow filter, f/11, 1/8, 4mm rise
Rollei RPX 25 film/ID-11 1+1 developer
For high-contrast scenes such as this, RPX 25 is not the best choice (nor is its second Rollei-branded incarnation, Retro 80S).* It needs quite a bit of curve editing to get decent contrast in the highlights, which then results in unexpectedly grainy skies. I did not try to wet-print such negatives but assume it will be difficult.
* Both are re-branded Agfa Aviphot Pan 80, a film optimised for high-altitude aerial photography with high mid-level contrast and a loss of detail in shadows and highlights.
Toying with the new tilt-shift blur feature in Photoshop CS6 (see this tutorial). The original photo seems perfectly suited for it.
This is what happens when I end up in a line waiting for breakfast. My hand on my cars shifter. Not going fast.
Morning shift change at Dongchang Yard on the Jixi Coal Railway serving the Chengzihe Colliery. Two 'SY' class 2-8-2s enter the yard, with another class member being serviced in the background by the discharge hoppers on 7th January 2010.
Copyright Gordon Edgar - No unauthorised use
Paradigm Shift ... A major change in how some process is accomplished . It can certainly happen when a new piece of technology radically alters the way of doing something and, as a consequence, results in a better product.
That certainly is applicable to photography. Shooting wildlife ... especially small birds ... had lost much of its charm for me. Unable to get the detail I wanted in certain shots was quite often disappointing and resulted in a general lack of interest. But a new piece of technology is perhaps about to change all that.
This shot, and the other two I uploaded ( I don't usually do that) were taken hand held from a distance of at least twenty five feet ... from a parked vehicle, across a logging road, shooting up into a tree. Frankly, considering all that, the amount of feather detail amazed me. This same day I went on to shoot even smaller birds which were closer to me than this and the results were even better. I think I can truly say that my interest has been rekindled.
My old Sigma 150-500mm was good ... still is. No question about it! Actually, I managed to take a pretty good shot of Saturn with it a few nights ago ( with a 2x teleconverter attached). But it certainly seems as if the Sigma Sport 150- 600 is much, much better.