O mundo em preto e branco - The world in black and white
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Detail of the sculpture "Day and Night" from 1880 by Ludwig Brunow.
Detail der Figurengruppe "Tag und Nacht" von Ludwig Brunow von 1880.
To see the whole artwork, follow the link commons.wikimedia.org/wiki/File:Ludwig_Brunow_Figurengrup...
Después de casi veinte dias con un serio problema de salud que me ha impedido el normal seguimiento de vuestras fotografías y vuestros comentarios, de nuevo por aquí con fuerza renovada y con el suficiente ánimo como para poder compartir esta imagen, cuyo título expresa lo que siento al verme otra vez en casa....Espero en estos próximos dias, poder volver a coger el habitual ritmo de trabajo, al que ya estaba acostumbrado.
English
After almost twenty days with a serious health problem that has prevented me from following up on your photos and your comments, here I am again with renewed strength and with enough encouragement to be able to share this image, whose title expresses what I feel seeing me back home.... I hope in these next few days, to be able to return to the usual rhythm of work, to which I was already accustomed.
Edwin B. Forsythe National Wildlife Refuge, Oceanville, NJ, USA
DSC_0536 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Date Shot:7/12/2016 19:46:47.30
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:55mm
Focus Mode:Manual
AF-Area Mode:Single
VR:ON
Aperture:f/8
Shutter Speed:1/160s
Exposure Mode:Manual
Exposure Comp.:+0.3EV
Metering:Spot
ISO Sensitivity:ISO 100
White Balance:Cloudy, 0, 0
Active D-Lighting:OFF
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Saturation:-1
.... but not as good as Honey !"
Due to their distinctive olfactory sensitivity one cannot hide anything away from their sensitive noses :-)
Macro of TinyTeddy smelling the Cream Parfume (1 ½" x 2") and, of course, he was a bit disappointed that it was not the smell of honey 😄
Taken 09.09.2021 and
uploaded for the group
Macro Mondays #Smell
[Dedicated to CRA (ILYWAM HASAM)]
😄 Happy Macro Monday 😄
ƒ/2.8
4.5 mm
1/60 Sec
ISO 320
Imagen capturada en ls Ciudad de las Artes y las Ciencias (Valencia - España).
Datos de captura : Larga exposición de 15 segundos con un diafragma de f/16 y una sensibilidad ISO de 64.....Bias de exposición - 0.33 EV y una distancia focal de 21 mm.
English
Image captured in the City of Arts and Sciences (Valencia - Spain).
Capture data : Long exposure of 15 seconds with an aperture of f/16 and an ISO sensitivity of 64.....Exposure bias - 0.33 EV and a focal length of 21 mm.
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger, clicking double on the imagen.
Kennet and Avon Canal
The camera has had its IR blocking filter removed to increase the camera's IR sensitivity and an Astronomik Planet IR 742 Pro IR pass Clip Filter used to capture just infra red light
Edwin B. Forsythe National Wildlife Refuge, Oceanville, NJ, USA
DSC_0885 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:18mm
Focus Mode:AF-A
AF-Area Mode:Dynamic
VR:ON
Aperture:f/9
Shutter Speed:1/200s
Exposure Mode:Manual
Exposure Comp.:0EV
Metering:Spot
ISO Sensitivity:ISO 200
White Balance:Cloudy, 0, 0
Active D-Lighting:Auto
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Brightness:0
Saturation:-1
Desert island late in the day.
Desert Island - Radiohead / A Moon Shaped Pool (2016)
Late in the Day - Supergrass / In It for the Money (1997)
.....
"LateNightTales" is a compilation album by The Cinematic Orchestra, which includes audio tracks by other artists. It is one of the albums that is part of the 46-album compilation series Late Night Tales and Another Late Night, a project created by the independent record label Night Time Stories Ltd.. A strange album... an excellent album... a different album.
The Cinematic Orchestra - LateNightTales (2010)
Wayne Henderson is regarded as one of the greatest jazz trombonists.
.......
Aht Uh Mi Hed - Shuggie Otis / Inspiration Information (1974)
Living Beats · DJ Food / Jazz Brakes Volume 4 (1993)
La Ritournelle - Sébastien Tellier / Politics (2004)
Cumulus - Imogen Heap / Speak for Yourself (2005)
.......
Three Hours - Nick Drake / Five Leaves Left (1969)
Nick Drake's enormous sensitivity was reflected in the undercurrent written in his lyrics. "Three Hours" explains the idea of longing for something better that cannot be found in the places where we live. Three hours away is what Jeremy needs for his symbolic spiritual journey in search of a better life, in search of someone to be his master or someone to be his slave, symbols of something he wants or something he needs or longs for. To find in a person, refuge from the daily pressures of the city and life. Three hours away is what Jacomo needs for his physical journey, to get away from the city and his routine life in search of a place, a life or a story never heard, so that he can tell it when he returns. The song explains the search, for places or stories, questioning our own lives and decisions, in search of something much deeper.
A tres horas de la puesta de sol, Jeremy vuela con la esperanza de mantener el sol de sus ojos, al este de la ciudad. Y baja a la cueva en busca de un amo, en busca de un esclavo. A tres horas de Londres, Giacomo es libre llevando sus penas hasta el mar, en busca de una vida para contar cuando esté en casa. En busca de una historia que nunca se ha conocido. A tres horas de hablar, todo el mundo ha volado, no queriendo ser vistos por sí mismos. Tres horas se necesitan para alejarse de todos ellos. Tres horas para preguntarse. Y tres horas para caer. A tres horas del ocaso....
Three Hours - Nick Drake (1969)
PS: Mellum (deserted and uninhabited island). East Frisian Islands, Wadden Sea. Germany.
Edwin B. Forsythe National Wildlife Refuge, Oceanville, NJ, USA
DSC_0554 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Date Shot:7/16/2016 18:40:19.40
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:18mm
Focus Mode:AF-S
AF-Area Mode:Auto
VR:ON
Aperture:f/8
Shutter Speed:1/100s
Exposure Mode:Aperture Priority
Exposure Comp.:0EV
Metering:Matrix
ISO Sensitivity:ISO 200
White Balance:Cloudy, 0, 0
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Saturation:-1
marsh mallows at Cape May Point State Park, New Jersey, USA
DSC_1014 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Date Shot:8/8/2016 18:59:10.50
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:18mm
Focus Mode:AF-A
AF-Area Mode:Single
VR:ON
Aperture:f/8
Shutter Speed:1/250s
Scene Mode:Low Key
Metering:Matrix
ISO Sensitivity:Auto (ISO 400)
Active D-Lighting:OFF
Picture Control:[SD] STANDARD
Sharpening:Auto
Contrast:+1
Brightness:-1
Switzerland, May 2021
My best photos are here: www.lacerta-bilineata.com/ticino-best-photos-of-southern-...
My latest ANIMAL VIDEO (warning, it's a bit shocking): www.youtube.com/watch?v=4T2-Xszz7FI
You find a selection of my 80 BEST PHOTOS (mostly not yet on Flickr) here: www.lacerta-bilineata.com/western-green-lizard-lacerta-bi... (the website exists in ESPAÑOL, FRANÇAIS, ITALIANO, ENGLISH, DEUTSCH)
ABOUT THE PHOTO:
So this photo is a bit of a novelty for me - at least here on Flickr, but it's also a journey back in time in a sense. I've always loved b/w and sepia photography; already as a very young teenager I would go out into the woods with an old Pentax Spotmatic (which I had nicked from my father) whenever it was a foggy day to shoot b/w compositions of sunbeams cutting through the ghostlike trees.
I used films with a sensitivity of at least 1600 (for those of you who remember what that means 😉 ), and the resulting photos had an incredibly fine grain which I loved; I blew them up to the size of posters and hung them on the walls of my teenage man-cave next to Hendrix, Jim Morrison and Slash.
But then I abandoned photography altogether for 20 years, and when I finally picked up a camera again, it was one of the digital kind. Now neither film nor grain played any role in my photographic endeavours - let alone b/w compositions: because the reason I fell in love with shooting pictures once more was the rare and incredibly colorful lizard species that had chosen my garden as its habitat.
It's this species - the Lacerta bilineata aka the western green lizard - that my photo website www.lacerta-bilineata.com/ and also my Flickr gallery are dedicated to, but I've since expanded that theme a bit so that it now comprises the whole Lacerta bilineata habitat, which is to say my garden and its immediate surroundings and all the flora and fauna I find in it.
I like that my gallery and the website have this clear theme, because in order to rise to the challenge of portraying all aspects of a very specific little eco system (which also happens to be my home of sorts), it forces me to constantly explore it from fresh angles, and I keep discovering fascinating new motives as my photographic journey continues.
Which brings me to the horse pasture you see in this photo. This playground for happy horsies lies just outside my garden, and it normally only interests me insofar as my green reptile friends claim parts of it as their territory, and I very much prefer it to be horseless (which it thankfully often is).
Not that the horses bother the reptiles - the lizards don't mind them one bit, and I've even seen them jump from the safety of the fly honeysuckle shrub which the pasture borders on right between the deadly looking hooves of the horses to forage for snails, without any sign of fear or even respect.
No, the reason I have a very conflicted relationship with those horses is that they are mighty cute and that there's usually also foals. The sight of those beautiful, happy animals jumping around and frolicking (it's a huge pasture and you can tell the horses really love it) is irresistible: and that inevitably attracts what in the entire universe is known as the most destructive anti-matter and ultimate undoing of any nature photographer: other humans.
Unlike with the horses, the lizards ARE indeed very much bothered by specimens of loud, unpredictable Homo sapiens sapiens - which makes those (and by extension also the horses) the cryptonite of this here reptile photographer. It's not the horses' fault, I know that, but that doesn't change a thing. I'm just telling you how it is (and some of you might have read about the traumatic events I had to endure to get a particular photo - if not, read at your own risk here: www.flickr.com/photos/191055893@N07/51405389883/in/datepo... - which clearly demonstrated that even when it's entirely horseless, that pasture is still a threat for artistic endeavours).
But back to the photo. So one morning during my vacation back in May I got up quite early. It had rained all night, and now the fog was creeping up from the valley below to our village just as the sky cleared up and the morning sun started to shine through the trees.
And just as I did when I was a teenager I grabbed my camera and ran out to photograph this beautiful mood of ghostlike trees and sunbeams cutting through the mist. There had already been such a day a week earlier (which is when I took this photo: www.flickr.com/photos/191055893@N07/51543603732/in/datepo... ), but this time, the horses were also there.
Because of our slightly strained relationship I only took this one photo of them (I now wish I had taken more: talk about missed opportunities), and otherwise concentrated on the landscape. It was only later when I went through all the photos on my computer that I realized that I actually really liked those horses, even despite the whole composition being such a cliché. And I realized another thing: when I drained the photo of all the color, I liked it even better - because there was almost a bit of grain in it, like in the photos from my youth.
Since then I have experimented quite a bit with b/w and sepia compositions (some of which I will upload here eventually I guess), but this photo here is the first one that helped me rediscover my old passion. I hope you like it even though it builds quite a stark contrast with the rest of my tiny - and very colorful - gallery. But in the spirit of showing you the whole Lacerta bilineata habitat (and also in the spirit of expanding my gallery a bit beyond lizards and insects), I think it's not such a bad fit.
As always, many greetings to all of you, have a wonderful day and don't hesitate to let me know what you think 😊
Imagen capturada en la Ciudad de las Artes y las Ciencias (Valencia - España).
Captura realizada con una exposición de 15 segundos, un diafragma f/16 y ina sensibilidad Iso 64, Distancia focal de 14mm con cámara Nikon D850 y lente Nikkor 14-24 F2.8/G-ED.
Los reflejos de la arquitectura son reales....La Luna es producto de mi imaginación.
English
Image captured in the City of Arts and Sciences (Valencia - Spain).
Capture made with an exposure of 15 seconds, an f/16 diaphragm and an Iso 64 sensitivity, 14mm focal length with a Nikon D850 camera and a Nikkor 14-24 F2.8/G-ED lens.
The reflections of the architecture are real... The Moon is a product of my imagination.
“Everything I experience hits me deep, raw, and intense. As an empath, I feel the energy of myself and others. As I age, this ability only grows deeper and stranger.”
― Sylvester McNutt III ―
“As a highly sensitive person, I can sense your mood from a mile away. Don’t try to hide it. You’re not fooling me.”
― Tracy M. Kusmierz ―
“Highly sensitive beings suffer more but they also love harder, dream wider and experience deeper horizons and bliss. When you’re sensitive, you’re alive in every sense of this word in this wildly beautiful world. Sensitivity is your strength. Keep soaking in the light and spreading it to others.’”
— Victoria Erickson ―
Every year after Carnival, the Barcelona-Sitges Rally of vintage cars is organized. The car caravan runs along the old Costa de Garraf road, with infinite curves along 23 kms. Once in Sitges, the cars are parked on Passeig de la Ribera to be admired and photographed.
Cross processing began to be used in the 90's, mainly in fashion and advertising photography. In other types of photographs such as landscapes, the results were very bad and unreal. They were high contrast images, with saturated but highly distorted colors. Low lights became dominant blue, dark areas were very flat, blues very dark and muted. Sometimes reds turned magenta and highlights tended to yellow or sometimes slightly pink or creamy.
That's the theory of course and it can also be achieved in Photoshop with external plugins or by loading ACV files in a curves adjustment layer. But it's all very subjective because actually, cross development gives a different result depending on the photographic film you use. An Agfa CT Precisa 100 is a high-contrast reel and creates highly saturated colors, while a Fuji Sensia 100 creates softer, lower-contrast tones. But even within the same brand, each reel has its particular characteristics and therefore different cross processes. On a Fuji Velvia 100F ASA, fuchsia and deep magentas dominate and a Fuji Velvia 50 ASA produces bluish images with high contrast, while a Fuji Provia 100F has a tendency to be greenish and yellowish-blue. Each photo reel reacts differently to the cross processing and also depending on other factors such as the degree of preservation of the film, expiry date, the use of other products such as b / w whiteners, etc.
In cross processing, standard ISO films (from 50 to 100 ASA) were generally used, but for this photo I added some variants to experiment: I used an Ektachrome P800 / 1600 Professional EES slide reel (which due to its high sensitivity It was used by sports press photographers), I forced the exposure to 3200 and sub revealed to 1600. Instead of chemicals process for E-6 I used those for C-41. And I used a half-year expired slide film that had been left out of the fridge under normal ambient conditions. Processed on paper Fuji Professional Lux Chrome Metallic.
This car is an Hispano Suiza H6B Cabrio Model. The body was pearl gray metallic, but through the cross process it was greenish. The upper part was darker and more intense green because of the dominant blue of the sky and the dark brown fender was turned into red. No digital media has been used in this photograph. Just scanning: Epson Perfection V-700 Photo.
Awards:
VI Photographic Contest Marqués de Casariego. Everardo Fernández Cadenas Memorial. (Asturias)
X State Contest of Photography "Ciutat de Valls" (Tarragona)
V City of Torremolinos Photographic Contest. (Málaga)
XIII National Photography Contest, Collado Villalba (Madrid)
X Photography Contest, "Ciudad de Benavente" (Zamora)
VII Photographic Contest of Utiel (Valencia)
IV National Photography Contest "Ciudad de Baeza" (Jaen)
IX Arrigorriaga City Council Photo Contest (Euskadi)
Pasaia Herriko I Argazki Lehiaketa. (Euskadi)
Muy Tranquilo
Gramatik - Street Bangerz Vol. 3 (2010)
In My City
Gramatik - Coffee Shop Selection (2015)
.....
Muy Tranquilo... In My City....
Larga exposición de dos segundos con una sensibilidad Iso 64 y un diafragma f/10...Distancia focal de 24mm con lente Nikkor 24-120 F4/G-VR y cámara Nikon D850. Trípode de carbono Leofoto LS-284C y cabezal de bola panorámico LH-40 con control de fricción y cierre rápido.
English
Long exposure of two seconds with an Iso 64 sensitivity and an f/10 diaphragm...24mm focal length with a Nikkor 24-120 F4/G-VR lens and a Nikon D850 camera. Leofoto LS-284C carbon tripod and LH-40 panoramic ball head with friction control and quick release.
babiloniafashion.blogspot.com/2021/03/spring-has-come.html
Spring is here! ...
Pure soul sensitivity,
surrounded by feelings
noble, a contemplation!
Sacred immortal source and
inexhaustible of inspiration!
Elias Akhenaton
(thank youuu Luis Alberto)
Cape May Point State Park, New Jersey, USA
DSC_1147 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:55mm
Focus Mode:AF-S
AF-Area Mode:Single
Aperture:f/10
Shutter Speed:1/200s
Exposure Mode:Manual:
Metering:Spot
ISO Sensitivity:ISO 100
Confortablement installés dans nos tentes affût respectives ce jour là avec mon binôme www.flickr.com/photos/143937078@N03/ , le challenge du jour était d'essayer de choper un oiseau en vol , exercice de haute voltige qui demande beaucoup de concentration et des réflexes à toutes épreuves . chacun y va de ses petites astuces personnelles , pour ma part j'ai fait le choix de caler une sensibilité iso assez basse , pleine ouverture et vitesse d'obturation assez conséquente , il fallait composer en prime avec le soleil qui se dissimulait régulièrement derrière la couche nuageuse gênant considérablement le choix des réglages qui à chaque baisse de luminosité était à remettre en question .
PS : toute demande de partage avec un groupe sera rejetée sur le champ , je ne désire aucune publicité sur mon travail ( j'ai largement passé l'âge de recevoir des Oscars , des Bons Points et autres gamineries de ce genre ....) , merci de votre compréhension .
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Comfortably installed in our respective lookout tents that day with my partner, the challenge of the day was to try to catch a bird in flight, an aerobatic exercise that requires a lot of concentration and reflexes to all tests. everyone goes with their own personal tips, for my part I made the choice of setting a fairly low iso sensitivity, full aperture and fairly consistent shutter speed, we had to deal with the sun with the sun which regularly hid behind the cloud layer considerably hampering the choice of settings which at each drop in brightness was to be questioned.
PS: any request to share with a group will be rejected immediately, I do not want any publicity on my work (I have largely passed the age of receiving Oscars, Good Points and other nonsense of this kind .... ) , thank you for your understanding .
marsh mallows at Cape May Point State Park, New Jersey, USA
DSC_1072 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:18mm
Focus Mode:AF-S
AF-Area Mode:Single
VR:ON
Aperture:f/8
Shutter Speed:1/200s
Exposure Mode:Manual
Exposure Comp.:0EV
Metering:Spot
ISO Sensitivity:ISO 400
White Balance:Cloudy, 0, 0
Active D-Lighting:Auto
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Saturation:-1
Camera: Signet 40
lens: Ektanon 46mm f/3.5
film: Kodak pro 400 Tmax
Noto - Uoon I
On a cool overcast evening I wanted to present this scene with sensitivity, rather than mere recording of visual facts.
I wanted to translate the mood, emotion, "feeling" of this quiet still place.
(ENGLISH FOLLOW)
« L’émerveillement est là, droit devant vous, et il attend que vous le remarquiez »
Janet Luhrs
SOUS LES NUAGES
Parvenu à l’extrémité de la petite île, j’ai compris pourquoi, dans la vie comme dans les arts, la simplicité, la sensibilité et le silence sont les clés de l’enchantement que nous procure l’expérience de la vie, des êtres et de la nature.
Patrice photographiste, Chroniques du Monde de Poësia
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« There is enchantment right in front of you, waiting for you to notice. »
Janet Luhrs
UNDER THE CLOUDS
Arriving at the end of the small island, I understood why, in life as in the arts, simplicity, sensitivity and silence are the keys to the enchantment that the experience of life, of beings and of nature provides us.
Patrice photographiste, Chronicles of the Lands of Poësia
02-June-2023
The rain saturates the air with moisture and cools the soil, which was still warm after a sunny day.
This favors the condensation of water vapor into low fog especially in the lower areas of the Bloke plateau, where humidity stagnates more and there is a hint of thermal inversion despite the sky being partly cloudy.
Also...despite the cloud cover, the full moon managed to give the landscape an unexpected luminosity in the 75 seconds open lens to accumulate maximum light (with the moon sometimes outside and sometimes inside the clouds in this period of time) without raising the ISO sensitivity (125) that my prosumer would turn into noise already from 800.
You can also clearly see the reliefs at a greater distance and in particular, on the far right, in the background, the highest mountain in the Karst Region, as well as the highest of all the northern Dinarides, i.e. Mount Snežnik, 1796m a.s.l.
La Ciudad de las Artes y las Ciencias (Ciutat de les Arts i les Ciències en valenciano y oficialmente) es un conjunto arquitectónico dedicado a la cultura y el ocio ubicado en la ciudad de Valencia (Comunidad Valenciana - España) El complejo se inauguró el 9 de junio de 1998 con la inauguración de "El Hemisférico" uno de los edificios del complejo.
Este conjunto arquitectónico fue diseñado por los arquitectos Santiago Calatrava y Félix Candela, junto con los ingenieros autores del diseño estructural de las cubiertas de "L'Oceanografic" Alberto Domingo y Carlos Lázaro.
En mi imagen, una vista del "Museu de les Ciències" capturada con una exposición de 15 segundos, para un diafragma f/16 y una sensibilidad ISO 64. El reflejo es natural sobre una laguna artificial frente a la arquitectura.
The City of Arts and Sciences (Ciutat de les Arts i les Ciències in Valencian and officially) is an architectural complex dedicated to culture and entertainment located in the city of Valencia (Valencian Community - Spain) The complex opened on 9 June 1998 with the opening of "El Hemisférico" one of the buildings in the complex.
This complex was designed by the architects Santiago Calatrava and Félix Candela, together with the engineers who were the authors of the structural design of the roofs of the "L'Oceanografic" Alberto Domingo and Carlos Lázaro.
In my image, a view of the "Museu de les Ciències" captured with an exposure of 15 seconds, for a diaphragm f/16 and sensitivity of 64 ISO The reflection is natural on an artificial lagoon in front of the architecture
Adjustments of the camera – such as setting the aperture and the speed – should become reflexes, like changing gear in a car. The real problem is one of intelligence and sensitivity.
Henri Cartier-Bresson
HPPT! Justice Matters! No one is above the law!
prunus mume, japanese flowering apricot, 'Omoi-no- mama', j c raulston arboretum, ncsu, raleigh, north carolina
Smile on Saturday#Portray a Fairy tale
"The Princess on the Pea" is a literary fairy tale by Hans Christian Andersen about a young woman whose royal ancestry is established by a test of her sensitivity. Andersen had heard the story as a child, and it likely has its source in folk material, possibly originating from Sweden.
By the way, I chose this fairy tale because I only had a princess and peas in the house, for all the other fairy tales I was missing something important.
Yesterday my hard disk D collapsed (mostly all photos were on it, in my computer). I am quite desperate, but I hope that at least some photos from that disc will be saved. Luckily I sent this photo to my son via Viber, to show my granddaughter how grandma plays with dolls. I won't be taking part in the challenges for a while and I hope to get my computer up and running soon.
HSoS!
“The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern.
Beautiful people do not just happen - but they exist ♥
#macromondays #pink
Pink is the color of a namesake flower that is a pale tint of red. It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and romance. A combination of pink and white is associated with chastity and innocence, whereas a combination of pink and black links to eroticism and seduction. In the 21st century, pink is seen as a symbol of femininity, though this hasn't always been true: in the 1920s, pink was seen as a color that reflected masculinity.
Thank you for visits, comments and favs!
Vielen Dank für Eure Besuche, Kommentare und Sternchen!
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
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✨✨" Sighs and Whispers of a Little Angel .."✨✨
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✨The Magic is here, anywhere open the Eyes of ur 💖 ✨
3 musics : 1/ youtu.be/Kgqo4TYXj4w
URL📷: maps.secondlife.com/secondlife/Mindful%20Cove/180/175/27
Between Reality and Beyond, there is only One Step...!
I would even say that their World fits into Ours in an invisible subtlety. . .like the breeze of the wind that we dont see, but that we feel, with sometimes shivers that run through our whole body.
Life is Feeling, Life is Emotion, Life is Sensitivity for those who let their Heart Feel and Guide their Steps...
There are only those who have this exacerbated Sensitivity, who can better than any other, perceive bits of the Invisible of the Beyond.
Happy and Blessed are those who have received this unexpected Grace, even if it's only Once... .
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Entre la Realidad y el Mas-Alla, solo hay un Paso...!
Incluso diria que su Mundo encaja en el Nuestro en una sutileza invisible. . .como la brisa del viento que no vemos, pero que sentimos, con a veces escalofrios que nos recorren todo el cuerpo.
Vida es Sentimiento, Vida es Emocion, Vida es Sensibilidad para aquellos que dejan que su Corazon Siente y Guie sus Pasos...
Solo hay quienes tienen esta Sensibilidad exacerbada, quienes mejor que nadie, perciben retazos de lo Invisible del Mas-Alla.
Bienaventurados y Benditos los que han recibido esta Gracia inesperada... aunque mismo sea una sola vez... .
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Entre Réalité et Au-Delà , il n'y a qu'un Pas ... !
je dirais même que leur Monde s'imbrique dans le Nôtre dans une subtilité invisible . . .comme la brise du vent que nous ne voyons pas, mais que nous ressentons, avec parfois des frissons qui nous parcourent tout le corps.
La Vie est Sentir, la Vie est Emotion, la Vie est Sensibilité pour qui, laisse son Coeur Ressentir et Guider ses Pas ...
Il n'y a que ceux qui ont cette Sensibilité exacerbée, qui peuvent mieux que tout autre, percevoir des bribes de l'Invisible de l'Au- Delà.
Bienheureux et Bénis sont ceux qui ont reçu cette Grâce inopinée ... même si ce n'est qu'Une Seule Fois ... .
Lea Aboma 21/07/2022
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Groups' Cover : www.flickr.com/photos/139259895@N08/52232086459/in/datepo...
Cape May Point State Park, New Jersey, USA
DSC_1080 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:18mm
Focus Mode:AF-S
AF-Area Mode:Single
VR:ON
Aperture:f/8
Shutter Speed:1/100s
Exposure Mode:Manual
Exposure Comp.:0EV
Metering:Spot
ISO Sensitivity:ISO 400
White Balance:Cloudy, 0, 0
High ISO NR:OFF
Long Exposure NR:OFF
Active D-Lighting:Auto
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Saturation:-1
Bull’s Island Natural Area, Stockton, NJ, USA
DSC_0624 - Processed in CaptureNX 2 2.4.7 & GIMP 2.8.6
Date Shot:7/20/2016 18:23:39.10
Device:Nikon D3300
Lens:VR 18-55mm f/3.5-5.6G
Focal Length:38mm
Focus Mode:AF-S
AF-Area Mode:Auto
VR:ON
Aperture:f/6.3
Shutter Speed:1/80s
Exposure Mode:Manual
Exposure Comp.:-1.7EV
Metering:Matrix
ISO Sensitivity:Auto (ISO 140)
White Balance:Cloudy, 0, 0
Active D-Lighting:Auto
Picture Control:[VI] VIVID
Sharpening:5
Contrast:+1
Saturation:-1
I visited the newly reopened sim: ELVION and I must say that the authors of the sim did an honest job here!
Sim is made with sensitivity and also with poetry in the soul :)
About land (official description):
Enjoy beautiful vistas in this relaxing paradise. It's an ideal place for photographers, bloggers and romantic couples.
map: ELVION, Quiet
flickr group: www.flickr.com/groups/4127613@N25/
Happy Treemendous Tuesday
HTMT!!
This is a statue from the Texas Maritime museum in Rockport, Texas and I don't know anything else about it. I searched on line, and nothing. Update, Thanks to my contact, Betty. Here's the info.
Into the Wind, 2011
Other Information: Jane DeDecker's bronze sculpture Into the Wind arrived April 2, 2011 and was placed on a newly landscaped portion of RCA's Sculpture Garden. The piece was made possible by The Margaret Sue Rust Foundation in Memory of Monroe Rust. Facing the prevailing southeast wind, a lone figure is perched on the bow of a boat - evoking a sense of wonder, sensitivity and pride. The figure brings to mind embarking on a personal journey -- which is innately human and especially true for the many artists that visit the Art Center.
Sensitivity is a sign of life. Better hurt than hardened. I bow to those who keep their hearts open when it is most difficult, those who refuse to keep their armor on any longer than they have to, those who recognize the courage at the heart of vulnerability. After all the malevolent warriors destroy each other, the open-hearted will inherit the earth...~Jeff Brown
Featuring TETRA hair Melon available at UBER
Credits and more photos: OMGthatdress
Camera: Zenit 122
Film: Rollei Retro 400S - 35mm panchromatic film with an extended infrared sensitivity for producing unique halation.
My friend Aye♥ a magical digital artist created this beautiful gift for me , WOWOW is all i can say a true soul to me she is and I am honored to call her my friend ! Thank you soooo much for the beautiful gift my friend hugs you softly baci ♥
her words to me touches my heart below ....
🐋 Bridget 🐋 a magical mermaid... <3
🐋 Bridget... 🐋 a magical mermaid
✿◠‿◕.•*´¨`*•.¸¸.• ✿ Muackkss!!! <3
Hello my beautiful friend! <3
To my dear friend Bridget, rich in a unique sensitivity, so sunny and sweet and always s close to me even in difficult moments of life. Thanks for your precious friendship, my friend...
This is 4U!
Muackksss!
anti <3
Emus can see in Ultra Violet !!
Wed 6 Jul 2016
Proceedings of the Royal Society
Organisation/s: Macquarie University, The University of Western Australia
Funder: WA Premier’s Fellowship, the Australian Research Council (ARC), the Western Australian (WA) State Government.
The study provides a comprehensive description of the spectral sensitivity of the emu, Dromaius novaehollandiae, a member of the group of large flightless birds, the Palaeognathae, that are thought to represent the basal species in avian evolution. More specifically, it provides definitive evidence that these birds are sensitive to ultraviolet (UV) light as they possess UV-sensitive cone photoreceptors, ocular media that allow transmission of UV light, and a UV-sensitive visual pigment.
A song for the mood, for the sensitivity, the love...
www.youtube.com/watch?v=q2r9smjuA2Q&ab_channel=YearsO...
Thank you for being you and such a wonderful friend to me ♥
@ Clann
"For me, the camera is a sketch book, an instrument of intuition and spontaneity, the maters of the instant which, in visual terms, questions and decides simultaneouly. In order to "give a meaning" to the world, one has to feel oneself involved in what frames through the viewfinder. This attitude requires concentration, a discipline of mind, sensitivity, and a sense of geometry." Henri Cartier-Bresson
I will add to this and say a sense of the absurd, a sense of play, and a bit of craziness are also part of the mix.
17-august-2021: the shot was taken by the Trieste North Coast (Barcola here), towards the strong storm that affected the far South-East of Slovenia and North-Eastern Gorski Kotar in Kvarner Croatia, last August 17, in the queue of the front that skipped the Gulf of Trieste completely; all this, after a night in search of 1 thunderbolt, forced me to position the tripod in a direction full of obstacles, to catch last lightnings (that are not "easy" as bolt-strikes) before hidden behind the Trieste Karst ridge.
Lightnings, for human eye, are as flashes, given by cloud to cloud or even cloud-ground bolt/strikes, where the ground is hidden, thus illuminating the structural complex of the thundercloud.
The light is given by a lot of lightning-flashes accumulated in about 60 seconds with intermediate lens aperture and ISO 125.
Now, for bolts this long exposure "technique" is appropriate, for lightning it is only an alternative of the "poor photographer", as each lightning has illuminated the cloud at a different time and therefore it is "in motion" losing a lot of detail; such a photo should be taken, perhaps in another context, with a maximum exposure time of 1 second, with an aperture and a lens brightness that only a reflex camera can have, also counting on the fact that it must be increased much the ISO sensitivity, which in a prosumer would create too much grain/noise.
The photo would then take up a couple of flashes at most, making the most of them and keeping the cloud and its structure immobile, thus becoming bright and defined.
I have to do otherwise, but I am satisfied because, between one compromise and another, in the end I shoot in all conditions, taking with me the minimum weight of a prosumer superzoom single lens without having to change the expensive lenses of a reflex with rain, snow, powder and salt.
On the one hand, I lose the opportunity to take shots from a meteorological atlas (lens less bright, less sharp, less sensitive...), but, on the other, I feel extremely light, a bit like my wallet!