View allAll Photos Tagged Segregation
Europe, The Netherlands, Zuid-Holland, Maritiem District, Hertekade, Residential high rises, Façades, Balconies (slightly cut from B&T)
Shown here are three residential high-rise on the Rotterdam Boompjes. Shot from the Ibis bridge crossing the Scheepmakershaven. Over the past 15 years, this major Rotterdam thoroughfare has transformed - residential housing has made a comeback in the city centre, accompanied by, albeit small, balconies.
On the left: Terraced tower (OZ Architect, 2021), the high rises in the middle are 'Clubhouse Boompjes' (Team V Architectuur, 2025) and on the right is 'De Maas' office tower (Koldewijn-Drexhage, 1988).
The backstory about the return of residential housing in the city centre: In the 1980s, it became evident that the strictly functionalistic urban design of the post-World War II Rotterdam city centre no longer met the needs of its residents. In the first post-war decades, the redevelopment enhanced functionality, offering a clear break from the congestion and other development problems of the pre-war city centre. And its morphology offered the symbolism of a brave new world. However, due to the 60s and 70s social-economic boom and the rise of consumerism, the strict segregation of living, business and administration made the city's heart feel like a place that didn't seem to live and breathe. It was simply too high on business and too low on living and recreation. One of the programs to rectify this was the R'dam high-rise policy - the insertion of a series of high-density up-market apartment buildings in and near the city centre.
This is number 772 of Rotterdam architecture and 119 of Facades.
L'apartheid genré de l'islam intégriste...
"For all the violence committed on her, for all the humiliations she suffered, for her body that you exploited, for her intelligence that you trampled on, for the ignorance in which you left her, for the freedom you gave her denied, for the mouth you stopped her, for the wings you cut off, for all this: standing Gentlemen, in front of a Woman."
William Shakespeare
en.wikipedia.org/wiki/Woman,_Life,_Freedom
3663_GEN
Europe, The Netherlands, Zuid Holland, Rotterdam, Maasboulevard, High rises, Rhine cruise boat (slightly cut from T)
The high rises on display here are a direct consequence of Rotterdam's 'high rise policy'. What's that? In the 80s, it had become evident that the strictly functionalistic urban design of the city centre of post-2nd World War Rotterdam didn't cut it any more. In the first post-war decades, it did enhance functionality, offering a clear break from the congestion and other development problems of the pre-war city centre. And its morphology offered the symbolism of a brave new world. However, due to the post-war social-economic boom and the rise of consumerism, the strict segregation of living, business and administration made the city's heart feel like a place that didn't seem to live and breathe.
It was simply too high on business and too low on living and recreation. One program to rectify this was the R'dam high-rise policy, which involved the insertion of a series of high-density, up-market apartment buildings in and near the city centre.
The building in the middle is 'Terraced Tower' (OZ Architects, 2021), a mid- to high-rent residential tower.
On the right and behind it are the highrises of the Wijnhaveneilend with the 'Red Apple'. On the left is the Clubhouse Boompjes (under construction, Team V architects).
The ´Alena´Rhine cruise boat at the bottom of the frame offered a nice counterpoint to all this unbridled verticalism. ;-) To the right of its bow is the (of course, yellow) finish of the second stage of the Tour de France Femmes.
This is number 746 of Rotterdam Architecture.
Well if something doesn't remind you of the futility of war, this memorial does. Nothing wrong with the lovely oak that is more than 120 years old, but something is truly amiss in who and what it memorialises.
The old oak remembers the Boer War in South Africa (1899-1902), the first war in which the as yet unfederated Australian colonies sent troops overseas to fight. It wasn't our fight, but of course in trying to prove we were loyal members of the British Empire, fight we did. And what did this war achieve in the end? A victory for Britain over the Dutch immigrant settlers, the Boers, but a pyrrhic one at best.
For the 20th century saw the introduction to South Africa of a racist regime that virtually enslaved the majority black people, until a long struggle by people like Nelson Mandela and Steve Biko, assisted by an international campaign of embargoes and sanctions, finally broke the back of apartheid. Apartheid was the Boer word for segregation. Well may we remember!
But it is also bizarre that this tree memorialises Colonel Robert Baden-Powell (1857-1941), better known around the world as the founder of the Scout movement. That a British soldier with no links to Australia was remembered here at the beginning of Australian Federation tells us as much about the attitudes of white Australians at the time as did the Immigration Restriction Act of 1901 (otherwise known as the White Australia policy). This act was designed to turn Australia into a bastion of white privilege in the southern hemisphere.
On this Remembrance Day, November 11, 2025, we do well to remember more than the wars we fought in (often unnecessarily), but also our chequered history of race relations.
www.monumentaustralia.org/themes/people/military/display/...
NS #4137 and #4408, hauling a loaded eastbound coal train, have just crested Elkhorn Grade and are crossing Cooper's Trestle in Coopers, WV on the afternoon of April 26, 2021. This coal will be bound for export at the ports of Norfolk, Virginia. Below the trestle is a church which was, according to town history, originally built by John Cooper, a coal mine owner and founder of Coopers, WV, to serve the white congregation in his town during the era of segregation and Jim Crow laws, prior to the Civil Rights Act. Out of the frame "across" the tracks is another church built to serve the African American congregation in the town that is twice the size of the "white church" and is still used today. Next to the church in the frame is the brick company store for the town, unused today.
Been getting so many kind & supportive messages from friends & especially fellow Aesthetic Enzo users on SL since I started my #MRSL2020 journey. Just wanted to say thank you & am hoping that however I do in the competition I can help show that you can be true to you and how you choose to present your avatar regardless of Signature or Belleza or Aesthetic or WHATEVER you like and still be part of something big. Truly grateful to the Miss SL Org for allowing such diversity this year, which I think is crucial in times like now when segregation is rampant in RL and is oddly making its way even to SL in our different social circles.
And to those who say “AESTHETIC IS DEAD!” well I’d argue it’s clearly not, same as any other body out there. And if people can be comfortable with themselves without needing an alt or 2-3 bodies in their inventory to switch from to fit in to different SL communities, then hopefully in the future more and more creators would realize how large the Aesthetic market can add to theirs and provide more awesome designs for EVERYONE ❤️
Xoxo,
Your MR SL ♛ USA 2020 ✌😬
Featuring
Javier hair by Modulus: maps.secondlife.com/secondlife/Winter/187/184/2002
Kilmainham Gaol (Irish: Príosún Chill Mhaighneann) is a former prison in Kilmainham, Dublin, Ireland. It is now a museum run by the Office of Public Works, an agency of the Government of Ireland. Many Irish revolutionaries, including the leaders of the 1916 Easter Rising, were imprisoned and executed in the prison by the orders of the UK Government.When it was first built in 1796, Kilmainham Gaol was called the "New Gaol" to distinguish it from the old prison it was intended to replace – a noisome dungeon, just a few hundred metres from the present site. It was officially called the County of Dublin Gaol, and was originally run by the Grand Jury for County Dublin.
Originally, public hangings took place at the front of the prison. However, from the 1820s onward very few hangings, public or private, took place at Kilmainham. A small hanging cell was built in the prison in 1891. It is located on the first floor, between the west wing and the east wing.
There was no segregation of prisoners; men, women and children were incarcerated up to 5 in each cell, with only a single candle for light and heat. Most of their time was spent in the cold and the dark, and each candle had to last for two weeks. Its cells were roughly 28 square metres in area.
Children were sometimes arrested for petty theft, the youngest said to be a seven-year-old child, while many of the adult prisoners were transported to Australia.
At Kilmainham, the poor conditions in which women prisoners were kept provided the spur for the next stage of development. As early as 1809, in his report, the Inspector had observed that male prisoners were supplied with iron bedsteads while females "lay on straw on the flags in the cells and common halls". Half a century later there was little improvement. The women's section, located in the west wing, remained overcrowded. In an attempt to relieve the overcrowding, 30 female cells were added to the Gaol in 1840. These improvements had not been made long before the Great Famine occurred, and Kilmainham was overwhelmed with the increase of prisoners.
Kilmainham Gaol was decommissioned as a prison by the Irish Free State government in 1924. Seen principally as a site of oppression and suffering, there was at this time no declared interest in its preservation as a monument to the struggle for national independence. The jail's potential function as a location of national memory was also undercut and complicated by the fact that the first four Republican prisoners executed by the Free State government during the Irish Civil War were shot in the prison yard.
The Irish Prison Board contemplated reopening it as a prison during the 1920s but all such plans were finally abandoned in 1929. In 1936 the government considered the demolition of the prison but the price of this undertaking was seen as prohibitive. Republican interest in the site began to develop from the late 1930s, most notably with the proposal by the National Graves Association, a Republican organisation, to preserve the site as both a museum and memorial to the 1916 Easter Rising. This proposal received no objections from the Commissioners of Public Works, who costed it at £600, and negotiations were entered into with the Department of Education about the possibility of relocating artefacts relating to the 1916 Rising housed in the National Museum to a new museum at the Kilmainham Gaol site. The Department of Education rejected this proposal seeing the site as unsuitable for this purpose and suggested instead that paintings of nationalist leaders could be installed in appropriate prison cells. However, with the advent of the Emergency the proposal was shelved for the duration of the war.
An architectural survey commissioned by the Office of Public Works after World War II revealed that the prison was in a ruinous condition. With the Department of Education still intransigent to the site's conversion to a nationalist museum and with no other apparent function for the building, the Commissioners of Public Works proposed only the prison yard and those cell blocks deemed to be of national importance should be preserved and that the rest of the site should be demolished. This proposal was not acted upon.
In 1953 the Department of the Taoiseach, as part of a scheme to generate employment, re-considered the proposal of the National Graves Association to restore the prison and establish a museum at the site. However, no advance was made and the material condition of the prison continued to deteriorate.
From the late 1950s, a grassroots movement for the preservation of Kilmainham Gaol began to develop. Provoked by reports that the Office of Public Works was accepting tenders for the demolition of the building, Lorcan C.G. Leonard, a young engineer from the north side of Dublin, along with a small number of like-minded nationalists, formed the Kilmainham Gaol Restoration Society in 1958. In order to offset any potential division among its members, the society agreed that they should not address any of the events connected with the Civil War period in relation to the restoration project. Instead, a narrative of the unified national struggle was to be articulated. A scheme was then devised that the prison should be restored and a museum built using voluntary labour and donated materials.
With momentum for the project growing, the Irish Congress of Trade Unions informed the society that they would not oppose their plan and the Building Trades Council gave it their support. It is also likely that Dublin Corporation, which had shown an interest in the preservation of the prison, supported the proposal. At this time the Irish government was coming under increasing pressure from the National Graves Association and the Old IRA Literary and Debating Society to take action to preserve the site. Thus, when the society submitted their plan in late 1958 the government looked favourably on a proposal that would achieve this goal without occasioning any significant financial commitment from the state.
In February 1960 the society's detailed plan for the restoration project, which notably also envisioned the site's development as a tourist attraction, received the approval of the notoriously parsimonious Department of Finance. The formal handing over of prison keys to a board of trustees, composed of five members nominated by the society and two by the government, occurred in May 1960. The trustees were charged a nominal rent of one penny rent per annum to extend for a period of five years at which point it was envisaged that the restored prison would be permanently transferred to the trustees' custodial care.
Commencing with a workforce of sixty volunteers in May 1960, the society set about clearing the overgrown vegetation, trees, fallen masonry and bird droppings from the site. By 1962 the symbolically important prison yard where the leaders of the 1916 Rising were executed had been cleared of rubble and weeds and the restoration of the Victorian section of the prison was nearing completion. It opened to the public on 10 April 1966. The final restoration of the site was completed in 1971 when Kilmainham Gaol chapel was re-opened to the public having been reroofed and re-floored and with its altar reconstructed. The Magill family acted as residential caretakers, in particular, Joe Magill who worked on the restoration of the gaol from the start until the Gaol was handed over to the Office of Public works.
It now houses a museum on the history of Irish nationalism and offers guided tours of the building. An art gallery on the top floor exhibits paintings, sculptures and jewellery of prisoners incarcerated in prisons all over contemporary Ireland.
Kilmainham Gaol is one of the biggest unoccupied prisons in Europe. Now empty of prisoners, it is filled with history.
In 2013, Kilmainham courthouse located beside the prison, which had remained in operation as a seat of the Dublin District court until 2008 was handed over to the OPW for refurbishment as part of a broader redevelopment of the Gaol and the surrounding Kilmainham Plaza in advance of the 100th anniversary of the 1916 Rising. The courthouse opened in 2015 as the attached visitor's centre for the Gaol.
Please don't forget to take part in #PROUDTOPICKUP. I have been picking up after my dog for nearly 20 years now and during that time no one has ever said Thank You, makes you think. We really have to think beyond archaic dogs on lead bylaws and exclusion zones which belong in the dustbin of history alongside Apartheid and Segregation. Welcome to the 21st Century, To show you can achieve more with education than enforcement I am asking everyone of my contacts on Flickr to post a picture of themselves with their dogs and holding a bag of dog muck and post it on their social media and nominate six friends to do the same and use the hashtag #PROUDTOPICKUP . If you aren't blessed with a dog at this moment in time please take a shot of yourself placing litter in a bin. It's to take the embarrassment and stigma out of picking up and stop it being a furtive chore. Have fun with it.
.Discreet Meet Up
.Our Memories
.Segregation Wins
@ Netherwood - maps.secondlife.com/secondlife/Netherfeild/220/133/23
Europe, The Netherlands, Zuid Holland, Wijnhaven Eiland, Residential high rise, Facade (uncut)
The Wijnhaven Eiland, is being transformed. One of the high rises is shown here. The concrete facade of the neo-modernist building was in the process of being covered with textured tiles.
The backstory:
In the 80s, it became evident that the strictly functionalistic urban design of the post-2nd World War Rotterdam city centre didn't cut it any more. In the first post-war decades, it did enhance functionality, offering a clear break from the congestion and other development problems of the pre-war city centre. And its morphology offered the symbolism of a brave new world. However, due to the post-war social-economic boom and the rise of consumerism, the strict segregation of living, business and administration made the city's heart feel like a place that didn't seem to live and breathe.
It was simply too high on business and too low on living and recreation. One of the programs to rectify this was the R'dam high-rise policy - the insertion of a series of high-density up-market apartment buildings in and near the city centre.
This is number 703 of Rotterdam architecture and 1486 of Minimalisms/explicit Graphisms.
My U.S. states series of A I generated images.
Little Rock Central High School was forcibly integrated starting on September 25, 1957, when nine African American students, known as the Little Rock Nine, entered the school under escort by federal troops after Governor Orval Faubus had used the state's National Guard to block them. President Dwight D. Eisenhower federalized the Arkansas National Guard and sent the 101st Airborne Division to ensure the students' safety and enforce the Supreme Court's ruling against segregation. Just in my lifetime has it been possible for blacks to attend integrated schools in Arkansas. Racism still exists, but has simply found more subtle ways of imposing itself.
A view from the trail leading up to the Historic Carl Sandburg Home National Historic Site in Flat Rock, North Carolina. The property known today as Connemara not only offers inspiration and enjoyment, but has a long and complicated history. The property was developed and the house built in 1838 by a slave owner who served in the Confederate government, and had leading role in South Carolina's resconstruction policies. The next two owners were prominent businessmen, who also played a role in maintaining racial segregation after reconstruction. Then in 1945, over a century later, a Pulitzer Prize-winning poet and biographer of Abraham Lincoln purchased the property. While living here, Carl Sandburg received a lifetime membership from the NAACP (National Association for the Advancement of Colored People) for his work in civil rights. He was also awarded a Pulitizer Prize for his Complete Poems, which includes many works on social justice and labor rights.
acrylic on canvas, 13 x 18 cm
risks of messenger RNA therapy
The missing phase had happened in a lab, where the virus had been trained on human cells
www.bostonmagazine.com/news/2020/09/09/alina-chan-broad-i...
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La contre-révolution de 2020, a été préparée à la chapelle de Davos.depuis des dizaines d'années par les élites et les têtes couronnées. Tous les gouvernements, de quelle obédience qu'ils soient, la vendent sous le faux drapeau d'un communautarisme. pire que les régimes communistes. Partout la féodalité comme valeur européenne s'installe à nouveau sous le nom de Nouvel Ordre Mondial: on veut "reconstruire mieux" sans dire que pour "re"-construire il faut d'abord tout détruire (tabula rasa).
Les principaux acteurs politiques et autres utilisent une propagande marquée par le même jargon comme s'ils ont été lavé le cerveau dans la même école, sous l'emprise d'un système de chantage.
Les idées «aryennes» sont en cours de réinstitutionnalisation: la ségrégation pseudo-médicale avec un passeport sanitaire en est un exemple et cette dictature durable est ancrée dans la loi pandémie. Le Moyen Age nous revient au galop avec un corps médical qui ne comprend plus le principe de la vaccination et quelques-uns qui le comprennent encore finissent en psychiatrie ou en prison ou sont simplement suspendus en tant que médecins. Il est effrayant de voir comment la guérison est interdite et remplacée par la thérapie à l'ARN messager ou simplement par la sédation dans les centres de soins résidentiels. Comme chez les nazis, la politique est devenue une machine à assassiner. dans un monde où les droits et libertés civils et individuels sont abolis.
Jan Theuninck, 2021
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Jan Theuninck has been painting the evolution of Western totalitarianism for 20 years - he saw the evolution within the political spectrum where the socialist parties were lost (Fagospatose, 2001) in the Third Way (The third way is no way, 2004) movement of Clinton , Blair and Schröder with which they gave a face to communitarianism of the New World Order. He has often compared the latter to a new kind of National Socialism. His attention has always been fixed thanks to the more than 50 years of misery with blackmail games of the services and torture practices with chemical and energy weapons (Beyond the limit, 2001, Rinascimento, 2009, The culture of learned helplessness, 2011, Neostasi, 2012, Derailed system , 2012, The banality of Evil, 2013, Zersetzung, 2014, ils nous tiennent, 2015, Submission, 2015, Threat, 2016, Utopia, 2016, Conformity, 2017, Brainwashing, 2018, Warnung, 2019, Dein Kampf, 2019, Censorship, 2020, Post-truth society, 2020 and in 2021: Political Pandemic, New World Order, The Great Reset, Angel Vaccine, Aryan Corona Passport, Cytokine Storm, Back from never been away, Sustainable Dictatorship.
(In 2014 he already painted Virus Attack without believing that this would become a climax of the Davos counter-revolution years later)
Zadaniem medycyny jest skutecznie leczyć (Zbigniew Hałat)
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Jan Theuninck is a Belgian painter
www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_sc...
www.forumeerstewereldoorlog.be/wiki/index.php/Yperite-Jan...
www.graphiste-webdesigner.fr/blog/2013/04/la-peinture-bel... (année 2016)
www.eutrio.be/expo-west-meets-east
Europe, The Netherlands, Zuid Holland, Rotterdam,Cerntre, Wijnhaveneiland, High rises (uncut)
In the 80s it had become evident that the strictly functionalistic urban design of the city centre of post 2nd world war Rotterdam didn't cut it anymore. In the first post-war decades, it did enhance functionality, offering a clear break from the congestion and other development problems of the pre-war city centre. And its morphology offered the symbolism of a brave new world. But...... due to the post-war social-economic boom and the rise of consumerism, the strict segregation of living, business and administration made the city heart feel like a place that didn't seem to live and breath. It was simply too high on business and too low on living and recreation. One of the programs to rectify this was the R'dam high rise policy - the insertion of a series of high-density up-market apartment buildings in and near the city centre. The Red Apple (on the right, KCAP Architecten & Jan des Bouvrie) is one of them.
Of course the 7Artisans fisheye was used here. Its album is here.
This is number 1127 of Minimalism & explicit graphism
The Greensboro Sit-in was a major civil rights protest that started in 1960, ... lunch counter in Greensboro, North Carolina, and refused to leave ...
The Greensboro sit-ins were a series of nonviolent protests in February to July 1960, primarily in the Woolworth store—now the International Civil Rights Center and Museum—in Greensboro, North Carolina,[1] which led to the F. W. Woolworth Company department store chain removing its policy of racial segregation in the Southern United States.
Hair Ice
Hair ice is a rare type of ice formation where the presence of a particular fungus in rotting wood produces thin strands of ice which resemble hair or candy floss.
One of the first records of the phenomenon was made by Alfred Wegener (the discoverer of continental drift) in 1918. He observed a strange ice forming only on wet dead wood and proposed a theory that a specific fungi must be the catalyst for the smooth, silky hairs of ice.
How does hair ice form?
The conditions required for the formation of hair ice are extremely specific, hence the relative scarcity of sightings. To form, moist rotting wood from a broadleaf tree is required with the presence of moist air and a temperature slightly below 0 °C. It is generally confined to latitudes between 45°N and 55°N.
In 2015 the scientists Hofmann, Mätzler and Preuß determined the exact cause of the hair ice phenomenon, linking its formation to the presence of a specific fungus called Exidiopsis effusa.
They discovered that the presence of the fungus led to a process called 'ice segregation'. When water present in the wood freezes it creates a barrier that traps liquid between the ice and the pores of the wood. This creates a suction force which pushes water out of the pores to the edge of the ice surface where it freezes and extends outwards. As this repeats it pushes a thin 'hair' of ice out of the wood which is around 0.01 mm in diameter.
It is believed that an inhibitor present in the fungus allows the strands of ice to stabilise allowing the formation of the beautiful phenomena and allows the hair ice to keep its shape often for several hours.
Z TO ZOOM
Whilst non-native, fallow deer are considered naturalised and are locally abundant and increasing. They are found in England and Wales, but patchy in Scotland, inhabiting mature broadleaf woodland with under-storey, open coniferous woodland and open agricultural land. They prefer to graze grasses although they will take trees and dwarf shrub shoots in autumn and winter.
Population density and habitat influence both group size and the degree of sexual segregation. Groups of adult males and females, usually with young, remain apart for most of the year in large woodlands, only coming together to breed. Sexes freely mix in large herds throughout the year in open, agricultural environments.
Damage caused by browsing of tree shoots and agricultural crops puts fallow deer in conflict with farmers and foresters and their ability to reach very high densities can result in high local levels of damage. Conversely, many country and forest estates can gain substantial revenue from recreational stalking and/or venison production. Fallow deer are also farmed for their venison and are one of the most important ornamental park species in the UK. Regardless of context, fallow deer populations require careful management to maintain health and quality and ensure a sustainable balance with their environment.
www.flickriver.com/photos/jimborobbo/popular-interesting/
All my photos and images are copyrighted to me although you are welcome to use them for non commercial purposes as long as you give credit to myself.
Thank you for looking at my photographs and for any comments it is much appreciated.
This photo is not posed or staged. I was working as a volunteer for Habitat for Humanity and we were fixing a house of an old couple across the street from this shop to help prevent the old couple from getting evicted. It was a very hot day and I went in the barbershop and asked the barber if I could sit down there for a bit and cool down. He welcomed me and offered cold water. The barber stood like that holding his chair as he looked out the door waiting for customers. I took this photo as I sat there drinking water. I was drawn to the expressions on his face as he was lost in some thoughts. This old barbershop is in one of the forgotten neighborhoods of Charlotte, North Carolina with long lasting economic impact of redlining due to racial segregation policies of the recent past. You can see part of my leg and the other empty chair in the mirror that is hanging in the bottom right corner of the frame.
Kittiwake - Rissa Tridactyla
Yorks
Kittiwakes are coastal breeding birds ranging in the North Pacific, North Atlantic, and Arctic oceans. They form large, dense, noisy colonies during the summer reproductive period, often sharing habitat with murres. They are the only gull species that are exclusively cliff-nesting. A colony of kittiwakes living in Newcastle upon Tyne and Gateshead in the north east of England has made homes on both the Tyne Bridge and Baltic Centre for Contemporary Art. This colony is notable because it is the furthest inland colony of kittiwakes in the world.
The black-legged kittiwake is one of the most numerous of seabirds. Breeding colonies can be found in the Pacific from the Kuril Islands, around the coast of the Sea of Okhotsk throughout the Bering Sea and the Aleutian Islands to southeast Alaska, and in the Atlantic from the Gulf of St. Lawrence through Greenland and the coast of Ireland down to Portugal, as well as in the high Arctic islands. In the winter, the range extends further south and out to sea.
In sharp contrast, the red-legged kittiwake has a very limited range in the Bering Sea, breeding only on the Pribilof, Bogoslof and Buldir islands in the United States, and the Commander Islands in Russia. On these islands, it shares some of the same cliff habitat as the black-legged kittiwake, though there is some localized segregation between the species on given cliffs.
Kayamandi is a suburb of Stellenbosch in the Western Cape region of South Africa located off route R304.
The name means "nice home" in the Xhosa language, from khaya meaning "home" and mnandi meaning "nice". It was founded in the early 1950s as part of the increased segregation during the apartheid regime.
It was originally built to house exclusively black migrant male labourers employed on the farms in the Stellenbosch area.
Jackie Robinson broke the baseball color line when he debuted with the Brooklyn Dodgers in 1947. As the first black man to play in the major leagues since the 1880s, he was instrumental in bringing an end to racial segregation in professional baseball. His character and unquestionable talent challenged the traditional basis of segregation, not only in baseball, but in American life.
Robinson had an exceptional baseball career. Over ten seasons, he played in six World Series and contributed to the Dodgers' 1955 World Championship. He was selected for six consecutive All-Star Games from 1949 to 1954, was the recipient of the inaugural MLB Rookie of the Year Award in 1947, and won the National League Most Valuable Player Award in 1949 – the first black player so honored. Robinson was inducted into the Baseball Hall of Fame in 1962. In 1997, Major League Baseball retired his uniform number, 42, across all major league teams.
At the November 2006 groundbreaking of Citi Field, it was announced that the main entrance, modeled on the one in Brooklyn's old Ebbets Field, would be called the Jackie Robinson Rotunda. The rotunda was dedicated at the opening of Citi Field on April 16, 2009. It honors Robinson with large quotations spanning the inner curve of the facade and features a large freestanding statue of his number 42.
Black Oystercatcher ( Haematopus unipolar ) Interbreeds at times with Pied Oystercatchers so birds are variable
However they usually group into separate species at roost and are commonly seen in pairs at other times.
I have upward of 500 park near my home of mixed types and the segregation is humorous and highly vocal even through the night...
Comical, characters that bring life to an estuary.....
Whopping big rubbish bin signs proclaiming their segregation. Found between the old Barr Smith Library and the Ingkarni Wardli building. The Recycling sign is leaning forward because it is attached tot he swinging lid of its bin.
The "Zeche Nachtigall" is a former coal mine in Witten-Bommern.
The mine was also known under the name coalmine Nachtigal in the Hetberge, colliery nightingale in the Hedtberge, trade union in the Hedtberge and coal bank in the Hettberger wood.
The mine is in Witten-Bommern at the entrance of the Muttental and is a part of the mining footpath Muttental.
The was one of the biggest civil engineering colliery of the region. On the mine were diminished in the civil engineering fat coal rich in piece which had a good quality. Today is the colliery a museum.
Small colliery were stone coal pits whose staff, equipment and production far lie under their one big mines. Most of all it concerned pure tunnel companies (without segregation shafts).
L’abbatiale de Saint Pierre de Beaulieu-sur-Dordogne, comprend les deux orientations majeures du discours religieux de cette époque. En effet cette église insiste sur l'Hagiographie en étant dédiée, aux Saint Pierre et Saint Paul ainsi qu’à Sainte Félicité de Carthage- et sur l’idée d’un jugement dernier, de la pesée des âmes.
L'historienne Evelyne PROUST ajoute que nous ne sommes pas face au thème du jugement dernier mais devant un prélude au jugement dernier qui souligne l'apparition en majesté du Christ à la fin des temps d'après une vision de Matthieu. Du point de vue iconographique, il faut associer au tympan proprement dit le registre horizontal situé au-dessus du linteau. Trois mondes nous sont présentés : le ciel, la terre et l'enfer. Contrairement à d'autres tympans qui semblent traiter d'un sujet proche, on ne trouve pas sur le Tympan de Beaulieu-sur-Dordogne une véritable représentation de la pesée des âmes.
Le tympan se situe sur le portail Sud, souligné d’une triple voussure, domine un trumeau sculpté et de piédroits richement ornés de hauts reliefs. Le tympan, en arc de cercle s’inscrit dans une voûte en plein cintre. Les nombreuses figures sont comprises dans trois registres. Le registre principal, est axé sur un christ pantocrator entouré d’anges, de saints .... C'est l'emplacement du ciel, de la vision céleste qui regroupe à la fois le Christ, les apôtres, les nuages et les anges. L’échelle du personnage varie en fonction de son importance, le Christ domine par sa taille les anges et les saints, qui eux même sont plus grands que les mortels et les ressuscités (du deuxième registre) . La multitude des personnages n’empêche pas la lisibilité de la scène car l’image est composée en registres.
Les deux registres inférieurs, en frises, sont ornés de chimères, d’humains malmenés, et de motifs ornementaux stylisés. Le deuxième registre est donc une représentation du monde terrestre comprenant les mortels qui vont être jugés à la fin des temps et les ressuscités ont été jugés. Enfin le dernier registre nous présente les scènes de l'enfer.
Le linteau, sous-registre, se garnit d'animaux fantastiques et de chimères allégories des bêtes de l'apocalypse (par sept têtes). La domination du Christ est appuyée par la ségrégation des registres hiérarchisés, et par le plus grand espace occupé par la vision céleste.
The abbey church of Saint Pierre in Beaulieu-sur-Dordogne, includes the two major orientations of the religious discourse of this time. Indeed this church insists on the Hagiography by being dedicated, to Saint Peter and Saint Paul as well as to Saint Felicity of Carthage - and on the idea of a last judgment, of the weighing of souls.
The historian Evelyne PROUST adds that we are not facing the theme of the Last Judgment but a prelude to the Last Judgment which underlines the appearance in majesty of Christ at the end of time from a vision of Matthew. From an iconographic point of view, it is necessary to associate with the tympanum proper the horizontal register located above the lintel. Three worlds are presented to us: heaven, earth and hell. Unlike other tympanums which seem to deal with a close subject, one does not find on the Tympanum of Beaulieu-sur-Dordogne a true representation of the weighing of souls.
The tympanum is located on the south portal, underlined by a triple arch, dominates a sculpted pier and piers richly decorated with high reliefs. The tympanum, in an arc of a circle, is part of a semicircular vault. The many figures are included in three registers. The main register is based on a Christ pantocrator surrounded by angels, saints .... It is the location of the sky, of the celestial vision which brings together both Christ, the apostles, the clouds and the angels . The scale of the character varies according to his importance, Christ dominates by his size the angels and the saints, who themselves are greater than the mortals and the risen ones (of the second register). The multitude of characters does not prevent the legibility of the scene because the image is composed in registers.
The two lower registers, in friezes, are decorated with chimeras, manhandled humans, and stylized ornamental motifs. The second register is therefore a representation of the terrestrial world comprising the mortals who will be judged at the end of time and the resurrected have been judged. Finally the last register presents the scenes of hell.
The lintel, sub-register, is furnished with fantastic animals and chimeras, allegories of the beasts of the apocalypse (by seven heads). The domination of Christ is supported by the segregation of hierarchical registers, and by the greater space occupied by the celestial vision.
Europe, The Netherlands, Zuid Holland, Rotterdam, Sscheepmakershaven, Red Apple, and other high rises (uncut)
The Scheepmahershaven flanked by the result of the Rotterdam high-rise policy.
More about this policy: In the 80s it had become evident that the strictly functionalistic urban design of the city centre of post-2nd WW Rotterdam didn't cut it any more. In the first post-war decades, it did enhance functionality, offering a clear break from the congestion and other development problems of the pre-war city centre. And its morphology offered the symbolism of a brave new world.
But due to the post-war social-economic boom and the rise of consumerism, the strict segregation of living, business and administration made the city's heart feel like a place that didn't seem to live and breathe.
It was simply too high on business and too low on living and recreation. One of the programs to rectify this was the R'dam high-rise policy - the insertion of a series of high-density up-market apartment buildings in and near the city centre. The Red Apple (KCAP Architecten & Jan des Bouvrie) is one of them. Apart from the verticalism, a prominent design feature of the Red Apple is the red aluminium facade cladding.
Left of the Red Apple is the Scheepmakerstoren,
Shot with the 7Artisans 7,5 mm fisheye lens. It's number 19 of its album here.
Prince Hall Masons are a historically significant branch of Freemasonry founded by African Americans in the late 18th century. Beulah Lodge #37, Prince Hall Masons, and the Rose of Beulah Chapter #251, Order of the Eastern Star (O.E.S.) are longstanding institutions in Eastman, Georgia, serving as important social and cultural anchors for the local Black community, especially during eras of segregation and limited civil rights. Their buildings, often centrally located, symbolize resilience and collective achievement.
Prince Hall Masons, Beulah Lodge #37 & Rose of Beulah, Chapter #251 O.E.S.
Eastman, Dodge County, Georgia USA
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© 2025 Mike McCall
Harvey and Dorothy Lewis Thompson opened the Imperial Hotel to accommodate African-American travelers to the Thomasville area during the infamous Jim Crow Era. The hotel was listed in the "Negro Motorist Green Book" travel guides. Restoration of this important historical landmark seems to be underway. [Photos of the decaying, signless motel can be seen here at Brian Brown's Vanishing Georgia: vanishinggeorgia.com/2021/11/21/imperial-hotel-1949-thoma....]
Thomasville, Thomas County, Georgia USA
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© 2024 Mike McCall
Fort Lauderdale is a city in the U.S. state of Florida, 25 miles (40 km) north of Miami. It is the county seat of Broward County. As of the 2019 census, the city has an estimated population of 182,437. Fort Lauderdale is a principal city of the Miami metropolitan area, which was home to an estimated 6,198,782 people in 2018.
The city is a popular tourist destination, with an average year-round temperature of 75.5 °F (24.2 °C) and 3,000 hours of sunshine per year. Greater Fort Lauderdale which takes in all of Broward County hosted 12 million visitors in 2012, including 2.8 million international visitors. The city and county in 2012 collected $43.9 million from the 5% hotel tax it charges, after hotels in the area recorded an occupancy rate for the year of 72.7 percent and an average daily rate of $114.48. The district has 561 hotels and motels comprising nearly 35,000 rooms. Forty six cruise ships sailed from Port Everglades in 2012. Greater Fort Lauderdale has over 4,000 restaurants, 63 golf courses, 12 shopping malls, 16 museums, 132 nightclubs, 278 parkland campsites, and 100 marinas housing 45,000 resident yachts.
Fort Lauderdale is named after a series of forts built by the United States during the Second Seminole War. The forts took their name from Major William Lauderdale (1782–1838), younger brother of Lieutenant Colonel James Lauderdale. William Lauderdale was the commander of the detachment of soldiers who built the first fort. However, development of the city did not begin until 50 years after the forts were abandoned at the end of the conflict. Three forts named "Fort Lauderdale" were constructed; the first was at the fork of the New River, the second at Tarpon Bend on the New River between the Colee Hammock and Rio Vista neighborhoods, and the third near the site of the Bahia Mar Marina.
The area in which the city of Fort Lauderdale would later be founded was inhabited for more than two thousand years by the Tequesta Indians. Contact with Spanish explorers in the 16th century proved disastrous for the Tequesta, as the Europeans unwittingly brought with them diseases, such as smallpox, to which the native populations possessed no resistance. For the Tequesta, disease, coupled with continuing conflict with their Calusa neighbors, contributed greatly to their decline over the next two centuries. By 1763, there were only a few Tequesta left in Florida, and most of them were evacuated to Cuba when the Spanish ceded Florida to the British in 1763, under the terms of the Treaty of Paris (1763), which ended the Seven Years' War. Although control of the area changed between Spain, the United Kingdom, the United States, and the Confederate States of America, it remained largely undeveloped until the 20th century.
The Fort Lauderdale area was known as the "New River Settlement" before the 20th century. In the 1830s there were approximately 70 settlers living along the New River. William Cooley, the local Justice of the Peace, was a farmer and wrecker, who traded with the Seminole Indians. On January 6, 1836, while Cooley was leading an attempt to salvage a wrecked ship, a band of Seminoles attacked his farm, killing his wife and children, and the children's tutor. The other farms in the settlement were not attacked, but all the white residents in the area abandoned the settlement, fleeing first to the Cape Florida Lighthouse on Key Biscayne, and then to Key West.
The first United States stockade named Fort Lauderdale was built in 1838, and subsequently was a site of fighting during the Second Seminole War. The fort was abandoned in 1842, after the end of the war, and the area remained virtually unpopulated until the 1890s. It was not until Frank Stranahan arrived in the area in 1893 to operate a ferry across the New River, and the Florida East Coast Railroad's completion of a route through the area in 1896, that any organized development began. The city was incorporated in 1911, and in 1915 was designated the county seat of newly formed Broward County.
Fort Lauderdale's first major development began in the 1920s, during the Florida land boom of the 1920s. The 1926 Miami Hurricane and the Great Depression of the 1930s caused a great deal of economic dislocation. In July 1935, an African-American man named Rubin Stacy was accused of robbing a white woman at knife point. He was arrested and being transported to a Miami jail when police were run off the road by a mob. A group of 100 white men proceeded to hang Stacy from a tree near the scene of his alleged robbery. His body was riddled with some twenty bullets. The murder was subsequently used by the press in Nazi Germany to discredit US critiques of its own persecution of Jews, Communists, and Catholics.
When World War II began, Fort Lauderdale became a major US base, with a Naval Air Station to train pilots, radar operators, and fire control, operators. A Coast Guard base at Port Everglades was also established.
On July 4, 1961, African Americans started a series of protests, wade-ins, at beaches that were off-limits to them, to protest "the failure of the county to build a road to the Negro beach". On July 11, 1962, a verdict by Ted Cabot went against the city's policy of racial segregation of public beaches.
Today, Fort Lauderdale is a major yachting center, one of the nation's largest tourist destinations, and the center of a metropolitan division with 1.8 million people.
Credit for the data above is given to the following website:
en.wikipedia.org/wiki/Fort_Lauderdale,_Florida
© All Rights Reserved - you may not use this image in any form without my prior permission.
During the segregation era in rural areas, one-room schoolhouses for Black children were often sited on church grounds and maintained by the local African-American community.
Warren County, Georgia USA
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© 2025 Mike McCall
MLK day
... I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. Martin Luther King, Jr.
"I say to you today, my friends, that in spite of the difficulties and frustrations of the moment, I still have a dream."
Martin Luther King, Jr.
I have a dream that one day right there in Alabama little black boys and little black girls will be able to join hands with little white boys and white girls as sisters and brothers.
Martin Luther King, Jr.
AP
"Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice"
Martin Luther King, Jr.
O Dia Em Que As Crianças Eram Apenas Crianças ... / The Day Children Were Just Children...
O Dia Em Que As Crianças Eram Apenas Crianças ...
Quando o líder do CHEGA, André Ventura, principal partido de oposição em Portugal, resolve instrumentalizar crianças em um ato político de segregação na Assembleia da República, questionamos os limites éticos da política portuguesa e dos parlamentares que apoiam essas ações.
A referencia de uma lista de nomes de varias crianças, filhos de emigrantes que estão supostamente a tomar o lugar das crianças Portuguesas nas escolas foi a gota de água que indignou muitos na sociedade Portuguesa.
Nessa sequencia a Comissão Nacional de Protecção de Dados (CNPD) abriu assim um processo de averiguações sobre a divulgação de nomes de menores, alunos numa escola em Lisboa, por parte do líder do Chega, André Ventura, no Parlamento.
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The Day Children Were Just Children...
When the leader of CHEGA, André Ventura, the main opposition party in Portugal, decides to use children in a political act of segregation in the National Assembly, we question the ethical limits of Portuguese politics and the parliamentarians who support these actions.
The reference to a list of names of several children, children of immigrants who are supposedly taking the places of Portuguese children in schools, was the final straw that outraged many in Portuguese society.
In the aftermath, the National Data Protection Commission (CNPD) opened an investigation into the disclosure of the names of minors, students at a school in Lisbon, by the leader of Chega, André Ventura, in Parliament.
Europe, Netherlands, Rotterdam, Centre, Pompenburg, Luchtsingel, Roundabout, Trampoline (uncut)
The ol’ Luchtsingel is still there. It was closed for two years to prevent the wood rot of the outer shell from damaging the wooden support structure. But it still seriously needs some more maintenance.
The Luchtsingel and the adjacent Schieblock projects (created in 2015 by ZUS architects) are interesting strategies that counteract the detrimental effects that the combination of modernist urban planning—with its rigorous segregation of work, living, and commercial functions—and chronic high levels of office building vacancy have on the liveability and vitality of the city centre.
Shown here is the Roundabout of the Luchtsingel. It offers a circuit of elevated walkways that pass through the Schieblock, cross major roads and a railroad to offer the pedestrians new ways to discover the city, help them to avoid the anonymous and sometimes unsafe existing urban ground level and realise a connection between emerging cultural hotspots in the Rotterdam Central and Noord areas. Design: Architectenbureau ZUS.. Funding: the municipality of Rotterdam and crowdsourcing / crowdfunding. For 25 € people could buy planks on which the name of the buyer is printed.
In the BG is the bridge that leads to the platform of the former Hofplein railway station. It crosses the 4 tracks of the Rotterdam-Dordecht NS railway mainline.
Shot during an extended lunch with Leun at Roosje with the 7Artisans 7,5mm f/2,8 fisheye.
The soundtrack: Yes - Roundabout.
This is number 10 of the Luchtsingel album and 348 of Urban Frontiers.
The Liberty Theatre in Columbus, Georgia, opened its doors in 1925 as the city’s first Black theater and quickly became a cornerstone of African American entertainment during the era of segregation. Built at a cost of $30,000, the theatre was not only among the largest movie houses in the area but also featured a stage for vaudeville acts and live musical performances, offering a vital space for both local artists and iconic figures like Ma Rainey, Cab Calloway, and Ray Charles.
For nearly fifty years, the Liberty Theatre thrived as a cultural anchor within Columbus’s Black community, providing a platform for nationally touring acts and serving as a hub along the famed “Chitlin’ Circuit” during the Jim Crow period. After closing in the 1970s, the theatre was restored and reopened in 1996; today, it endures as an emblem of resilience and a monument to the region’s enduring creative spirit.
The restoration of the Liberty Theatre in Columbus, Georgia, during the 1990s was a major community effort aimed at saving a landmark that had stood abandoned since the 1970s. After being added to the National Register of Historic Places in 1984, the project gained momentum in 1992 with a federal grant signed by President Bush, allocating $1 million to its restoration. By November 1996, following a total investment of about $1.5 million, the theatre reopened as the Liberty Theatre Cultural Center, establishing itself as the city’s first African American arts institution and musical playhouse.
Columbus, Muscogee County, Georgia USA
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© 2025 Mike McCall
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies :-)
― Suzy Kassem
HPPT!!
j c raulston arboretum, ncsu, Raleigh, north carolina
Mural seen on the wall of Buck's Back Yard at 2750 Lemon Street in Fort Myers, Florida. Please tag if you know the artist.
Buck's Back Yard is the area surrounding McCollum Hall. In the 1930s and 1940s, McCollum Hall was a thriving center for music, dance, and community gatherings. It was one of the few places in the region where Black and white patrons could dance together, and it was listed in the Green Book—a crucial guide for African American travelers seeking safe accommodations during segregation.
During this era, legendary musicians such as Louis Armstrong, B.B. King, Ella Fitzgerald, and Duke Ellington made their way through Fort Myers and found refuge at McCollum Hall. Buck McCollum, struck a deal with these traveling artists: they could park their vehicles on his property in exchange for a performance at his event center.
Recently, Shari Shifrin and the Mural Society worked with the city and the Community Redevelopment Agency to create murals depicting the hall’s legacy. Using vintage photographs, they painted scenes from its heyday onto its walls, reintroducing the community to its rich past. (WFTX - Fort Myers, Florida)
Drone photo by James aka Urbanmuralhunter on that other photo site.
Edit by Teee.
Harvested hard work! At Avai Mitra Ghat, crops like rice and paddy are transported via boats and ships to Chittagong. From there, after necessary segregation, they are distributed nationwide. This image captures the essence of rural grit and the journey from sea to warehouse.
No segregation
Film Canon EOS30
EF 16-35mm f/4L IS USM
philippelourgant.wixsite.com/monsite
R1-02549-012Anb
Montford Point Marine Memorial - The Montford Point Marine Memorial is dedicated to all Montford Point Marines and their legacy. A dedication ceremony was held on July 29, 2016 to officially open the Memorial to the public. From 1942 to 1949, the first Black Marines, reluctantly admitted to the Marine Corps in a time of segregation, had to “fight for the right to fight” while serving in the segregated base now named Camp Johnson in honor of one of their own. While no of official record exists of all the Marines who served during this time, the wall of more than 20,000 stars reflects each member of a group who became distinguished in their war fighting.
Information above copied from jacksonvillenc.gov/648/Lejeune-Memorial-Gardens
acrylic on canvas, 13 x 18 cm
The "New Normal" is a pseudo-medical social segregation system based on a pathologized totalitarian ideology that underlies it.
This is straight out of the Nazi playbook
consentfactory.org/2021/07/19/the-propaganda-war-and-how-...
Le « Nouveau Normal » est un système pseudo-médical de ségrégation sociale basé sur une idéologie totalitaire pathologisée qui le sous-tend.
Ceci est tout droit sorti du scénario nazi
Het 'nieuwe normaal' is een pseudo-medisch sociaal apartheidssysteem gebaseerd op een gepathologiseerde totalitaire ideologie die eraan ten grondslag ligt.
Dit komt rechtstreeks uit het nazi-draaiboek
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The Holocaust didn’t begin with mass deaths. It begin with propaganda, scapegoating and segregation.
Vera Sharav: "Under the nazi-regime Jews were declared 'spreaders of disease' and sent to the gas chambers. I just want to bring a sense of reality.."
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The “new normal” will still be presented to us as a concession that will require us to accept the deprivation of freedoms that we had taken for granted, and accordingly we will compromise without understanding the absurdity of our compliance and the obscenity of the demands of those who command us, giving us orders so absurd that they truly require a total abdication of reason and dignity. At each step there is a new turn of the screw and a further step towards the abyss: if we do not stop ourselves in this race towards collective suicide we will never go back. (Mgr Vigano)
www.aldomariavalli.it/2021/05/19/monsignor-vigano-lies-em...
La « nouvelle normalité » nous sera encore présentée comme une concession qui nous obligera à accepter la privation de libertés que nous tenions pour acquises, et en conséquence, nous ferons des compromis sans comprendre l’absurdité de notre conformité et l’obscénité des exigences de ceux qui nous commandent, nous donnant des ordres si absurdes qu’ils exigent véritablement une abdication totale de la raison et de la dignité. À chaque pas, il y a un nouveau tour de vis et un pas de plus vers l’abîme : si nous ne nous arrêtons pas dans cette course au suicide collectif, nous ne reviendrons jamais en arrière.(Mgr Vigano)
www.medias-presse.info/le-great-reset-le-dernier-grand-me...
"The New Normal", a book by Amitai Etzioni, 2014
Amitai Etzioni (born Werner Falk, January 4, 1929) is a German-born Israeli and American sociologist, best known for his work on communitarianism.
Jan Theuninck is an adept of anti-communitarianism,
tracing the terminology to find an entire system which had infiltrated our governments and was rewriting state policies and objectives. Civil and individual rights and freedoms are abolished and the life becomes micromanaged.
cfr The third way is no way - 2004 (logo ACL)
That man can be a slave even without being put in chains is of crucial importance in our situation today - Erich Fromm
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Jan Theuninck has been painting the evolution of Western totalitarianism for 20 years - he saw the evolution within the political spectrum where the socialist parties were lost (Fagospatose, 2001) in the Third Way (The third way is no way, 2004) movement of Clinton , Blair and Schröder with which they gave a face to communitarianism of the New World Order. He has often compared the latter to a new kind of National Socialism. His attention has always been fixed thanks to the more than 50 years of misery with blackmail games of the services and torture practices with chemical and energy weapons (Beyond the limit, 2001, Rinascimento, 2009, The culture of learned helplessness, 2011, Neostasi, 2012, Derailed system , 2012, The banality of Evil, 2013, Zersetzung, 2014, ils nous tiennent, 2015, Submission, 2015, Threat, 2016, Utopia, 2016, Conformity, 2017, Brainwashing, 2018, Warnung, 2019, Dein Kampf, 2019, Censorship, 2020, Post-truth society, 2020 and in 2021: Political Pandemic, New World Order, The Great Reset, Angel Vaccine, Aryan Corona Passport, Cytokine Storm, Back from never been away, Sustainable Dictatorship.
(In 2014 he already painted Virus Attack without believing that this would become a climax of the Davos counter-revolution years later)
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Jan Theuninck is a Belgian painter
www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_sc...
www.forumeerstewereldoorlog.be/wiki/index.php/Yperite-Jan...
www.graphiste-webdesigner.fr/blog/2013/04/la-peinture-bel... (année 2016)
www.eutrio.be/expo-west-meets-east