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Selimiye Camii Müezzin Mahfelinden Kubbeye bakış. Uzun kenerdan rahatsız edici ışıklardan ötürü bir miktar cropladım...

 

Selimiye Camii hakkında bilgi burada

 

Selimiye Camii fotoğraflarım

Edirne fotoğraflarım

 

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Selimiye Mosque / Edirne - 2008

#Selfportrait of the photographer in Selimiye Mosque Edirne

The vaulted ceiling above the choir in the former Cathedral of Saint Sophia in Nicosia, Cyprus.

Fishing village of Selimiye, on Turkey's beautiful Bozburun peninsula.

 

Selimiye: The 'real' Turkey

www.independent.co.uk/travel/europe/selimiye-the-real-tur...

The Selimiye Mosque (Turkish: Selimiye Camii) is an Ottoman mosque in the city of Edirne, Turkey. The mosque was commissioned by Sultan Selim II and was built by architect Mimar Sinan between 1569 and 1575. It was considered by Sinan to be his masterpiece and is one of the highest achievements of Islamic architecture.

 

Selimiye Mosque was built at the peak of Ottoman military and cultural power. As the empire started to grow, the emperor had found an immediate urge to centralize the city. Sinan was asked to help to construct the Selimiye Mosque, making the mosque distinctive and served the purpose of centralizing the city.

 

Like all other Ottoman mosques in the earlier periods, the Selimiye Mosque had a multitude of little domes and half domes. However, the limit in building Selimiye was to viewing the mosque as a single unit from inside or outside rather than separate masses. Sinan believed that building a single dome would be the only resolution to achieve this. Hence, he ambitiously decided to replace the busy confused domes in the center with an enormous one. The author of Other Colors, Orhan Pamuk mentioned that he saw a connection between the wish of the central dome and the centralizing political and economic changes made by the empire, but the idea was later objected by another book written by Sinan’s friend, Sai, claiming that Sinan had taken his inspiration from Istanbul’s Hagia Sophia.

 

In order to accentuate and draw attention to the centralize structure of the mosque, the traditional placement of different sized minarets was abandoned from the design as Sinan believed that cascade of smaller domes and half-domes used earlier would play down the gigantic single-shell dome. Besides, four identical minarets were planted at each corner of the marble forecourt to enforce attention on the surrounded central dome. The four vertically fluted symmetrical minarets amplify the upward thrust, shooting towards the sky like rockets from each corner of the mosque. With the great dome rising subtlety from the center, it had harmoniously interplayed with the half domes, weight towers, and buttresses crowded around it. It was believed that the circular architecture was to affirm the oneness in humanity and called out the simple ideology of circle of life. The visible and invisible symmetries that were called out from the exterior and interior of the mosque was to evokes God’s perfection through the plain and powerful structure of the dome and the bare stone.

 

Selimiye Camii Edirne'de bulunan, Osmanlı padişahı II. Selim'in Mimar Sinan'a yaptırdığı camidir. Sinan'ın 90 (bazı kitaplarda 80 olarak geçer) yaşında yaptığı ve "en iyi eserim" dediği Selimiye Camii gerek Mimar Sinan'ın gerek Osmanlı mimarisinin en önemli yapıtlarından biridir.

 

Caminin kapısındaki kitabeye göre yapımına 1568 (Hicri:976) yılında başlanmıştır. Caminin 27 Kasım 1574 Cuma günü açılması planlanmışsa da ancak II. Selim'in ölümünün ardından 14 Mart 1575'te ibadete açılmıştır.

 

(Kaynak: Wikipedia)

Medieval architectural detail in the former Cathedral of Saint Sophia in Nicosia, Cyprus.

Selimiye Camii Edirne'de II. Selim'in Mimar Sinan'a yaptırdığı cami. Sinan'ın 80 yaşında yaptığı ve "ustalık eserim" dediği Selimiye Camii gerek Mimar Sinan'ın gerek Osmanlı mimarisinin en önemli baş yapıtlarından biridir..

 

Caminin kapısındaki kitabeye göre yapımına 1568 (Hicri:976) yılında başlanmıştır. Caminin 27 Kasım 1574 Cuma günü açılması planlanmışsa da ancak II. Selim'in ölümünün ardından 14 Mart 1575'te ibadete açılmıştır. Bugün şehrin merkezinde bulunan caminin yapıldığı alanda inşasına I. Murat döneminde başlanan, sonradan Yıldırım Bayezid'in geliştirdiği Edirne'nin ilk sarayı (Saray-ı Atik) ve Baltacı Muhafızları Kışlası bulunmaktaydı. Evliya Çelebi bu alandan Kavak Meydanı diye bahsetmiştir. Cami açık havalarda Rodop Dağları'ndan ve Uzunköprü'nün Süleymaniye köyünden görülebilmektedir. [...]

 

Hayırlı cumalar..

In 1874, upon rumours that Sultan Abdülaziz would visit Nicosia, a new gate, called the "Aziziye Gate" after the sultan, was built at the east end of the building. The gate was an enlargement of a pre-existing Lusignan window on the site, and pieces of marble and other material from the surroundings were used in its construction. The decorations of the gate include an inscription by calligrapher Es-Seyyid Ahmet Şukri Efendi, the calligraphy teacher of the local high school. The inscription consists of a praise of the sultan and mentions that the gate was built on Abdülaziz's orders by Nazif Pasha. It is surrounded by two ornate figures depicting cypress trees. The gate was afterwards used as the women's entrance, and later fell into disuse, remaining permanently locked.

Edirne, Turkiye

 

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*Selimiye Mosque*

 

Edirne -- Turkey

 

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Side (formerly Selimiye) is a city on the southern Mediterranean coast of Turkey. It includes the modern resort town and the ruins of the ancient city of Side, one of the best-known classical sites in the country. Modern Side is a neighbourhood of the municipality and district of Manavgat, Antalya Province, Turkey.[1] Its population is 14,527 (2022).[2] Before the 2013 reorganisation, it was a town (belde).[3][4] It lies near Manavgat, 78 km from Antalya.[5]

 

It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.

 

History

Pseudo-Scylax,[6] Strabo and Arrian[7] record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. A basalt column base from the 7th century BC found in the excavations and attributable to the Neo-Hittites is evidence of the site's early history.

 

Possessing a good harbour for small craft, Side's natural geography made it one of the most important trade centres in the region.

 

Its tutelary deity was Athena, whose head adorned its coinage.

 

Excavations have revealed several inscriptions written in the language of Side. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation.

 

Macedonian Rule

 

Vespasian Gate

 

The ancient theatre

Alexander the Great occupied Side without a struggle in 333 BC. Alexander left only a single garrison behind to occupy the city. This occupation, in turn, introduced the people of Side to Hellenistic culture, which flourished from the 4th to the 1st century BC. After Alexander's death, Side fell under the control of one of Alexander's generals, Ptolemy I Soter, who declared himself king of Egypt in 305 BC. The Ptolemaic dynasty controlled Side until it was captured by the Seleucid Empire in the 2nd century BC. Yet, despite these occupations, Side managed to preserve some autonomy, grew prosperous, and became an important cultural centre.

  

In 190 BC a fleet from the Greek island city-state of Rhodes, supported by Rome and Pergamum, defeated the Seleucid King Antiochus the Great's fleet, which was under the command of the fugitive Carthaginian general Hannibal. The defeat of Hannibal and Antiochus the Great meant that Side freed itself from the overlord-ship of the Seleucid Empire.

 

Post-Seleucid Rule

 

Tetradrachm from Side, 201-190 BC, depicting winged Victory. Now in Palais de Rumine, Lausanne, Switzerland

The Treaty of Apamea (188 BC) forced Antiochus to abandon all European territories and to cede all of Asia Minor north of the Taurus Mountains to Pergamum. However, the dominion of Pergamum only reached de facto as far as Perga, leaving Eastern Pamphylia in a state of uncertain freedom. This led Attalus II Philadelphus to construct a new harbour in the city of Attalia (the present Antalya), although Side already possessed an important harbour of its own. Between 188 and 36 BC Side minted its own money, tetradrachms showing Nike and a laurel wreath (the sign of victory).

 

In the 1st century BC, Side reached a peak when the Cilician pirates established their chief naval base and a centre for their slave-trade.

 

Romans

 

The main street is lined with the ruins of homes or shops, many of which feature their original mosaic flooring

 

Hospital dating to the 6th century.

The consul Servilius Vatia defeated these brigands in 78 BC and later the Roman general Pompey in 67 BC, bringing Side under the control of Rome and beginning its second period of ascendancy, when it established and maintained a good working relationship with the Roman Empire.[8]

 

Emperor Augustus reformed the state administration and placed Pamphylia and Side in the Roman province of Galatia in 25 BC, after the short reign of Amyntas of Galatia between 36 and 25 BC. Side began another prosperous period as a commercial centre in Asia Minor through its trade in olive oil. Its population grew to 60,000 inhabitants. This period would last well into the 3rd century AD. Side also established itself as a slave-trading centre in the Mediterranean. Its large commercial fleet engaged in acts of piracy, while wealthy merchants paid for such tributes as public works, monuments, and competitions as well as the games and gladiator fights. Most of the extant ruins at Side date from this period of prosperity.

 

Side was the home of Eustathius of Antioch, of the philosopher Troilus, of the fifth-century ecclesiastical writer Philip; of the famous lawyer Tribonian.[9]

 

Decline

Side began a steady decline from the 4th century on. Even defensive walls could not stop successive invasions of highlanders from the Taurus Mountains. During the 5th and 6th centuries, Side experienced a revival, and became the seat of the Bishopric of Eastern Pamphylia. Arab fleets, nevertheless, raided and burned Side during the 7th century, contributing to its decline. The combination of earthquakes, Christian zealots and Arab raids, left the site abandoned by the 10th century, its citizens having emigrated to nearby Attalia.[8]

 

In the 12th century, Side temporarily established itself once more as a large city. An inscription found on the site of the former ancient city shows a considerable Jewish population in early Byzantine times. However, Side was abandoned again after being sacked. Its population moved to Attalia, and Side became known as Eski Adalia 'Old Antalya' and was buried.. WikipeidaWikipedia

Selimiye Mosque

 

Edirne fotoğraflarım

  

Türkiye'de Görülmesi Gereken 1000 Yer Serisi Albümü için tıklayınız...

 

Fotoğrafların Orjinal boyutlarını satın almak için Sinan Doğan ile iletişim kurunuz...

  

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My fruit and veg for a week.

Side (formerly Selimiye) is a city on the southern Mediterranean coast of Turkey. It includes the modern resort town and the ruins of the ancient city of Side, one of the best-known classical sites in the country. Modern Side is a neighbourhood of the municipality and district of Manavgat, Antalya Province, Turkey.[1] Its population is 14,527 (2022).[2] Before the 2013 reorganisation, it was a town (belde).[3][4] It lies near Manavgat, 78 km from Antalya.[5]

 

It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.

 

History

Pseudo-Scylax,[6] Strabo and Arrian[7] record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. A basalt column base from the 7th century BC found in the excavations and attributable to the Neo-Hittites is evidence of the site's early history.

 

Possessing a good harbour for small craft, Side's natural geography made it one of the most important trade centres in the region.

 

Its tutelary deity was Athena, whose head adorned its coinage.

 

Excavations have revealed several inscriptions written in the language of Side. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation.

 

Macedonian Rule

 

Vespasian Gate

 

The ancient theatre

Alexander the Great occupied Side without a struggle in 333 BC. Alexander left only a single garrison behind to occupy the city. This occupation, in turn, introduced the people of Side to Hellenistic culture, which flourished from the 4th to the 1st century BC. After Alexander's death, Side fell under the control of one of Alexander's generals, Ptolemy I Soter, who declared himself king of Egypt in 305 BC. The Ptolemaic dynasty controlled Side until it was captured by the Seleucid Empire in the 2nd century BC. Yet, despite these occupations, Side managed to preserve some autonomy, grew prosperous, and became an important cultural centre.

  

In 190 BC a fleet from the Greek island city-state of Rhodes, supported by Rome and Pergamum, defeated the Seleucid King Antiochus the Great's fleet, which was under the command of the fugitive Carthaginian general Hannibal. The defeat of Hannibal and Antiochus the Great meant that Side freed itself from the overlord-ship of the Seleucid Empire.

 

Post-Seleucid Rule

 

Tetradrachm from Side, 201-190 BC, depicting winged Victory. Now in Palais de Rumine, Lausanne, Switzerland

The Treaty of Apamea (188 BC) forced Antiochus to abandon all European territories and to cede all of Asia Minor north of the Taurus Mountains to Pergamum. However, the dominion of Pergamum only reached de facto as far as Perga, leaving Eastern Pamphylia in a state of uncertain freedom. This led Attalus II Philadelphus to construct a new harbour in the city of Attalia (the present Antalya), although Side already possessed an important harbour of its own. Between 188 and 36 BC Side minted its own money, tetradrachms showing Nike and a laurel wreath (the sign of victory).

 

In the 1st century BC, Side reached a peak when the Cilician pirates established their chief naval base and a centre for their slave-trade.

 

Romans

 

The main street is lined with the ruins of homes or shops, many of which feature their original mosaic flooring

 

Hospital dating to the 6th century.

The consul Servilius Vatia defeated these brigands in 78 BC and later the Roman general Pompey in 67 BC, bringing Side under the control of Rome and beginning its second period of ascendancy, when it established and maintained a good working relationship with the Roman Empire.[8]

 

Emperor Augustus reformed the state administration and placed Pamphylia and Side in the Roman province of Galatia in 25 BC, after the short reign of Amyntas of Galatia between 36 and 25 BC. Side began another prosperous period as a commercial centre in Asia Minor through its trade in olive oil. Its population grew to 60,000 inhabitants. This period would last well into the 3rd century AD. Side also established itself as a slave-trading centre in the Mediterranean. Its large commercial fleet engaged in acts of piracy, while wealthy merchants paid for such tributes as public works, monuments, and competitions as well as the games and gladiator fights. Most of the extant ruins at Side date from this period of prosperity.

 

Side was the home of Eustathius of Antioch, of the philosopher Troilus, of the fifth-century ecclesiastical writer Philip; of the famous lawyer Tribonian.[9]

 

Decline

Side began a steady decline from the 4th century on. Even defensive walls could not stop successive invasions of highlanders from the Taurus Mountains. During the 5th and 6th centuries, Side experienced a revival, and became the seat of the Bishopric of Eastern Pamphylia. Arab fleets, nevertheless, raided and burned Side during the 7th century, contributing to its decline. The combination of earthquakes, Christian zealots and Arab raids, left the site abandoned by the 10th century, its citizens having emigrated to nearby Attalia.[8]

 

In the 12th century, Side temporarily established itself once more as a large city. An inscription found on the site of the former ancient city shows a considerable Jewish population in early Byzantine times. However, Side was abandoned again after being sacked. Its population moved to Attalia, and Side became known as Eski Adalia 'Old Antalya' and was buried.

 

Ecclesiastical history

As capital of the Roman province of Pamphylia Prima, Side was ecclesiastically the metropolitan see. The earliest known bishop was Epidaurus, presiding at the Synod of Ancyra, 314. Others are John, fourth century; Eustathius, 381; Amphilochius, 426-458, who played an important part in the history of the time; Conon, 536; Peter, 553; John, 680-692; Mark, 879; Theodore, 1027-1028; Anthimus, present at the synod held at Constantinople in 1054; John, then counsellor to the Emperor Michael VII Ducas, presided at a council on the worship of images, 1082; Theodosius and his successor Nicetas, twelfth century. John, present at a synod at Constantinople in 1156. The Notitiae Episcopatuum continued to mention Side as a metropolis of Pamphylia until the thirteenth century. It does not appear in the "Notitia" of Andronicus III. In 1397 the diocese was united with that of Attalia; in 1400 the Metropolitan of Perge and Attalia was at the same time the administrator of Side.[10][citation needed]

 

No longer a residential see, Side is today included in the Catholic Church's list of titular sees.[11]

 

Monuments and Site

The great ruins are among the most notable in Asia Minor. They cover a large promontory which a wall and a moat separate from the mainland. Archaeologists have been excavating Side since 1947 and intermittently continue to do so.[12]

 

The colossal theatre complex of the 2nd century is less well-preserved that of Aspendos, but it is almost as large, seating 15,000–20,000 people. It was converted into an open-air sanctuary with two chapels during Byzantine times (5th or 6th century).

 

The well-preserved city walls provide an entrance to the site through the Hellenistic main gate (Megale Pyle) from the 2nd century BC.

 

The colonnaded street had marble columns whose remains can be seen near the Roman baths, restored as a museum displaying statues and sarcophagi from the Roman period. The agora includes the remains of the round Tyche and Fortuna temple (2nd century BC), peripteral with twelve columns, in the centre. In later times it was used as a trading centre where pirates sold slaves.

 

The early Roman Temple of Dionysus is near the theatre. The fountain gracing the entrance is restored. At the left side is a Byzantine Basilica.[8]

 

Other buildings include three temples and a nymphaeum, a grotto or fountain building of elaborate design, and a synagogue which was discovered under a modern place of residence.[13]

 

Excavation teams also found an ancient Greek brothel.. Wikipedia

A grandiose piece of art by Sinan, the Ottoman architect of 16th century

Selimiye Camii / EDİRNE

Selimiye mosque

St Sophie Cathedral

arch

Selimiye Mosque (Turkish: Selimiye Camii, Greek: Σελιμιγιέ Τζαμί), formerly Cathédrale Sainte Sophie, is a mosque located in the Turkish-controlled northern part of the walled city of Nicosia. It is the main mosque of the city. The Selimiye Mosque is housed in the largest and oldest surviving gothic church in Cyprus (interior dimensions: 66 X 21 m) possibly constructed on the site of an earlier Byzantine church.

he construction of the cathedral began in 1209 By 1228, the church was "largely completed" under Eustorge.

 

2015 04 10 111632 Cyprus Nicosia

Islamic calligraphy

 

From the Wikipedia:

 

Islamic calligraphy, equally known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking.[1] This art has most often employed the Arabic script, throughout many languages. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.

 

Throughout Islamic history, the work of calligraphers was collected and appreciated. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main forms of artistic expression in Islamic cultures.[2]

 

Arabic, Persian and Ottoman Turkish calligraphy is associated with geometric Islamic art (the Arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.

Calligraphic scripts

 

The first Arabic script to gain popularity was the Kufic script, which was created in 537. Kufic is angular, made of square and short horizontal strokes, long verticals, and bold, compact circles. It was the main script used to copy the Qur'an for three centuries. Its static aspect made it suitable for monumental inscriptions, too. It developed many serifs (small decorations added to each character).

 

More often used for casual writing was the cursive Naskh script, with rounder letters and thin lines. As techniques for writing in this style were refined, it came to be preferred to Kufic for copying the Qur'an. Naskh is the first script taught to most children. Almost all printed material in Arabic is in Naskh so, to avoid confusion, children are taught to write in the same script. It is also clearer and easier to decipher.

 

In the 13th century, the Thuluth script took on the ornamental role formerly associated with the Kufic script. Thuluth means "one third"; the form of Thuluth is based on the principle that one third of each letter slides downward. Thus it has a strong cursive aspect and is usually written in ample curves.

 

After Persia was conquered by Arabs in the 7th century, it became common to write Persian in Arabic script. The Persians contributed the Ta'liq and Nasta'liq styles to Arabic calligraphy. Nasta'liq is extremely cursive, with exaggeratedly long horizontal strokes. One of its peculiarities is that vertical strokes lean to the right rather than (as more commonly) to the left, making Nasta'liq writing flow particularly well. The Persians also developed a style called shekasteh ('broken' in Persian). Shekasteh has seldom been used for scripting Arabic texts, though it is an Arabic calligraphy style.

 

The Diwani script is a cursive style of Arabic calligraphy developed during the reign of the early Ottoman Turks (16th and early 17th centuries). It was invented by Housam Roumi and reached its height of popularity under Süleyman I the Magnificent (1520–66). As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.

 

A variation of the Diwani, the Diwani Al Jali, is characterized by its abundance of diacritical and ornamental marks.

 

Finally, the most common script for everyday use is Ruq'ah (also known as Riq'a). Simple and easy to write, its movements are small, without much amplitude. It is the one most commonly seen. It is considered a step up from Naskh script, which children are taught first. In later grades they are introduced to Ruq'ah.

  

Selimiye Camii ve Külliyesi - Edirne

 

Edirne’nin en önemli anıtsal eseri olan ve şehrin siluetini taçlandıran Selimiye Camii ve Külliyesi, 16. yy.’da Sultan II. Selim adına Mimar Sinan tarafından yapılmış. Büyük Usta Mimar Sinan'ın ustalık eseri olarak biliniyor. İnce ve zarif 4 minaresi görülmeye değer. İç tasarımında kullanılan ve döneminin en iyi örnekleri olan taş, mermer, ahşap, sedef ve özellikle çini motifleri oldukça dikkat çekici. İç mekanın Kalem işleri de yine görülmeye değer işçiliklerden. Mermer döşemeli avlusu, kütüphanesi, eğitim kurumları, dış avlusu ve arastası ile çok önemli bir Külliye konumunda. 2011 yılında Dünya Mirası olarak tescil edilmiş durumda...

 

Selimiye Camii fotoğraflarım

 

Türkiye'de Görülmesi Gereken 1000 Yer Serisi Albümü için tıklayınız...

 

Fotoğrafların Orjinal boyutlarını satın almak için Sinan Doğan ile iletişim kurunuz...

  

E Mail: foto.sinandogan@gmail.com

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One of two minarets of the Selimiye Mosque in Nicosia, Cyprus.

Maybe it was the warm sunny late October weather, or the peace and quiet and lack of tourists, but from the moment I set my eyes on the four towering minarets, I fell in love with this building. The atmosphere reminded us of the Yesil (Green) Mosque in Bursa, but this was even more magnificent. I would say that it is the most beautiful, graceful building I have ever seen in my life.

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The power of love came into me, and I became fierce like a lion, then tender like the evening star

Rumi

 

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