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750th Palio di Asti Sunday, September 7, 2025 -
RIONE SAN SILVESTRO -
Tema storico sviluppato dai figuranti del RIONE SAN SILVESTRO: Gian Galeazzo Visconti e il Giubileo dei Due Papi: reliquie ed indulgenze.
Dopo lo Scisma d’Occidente, che ridusse i pellegrinaggi a Roma, papa Bonifacio IX incentivò la vendita delle indulgenze, concedendo l’assoluzione anche a chi pregava o visitava luoghi sacri alternativi. Gian Galeazzo Visconti ottenne una bolla papale che permetteva l’indulgenza plenaria nei suoi territori in cambio di una parte delle offerte, privilegio poi esteso ad Asti grazie a Valentina Visconti. Il testo collega infine queste pratiche storiche al Giubileo del 2025, che invita al pentimento e alla solidarietà.
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750th Palio di Asti Sunday, September 7, 2025 -
RIONE SAN SILVESTRO -
Historical theme developed by the participants of the RIONE SAN SILVESTRO: Gian Galeazzo Visconti and the Jubilee of the Two Popes: relics and indulgences.
After the Western Schism reduced pilgrimages to Rome, Pope Boniface IX promoted indulgences for profit, extending absolution to those who prayed or visited sacred places elsewhere. Gian Galeazzo Visconti obtained a papal bull allowing plenary indulgence within his territories in exchange for a share of the offerings, a privilege later extended to Asti through Valentina Visconti. The text concludes by linking these historical practices to the Holy Year 2025, which encourages repentance and solidarity.
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Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located approximately three miles south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site. After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice. After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed. In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings. The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy. The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors. In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous. A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
From Wikipedia, the free encyclopedia
Fountains Mill built by the Cistercians in the 12th-century, it's one of the oldest buildings on the estate.
Fountains Mill is one of the oldest buildings on the estate and was in continuous use until 1927. Fountains Mill was built by the Cistercians in the 12th-century to grind grain for the monastery. It survived the closure of the Abbey and continued to mill grain right up to 1927.
In its long history, the building has also been a monastic granary, a timber sawmill, a home for refugees, and a mason’s workshop.Today you'll find an interactive exhibition and see objects discovered when we restored the mill in 2001, including some very old graffiti.
Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located approximately 3 miles (5 kilometres) south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for 407 years becoming one of the wealthiest monasteries in England until its dissolution in 1539 under the order of Henry VIII.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
Foundation
After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessful attempts to form a new monastery were taken under the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order which since the end of the previous century was a fast-growing reform movement that by the beginning of the 13th century was to have over 500 houses. So it was that in 1135, Fountains became the second Cistercian house in northern England, after Rievaulx. The Fountains monks became subject to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours according to Cistercian usage and were shown how to construct wooden buildings in accordance with Cistercian practice.
Consolidation
After Henry Murdac was elected abbot in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, annoyed at Murdac for his role in opposing the election of William FitzHerbert as archbishop of York, attacked the abbey and burnt down all but the church and some surrounding buildings.The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned as abbot in 1147 upon becoming the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William, who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary.
Difficulties
In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John le Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1348–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbot Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in conflict until 1415 when Ripon was finally appointed, ruling until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey, including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
At Abbot Huby's death he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and was dismissed as abbot. He was replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the post of abbot. In 1539 it was Bradley who surrendered the abbey when its seizure was ordered under Henry VIII at the Dissolution of the Monasteries.
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.[citation needed]
The original abbey church was built of wood and "was probably" two stories high; it was, however, quickly replaced in stone. The church was damaged in the attack on the abbey in 1146 and was rebuilt, in a larger scale, on the same site. Building work was completed c.1170.[11] This structure, completed around 1170, was 300 ft (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century. The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot-tall (49 m) tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its south-west corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house, one of the largest in all of England,is located to the east of the latrine block, where portions of it are suspended on arches over the River Skell.It was built in the mid-twelfth century as a modest single-storey structure, then, from the fourteenth century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces. The great hall was an expansive room 52 by 21 metres (171 by 69 ft).
Among other apartments, for the designation of which see the ground-plan, was a domestic oratory or chapel,
1/2-by-23-foot (14 by 7 m), and a kitchen, 50-by-38-foot (15 by 12 m)
Medieval monasteries were sustained by landed estates that were given to them as endowments and from which they derived an income from rents. They were the gifts of the founder and subsequent patrons, but some were purchased from cash revenues. At the outset, the Cistercian order rejected gifts of mills and rents, churches with tithes and feudal manors as they did not accord with their belief in monastic purity, because they involved contact with laymen. When Archbishop Thurstan founded the abbey he gave the community 260 acres (110 ha) of land at Sutton north of the abbey and 200 acres (81 ha) at Herleshowe to provide support while the abbey became established. In the early years the abbey struggled to maintain itself because further gifts were not forthcoming and Thurstan could not help further because the lands he administered were not his own, but part of the diocesan estate. After a few years of impoverished struggle to establish the abbey, the monks were joined by Hugh, a former dean of York Minster, a rich man who brought a considerable fortune as well as furniture and books to start the library.
By 1135 the monks had acquired only another 260 acres (110 ha) at Cayton, given by Eustace fitzJohn of Knaresborough "for the building of the abbey". Shortly after the fire of 1146, the monks had established granges at Sutton, Cayton, Cowton Moor, Warsill, Dacre and Aldburgh all within 6 mi (10 km) of Fountains. In the 1140s the water mill was built on the abbey site making it possible for the grain from the granges to be brought to the abbey for milling.Tannery waste from this time has been excavated on the site.
Further estates were assembled in two phases, between 1140 and 1160 then 1174 and 1175, from piecemeal acquisitions of land. Some of the lands were grants from benefactors but others were purchased from gifts of money to the abbey. Roger de Mowbray granted vast areas of Nidderdale and William de Percy and his tenants granted substantial estates in Craven which included Malham Moor and the fishery in Malham Tarn. After 1203 the abbots consolidated the abbey's lands by renting out more distant areas that the monks could not easily farm themselves, and exchanging and purchasing lands that complemented their existing estates. Fountains' holdings both in Yorkshire and beyond had reached their maximum extent by 1265, when they were an efficient and very profitable estate. Their estates were linked in a network of individual granges which provided staging posts to the most distant ones. They had urban properties in York, Yarm, Grimsby, Scarborough and Boston from which to conduct export and market trading and their other commercial interests included mining, quarrying, iron-smelting, fishing and milling.
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138 vills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
After the Dissolution
The Gresham family crest
The Abbey buildings and over 500 acres (200 ha) of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, at the time a Member of Parliament and former Lord Mayor of London, the father of Sir Thomas Gresham. It was Richard Gresham who had supplied Cardinal Wolsey with the tapestries for his new house of Hampton Court and who paid for the Cardinal's funeral.
Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby who was responsible for combining it with the Studley Royal Estate.
Burials
Roger de Mowbray, 1st Baron Mowbray
John de Mowbray, 2nd Baron Mowbray
Abbot Marmaduke Huby (d. 1526)
Rose (daughter of Richard de Clare, 6th Earl of Gloucester), wife of Roger de Mowbray, 1st Baron Mowbray
Henry de Percy, 1st Baron Percy
William II de Percy, 3rd feudal baron of Topcliffe
Becoming a World Heritage Site
The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper On the Necessity of clearing out the Conventual Church of Fountains.In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674-acre (273 ha) Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983. In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO. It was recognised for fulfilling the criteria of being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history. Fountains Abbey is owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site.
The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.
Film location
Fountains Abbey was used as a film location by Orchestral Manoeuvres in the Dark for their single "Maid of Orleans (The Waltz Joan of Arc)" during the cold winter of December 1981. In 1980, Hollywood also came to the site to film the final scenes to the film Omen III: The Final Conflict.Other productions filmed on location at the abbey are the films Life at the Top, The Secret Garden, The History Boys, TV series Flambards, A History of Britain, Terry Jones' Medieval Lives, Cathedral, Antiques Roadshow and the game show Treasure Hunt. The BBC Television series 'Gunpowder' (2017) used Fountains Abbey as a location.
View On BlackIt really worth it
Hagia Sophia (from the Greek: Ἁγία Σοφία, "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as the Greek Patriarchal cathedral of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Patriarch of Constantinople of the Western Crusader established Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.[1]
The Church was dedicated to the Logos, the second person of the Holy Trinity,[2] its dedication feast taking place on 25 December, the anniversary of the Birth of the incarnation of the Logos in Christ.[2] Although it is sometimes referred to as Sancta Sophia (as though it were named after Saint Sophia), sophia is the phonetic spelling in Latin of the Greek word for wisdom – the full name in Greek being Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, "Church of the Holy Wisdom of God".[3][4]
Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture."[5] It was the largest cathedral in the world for nearly a thousand years, until Seville Cathedral was completed in 1520. The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian and was the third Church of the Holy Wisdom to occupy the site, the previous two having both been destroyed by rioters. It was designed by the Greek scientists Isidore of Miletus, a physicist, and Anthemius of Tralles, a mathematician.[6]
The church contained a large collection of holy relics and featured, among other things, a 49 foot (15 m) silver iconostasis. It was the seat of the Patriarch of Constantinople and the religious focal point of the Eastern Orthodox Church for nearly one thousand years. It is the church in which Cardinal Humbert in 1054 excommunicated Michael I Cerularius – which is commonly considered the start of the Great Schism.
In 1453, Constantinople was conquered by the Ottoman Turks under Sultan Mehmed II, who subsequently ordered the building converted into a mosque.[7] The bells, altar, iconostasis, and sacrificial vessels were removed and many of the mosaics were plastered over. Islamic features – such as the mihrab, minbar, and four minarets – were added while in the possession of the Ottomans. It remained a mosque until 1931 when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey.
For almost 500 years the principal mosque of Istanbul, Hagia Sophia served as a model for many other Ottoman mosques, such as the Sultan Ahmed Mosque (Blue Mosque of Istanbul), the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Paşa Mosque.
WISH YOU A GREAT AND HAPPY DAY MY FRIENDS XOXOXO
@Thanks for your nice friendship,coments and faves.I really like them and they make me happy
La Sainte Chapelle de Vincennes donne un développement nouveau à ce thème, le portail, dont le tympan et le trumeau ont été supprimés en 1786, a conservé une élégante voussure, domninéé par la représentation de la Trinité : C'est un rappel du patronage de l'édifice. Au dessus on découvre de magnifiques séraphins à six ailes, selon la vision de Isaïe. Puis viennent les anges isolés ou groupés par deux et accueillant un élu . Dans le bas figurent deux prophètes , peut être Daniel et Ezéchiel dont les vison annoncent l'Apocalypse qui occupe le vaste programme iconographique dans les verrières, achevées en 1556.
Cependant c'est au niveau des 16 consoles, intérieures prévues pour supporter autant de statues, que se déroule le spectacle le plus surprenant et jusqu'ici incompris. Ces consoles sont, en effet peuplés de personnages en buste, en proie à une folle agitation, contrastant avec
sérénité du Christ-juge, armé d'une épée à deux tranchants. En tête du cortège ainsi constitué, apparaissent plusieurs Franciscains, reconnaissables à leurs cordelière et qui avaient le privilège de symboliser les Elus. Puis viennent pêle-mêle, un patriarche, un roi, un évêque, des abées. Tous se défendent avec des instruments variés contre les embûches de diablotins qui tournent autour d'eux. Ce ne sont pas des damnées mais de chrétiens dont le combat exprime la détresse de l'humanité face aux tentations de la vie terrestre. Ces figurations curieuses pourraient avoir été inspirées »es par les déchirements de la chrétienté au moment du grand schisme qui débute en 1378 . L’imagerie populaire relate l'événement en montrant ainsi les démons susurrant leurs conseils à l'oreille des membres de la hiérarchise civile et religieuse . Les chefs d état durent se prononcer . Charles V, outré par les pressions du peuple romain se déclara pour l'antipape Clément VII et lorsqu'il mourut, deux ans plus tard, il affirma solennellement que sa conscience seule lui avait dicté ce choix prouvant à quel point il était tourmente par les conséquences du sa décision. Ainsi que le souligne E.Mâle il semble que l l'Apocalypse ne préoccupèrent jamais autant les âmes. Le chaos dont l'église offrait le spectacle, avait une allure de fin du monde et cette situation dut être dramatique pour un esprit religieux comme le fut Charles V.
La Sainte Chapelle de Vincennes donne un développement nouveau à ce thème, le portail, dont le tympan et le trumeau ont été supprimés en 1786, a conservé une élégante voussure, domninéé par la représentation de la Trinité : C'est un rappel du patronage de l'édifice. Au dessus on découvre de magnifiques séraphins à six ailes, selon la vision de Isaïe. Puis viennent les anges isolés ou groupés par deux et accueillant un élu . Dans le bas figurent deux prophètes , eut être Daniel et Ezéchiel dont les vison annoncent l'Apocalypse qui occupe le vaste programme iconographique dans les verrières, achevées en 1556.
Cependant c'est au niveau des 16 consoles, intérieures prévues pour supporter autant de statues, que se déroule le spectacle le plus surprenant et jusqu'ici incompris. Ces consoles sont, en effet peuplés de personnages en buste, en proie à une folle agitation, contrastant avec
sérénité du Christ-juge, armé d'une épée à deux tranchants. En tête du cortège ainsi constitué, apparaissent plusieurs Franciscains, reconnaissables à leurs cordelière et qui avaient le privilège de symboliser les Elus. Puis viennent pêle-mêle, un patriarche, un roi, un évêque, des abées. Tous se défendent avec des instruments variés contre les embûches de diablotins qui tournent autour d'eux. Ce ne sont pas des damnées mais de chrétiens dont le combat exprime la détresse de l'humanité face aux tentations de la vie terrestre. Ces figurations curieuses pourraient avoir été inspirées »es par les déchirements de la chrétienté au moment du grand schisme qui débute en 1378 . L’imagerie populaire relate l'événement en montrant ainsi les démons susurrant leurs conseils à l'oreille des membres de la hiérarchise civile et religieuse . Les chefs d état durent se prononcer . Charles V, outré par les pressions du peuple romain se déclara pour l'antipape Clément VII et lorsqu'il mourut, deux ans plus tard, il affirma solennellement que sa conscience seule lui avait dicté ce choix prouvant à quel point il était tourmente par les conséquences du sa décision. Ainsi que le souligne E.Mâle il semble que l l'Apocalypse ne préoccupèrent jamais autant les âmes. Le chaos dont l'église offrait le spectacle, avait une allure de fin du monde et cette situation dut être dramatique pour un esprit religieux comme le fut Charles V.
en.wikipedia.org/wiki/Fountains_Abbey
Fountains Abbey is approximately three miles south west of Ripon in North Yorkshire, England near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. It is one of the largest and best preserved ruined Cistercian monasteries in England.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
History
After a dispute and riot in 1132 at the Benedictine house, St Mary's Abbey, in York, 13 monks were expelled and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York.[2] He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water.[3] After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice.[4][5]
After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings.[6] The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistertion houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
Abbots of Fountains
NameDatesNameDatesNameDatesNameDates
Richard
1132–39John of Hessle1211–20Henry Otley[7]
1289?–90John Ripon1416–34
Richard (II)1139–43John of Kent1220–47Robert Thorntonc.1289–90Thomas Paslew1434–43
Henry Murdac1144–47Stephen of Easton1247–52Robert Bishoptonc.1290/1-1311John Martin1442
Maurice1147–48William of Allerton1252–58William Rigton1311–16John Greenwell1442–71
Thorold1148–50Adam1258–59Walter Coxwold1316–36Thomas Swinton1471–78
Richard (III)1150–70Alexander1259–65Robert Copgrove1336–46John Darnton1479–95
Robert of Pipewell1170–80Reginald1267Robert Monkton1346–69Marmaduke Huby1495–1526
William of Newminster1180–90Peter Ayling1275–79William Gower1369–84William Thirsk1526–36
Ralph Haget1190–1203Nicholas1279Robert Burley1383–1410Marmaduke Bradley1536–39
John of York1203–11Adam Ravensworth1280–84Roger Frank1410
Architecture
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.
Construction began in 1132 when a two-storey wooden church was built under the oversight of Geoffrey of Clairvaux.[9] A church built with locally quarried sandstone later replaced it. The original cruciform, unaisled stone church was badly damaged by fire in 1146 and rebuilt in enlarged form on the same site. This structure, completed around 1170, was 300-foot (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century.[10] The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot (49 m) tall tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its southwest corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house is located to the east of the latrine block, close to the River Skell. It was built in the mid-twelfth-century as a modest single-storey structure, then, from the fourteenth-century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces.
Among other apartments, for the designation of which see the ground-plan, was a domestic oratory or chapel, 461⁄2-by-23-foot (14 by 7 m), and a kitchen, 50-by-38-foot (15 by 12 m).
Endowments and economy
Medieval monasteries were sustained by landed estates that were given to them as endowments and from which they derived an income from rents. They were the gifts of the founder and subsequent patrons, but some were purchased from cash revenues. At the outset, the Cistercian order rejected gifts of mills and rents, churches with tithes and feudal manors as they did not accord with their belief in monastic purity, because they involved contact with laymen. When Archbishop Thurstan founded the abbey he gave the community 260 acres (110 ha) of land at Sutton north of the abbey and 200 acres (81 ha) at Herleshowe to provide support while the abbey became established. In the early years the abbey struggled to maintain itself because further gifts were not forthcoming and Thurstan could not help further because the lands he administered were not his own, but part of the diocesan estate. After a few years of impoverished struggle to establish the abbey, the monks were joined by Hugh, a former dean of York Minster, a rich man who brought a considerable fortune as well as furniture and books to start the library.[5]
By 1135 the monks had acquired only another 260 acres (110 ha) at Cayton, given by Eustace fitzJohn of Knaresborough "for the building of the abbey". Shortly after the fire of 1146, the monks had established granges at Sutton, Cayton, Cowton Moor, Warsill, Dacre and Aldburgh[11] all within six miles of Fountains. In the 1140s the water mill was built on the abbey site making it possible for the grain from the granges to be brought to the abbey for milling.[12] Tannery waste from this time has been excavated on the site.
Further estates were assembled in two phases, between 1140 and 1160 then 1174 and 1175, from piecemeal acquisitions of land. Some of the lands were grants from benefactors but others were purchased from gifts of money to the abbey. Roger de Mowbray granted vast areas of Nidderdale and William de Percy and his tenants granted substantial estates in Craven which included Malham Moor and the fishery in Malham Tarn.[13] After 1203 the abbots consolidated the abbey's lands by renting out more distant areas that the monks could not easily farm themselves, and exchanging and purchasing lands that complemented their existing estates. Fountains' holdings both in Yorkshire and beyond had reached their maximum extent by 1265, when they were an efficient and very profitable estate. Their estates were linked in a network of individual granges which provided staging posts to the most distant ones. They had urban properties in York, Yarm, Grimbsby, Scarborough and Boston from which to conduct export and market trading and their other commercial interests included mining, quarrying, iron-smelting, fishing and milling.[14]
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138 vills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
Post-monastic development
The Abbey buildings and over 500 acres (200 ha) of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, the London merchant, father of the founder of the Royal Exchange, Sir Thomas Gresham.[3] Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby who was responsible for combining it with the Studley Royal Estate.[16] The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper On the Necessity of clearing out the Conventual Church of Fountains.[17] In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674-acre (273 ha) Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983.
World Heritage Site
In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO. It was recognised for fulfilling the criteria of being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history. Fountains Abbey is owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site.[18]
The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.
Film location
Fountains Abbey was used as a filming location by Orchestral Manoeuvres in the Dark for their single Maid of Orleans (The Waltz Joan of Arc) during the cold winter of December 1981. In 1980, Hollywood also came to the site to film the final scenes to the film Omen III: The Final Conflict.[20] Other productions filmed on location at the abbey are the films The Secret Garden, The History Boys, TV series Flambards, A History of Britain, Terry Jones' Medieval Lives, Cathedral and the game show Treasure Hunt.
"At some point in time, the world I knew either vanished or withdrew, and another world came to take its place. Like the switching of a track. In other words, my mind, here and now, belongs to the world that was, but the world itself has already changed into something else." Haruki Murakami
IG: selfasmuse
Best viewed in LARGE (Contacts only, sorry).
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Explore (156) : Highest position #35
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All my images are copyrighted.
If you intend to use any of my pictures, for any usage, you need to contact me first.
Thank you.
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I've been tagged (It was bound to happen)
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So let's play that tag game, too many things you don't wanna know :
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1. I'm 41 years old.
2. I work for the Belgian national gas company as a computer programmer.
I've been programming for 18 years now, currently developing in C#.
3. I love cooking and people say I'm very good at it.
Love Italian and Thai cuisine the most.
My style of cooking could be describe as very spicey, not in the sense of hot but
with plenty of herbs, packed with flavour.
I never follow a recipe, only read it, put it away and just give it a personal twist.
I cook dinner almost every evening.
4. I have 2 vertebrae discs which are too flat giving me backpains every single day.
Some days are worse than others, I don't take painkillers for it (yet).
5. I'm addicted to music, love all kinds of music, but not all music, I think most commercial music is crap.
Some of the styles I love:
° psychedelic
° space rock
° rock
° psychedelic rock
° jazz ( the slow kind )
° blues ( the very rudimentary Mississipi Delta kind )
° Electronic.
° Classical music ( instrumental only ).
° Lounge
° Dub
° Industrial Metal (like Tool)
Most people don't understand my music choice, because they stick to one category only.
6. I love walking but sometimes my one of my knees blocks and I can barely walk.
The problem goes away by given the knee enough rest.
7. I used to be a very shy boy when I was young.
8. I've been wearing glasses since the age of 7.
9. I've practised shotokan karate for 8 years but had to stop because of 4, the problem
with the knee could be a consequence of this as well.
I had a brown belt and only needed to succeed in 2 more exams for a black belt.
10. I started drawing at the age of 17 and although I never had any art lessons was good
at it from the start.
I do some oilpainting as well.
I make cut outs in MDF.
I make logos for companies.
I have my own company and website for all my artistic stuff : www.erroba.be.
11. I was a good skier 27 years ago ;) Never did it since.
12. I bought my first digital camera in june 2007 just before my second marriage.
13. Started really serious taking snaps (no not Schnapps ) when I discovered HDR in december 2007.
14. Joined flickr on january the 22th 2008.
16. I've just sold my first two images.
It's about time ;)
I've just been published with 6 photos in our local 'Mechelen Infogids 2009-2010'
a local bi-annual info guide of Mechelen city which is freely distributed to all
homes in Mechelen and surrounding communities.
I hope this will boost my sales a bit ;)
17. I think 16 points is way too few to actually tell much about one self.
Sorry, I'll make it a bit more funny.
18. I regularly suffer from sinus infections, I had an operation to straigthen the
inside of my nose in order to get rid of the reoccuring problem, it only gave
me improvement for the first two years.
The post operation days were a bit traumatic :
° Felt like suffocating when falling as sleep : The body has the natural reflex of breathing through the nose, but that was all closed with bandages...
° Sometimes you'll have to sneeze, you get medicine to avoid this, but they don't seem to be 100% full prove, guess what happens next... I'll spare you the details, please !
° It's only good for one thing, you loose 5 kilos in 5 days ! Can't be healthy.
Everything taste the same : like nothing at all ! I have this theory
about people that will eat almost anything, they sure don't taste much ... ROFL.
° Fifth day the bandages come off, guess what happens, I'll spare you the details again, please !
° First time you wipe your nose when you're back home, guess what happens, a plastic support frame comes out of your nose and it looks way too big to fit back in ! Sorry for those details, so please don't ask me about the previous ones, LOL !
19. I have a sleeping disorder. Catch about 3 to 4 hours of sleep every night.
Guess what? I'm a bit weary from time to time.
Sometimes I catch some good sleep and wake up like a different person.
20. I'm a zombie in the morning due to 19 and despite of this I think my morning
photoshoots have been the most productive ones.
21. I love a good glass of wine or a single malt wishky.
Stopped drinking wine in the evening since it is most likely the cause of 19.
22. I don't care if you're white, black, yellow, red or blue, gay or lesbian,
religious or not (*)
(*) Everything is ok with me as long as you don't cause any harm,
which can be very debateable...
23. I like a good discussion which is based on descent sane arguments.
24. I'm over emotional and can shed a tear real quick.
Really troublesome sometimes.
25. I am way to honest ;)
Also see 41.
26. 19 is caused by my overactive brain, can't make it stop to think.
Giving me plenty of difficult tasks is the key, I'll have them done
in no time and I actually sleep at night.
Can only work under pressure, only photography and art I do in a very
relaxed way, hell I need more !-)
27. I am a day-dreamer.
28. I have a short attention span due to 27 and 26.
29. I have a permenant ear damage due to too loud music in concerts nowadays.
I always have custom made earplugs with me to ensure this will not get worse.
I have a constant peeeeeeeeeeeeeeeeeep noise in my left ear which will never stop.
30. I am not afraid of what comes after my death, since I'm quite sure that will be nothing and at last I will no longer hear that peeeeeeeeeep noise again and have a good amount of 'sleep' ;)
Feels like heaven already !
31. I love absurd humor.
32. I love a good movie, a good book, Sci-fi and fantasy, art & science.
Don't watch much TV, only documentaries and an occasional exception, I rarther
process a photo, masturbate, spend some time on flickr.
° note 1 : Masturbation doesn't make you blind, my eyes improved after the age of 7
and no I wasn't masturbating before that age, ROFL and no I didn't start at 7
° note 2 : when the word 'flickr' is pronounced in Dutch is means gay guy, yes read it loud and clear: H-O-M-O-S-E-X-U-A-L so be aware dear flickr friends ( pun intended ) next time you give your business card to a man wearing a pink shirt, ROFL.
Note : I'm not gay.
° note to myself : You can not be that honest !
33. Who is reading this shit, should fave my shot, ROFL !
I want my number 1 (Cries like a baby ;) )
34.I can be sarcastic from time to time.
35. There are a few things I hate about myself : If I get real angry I can shout real hard,
sorry I can't help it. I can be very stubborn.
36. I have a very good visual memory but a lousy one in every other respect.
Due to this, I can't usual remember what I was angry about in the first place ;)
Memory is mainly built up during sleep, give me complex tasks and I get better while
doing them, because my memory gets better too.
I've written programs that write programs for me, because the complex tasks get boring too, so the next thing I'll do is invent hard stuff for myself. Remember that all
my tools speed up my work and I have plenty of time.
You can hire me ;)
37. I believe in Zeus, Apollo, Ra, Thor, Baäl, Allah, God, Vaneshu...
No seriously, I believe in one God less than you do, so I'm an Atheist.
I'm sure I've already lost a few contacts, comments and faves because of that,
some people have already blocked me because of this, I can only say one thing 'How religious of you !-)'
There I lost some more perhaps.
40. I think we still live in the middle ages.
In a civilized world there is no place for :
° War
° Poverty
° Racism
° Sexism
° Corruption
° Child abuse
° Animal abuse
° Borders
° Organized religions
° Royalty
° Insurrance which is over expensive (also see my next point).
...
In a civilized world we would try to strive towards a single language.
All these things create groups, separation, friction, us and them, etc
People must play games and don't watch so much TV: it makes you sick.
41. Note for my insurrance : I'm a pathetical liar !
42. Is the answer to life and everything.
° For the people who read binary that's 101010, true false true false true false.
° For all other people, there are 10 people who can read binary :
Those who can and those who can't.
I'm 41 !
Go to 42.
Disclaimer
The above may be all untrue.
Dish of the day
Lamb chops with oven roasted apples with Marrocan herbs, lemon and honey, served with rösti.
If you wish to have a full recipe, only thing I need is a comment from you asking it ;)
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About
This is the original version of the image with which I made my Aquaphobia image.
I upload this now, since Lamot is interested in buying the shot, something is moving here...
The shot
Standard 3 exposure HDR [-2,0,+2EV] at f/14 using the Sigma 10-20mm lens, on a tripod.
Photoshop.
° A small rotation and a crop.
° Shadows and highlights.
° Changed the hue of the clouds - which looked over blue - by using a hue/saturation/value adjustment layer and the luminosity
mask as a base for this layers' mask.
You
All comments, criticism and tips for improvements are ( as always ) welcome.
Music
..and too tired now.. I'll try to catch up when I can:)
Wish you all a wonderful week :)
And thank you Ineedathis:
en.wikipedia.org/wiki/East%e2%80%93West_Schism
#417 Nov.22,2009
"The fortified town of Peniscola clusters around the base of a castle built on a rocky promontary, surrounded on three sides by the sea ... the Hollywood blockbuster El Cid (1961) was filmed there ...
The Castell del Papa Luna was built on the foundations of an Arab fortress in the late 13 th C by the Knights Templar. It later became the residence of the papal pretender Pedro de Luna, cardinal of Aragon. He was elected Pope Benedict XIII during the Great Schism. although deposed by the Council of Constance in 1414, he continued to proclaim his right to the papacy until his death as a nonagerian in 1423."
DK Eyewitness Travel: Spain
SOLWOC (see profile)
Avignon (French pronunciation: [a.viˈɲɔ̃]; Occitan: Avinhon in classical norm or Avignoun in Mistralian norm) is a French commune in southeastern France in the départment of the Vaucluse bordered by the left bank of the Rhône river.
Often referred to as the "City of Popes" because of the presence of popes and antipopes from 1309 to 1423 during the Catholic schism, it is currently the largest city and capital of the département of Vaucluse.
(source: Wikipedia)
750th Palio di Asti Sunday, September 7, 2025 -
RIONE SAN SILVESTRO -
Tema storico sviluppato dai figuranti del RIONE SAN SILVESTRO: Gian Galeazzo Visconti e il Giubileo dei Due Papi: reliquie ed indulgenze.
Dopo lo Scisma d’Occidente, che ridusse i pellegrinaggi a Roma, papa Bonifacio IX incentivò la vendita delle indulgenze, concedendo l’assoluzione anche a chi pregava o visitava luoghi sacri alternativi. Gian Galeazzo Visconti ottenne una bolla papale che permetteva l’indulgenza plenaria nei suoi territori in cambio di una parte delle offerte, privilegio poi esteso ad Asti grazie a Valentina Visconti. Il testo collega infine queste pratiche storiche al Giubileo del 2025, che invita al pentimento e alla solidarietà.
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750th Palio di Asti Sunday, September 7, 2025 -
RIONE SAN SILVESTRO -
Historical theme developed by the participants of the RIONE SAN SILVESTRO: Gian Galeazzo Visconti and the Jubilee of the Two Popes: relics and indulgences.
After the Western Schism reduced pilgrimages to Rome, Pope Boniface IX promoted indulgences for profit, extending absolution to those who prayed or visited sacred places elsewhere. Gian Galeazzo Visconti obtained a papal bull allowing plenary indulgence within his territories in exchange for a share of the offerings, a privilege later extended to Asti through Valentina Visconti. The text concludes by linking these historical practices to the Holy Year 2025, which encourages repentance and solidarity.
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9429 portrait
- Tool, Schism
Look at me! I'm playing Musically Challenged this week! Now Tara can't yell at me! I hope that this was the intended song. When I clicked the lyrics from the group thread, it took me to Sober instead of Schism. But I liked the lyrics of this one better.
I really need to start playing in Musically Challenged more often. I miss using music to inspire shots. Or, alternatively, using music to give already composed shots a new twist.
Hi Tara!
Musically Challenged: Tool - Schism
And yeah, let's go ahead and tag this as a secondary shot for My Face is My Canvas and TOTW too. Why not? I do run these groups after all. ;)
Giftable version of this item can be found @ Evo's Cards & Gifts: maps.secondlife.com/secondlife/Schism/149/147/74
Amish, also called Amish Mennonite, member of a Christian group in North America, primarily the Old Order Amish Mennonite Church. The church originated in the late 17th century among followers of Jakob Ammann.
Jakob Ammann (c. 1644–c. 1730) was a Mennonite leader whose controversial teachings caused a schism among his coreligionists in Switzerland, Alsace, and southern Germany.
He introduced foot washing into the worship service and taught that church members should dress in a uniform manner, that beards should not be trimmed, and that it was wrong to attend services in a state church.
The Amish began emigrating to North America early in the 18th century; they first settled in eastern Pennsylvania, where a large settlement remains. Schism and disruption occurred after 1850 because of tensions between the “new order” Amish, who accepted social change and technological innovation, and the “old order,” or traditional, Amish, who largely did not.
As more time goes by, I see 2019 as a last hurrah, lots of new models, lots of experimentation, the last full year I was just doing my thing.
2020 is the schism.
2021 looks to be me moving away from what I've been doing for, oh, nine or ten years.
I'm still taking pictures, daily, but the urge to reach out to a model online, that seems to be gone. And with it, the urge to do photo shoots every month/week/day.
Right now I'm mulling over whether I want to hit up the folks I've worked with before, like Jada here, but I don't know that I've got anything left to "say".
I don't consider, and this should come as no surprise to long-time followers, I don't consider this a crisis, or a problem.
It's necessary, part of being an artist is taking the time to not create, to let thoughts and ideas simmer on the pot. To consider things.
What's left, what's interesting, what itch needs scratching.
Roboam ou Rehabam ou de son nom complet Rehabam ben Sholmon (en hébreu רְחַבְעָם (Rehabeʿām) : « Celui qui élargit le peuple », en grec Ροβοὰμ (Roboam)3, en latin Roboam4), fut roi du royaume d'Israël vers -932, à la mort de son père Salomon, puis roi de Juda seul jusqu'en -915 (après le schisme). C'est lui qui fut, selon la volonté divine, à l'origine du schisme qui divisa le royaume d'Israël en 2 royaumes rivaux.
Designed by prominent Scottish-Canadian architect William Hay, this church was begun in 1874 to replace the town's original Anglican church (St. Peter's www.flickr.com/photos/84253735@N04/33133407223/in/datepos...), which had been damaged in a storm.
A schism within the congregation occurred shortly after the start of construction, however. A significant number left to build their own Reformed Episcopal Church building (www.flickr.com/photos/84253735@N04/33903871806/in/datepos...) - leaving funds short for this one.
Work did eventually get back on track, and was well advanced when, in 1884, an arsonist destroyed the diocese' cathedral in Hamilton. That church's re-construction (also designed by Wm. Hay www.flickr.com/photos/84253735@N04/33035377563/in/datepos...) required a significant diversion of resources away from the parish, stalling again the completion of its own new church.
By 1899 though, the roof was finally on, and only the interior furnishing needed to be carried out - but at that point, the parishioners decided they were better off simply restoring their old church down the hill.
This one was thus abandoned, and has been slowly crumbling over the 120 years since...
It's considered nevertheless an integral part of the St. George's UNESCO World Heritage Site
La cocathédrale Saint-Michel de Sospel est une cathédrale catholique romaine située dans le village de Sospel.
En 1157, première mention de Sospel comme étant un habitat fortifié. En 1229, la population de Sospel est répartie entre trois paroisses, dont celle de Saint-Michel. L'église possède un clocher roman lombard qui a subsisté à la destruction de l'église romane. Il comprend un haut soubassement de la fin du XII siècle percé dans sa partie supérieure par une baie étroite et haute sur les faces. Il est couronné par un bandeau en dents d'engrenage. Il est surmonté par deux étages se terminant par une flèche pyramidale qui doit être du premier tiers du XIII siècle.
L'église devient cathédrale en 1378 quand la ville prend parti pour le pape d'Avignon contre l'antipape de Rome, pendant le grand schisme d'Occident, jusqu'en 1411.
Copy Version Can Be Found Here:
maps.secondlife.com/secondlife/Colona/143/232/25
Giftable version can be found @ Evo's Cards & Gifts: maps.secondlife.com/secondlife/Schism/169/154/75
To view more of my images, of Fountains Abbey, please click "here" !
Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located approximately three miles south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site. After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice. After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed. In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings. The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy. The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors. In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous. A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
From Wikipedia, the free encyclopedia
© Saúl Tuñón Loureda
La basílica del Sagrado Corazón de Montmartre, (en francés: Basilique du Sacré-Cœur) es un importante templo religioso situado en París (Francia). Está ubicado en lo alto de la colina de Montmartre.
Se trata de una basílica menor dedicada al Sagrado Corazón de Jesús (en francés, SacréCœur de Jésus).
Historia
Su construcción fue decidida por la Asamblea Nacional en 1873, como un edificio religioso a perpetuidad en homenaje a la memoria de los numerosos ciudadanos franceses que habían perdido la vida durante la Guerra franco-prusiana. Según sus promotores se hacía también para expiar por la impiedad del Segundo Imperio francés.2 Fue el arquitecto Paul Abadie quien ganó el concurso para su construcción.
La primera piedra se colocó en 1875, y aunque se completó en 1914, no se consagró hasta el fin de la Primera Guerra Mundial, en 1919. La iglesia fue construida con fondos procedentes exclusivamente de una suscripción popular.
Es uno de los monumentos más visitados de la ciudad parisina.
Arquitectura
La planta del edificio está más central que basilical. Tiene forma de cruz griega, adornada con cuatro cúpulas: el domo central, de 80 m. de altura, está tocado por una linterna, formada por una columnata. En el ábside, una inmensa torre cuadrada hace las veces de campanario que guarda, entre otras, la Savoyarde, una campana de 3 m de diámetro y de 18.550 kilogramos de peso, ofrecida por la diócesis de Chambéry. La cripta posee la misma disposición que la iglesia, y es una de las curiosidades de la basílica.
La arquitectura se inspira en la arquitectura romana y bizantina e influyó en otros edificios religiosos del siglo XX, como la basílica de Sainte-Thérèse de Lisieux. Es posible acceder a la basílica tomando el funicular de Montmartre.
es.wikipedia.org/wiki/Bas%C3%ADlica_del_Sagrado_Coraz%C3%...
The Basilica of the Sacred Heart of Paris, commonly known as Sacré-Cœur Basilica and often simply Sacré-Cœur (French: Basilique du Sacré-Cœur, pronounced [sakʁe kœʁ]), is a Roman Catholic church and minor basilica, dedicated to the Sacred Heart of Jesus, in Paris, France. A popular landmark, the basilica is located at the summit of the butte Montmartre, the highest point in the city. Sacré-Cœur is a double monument, political and cultural, both a national penance for the defeat of France in the 1871 Franco-Prussian War and the socialist Paris Commune of 1871[1] crowning its most rebellious neighborhood, and an embodiment of conservative moral order, publicly dedicated to the Sacred Heart of Jesus, which was an increasingly popular vision of a loving and sympathetic Christ.[2]
The Sacré-Cœur Basilica was designed by Paul Abadie. Construction began in 1875 and was finished in 1914. It was consecrated after the end of World War I in 1919.
The inspiration for Sacré Cœur's design originated on September 4, 1870, the day of the proclamation of the Third Republic, with a speech by Bishop Fournier attributing the defeat of French troops during the Franco-Prussian War to a divine punishment after "a century of moral decline" since the French Revolution, in the wake of the division in French society that arose in the decades following that revolution, between devout Catholics and legitimist royalists on one side,[3] and democrats, secularists, socialists and radicals on the other. This schism in the French social order became particularly pronounced after the 1870 withdrawal of the French military garrison protecting the Vatican in Rome to the front of the Franco-Prussian War by Napoleon III,[4] the secular uprising of the Paris Commune of 1870-1871, and the subsequent 1871 defeat of France in the Franco-Prussian War.
Though today the Basilica is asserted[5][when?] to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the Commune".[6] Montmartre had been the site of the Commune's first insurrection, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are,[7] it is here that the Sacred Heart must reign so that it can beckon all to come".[8]
In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"—[9] that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety",[10] of which Sacré-Cœur is the chief lasting triumphalist[11] monument.
The decree voting its construction as a "matter of public utility", 24 July,[12] followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete,
The overall style of the structure shows a free interpretation of Romano-Byzantine features, an unusual architectural vocabulary at the time, which was a conscious reaction against the neo-Baroque excesses of the Palais Garnier, which was cited in the competition.[18] Many design elements of the basilica symbolise nationalist themes: the portico, with its three arches, is adorned by two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefebvre; and the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy, alludes to the annexation of Savoy in 1860.
Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.
A mosaic in the apse, entitled Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world.
The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.
The use of cameras and video recorders is forbidden inside the Basilica.
Access
The Basilica is accessible by bus. Buses 30, 31, 80, and 85 can be taken to the bottom of the hill of the Basilica. Line 12 of the metro can be taken to Jules Joffrin station and visitors can then change to the Montmartrobus and disembark at Place du Tertre. Line 2 or 12 of the metro can be taken to Pigalle station where visitors can change to the Montmartrobus and disembark at Norvins, or to Anvers station which gives easy access to the steps or the funicular car that lead directly to the Basilica.
Sacré-Cœur is open from 06:00 to 22:30 every day. The dome is accessible from 09:00 to 19:00 in the summer and 18:00 in the winter.
en.wikipedia.org/wiki/Sacr%C3%A9-C%C5%93ur,_Paris
La basilique du Sacré-Cœur, dite du Vœu national, située au sommet de la butte Montmartre, dans le 18e arrondissement de Paris, est un édifice religieux parisien majeur.
La construction de cette église, monument à la fois politique et culturel, suit l'après-guerre de 1870. Elle est déclarée d'utilité publique par une loi votée le 24 juillet 1873 par l'Assemblée nationale de 1871. Elle s'inscrit dans le cadre d'un nouvel « ordre moral » faisant suite aux événements de la Commune de Paris, dont Montmartre fut un des hauts lieux. Avec près de 11 millions de pèlerins et visiteurs par an, c'est le second monument religieux parisien le plus visité après la cathédrale Notre-Dame de Paris
Depuis longtemps la colline de Montmartre a été un lieu de culte : paganisme gaulois supposé puis temples gallo-romains dédiés à Mercure et probablement à Mars ; culte chrétien après le martyre de l'évêque Denis au IIIe siècle, chapelle surmontant la crypte du martyrium de saint Denis, construction au XIIe siècle de l'église Saint-Pierre, parmi les plus anciennes de Paris, pour l’abbaye royale de Montmartre par le roi Louis VI et sa femme Adélaïde de Savoie. Le nom de la colline de Montmartre vient probablement du nom du lieu, Mons Martis(mont de Mars). L'église de Montmartre qui s'est substituée aux temples romains a été élevée en l'honneur des saints martyrs saint Denis, Rustique et Éleuthère décapités selon la légende3 sur la colline et dont une chapelle, située sur le flanc sud de la butte, devait commémorer le lieu traditionnel du supplice, en prenant le nom de Saint-Martyre. Le mont de Mars a donc pu être réinterprété vers le IXe siècle en Mont des Martyrs (Mons Martyrum), puis par dérivation populaire en « mont de martre », martre signifiant « martyr » en ancien français4. La substitution toponymique du mont païen par le mont chrétien reste cependant hypothétique et la double étymologie (mont de Mars et mont des Martyrs) est encore actuellement traditionnellement proposée. Il faudrait, « pour pouvoir trancher la question, savoir comment le peuple, dans son langage parlé, appelait cette colline avant le IXe siècle, puisque c'est à cette époque que les documents écrits enregistrèrent le changement de nom.
Le 16 juin 1875, le cardinal Guibert pose la première pierre (un marbre rose) de la basilique, non loin de l'ancien moulin de la galette, d'où le surnom donné à la basilique par le peuple de Montmartre, « Notre Dame de la Galette »24.
Des mois sont nécessaires afin de consolider les fondations : les galeries souterraines et les effondrements de terrain imposent la construction de 83 puits d'une profondeur de trente-trois mètres. Remplis de béton et reliés par des arcs, ils font office de pilier qui vont cherche la couche solide sous la glaise25. Dès le 3 mars 1876, l'archevêque de Paris inaugure à côté des travaux une chapelle provisoire. En 1878 débute l'édification de la crypte et en 1881 celle de la basilique. L'intérieur de la nef est inauguré le 5 juin 189126. Les vitraux posés entre 1903 et 1920, sont détruits pendant la Seconde Guerre mondiale et remplacés par des vitraux contemporains. Le campanile (clocher haut de 90 mètres) est terminé en 1912, mais il faut attendre 1914 pour que l'ensemble de la façade soit achevé. La consécration, initialement prévue le 17 octobre 1914, est reportée à cause de l'entrée en guerre. Elle a lieu le 16 octobre 1919, célébrée par le cardinal Vico, en présence du cardinal Amette, archevêque de Paris, et de nombreux évêques, dignitaires ecclésiastiques, membres du clergé, personnalités civiles et simples fidèles. L'église est alors érigée en basilique mineure27. Le bâtiment est officiellement achevé en 192328 avec la finition de la décoration intérieure, notamment les mosaïques de l'abside29. Les années 1930 voient le début de la construction des annexes, sacristie, bureaux et dortoir pour accueillir les pèlerins.
La basilique n'est pas construite selon le plan basilical traditionnel. Elle est en forme de croix grecque, ornée de quatre coupoles. La coupole centrale a une hauteur sous clef de voûte de 54,94 m et un diamètre de 16 mètres ; son dôme central, haut de 83 m (c'était le point le plus élevé de Paris avant la construction de la Tour Eiffel), est surmonté d'un lanterneau formé d'une colonnade. Un escalier en colimaçon de 237 marches permet d'accéder à la galerie intérieure et extérieure de ce dôme, la première offrant une vue sur l'intérieur de l'église et la seconde un panorama circulaire sur 30 km par temps claire31. Le style éclectique architectural de l'édifice, s'inspirant de l'architecture romane, de l'architecture byzantine, et particulièrement de la cathédrale Saint-Front de Périgueux, a influencé plusieurs autres édifices religieux du XXe siècle (basilique Sainte-Thérèse de Lisieux par exemple).
Contrairement à la plupart des églises qui ont traditionnellement une orientation Est-Ouest, celle de la basilique est Nord-Sud, tournée vers le centre de Paris, plus particulièrement de Notre-Dame qui est située dans l'alignement de l'édifice.[réf. souhaitée]
La pierre blanche retenue pour la construction est un travertin qui provient des carrières de Château-Landon et de Souppes-sur-Loing (les pierres de l'Arc de Triomphe de l'Étoile ont la même origine)32. Elle a été retenue par l'architecte Paul Abadie pour ses qualités de dureté et d'auto-nettoiement au contact de l'eau, ce calcaire exsudant du calcite, ce qui garde la teinte blanche de la pierre. La basilique repose sur le gypse au moyen de piliers qui traversent les marnes et les sables sus-jacents33.
À l'intérieur, le plafond de l'abside est décoré de la plus grande mosaïque de France (Émaux de Briare), couvrant une surface de 473,78 m2. Conçue par Luc-Olivier Merson et exécutée de 1918 à 1922 par les ateliers Guilbert-Martin, elle représente le Sacré-Cœur de Jésus glorifié par l’église catholique et la France. À sa base on peut lire une phrase en latin signifiant : « Au Cœur très saint de Jésus, la France fervente, pénitente et reconnaissante. »
Une immense tour carrée servant de clocher renferme, entre autres, la plus grosse cloche de France. Baptisée la Savoyarde, elle a été fondue à Annecy en 1895 par les frères Paccard. Elle mesure 3 mètres de diamètre et pèse 18 835 kg. Quant à son support, il pèse 7 380 kg. Le marteau qui la frappe pèse quant à lui 1 200 kg. Symbole nationaliste rappelant l'Annexion de la Savoie, elle fut offerte à la basilique par les quatre diocèses de la Savoie, et arriva sur la butte le 16 octobre 1895, ce qui fut un événement parisien.
fr.wikipedia.org/wiki/Basilique_du_Sacr%C3%A9-C%C5%93ur_d...
en.wikipedia.org/wiki/Fountains_Abbey
Fountains Abbey is approximately three miles south west of Ripon in North Yorkshire, England near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. It is one of the largest and best preserved ruined Cistercian monasteries in England.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
History
After a dispute and riot in 1132 at the Benedictine house, St Mary's Abbey, in York, 13 monks were expelled and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York.[2] He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water.[3] After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice.[4][5]
After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings.[6] The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistertion houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
Abbots of Fountains
NameDatesNameDatesNameDatesNameDates
Richard
1132–39John of Hessle1211–20Henry Otley[7]
1289?–90John Ripon1416–34
Richard (II)1139–43John of Kent1220–47Robert Thorntonc.1289–90Thomas Paslew1434–43
Henry Murdac1144–47Stephen of Easton1247–52Robert Bishoptonc.1290/1-1311John Martin1442
Maurice1147–48William of Allerton1252–58William Rigton1311–16John Greenwell1442–71
Thorold1148–50Adam1258–59Walter Coxwold1316–36Thomas Swinton1471–78
Richard (III)1150–70Alexander1259–65Robert Copgrove1336–46John Darnton1479–95
Robert of Pipewell1170–80Reginald1267Robert Monkton1346–69Marmaduke Huby1495–1526
William of Newminster1180–90Peter Ayling1275–79William Gower1369–84William Thirsk1526–36
Ralph Haget1190–1203Nicholas1279Robert Burley1383–1410Marmaduke Bradley1536–39
John of York1203–11Adam Ravensworth1280–84Roger Frank1410
Architecture
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.
Construction began in 1132 when a two-storey wooden church was built under the oversight of Geoffrey of Clairvaux.[9] A church built with locally quarried sandstone later replaced it. The original cruciform, unaisled stone church was badly damaged by fire in 1146 and rebuilt in enlarged form on the same site. This structure, completed around 1170, was 300-foot (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century.[10] The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot (49 m) tall tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its southwest corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house is located to the east of the latrine block, close to the River Skell. It was built in the mid-twelfth-century as a modest single-storey structure, then, from the fourteenth-century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces.
Among other apartments, for the designation of which see the ground-plan, was a domestic oratory or chapel, 461⁄2-by-23-foot (14 by 7 m), and a kitchen, 50-by-38-foot (15 by 12 m).
Endowments and economy
Medieval monasteries were sustained by landed estates that were given to them as endowments and from which they derived an income from rents. They were the gifts of the founder and subsequent patrons, but some were purchased from cash revenues. At the outset, the Cistercian order rejected gifts of mills and rents, churches with tithes and feudal manors as they did not accord with their belief in monastic purity, because they involved contact with laymen. When Archbishop Thurstan founded the abbey he gave the community 260 acres (110 ha) of land at Sutton north of the abbey and 200 acres (81 ha) at Herleshowe to provide support while the abbey became established. In the early years the abbey struggled to maintain itself because further gifts were not forthcoming and Thurstan could not help further because the lands he administered were not his own, but part of the diocesan estate. After a few years of impoverished struggle to establish the abbey, the monks were joined by Hugh, a former dean of York Minster, a rich man who brought a considerable fortune as well as furniture and books to start the library.[5]
By 1135 the monks had acquired only another 260 acres (110 ha) at Cayton, given by Eustace fitzJohn of Knaresborough "for the building of the abbey". Shortly after the fire of 1146, the monks had established granges at Sutton, Cayton, Cowton Moor, Warsill, Dacre and Aldburgh[11] all within six miles of Fountains. In the 1140s the water mill was built on the abbey site making it possible for the grain from the granges to be brought to the abbey for milling.[12] Tannery waste from this time has been excavated on the site.
Further estates were assembled in two phases, between 1140 and 1160 then 1174 and 1175, from piecemeal acquisitions of land. Some of the lands were grants from benefactors but others were purchased from gifts of money to the abbey. Roger de Mowbray granted vast areas of Nidderdale and William de Percy and his tenants granted substantial estates in Craven which included Malham Moor and the fishery in Malham Tarn.[13] After 1203 the abbots consolidated the abbey's lands by renting out more distant areas that the monks could not easily farm themselves, and exchanging and purchasing lands that complemented their existing estates. Fountains' holdings both in Yorkshire and beyond had reached their maximum extent by 1265, when they were an efficient and very profitable estate. Their estates were linked in a network of individual granges which provided staging posts to the most distant ones. They had urban properties in York, Yarm, Grimbsby, Scarborough and Boston from which to conduct export and market trading and their other commercial interests included mining, quarrying, iron-smelting, fishing and milling.[14]
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138 vills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
Post-monastic development
The Abbey buildings and over 500 acres (200 ha) of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, the London merchant, father of the founder of the Royal Exchange, Sir Thomas Gresham.[3] Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby who was responsible for combining it with the Studley Royal Estate.[16] The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper On the Necessity of clearing out the Conventual Church of Fountains.[17] In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674-acre (273 ha) Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983.
World Heritage Site
In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO. It was recognised for fulfilling the criteria of being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history. Fountains Abbey is owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site.[18]
The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.
Film location
Fountains Abbey was used as a filming location by Orchestral Manoeuvres in the Dark for their single Maid of Orleans (The Waltz Joan of Arc) during the cold winter of December 1981. In 1980, Hollywood also came to the site to film the final scenes to the film Omen III: The Final Conflict.[20] Other productions filmed on location at the abbey are the films The Secret Garden, The History Boys, TV series Flambards, A History of Britain, Terry Jones' Medieval Lives, Cathedral and the game show Treasure Hunt.
A view of Whitby's East Pier at low tide. The fissure is only about a foot deep but looks like a chasm!
foer, ufk, byson, bison, k4p, aub, r10, skech, skoee, palm, lsd, phd, ruets, hufer, nbc, delik, legs, deli, bruce, punks crew, biser, babyc, baby c, crae, dazer, dazer169, dazer169er, rtn, fat, thc, gaso, mta, wca, rec, aleks, thril, manas, lords, las vegas, nevada, lv, nv, lebik, pecan, petal, god loves you, rewl, men, moler, edt, anice, sufer, fleat, str8, ca, cult, drop, doc, keen, law, kapow, miles, aplier, method, guese, ehr, iry, cab, lod, ifk, prime, k2s, 4gets, tlb, batle, 226, semr, remy, zeal, rites, fish, fishe, kog, lts, fonce, fons, fonse, fonze, the fonz, tv television foncy fonzy fonzie fonzi phony cmk street art illegal illegals streets slaps slaptags slaps stickers tags tagging spray paint cans rollers pieces bombs throw up throwups trash bins wheat paste freeway freeways trashbins trash cans meanstreak mean streak markers unis uni paint marker pilot montana scribe scribes ironlak krylon photo photos photography pics slideshow video miker otr, dios, tot, everp, cmh, uao, lerz, rxi, glove, ewin, bna crew, bears, milk, sive, goes, dnc, sfb, tense stk, hous, hish, henry winkler, 2hl, mcm, pharoe, koria, jask bla, mumble, nerph, nct, bugs, stp, antes, mist, tko, uno, antse, fack, crah, ofak, ofa, foam, ska, fdk, indecline, paint, prose, fekto, dcv, eyrek, hof, versuz, zebra, aho, geeh, spilk, tofuer, tofu, tofue, ag, rogh, fyf, tyl, elf, elfer, prsn, person, thyef, eos, erup, nolie, boom, boomk, snake, pheb, 666, skin ogk, adze, ashr, krh, al, pdb, duck, erie, arbe, pabst, cosmoe, fean, wowza, ufor, selfr, insane, rtd, rtdk, smear rth, blown, drake, thar, kansl, ganas, pet, sigue, pch, besto, utk, raspo, fez, nsb, ryfle, bam, bamc, pbk, ralph, sockoe, soer, nr, hoods, tarol, lol, jfc, helo, koer, spv, lrg, reno knoe, 2fc, dwc, agroh liner, gnk, free the people, schism, retro, helso, payta, blue, tol, ajae, serch, uti, sogen, blind, fene, bnb, yme, ruftop, 420, cng, error, mesm, bier, vase,
© Saúl Tuñón Loureda
La basílica del Sagrado Corazón de Montmartre, (en francés: Basilique du Sacré-Cœur) es un importante templo religioso situado en París (Francia). Está ubicado en lo alto de la colina de Montmartre.
Se trata de una basílica menor dedicada al Sagrado Corazón de Jesús (en francés, SacréCœur de Jésus).
Historia
Su construcción fue decidida por la Asamblea Nacional en 1873, como un edificio religioso a perpetuidad en homenaje a la memoria de los numerosos ciudadanos franceses que habían perdido la vida durante la Guerra franco-prusiana. Según sus promotores se hacía también para expiar por la impiedad del Segundo Imperio francés.2 Fue el arquitecto Paul Abadie quien ganó el concurso para su construcción.
La primera piedra se colocó en 1875, y aunque se completó en 1914, no se consagró hasta el fin de la Primera Guerra Mundial, en 1919. La iglesia fue construida con fondos procedentes exclusivamente de una suscripción popular.
Es uno de los monumentos más visitados de la ciudad parisina.
Arquitectura
La planta del edificio está más central que basilical. Tiene forma de cruz griega, adornada con cuatro cúpulas: el domo central, de 80 m. de altura, está tocado por una linterna, formada por una columnata. En el ábside, una inmensa torre cuadrada hace las veces de campanario que guarda, entre otras, la Savoyarde, una campana de 3 m de diámetro y de 18.550 kilogramos de peso, ofrecida por la diócesis de Chambéry. La cripta posee la misma disposición que la iglesia, y es una de las curiosidades de la basílica.
La arquitectura se inspira en la arquitectura romana y bizantina e influyó en otros edificios religiosos del siglo XX, como la basílica de Sainte-Thérèse de Lisieux. Es posible acceder a la basílica tomando el funicular de Montmartre.
es.wikipedia.org/wiki/Bas%C3%ADlica_del_Sagrado_Coraz%C3%...
The Basilica of the Sacred Heart of Paris, commonly known as Sacré-Cœur Basilica and often simply Sacré-Cœur (French: Basilique du Sacré-Cœur, pronounced [sakʁe kœʁ]), is a Roman Catholic church and minor basilica, dedicated to the Sacred Heart of Jesus, in Paris, France. A popular landmark, the basilica is located at the summit of the butte Montmartre, the highest point in the city. Sacré-Cœur is a double monument, political and cultural, both a national penance for the defeat of France in the 1871 Franco-Prussian War and the socialist Paris Commune of 1871[1] crowning its most rebellious neighborhood, and an embodiment of conservative moral order, publicly dedicated to the Sacred Heart of Jesus, which was an increasingly popular vision of a loving and sympathetic Christ.[2]
The Sacré-Cœur Basilica was designed by Paul Abadie. Construction began in 1875 and was finished in 1914. It was consecrated after the end of World War I in 1919.
The inspiration for Sacré Cœur's design originated on September 4, 1870, the day of the proclamation of the Third Republic, with a speech by Bishop Fournier attributing the defeat of French troops during the Franco-Prussian War to a divine punishment after "a century of moral decline" since the French Revolution, in the wake of the division in French society that arose in the decades following that revolution, between devout Catholics and legitimist royalists on one side,[3] and democrats, secularists, socialists and radicals on the other. This schism in the French social order became particularly pronounced after the 1870 withdrawal of the French military garrison protecting the Vatican in Rome to the front of the Franco-Prussian War by Napoleon III,[4] the secular uprising of the Paris Commune of 1870-1871, and the subsequent 1871 defeat of France in the Franco-Prussian War.
Though today the Basilica is asserted[5][when?] to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the Commune".[6] Montmartre had been the site of the Commune's first insurrection, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are,[7] it is here that the Sacred Heart must reign so that it can beckon all to come".[8]
In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"—[9] that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety",[10] of which Sacré-Cœur is the chief lasting triumphalist[11] monument.
The decree voting its construction as a "matter of public utility", 24 July,[12] followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete,
The overall style of the structure shows a free interpretation of Romano-Byzantine features, an unusual architectural vocabulary at the time, which was a conscious reaction against the neo-Baroque excesses of the Palais Garnier, which was cited in the competition.[18] Many design elements of the basilica symbolise nationalist themes: the portico, with its three arches, is adorned by two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefebvre; and the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy, alludes to the annexation of Savoy in 1860.
Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.
A mosaic in the apse, entitled Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world.
The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.
The use of cameras and video recorders is forbidden inside the Basilica.
Access
The Basilica is accessible by bus. Buses 30, 31, 80, and 85 can be taken to the bottom of the hill of the Basilica. Line 12 of the metro can be taken to Jules Joffrin station and visitors can then change to the Montmartrobus and disembark at Place du Tertre. Line 2 or 12 of the metro can be taken to Pigalle station where visitors can change to the Montmartrobus and disembark at Norvins, or to Anvers station which gives easy access to the steps or the funicular car that lead directly to the Basilica.
Sacré-Cœur is open from 06:00 to 22:30 every day. The dome is accessible from 09:00 to 19:00 in the summer and 18:00 in the winter.
en.wikipedia.org/wiki/Sacr%C3%A9-C%C5%93ur,_Paris
La basilique du Sacré-Cœur, dite du Vœu national, située au sommet de la butte Montmartre, dans le 18e arrondissement de Paris, est un édifice religieux parisien majeur.
La construction de cette église, monument à la fois politique et culturel, suit l'après-guerre de 1870. Elle est déclarée d'utilité publique par une loi votée le 24 juillet 1873 par l'Assemblée nationale de 1871. Elle s'inscrit dans le cadre d'un nouvel « ordre moral » faisant suite aux événements de la Commune de Paris, dont Montmartre fut un des hauts lieux. Avec près de 11 millions de pèlerins et visiteurs par an, c'est le second monument religieux parisien le plus visité après la cathédrale Notre-Dame de Paris
Depuis longtemps la colline de Montmartre a été un lieu de culte : paganisme gaulois supposé puis temples gallo-romains dédiés à Mercure et probablement à Mars ; culte chrétien après le martyre de l'évêque Denis au IIIe siècle, chapelle surmontant la crypte du martyrium de saint Denis, construction au XIIe siècle de l'église Saint-Pierre, parmi les plus anciennes de Paris, pour l’abbaye royale de Montmartre par le roi Louis VI et sa femme Adélaïde de Savoie. Le nom de la colline de Montmartre vient probablement du nom du lieu, Mons Martis(mont de Mars). L'église de Montmartre qui s'est substituée aux temples romains a été élevée en l'honneur des saints martyrs saint Denis, Rustique et Éleuthère décapités selon la légende3 sur la colline et dont une chapelle, située sur le flanc sud de la butte, devait commémorer le lieu traditionnel du supplice, en prenant le nom de Saint-Martyre. Le mont de Mars a donc pu être réinterprété vers le IXe siècle en Mont des Martyrs (Mons Martyrum), puis par dérivation populaire en « mont de martre », martre signifiant « martyr » en ancien français4. La substitution toponymique du mont païen par le mont chrétien reste cependant hypothétique et la double étymologie (mont de Mars et mont des Martyrs) est encore actuellement traditionnellement proposée. Il faudrait, « pour pouvoir trancher la question, savoir comment le peuple, dans son langage parlé, appelait cette colline avant le IXe siècle, puisque c'est à cette époque que les documents écrits enregistrèrent le changement de nom.
Le 16 juin 1875, le cardinal Guibert pose la première pierre (un marbre rose) de la basilique, non loin de l'ancien moulin de la galette, d'où le surnom donné à la basilique par le peuple de Montmartre, « Notre Dame de la Galette »24.
Des mois sont nécessaires afin de consolider les fondations : les galeries souterraines et les effondrements de terrain imposent la construction de 83 puits d'une profondeur de trente-trois mètres. Remplis de béton et reliés par des arcs, ils font office de pilier qui vont cherche la couche solide sous la glaise25. Dès le 3 mars 1876, l'archevêque de Paris inaugure à côté des travaux une chapelle provisoire. En 1878 débute l'édification de la crypte et en 1881 celle de la basilique. L'intérieur de la nef est inauguré le 5 juin 189126. Les vitraux posés entre 1903 et 1920, sont détruits pendant la Seconde Guerre mondiale et remplacés par des vitraux contemporains. Le campanile (clocher haut de 90 mètres) est terminé en 1912, mais il faut attendre 1914 pour que l'ensemble de la façade soit achevé. La consécration, initialement prévue le 17 octobre 1914, est reportée à cause de l'entrée en guerre. Elle a lieu le 16 octobre 1919, célébrée par le cardinal Vico, en présence du cardinal Amette, archevêque de Paris, et de nombreux évêques, dignitaires ecclésiastiques, membres du clergé, personnalités civiles et simples fidèles. L'église est alors érigée en basilique mineure27. Le bâtiment est officiellement achevé en 192328 avec la finition de la décoration intérieure, notamment les mosaïques de l'abside29. Les années 1930 voient le début de la construction des annexes, sacristie, bureaux et dortoir pour accueillir les pèlerins.
La basilique n'est pas construite selon le plan basilical traditionnel. Elle est en forme de croix grecque, ornée de quatre coupoles. La coupole centrale a une hauteur sous clef de voûte de 54,94 m et un diamètre de 16 mètres ; son dôme central, haut de 83 m (c'était le point le plus élevé de Paris avant la construction de la Tour Eiffel), est surmonté d'un lanterneau formé d'une colonnade. Un escalier en colimaçon de 237 marches permet d'accéder à la galerie intérieure et extérieure de ce dôme, la première offrant une vue sur l'intérieur de l'église et la seconde un panorama circulaire sur 30 km par temps claire31. Le style éclectique architectural de l'édifice, s'inspirant de l'architecture romane, de l'architecture byzantine, et particulièrement de la cathédrale Saint-Front de Périgueux, a influencé plusieurs autres édifices religieux du XXe siècle (basilique Sainte-Thérèse de Lisieux par exemple).
Contrairement à la plupart des églises qui ont traditionnellement une orientation Est-Ouest, celle de la basilique est Nord-Sud, tournée vers le centre de Paris, plus particulièrement de Notre-Dame qui est située dans l'alignement de l'édifice.[réf. souhaitée]
La pierre blanche retenue pour la construction est un travertin qui provient des carrières de Château-Landon et de Souppes-sur-Loing (les pierres de l'Arc de Triomphe de l'Étoile ont la même origine)32. Elle a été retenue par l'architecte Paul Abadie pour ses qualités de dureté et d'auto-nettoiement au contact de l'eau, ce calcaire exsudant du calcite, ce qui garde la teinte blanche de la pierre. La basilique repose sur le gypse au moyen de piliers qui traversent les marnes et les sables sus-jacents33.
À l'intérieur, le plafond de l'abside est décoré de la plus grande mosaïque de France (Émaux de Briare), couvrant une surface de 473,78 m2. Conçue par Luc-Olivier Merson et exécutée de 1918 à 1922 par les ateliers Guilbert-Martin, elle représente le Sacré-Cœur de Jésus glorifié par l’église catholique et la France. À sa base on peut lire une phrase en latin signifiant : « Au Cœur très saint de Jésus, la France fervente, pénitente et reconnaissante. »
Une immense tour carrée servant de clocher renferme, entre autres, la plus grosse cloche de France. Baptisée la Savoyarde, elle a été fondue à Annecy en 1895 par les frères Paccard. Elle mesure 3 mètres de diamètre et pèse 18 835 kg. Quant à son support, il pèse 7 380 kg. Le marteau qui la frappe pèse quant à lui 1 200 kg. Symbole nationaliste rappelant l'Annexion de la Savoie, elle fut offerte à la basilique par les quatre diocèses de la Savoie, et arriva sur la butte le 16 octobre 1895, ce qui fut un événement parisien.
fr.wikipedia.org/wiki/Basilique_du_Sacr%C3%A9-C%C5%93ur_d...
The Schism
In the schism's wake, my mind and soul entwined,
A dark night's surrender to a grim dawn, maligned.
Portals unfurled, cracks in reality's guise,
New dimensions beckoning with each blink of my eyes.
Cursed gift, a double-edged sword, a debt unpaid,
Crossing one crack, another in my heart laid.
To love and be loved, a longing profound,
Faded behind the torn veil, an echo, unbound.
In the fracture's dance, a cosmic ballet,
I glimpsed truths, glimpsed worlds, lost in the fray.
Yet, with every traverse, my heart bore the weight,
Each crack etching sorrow, an intertwined fate.
An unpayable debt, the toll of the arcane,
For every new reality, a piece of me waned.
The tapestry torn, veiled longings in retreat,
In the schism's embrace, love's bittersweet feat...
by me
Ink, charcoal, graphite pencils and crayon on mulberry paper 30x30cm.
Item can be found @ Max Creations Bonsai & Unique Carved Furniture Store. Part of Max Creations uniquely made furniture line.
Taxi: Asian Gong 1
Gong can also be found on Marketplace: Asian Gong 1
This is a view from the Crossing, (where the choir would sit) down the Nave, towards the West Door, & West Window. Built 1138-1160.
The information was provided by flickr user "Scumbag*College" whose brilliant photos can be seen at :-
www.flickr.com/photos/51368278@N08/
en.wikipedia.org/wiki/Fountains_Abbey
Fountains Abbey is approximately three miles south west of Ripon in North Yorkshire, England near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. It is one of the largest and best preserved ruined Cistercian monasteries in England.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
History
After a dispute and riot in 1132 at the Benedictine house, St Mary's Abbey, in York, 13 monks were expelled and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York.[2] He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water.[3] After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice.[4][5]
After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings.[6] The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistertion houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
Abbots of Fountains
NameDatesNameDatesNameDatesNameDates
Richard
1132–39John of Hessle1211–20Henry Otley[7]
1289?–90John Ripon1416–34
Richard (II)1139–43John of Kent1220–47Robert Thorntonc.1289–90Thomas Paslew1434–43
Henry Murdac1144–47Stephen of Easton1247–52Robert Bishoptonc.1290/1-1311John Martin1442
Maurice1147–48William of Allerton1252–58William Rigton1311–16John Greenwell1442–71
Thorold1148–50Adam1258–59Walter Coxwold1316–36Thomas Swinton1471–78
Richard (III)1150–70Alexander1259–65Robert Copgrove1336–46John Darnton1479–95
Robert of Pipewell1170–80Reginald1267Robert Monkton1346–69Marmaduke Huby1495–1526
William of Newminster1180–90Peter Ayling1275–79William Gower1369–84William Thirsk1526–36
Ralph Haget1190–1203Nicholas1279Robert Burley1383–1410Marmaduke Bradley1536–39
John of York1203–11Adam Ravensworth1280–84Roger Frank1410
Architecture
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.
Construction began in 1132 when a two-storey wooden church was built under the oversight of Geoffrey of Clairvaux.[9] A church built with locally quarried sandstone later replaced it. The original cruciform, unaisled stone church was badly damaged by fire in 1146 and rebuilt in enlarged form on the same site. This structure, completed around 1170, was 300-foot (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century.[10] The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot (49 m) tall tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its southwest corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house is located to the east of the latrine block, close to the River Skell. It was built in the mid-twelfth-century as a modest single-storey structure, then, from the fourteenth-century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces.
Among other apartments, for the designation of which see the ground-plan, was a domestic oratory or chapel, 461⁄2-by-23-foot (14 by 7 m), and a kitchen, 50-by-38-foot (15 by 12 m).
Endowments and economy
Medieval monasteries were sustained by landed estates that were given to them as endowments and from which they derived an income from rents. They were the gifts of the founder and subsequent patrons, but some were purchased from cash revenues. At the outset, the Cistercian order rejected gifts of mills and rents, churches with tithes and feudal manors as they did not accord with their belief in monastic purity, because they involved contact with laymen. When Archbishop Thurstan founded the abbey he gave the community 260 acres (110 ha) of land at Sutton north of the abbey and 200 acres (81 ha) at Herleshowe to provide support while the abbey became established. In the early years the abbey struggled to maintain itself because further gifts were not forthcoming and Thurstan could not help further because the lands he administered were not his own, but part of the diocesan estate. After a few years of impoverished struggle to establish the abbey, the monks were joined by Hugh, a former dean of York Minster, a rich man who brought a considerable fortune as well as furniture and books to start the library.[5]
By 1135 the monks had acquired only another 260 acres (110 ha) at Cayton, given by Eustace fitzJohn of Knaresborough "for the building of the abbey". Shortly after the fire of 1146, the monks had established granges at Sutton, Cayton, Cowton Moor, Warsill, Dacre and Aldburgh[11] all within six miles of Fountains. In the 1140s the water mill was built on the abbey site making it possible for the grain from the granges to be brought to the abbey for milling.[12] Tannery waste from this time has been excavated on the site.
Further estates were assembled in two phases, between 1140 and 1160 then 1174 and 1175, from piecemeal acquisitions of land. Some of the lands were grants from benefactors but others were purchased from gifts of money to the abbey. Roger de Mowbray granted vast areas of Nidderdale and William de Percy and his tenants granted substantial estates in Craven which included Malham Moor and the fishery in Malham Tarn.[13] After 1203 the abbots consolidated the abbey's lands by renting out more distant areas that the monks could not easily farm themselves, and exchanging and purchasing lands that complemented their existing estates. Fountains' holdings both in Yorkshire and beyond had reached their maximum extent by 1265, when they were an efficient and very profitable estate. Their estates were linked in a network of individual granges which provided staging posts to the most distant ones. They had urban properties in York, Yarm, Grimbsby, Scarborough and Boston from which to conduct export and market trading and their other commercial interests included mining, quarrying, iron-smelting, fishing and milling.[14]
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138 vills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
Post-monastic development
The Abbey buildings and over 500 acres (200 ha) of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, the London merchant, father of the founder of the Royal Exchange, Sir Thomas Gresham.[3] Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby who was responsible for combining it with the Studley Royal Estate.[16] The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper On the Necessity of clearing out the Conventual Church of Fountains.[17] In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674-acre (273 ha) Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983.
World Heritage Site
In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO. It was recognised for fulfilling the criteria of being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history. Fountains Abbey is owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site.[18]
The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.
Film location
Fountains Abbey was used as a filming location by Orchestral Manoeuvres in the Dark for their single Maid of Orleans (The Waltz Joan of Arc) during the cold winter of December 1981. In 1980, Hollywood also came to the site to film the final scenes to the film Omen III: The Final Conflict.[20] Other productions filmed on location at the abbey are the films The Secret Garden, The History Boys, TV series Flambards, A History of Britain, Terry Jones' Medieval Lives, Cathedral and the game show Treasure Hunt.
A cellarium (from the Latin cella, "pantry"), also known as an undercroft, was a storehouse or storeroom, usually in a medieval monastery or castle. In English monasteries it was usually located in or under the buildings on the west range of the cloister.
The monastery's supplies of food, ale and wines were stored there, under the supervision of the cellarer, one of the monastery's obedientiaries. He was often assisted by a sub-cellarer.
Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located approximately three miles south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice.
After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings. The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203â1211), John of Hessle (1211â1220) and John of Kent (1220â1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349â1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378â1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442â1471), Thomas Swinton (1471â8), John Darnton (1478â95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495â1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.
The original abbey church was built of wood and "was probably" two-stories high; it was, however, quickly replaced in stone. The church was damaged in the attack on the abbey in 1146 and was rebuilt, in a larger scale, on the same site. Building work was completed c.1170. This structure, completed around 1170, was 300-foot (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century. The church's greatly lengthened choir, commenced by Abbot John of York, 1203â11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220â47. The 160-foot (49 m) tall tower, which was added not long before the dissolution, by Abbot Huby, 1494â1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its south-west corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
Designed by prominent Scottish-Canadian architect William Hay, this church was begun in 1874 to replace the town's original Anglican church (St. Peter's - www.flickr.com/photos/84253735@N04/33133407223/in/datepos...), which had been damaged in a storm.
A schism within the congregation occurred shortly after the start of construction, however. A significant number left to build their own Reformed Episcopal Church building (www.flickr.com/photos/84253735@N04/33903871806/in/datepos...), leaving funds short for this one.
Work did eventually get back on track, and was well advanced when, in 1884, an arsonist destroyed the diocese' cathedral in Hamilton. The construction of its replacement (also designed by Wm. Hay - www.flickr.com/photos/84253735@N04/33035377563/in/datepos...) required a significant diversion of funds away from the parish, stalling again the completion of its own new church.
By 1899 though, the roof was finally on and only the interior decoration was left to be done - but at that point, the parishioners decided they were better off simply restoring their old church down the hill.
This one was thus abandoned, and has been slowly crumbling over the 120 years since...
It's nevertheless considered an integral part of the St. George's UNESCO World Heritage Site.
Camera: Canon Eos 650D
Lens: EF-S18-135mmF3.5-5.6-IS
Aperture: f/3.5
Focal Length: 18 mm
Shutter Speed: 1/40
ISO: 320
Hagia Sophia (from the Greek: Ἁγία Σοφία, "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) is a former Greek Orthodox patriarchal basilica (church), later an imperial mosque, and now a museum (Ayasofya Müzesi) in Istanbul, Turkey. From the date of its construction in 537 until 1453, it served as an Eastern Orthodox cathedral and seat of the Patriarchate of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Empire. The building was a mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935.
The church was dedicated to the Wisdom of God, the Logos, the second person of the Holy Trinity,[3] its patronal feast taking place on 25 December, the commemoration of the birth of the incarnation of the Logos in Christ. Although sometimes referred to as Sancta Sophia (as though it were named after Saint Sophia), sophia being the phonetic spelling in Latin of the Greek word for wisdom, its full name in Greek is Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, "Shrine of the Holy Wisdom of God". Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture". It remained the world's largest cathedral for nearly a thousand years, until Seville Cathedral was completed in 1520. The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian and was the third Church of the Holy Wisdom to occupy the site, the previous two having both been destroyed by rioters. It was designed by the Greek scientists Isidore of Miletus, a physicist, and Anthemius of Tralles, a mathematician.
The church contained a large collection of holy relics and featured, among other things, a 15-metre (49 ft) silver iconostasis. The focal point of the Eastern Orthodox Church for nearly one thousand years, the building witnessed the excommunication of Patriarch Michael I Cerularius on the part of Pope Leo IX in 1054, an act which is commonly considered the start of the Great Schism.
In 1453, Constantinople was conquered by the Ottoman Turks under Sultan Mehmed II, who ordered this main church of the Orthodox Christianity converted into a mosque. By that point, the church had fallen into a state of disrepair. Nevertheless, the Christian cathedral made a strong impression on the new Ottoman rulers and they decided to convert it into a mosque. The bells, altar, iconostasis, and sacrificial vessels and other relics were removed and the mosaics depicting Jesus, his Mother Mary, Christian saints and angels were also removed or plastered over. Islamic features – such as the mihrab, minbar, and four minarets – were added. It remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey. Haghia Sophia is currently (2014) the second-most visited museum in Turkey, attracting almost 3.3 million visitors annually.
From its initial conversion until the construction of the nearby larger Sultan Ahmed Mosque (Blue Mosque of Istanbul) in 1616, it was the principal mosque of Istanbul. The Hagia Sophia served as inspiration for many other Ottoman mosques, such as the Blue Mosque, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Paşa Mosque.
Source: Wikipedia
Schismaderma carens - Red Toad. From Umkomaas, KwaZulu-Natal. www.tyroneping.co.za/amphibians-of-southern-africa/schism...
Item can be found at Evolving Images Asian Home & Garden Store:
Taxi: Evolving Asian Home & Garden Store
Larger bamboo versions of this garden can be found @ Taxi: Evolving Gardens
Digital oil paint applied using a Huion USB pen tablet in PSP. Additional tweaks in Ultra Fractal.
Thanks for all comments and fave adds.
A collection of thieves, enforcers, and monstrosities omitted from the records of the Dark Hunters.
Photo edited by: Luhan
Lore entry written by: Burh_0nicle & Kodiak
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© Saúl Tuñón Loureda
La basílica del Sagrado Corazón de Montmartre, (en francés: Basilique du Sacré-Cœur) es un importante templo religioso situado en París (Francia). Está ubicado en lo alto de la colina de Montmartre.
Se trata de una basílica menor dedicada al Sagrado Corazón de Jesús (en francés, SacréCœur de Jésus).
Historia
Su construcción fue decidida por la Asamblea Nacional en 1873, como un edificio religioso a perpetuidad en homenaje a la memoria de los numerosos ciudadanos franceses que habían perdido la vida durante la Guerra franco-prusiana. Según sus promotores se hacía también para expiar por la impiedad del Segundo Imperio francés.2 Fue el arquitecto Paul Abadie quien ganó el concurso para su construcción.
La primera piedra se colocó en 1875, y aunque se completó en 1914, no se consagró hasta el fin de la Primera Guerra Mundial, en 1919. La iglesia fue construida con fondos procedentes exclusivamente de una suscripción popular.
Es uno de los monumentos más visitados de la ciudad parisina.
Arquitectura
La planta del edificio está más central que basilical. Tiene forma de cruz griega, adornada con cuatro cúpulas: el domo central, de 80 m. de altura, está tocado por una linterna, formada por una columnata. En el ábside, una inmensa torre cuadrada hace las veces de campanario que guarda, entre otras, la Savoyarde, una campana de 3 m de diámetro y de 18.550 kilogramos de peso, ofrecida por la diócesis de Chambéry. La cripta posee la misma disposición que la iglesia, y es una de las curiosidades de la basílica.
La arquitectura se inspira en la arquitectura romana y bizantina e influyó en otros edificios religiosos del siglo XX, como la basílica de Sainte-Thérèse de Lisieux. Es posible acceder a la basílica tomando el funicular de Montmartre.
es.wikipedia.org/wiki/Bas%C3%ADlica_del_Sagrado_Coraz%C3%...
The Basilica of the Sacred Heart of Paris, commonly known as Sacré-Cœur Basilica and often simply Sacré-Cœur (French: Basilique du Sacré-Cœur, pronounced [sakʁe kœʁ]), is a Roman Catholic church and minor basilica, dedicated to the Sacred Heart of Jesus, in Paris, France. A popular landmark, the basilica is located at the summit of the butte Montmartre, the highest point in the city. Sacré-Cœur is a double monument, political and cultural, both a national penance for the defeat of France in the 1871 Franco-Prussian War and the socialist Paris Commune of 1871[1] crowning its most rebellious neighborhood, and an embodiment of conservative moral order, publicly dedicated to the Sacred Heart of Jesus, which was an increasingly popular vision of a loving and sympathetic Christ.[2]
The Sacré-Cœur Basilica was designed by Paul Abadie. Construction began in 1875 and was finished in 1914. It was consecrated after the end of World War I in 1919.
The inspiration for Sacré Cœur's design originated on September 4, 1870, the day of the proclamation of the Third Republic, with a speech by Bishop Fournier attributing the defeat of French troops during the Franco-Prussian War to a divine punishment after "a century of moral decline" since the French Revolution, in the wake of the division in French society that arose in the decades following that revolution, between devout Catholics and legitimist royalists on one side,[3] and democrats, secularists, socialists and radicals on the other. This schism in the French social order became particularly pronounced after the 1870 withdrawal of the French military garrison protecting the Vatican in Rome to the front of the Franco-Prussian War by Napoleon III,[4] the secular uprising of the Paris Commune of 1870-1871, and the subsequent 1871 defeat of France in the Franco-Prussian War.
Though today the Basilica is asserted[5][when?] to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the Commune".[6] Montmartre had been the site of the Commune's first insurrection, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are,[7] it is here that the Sacred Heart must reign so that it can beckon all to come".[8]
In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"—[9] that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety",[10] of which Sacré-Cœur is the chief lasting triumphalist[11] monument.
The decree voting its construction as a "matter of public utility", 24 July,[12] followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete,
The overall style of the structure shows a free interpretation of Romano-Byzantine features, an unusual architectural vocabulary at the time, which was a conscious reaction against the neo-Baroque excesses of the Palais Garnier, which was cited in the competition.[18] Many design elements of the basilica symbolise nationalist themes: the portico, with its three arches, is adorned by two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefebvre; and the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy, alludes to the annexation of Savoy in 1860.
Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.
A mosaic in the apse, entitled Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world.
The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.
The use of cameras and video recorders is forbidden inside the Basilica.
Access
The Basilica is accessible by bus. Buses 30, 31, 80, and 85 can be taken to the bottom of the hill of the Basilica. Line 12 of the metro can be taken to Jules Joffrin station and visitors can then change to the Montmartrobus and disembark at Place du Tertre. Line 2 or 12 of the metro can be taken to Pigalle station where visitors can change to the Montmartrobus and disembark at Norvins, or to Anvers station which gives easy access to the steps or the funicular car that lead directly to the Basilica.
Sacré-Cœur is open from 06:00 to 22:30 every day. The dome is accessible from 09:00 to 19:00 in the summer and 18:00 in the winter.
en.wikipedia.org/wiki/Sacr%C3%A9-C%C5%93ur,_Paris
La basilique du Sacré-Cœur, dite du Vœu national, située au sommet de la butte Montmartre, dans le 18e arrondissement de Paris, est un édifice religieux parisien majeur.
La construction de cette église, monument à la fois politique et culturel, suit l'après-guerre de 1870. Elle est déclarée d'utilité publique par une loi votée le 24 juillet 1873 par l'Assemblée nationale de 1871. Elle s'inscrit dans le cadre d'un nouvel « ordre moral » faisant suite aux événements de la Commune de Paris, dont Montmartre fut un des hauts lieux. Avec près de 11 millions de pèlerins et visiteurs par an, c'est le second monument religieux parisien le plus visité après la cathédrale Notre-Dame de Paris
Depuis longtemps la colline de Montmartre a été un lieu de culte : paganisme gaulois supposé puis temples gallo-romains dédiés à Mercure et probablement à Mars ; culte chrétien après le martyre de l'évêque Denis au IIIe siècle, chapelle surmontant la crypte du martyrium de saint Denis, construction au XIIe siècle de l'église Saint-Pierre, parmi les plus anciennes de Paris, pour l’abbaye royale de Montmartre par le roi Louis VI et sa femme Adélaïde de Savoie. Le nom de la colline de Montmartre vient probablement du nom du lieu, Mons Martis(mont de Mars). L'église de Montmartre qui s'est substituée aux temples romains a été élevée en l'honneur des saints martyrs saint Denis, Rustique et Éleuthère décapités selon la légende3 sur la colline et dont une chapelle, située sur le flanc sud de la butte, devait commémorer le lieu traditionnel du supplice, en prenant le nom de Saint-Martyre. Le mont de Mars a donc pu être réinterprété vers le IXe siècle en Mont des Martyrs (Mons Martyrum), puis par dérivation populaire en « mont de martre », martre signifiant « martyr » en ancien français4. La substitution toponymique du mont païen par le mont chrétien reste cependant hypothétique et la double étymologie (mont de Mars et mont des Martyrs) est encore actuellement traditionnellement proposée. Il faudrait, « pour pouvoir trancher la question, savoir comment le peuple, dans son langage parlé, appelait cette colline avant le IXe siècle, puisque c'est à cette époque que les documents écrits enregistrèrent le changement de nom.
Le 16 juin 1875, le cardinal Guibert pose la première pierre (un marbre rose) de la basilique, non loin de l'ancien moulin de la galette, d'où le surnom donné à la basilique par le peuple de Montmartre, « Notre Dame de la Galette »24.
Des mois sont nécessaires afin de consolider les fondations : les galeries souterraines et les effondrements de terrain imposent la construction de 83 puits d'une profondeur de trente-trois mètres. Remplis de béton et reliés par des arcs, ils font office de pilier qui vont cherche la couche solide sous la glaise25. Dès le 3 mars 1876, l'archevêque de Paris inaugure à côté des travaux une chapelle provisoire. En 1878 débute l'édification de la crypte et en 1881 celle de la basilique. L'intérieur de la nef est inauguré le 5 juin 189126. Les vitraux posés entre 1903 et 1920, sont détruits pendant la Seconde Guerre mondiale et remplacés par des vitraux contemporains. Le campanile (clocher haut de 90 mètres) est terminé en 1912, mais il faut attendre 1914 pour que l'ensemble de la façade soit achevé. La consécration, initialement prévue le 17 octobre 1914, est reportée à cause de l'entrée en guerre. Elle a lieu le 16 octobre 1919, célébrée par le cardinal Vico, en présence du cardinal Amette, archevêque de Paris, et de nombreux évêques, dignitaires ecclésiastiques, membres du clergé, personnalités civiles et simples fidèles. L'église est alors érigée en basilique mineure27. Le bâtiment est officiellement achevé en 192328 avec la finition de la décoration intérieure, notamment les mosaïques de l'abside29. Les années 1930 voient le début de la construction des annexes, sacristie, bureaux et dortoir pour accueillir les pèlerins.
La basilique n'est pas construite selon le plan basilical traditionnel. Elle est en forme de croix grecque, ornée de quatre coupoles. La coupole centrale a une hauteur sous clef de voûte de 54,94 m et un diamètre de 16 mètres ; son dôme central, haut de 83 m (c'était le point le plus élevé de Paris avant la construction de la Tour Eiffel), est surmonté d'un lanterneau formé d'une colonnade. Un escalier en colimaçon de 237 marches permet d'accéder à la galerie intérieure et extérieure de ce dôme, la première offrant une vue sur l'intérieur de l'église et la seconde un panorama circulaire sur 30 km par temps claire31. Le style éclectique architectural de l'édifice, s'inspirant de l'architecture romane, de l'architecture byzantine, et particulièrement de la cathédrale Saint-Front de Périgueux, a influencé plusieurs autres édifices religieux du XXe siècle (basilique Sainte-Thérèse de Lisieux par exemple).
Contrairement à la plupart des églises qui ont traditionnellement une orientation Est-Ouest, celle de la basilique est Nord-Sud, tournée vers le centre de Paris, plus particulièrement de Notre-Dame qui est située dans l'alignement de l'édifice.[réf. souhaitée]
La pierre blanche retenue pour la construction est un travertin qui provient des carrières de Château-Landon et de Souppes-sur-Loing (les pierres de l'Arc de Triomphe de l'Étoile ont la même origine)32. Elle a été retenue par l'architecte Paul Abadie pour ses qualités de dureté et d'auto-nettoiement au contact de l'eau, ce calcaire exsudant du calcite, ce qui garde la teinte blanche de la pierre. La basilique repose sur le gypse au moyen de piliers qui traversent les marnes et les sables sus-jacents33.
À l'intérieur, le plafond de l'abside est décoré de la plus grande mosaïque de France (Émaux de Briare), couvrant une surface de 473,78 m2. Conçue par Luc-Olivier Merson et exécutée de 1918 à 1922 par les ateliers Guilbert-Martin, elle représente le Sacré-Cœur de Jésus glorifié par l’église catholique et la France. À sa base on peut lire une phrase en latin signifiant : « Au Cœur très saint de Jésus, la France fervente, pénitente et reconnaissante. »
Une immense tour carrée servant de clocher renferme, entre autres, la plus grosse cloche de France. Baptisée la Savoyarde, elle a été fondue à Annecy en 1895 par les frères Paccard. Elle mesure 3 mètres de diamètre et pèse 18 835 kg. Quant à son support, il pèse 7 380 kg. Le marteau qui la frappe pèse quant à lui 1 200 kg. Symbole nationaliste rappelant l'Annexion de la Savoie, elle fut offerte à la basilique par les quatre diocèses de la Savoie, et arriva sur la butte le 16 octobre 1895, ce qui fut un événement parisien.
fr.wikipedia.org/wiki/Basilique_du_Sacr%C3%A9-C%C5%93ur_d...
Boston Presbyterian Church can trace its congregational history back to the 1820s when a group of Scottish Presbyterians settled in the region and met outside on the Laidlaw farm. Eventually purchasing part of the property building a wooden meeting house. Over the course of its history the congregation split, notably during the 1846 schism within the Presbyterian Church. With both the Free Church and Old Church making using the original meeting house. They jointly built their current structure in 1868. The congregation unified in 1875, with only a single splinter congregation surviving until 1935.
Nikon D750 - AF Nikkor 28-105mm 1:3.5-4.5D
Cloudy and 12ºC , today.
Hagia Sofia, Istanbul. Turkey
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Hagia Sophia (/ˈhɑːɪə soʊˈfiːə/; from the Greek: Ἁγία Σοφία [aˈʝia soˈfia], "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as an Eastern Orthodox cathedral and seat of the Patriarchate of Constantinople,[1] except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.[2]
The Church was dedicated to the Logos, the second person of the Holy Trinity,[3] its dedication feast taking place on 25 December, the anniversary of the Birth of the incarnation of the Logos in Christ.[3] Although it is sometimes referred to as Sancta Sophia (as though it were named after Saint Sophia), sophia is the phonetic spelling in Latin of the Greek word for wisdom – the full name in Greek being Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, "Shrine of the Holy Wisdom of God".[4][5]
Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture[6] and is said to have "changed the history of architecture."[7] It remained the world's largest cathedral for nearly a thousand years thereafter, until Seville Cathedral was completed in 1520. The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian and was the third Church of the Holy Wisdom to occupy the site, the previous two having both been destroyed by rioters. It was designed by the Greek scientists Isidore of Miletus, a physicist, and Anthemius of Tralles, a mathematician.[8]
The church contained a large collection of holy relics and featured, among other things, a 49-foot (15 m) silver iconostasis. The focal point of the Eastern Orthodox Church for nearly one thousand years, the building witnessed the Excommunication of Patriarch Michael I Cerularius on the part of Pope Leo IX in 1054, an act which is commonly considered the start of the Great Schism.
In 1453, Constantinople was conquered by the Ottoman Turks under Sultan Mehmed II, who subsequently ordered the building converted into a mosque.[9] The bells, altar, iconostasis, and sacrificial vessels were removed and many of the mosaics were plastered over. Islamic features – such as the mihrab, minbar, and four minarets – were added while in the possession of the Ottomans. It remained a mosque until 1931 when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey.
For almost 500 years the principal mosque of Istanbul, Hagia Sophia served as a model for many other Ottoman mosques, such as the Sultan Ahmed Mosque (Blue Mosque of Istanbul), the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Paşa Mosque
Details best viewed in Original Size.
According to Wikipedia, the Hagia Sophia is a former Greek Orthodox patriarchal basilica (church), later an imperial mosque, and now a museum. From the date of its construction in 537 until 1453, it served as an Eastern Orthodox cathedral and seat of the Patriarchate of Constantinople (now Istanbul), except between 1204 and 1261, when it was converted into a Roman Catholic cathedral under the Latin Empire. The building became a mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture". It remained the world's largest cathedral for nearly a thousand years thereafter, until Seville Cathedral was completed in 1520. The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian and was the third church of the same name to occupy the site, the previous two having both been destroyed by rioters. It was designed by the Greek scientists Isidore of Miletus, a physicist, and Anthemius of Tralles, a mathematician and became the focal point of the Eastern Orthodox Church for nearly one thousand years with the building witnessing the excommunication of Patriarch Michael I Cerularius by Pope Leo IX in 1054, an act which is commonly considered the start of the Great Schism. In 1453, Constantinople was conquered by the Ottoman Turks under Sultan Mehmed II. By this point, the church had fallen into a state of disrepair. Nevertheless, the Christian cathedral made such a strong impression on the new Ottoman rulers and they decided to convert it into a mosque. The bells, altar, iconostasis, and sacrificial vessels and other relics were removed and the mosaics depicting Jesus, his Mother Mary, Christian saints and angels were also removed or plastered over. Islamic features – such as the mihrab, minbar, and four minarets – were added. From its initial conversion until the construction of the nearby larger Sultan Ahmed Mosque (Blue Mosque of Istanbul) in 1616, it was the principal mosque of Istanbul. The Hagia Sophia served as inspiration for many other Ottoman mosques, such as the Blue Mosque, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Paşa Mosque. It remained a mosque until 1931 when it was closed to the public for four years. It was then re-opened in 1935 as a museum by the Republic of Turkey.
First Presbyterian Church was nominated to the National Register of Historic Places under criterion A for its local significance in religion, and under criterion C as a locally significant example of a Neo-Classical church building in Cookeville. The church was born out of a schism resulting from the union of the Cumberland Presbyterian Church with the Presbyterian Church of the United States of America that took place during the early years of the twentieth century. Architecturally the building is a good example of late Neo Classical architecture in Cookeville. Built in 1909, the style of the church is seen in the gable ends with pediments and strong cornice lines, and the colonnaded entry porch.
The origins of First Presbyterian Church trace back to the nationwide merger of the Cumberland Presbyterian Church and the Presbyterian Church in the United States of America (PCUSA) in 1905. Though officially united, not everyone felt that way in Cookeville or across the state of Tennessee. At a meeting on September 11, 1906, only three Tennessee Presbyteries showed any support for uniting with the PCUSA, Cookeville Presbytery, McMinnville Presbytery, and the Lebanon Presbytery. Those opposed to the merger agreed to meet in Dickson, Tennessee, at the birthplace of the Cumberland Presbyterian Church on Thursday May 3, 1907. Discussions over whether to remain a Cumberland Presbyterian Church or a member of the PCUSA led to dissension in the Cookeville congregation that later caused a schism.
Meanwhile the Building Committee and trustees, Jesse Arnold, Jeff Dyer, and W.D. Ferrell, searched for property to buy in order to erect a new building. On November 22, 1909, trustees of the Building Committee closed on the sale of the Hunter property. Ironically or spitefully, for records do not indicate, the lot sat directly across the street from the Cumberland Presbyterian Church on the northwest corner of Broad & Madison streets. They purchased the land from Jere Whitson and held a public groundbreaking later that month. The design of the new church adopted the Akron floor plan with an offset pulpit and no center aisle. The Building Committee launched an aggressive campaign to raise funds to pay for constructing and furnishing the new church. They prevailed upon members and non-members alike and kept detailed records. Ruling Elder and founder of the Bank of Putnam County, Jesse Arnold, donated the hefty sum of $1250, while elder Jeff Dyer contributed $1000. Future Supreme Court Justice Dick L. Lansden gave $750. Many others paid with either cash or sweat equity as the construction progressed.
Foundations for the building were laid in November of 1909 and the cornerstone laid in 1910. Construction began in earnest around the middle of April. Though the building was not yet completed, eager members began meeting in the church sometime in September of 1910. The building’s furnishings were completed in April of 1911, and the sanctuary was officially dedicated on August 20, 1911 by Dr. Thomas A. Whittington, the same pastor who dedicated the Cumberland Church across the street in 1894. During the service he presented the congregation with keys to the completed structure, announced that construction costs totaled $10,000, and declared all debts owed by the church were paid in full.
On December 28, 2010, the church was placed on the National Register of Historic Places (NRHP). All of the information above (and much more) was found on the original documents submitted for listing consideration and can be viewed here:
catalog.archives.gov/id/135819419
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Aya Sophia (English: Hagia Sophia) is a former Orthodox patriarchal basilica (church), later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as an Eastern Orthodox cathedral and seat of the Patriarchate of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.
The Church was dedicated to the Logos, the second person of the Holy Trinity, its dedication feast taking place on 25 December, the anniversary of the Birth of the incarnation of the Logos in Christ. Although it is sometimes referred to as Sancta Sophia (as though it were named after Saint Sophia), sophia is the phonetic spelling in Latin of the Greek word for wisdom – the full name in Greek being Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, "Shrine of the Holy Wisdom of God".
Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture." It remained the world's largest cathedral for nearly a thousand years thereafter, until Seville Cathedral was completed in 1520. The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian and was the third Church of the Holy Wisdom to occupy the site, the previous two having both been destroyed by rioters. It was designed by the Greek scientists Isidore of Miletus, a physicist, and Anthemius of Tralles, a mathematician.
The church contained a large collection of holy relics and featured, among other things, a 15-metre (49 ft) silver iconostasis. The focal point of the Eastern Orthodox Church for nearly one thousand years, the building witnessed the excommunication of Patriarch Michael I Cerularius on the part of Pope Leo IX in 1054, an act which is commonly considered the start of the Great Schism.
In 1453, Constantinople was conquered by the Ottoman Turks under Sultan Mehmed II, who subsequently ordered the building converted into a mosque. The bells, altar, iconostasis, and sacrificial vessels were removed and many of the mosaics were plastered over. Islamic features – such as the mihrab, minbar, and four minarets – were added while in the possession of the Ottomans. It remained a mosque until 1931 when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey.
For almost 500 years the principal mosque of Istanbul, Hagia Sophia served as a model for many other Ottoman mosques, such as the Sultan Ahmed Mosque (Blue Mosque of Istanbul, opposite of the Aya Sophia), the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Paşa Mosque.
I made a photo of it in the evening as well: Once church... once mosque... now museum: Aya Sophia, Istanbul
Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located three miles south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for over 400 years, until 1539, when Henry VIII ordered the Dissolution of the Monasteries. The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessfully attempting to return to the early 6th-century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order and in 1135 became the second house of that order in northern England, after Rievaulx. The monks subjected themselves to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours and were shown how to construct wooden buildings in accordance with Cistercian practice.
After Henry Murdac was elected to the abbacy in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, displeased with Murdac's role in opposing the election of William FitzHerbert to the archbishopric of York, attacked the abbey and burnt down all but the church and some surrounding buildings. The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned the abbacy in 1147 to become the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194, Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies, but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary. In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1349–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbott Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in discord until 1415 when Ripon was finally appointed and presided until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
When Marmaduke Huby died he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and dismissed from the abbacy and replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the abbacy. In 1539 Bradley surrendered the abbey when Henry VIII ordered the Dissolution of the Monasteries.
Interior of the abbey church looking down the nave
The abbey precinct covered 70 acres surrounded by an 11foot wall built in the 13th century, some parts of which are still visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.
The original abbey church was built of wood and "was probably" two-stories high; it was, however, quickly replaced in stone. The church was damaged in the attack on the abbey in 1146 and was rebuilt, in a larger scale, on the same site. Building work was completed c.1170. This structure, completed around 1170, was 300 foot long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century. The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot (49 m) tall tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and, at its south-west corner, were the latrines, which were built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house, one of the largest in all of England, is located to the east of the latrine block, where portions of it are suspended on arches over the River Skell. It was built in the mid-twelfth-century as a modest single-storey structure, then, from the fourteenth-century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces. The great hall was an expansive room 171 by 69 feet.
Among other apartments were a domestic oratory or chapel, 46 by 23 feet and a kitchen, 50 by 38 feet.
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138mills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
The Abbey buildings and over 500 acres of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, the London merchant, father of the founder of the Royal Exchange, Sir Thomas Gresham. Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby, who was responsible for combining it with the Studley Royal Estate. The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper on the Necessity of clearing out the Conventual Church of Fountains. In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674 acre Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983.
In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO.
It is currently owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site. The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.