View allAll Photos Tagged STORYOFMYLIFE

i don't know

can you repeat the question?

YOU'RE NOT THE BOSS OF ME NOW

YOU'RE NOT THE BOSS OF ME NOW

YOU'RE NOT THE BOSS OF ME NOW AND YOU'RE NOT SO BIG

Every bus can tell a few stories, of passengers, of journies, of life itself, but the storyteller bus tour went a little further with nightly tours ( that was folklore too ), seen above is converted Leyland Olympina 99D532 ( RV 532 ) of Dublin Bus Conyngham Road Garage.

 

"About Traditional Irish Storytelling

Ireland's Only Traditional Storytelling Bus! Listen to stories of a time gone by when Pookas, fairies and giants roamed this land. Hear tales of how the Vikings were outsmarted by three Leprechauns, of epic battles and dangerous quests, of magic spells and true love! Up the airy mountain, Down the rushy glen, We dare n't go a-hunting, For fear of Little Men! "

  

youtu.be/lbH_24r1KUo

Hoary Rosemary Mint, Soaptree Yucca flower and sunset over White Gypsum Dune..

.

White Sand National Monument

I am a light in the darkness I am burning bright for you

I am the hope, and the chance for you to be yourself again

 

Where are you now? Haven't you found your place?

I though by now you'd see pictures never feel embrace

You want to hold me but still you run the other way

You never told me the words to say so I could make you stay

 

I know you. You dont know me, anymore.

---

I see the mistakes, i see what i could do better in this photo, but still this is my favourite one ever. maybe you won't like it even half as much as i do but .. yeah. this kind of things tend to happen to me :)) i put a lot of effort and still can't believe it turned out the way it is. i expected something a lot worse.. when i started editing i even had this thought not to upload it at all.. and then *bam* photoshop magic! & i'm in love :D #storyofmylife

 

no critique will be accepted. if you don't like something keep it to yourself. :D thank you! :))

  

editt: before/after: www.facebook.com/photo.php?fbid=251152838255959&set=a...

-----

Facebook | Twitter | Blog | Ask me @ Formspring

Here I am sitting in the Goodwill parking lot.

 

I have never actually been in the Goodwill to look for clothes, but I didn't want to pay an outrageous amount for a black skirt. I still couldn't decide if I liked any of them and didn't end up getting anything.

 

My day was o.k. Jessica and I went went shopping for my CHA stuff and that was good to visit with her, but I continued looking and shopping 3 hours after I left her. All in all, went to the mall, Joseph Beth, Target, Lowes, Starbucks, Shoe Carnival, Marshalls, and Goodwill. I became worn out.

 

I had crappy disappointing coffee at Starbucks and loneliness started rearing it's ugly head. I think this picture kinda displays that. I kinda get tired of always being alone (not in a relationship).

 

Someone made a statement to my friend about me this weekend, saying, "She's fun and unique, why doesn't she have a boyfriend?" This is the story of my life.

 

Also, my complexion really sucks. I'm going to have to break down and go to the dermatologist.

Denali, finally coming out from hiding in the clouds all day. I was walking alone on a trail and came upon this view.

 

I know it sounds crazy, but I was looking through data cards from the trip last night and found this series. I had totally forgotten about it! It felt like a little gift just waiting for me.

I got turned around where several trails formed a hub and took the wrong one. I was able to keep my wits about me and stop and take a few photos when the clouds lifted a bit around Denali. Then I ran into a mountain man who pointed me in the right direction. I sprinted down the trail (the opposite way) and finally met up with my friends. :D #storyofmylife

 

4-shot panorama

Nikon d810

Zeiss 100mm

Sooo, Fiona is finally realizing that most people don't normally walk on crutches all the time. She informed me that I parked in a handicapped parking space when we went to the doctor's office. I had to explain to her that I am handicapped and that I have a handicapped parking permit in my window. I showed her that it matches the signs. I guess that's when the realization really set in. She liked pushing the button for the doors to open, which I don't normally use unless they are really heavy, but she liked it. We'll see if she remembers the next time I have to park.

The famous wall at Houston & Bowery recently received a new mural "Story Of My Life" by artist Logan Hicks. As you can see it has been defaced.

i personally think its good to be the wrong fit , who wants to be average ๐Ÿ˜Š

 

GรผneลŸli ve rรผzgarlฤฑ bir gรผnรผn batฤฑmฤฑ.

 

Bir รงocuklukla gรผn batฤฑmฤฑ izlemeye mahallenin arkasฤฑndaki tepeye yapฤฑlan piknik alanฤฑna รงฤฑkmฤฑลŸtฤฑk. ร‡ekirdek almฤฑลŸtฤฑk ama su almamฤฑลŸtฤฑk niyeyse. Ya da ben รถyle hatฤฑrlฤฑyorum zaten bu da รถnemsiz detaylardan biri. Hava sฤฑcaktฤฑ ve 4 kardeลŸ bir arada olabildiฤŸimiz nadir anlardan biriydi. Sonra komลŸunun oฤŸlu da bize katฤฑlmฤฑลŸtฤฑ. Aslฤฑnda annem de oralardaydฤฑ ama o sฤฑralar รงevreye bakฤฑnmakla meลŸgul olduฤŸundan gelip kareye girmemiลŸti. Gรผzeldi. GรผneลŸ, rรผzgar ve bizimkilerin sesleri.

Bunca detay vermeye gerek var mฤฑydฤฑ?

Aklฤฑma geldi iลŸte sรถyledim. Bazฤฑ ลŸeylere sebep aramak lazฤฑm ya da sebeplere isim koymamak.

 

Sonra hepimiz ayrฤฑ ลŸehirlere daฤŸฤฑldฤฑk. Eve sessizlik รงรถktรผ.

Sonuรง olarak, "gรผn batฤฑmฤฑ, 3 evlat + komลŸunun oฤŸlu" adlฤฑ รงalฤฑลŸmam olmuลŸtu bu da. .

 

Fri 01.08.16 - The busker was playing and singing a very good Social Distortion's 'Story of My Life'. The sky was lovely and reflecting on his guitar. A lovely moment at the Seal Beach pier.

Written on these walls are the colors that I can't change

Leave my heart open but it stays right here in its cage

I know that in the morning now I see us in the light upon a hill

Although I am broken, my heart is untamed, still

  

And I'll be gone, gone tonight

The fire beneath my feet is burning bright

The way that I been holding on so tight

With nothing in between

 

The story of this particular wall art is pretty interesting. The story of this wall that began in the 1970's with Keith Haring has much to do with graffiti graduating from vandalism to art.

- i've come to realize it'll never be the same, ever.

This is the last upload for today. I'm posting too many pictures a day; and it's getting annoying, i know. This picture has so much meaning, it basically symoblizes what's going on in my life right now. I'm so sick and tired of waiting for something that is never going to happen. I'm tired of waiting around for a miracle, you make me think that miracles aren't even real. Thanks. So from now on i'll just wait until you realize that what's done is done. If you want to start over, great. If you don't, see ya.

 

Love always,

Chantel Tilly Baggley

 

PS - I gotta' stop with all the vintage/soft photos. I'm so addicted.

The story of this particular wall art is pretty interesting. The story of this wall that began in the 1970's with Keith Haring has much to do with graffiti graduating from vandalism to art.

The mural is called โ€œStory of My Lifeโ€ and what the legendary street artist Logan Hicks said about his turn at this famous New York City wall was โ€œDoing a mural on the Houston Bowery Wall is a celebration of my ten year mark in New York.โ€

 

The mural captures a street scene in SoHo (Greene Street) from May 22 of this year. Hicksโ€™ friends were invited to partake in a group photo shoot on that day and the photograph then became a series of giant blue-hued stencils. Gothamist explains it further and names names;

 

โ€œThe sprawling, intricate piece is called "Story of My Life," and it depicts what the corner of Spring and Greene Streets would look like if everyone important to Hicks happened to be walking down the same NYC street at the same time. Last spring Hicks had dozens of his friends and fellow artists stroll up and down the SoHo block again and again as he took about a thousand photos, which helped him create a composite sketch.

 

The faces include Martha Cooper, Chris Stain, Sara and Marc Schiller of the Wooster Collective, Eric Hayes, Rosie Perez, Elbow Toe, Joe Iurato, London Police, and Lori Zimmer, who curated the mural for landlord Goldman Properties. Hicks also put loved ones and close friends in the piece, including his mother and his nine-year-old son, who's depicted three times. There are also random passersby in the scene, people who happened to be in Hick's photos and stood out somehow to the artist.โ€

 

If I was a few pounds lighter, well okay a lot of pounds lighter, Iโ€™d be a dead ringer for a photographer in the scene. Can you see yourself in this wall?

Logan Hicks' Houston Bowery wall was not without problems. There was a first attempt that was too heavy for the wall and the wall had to be rebuilt for a second attempt. As Trish Mayo showed in This Is Why We Can't Have Nice Things one knucklehead tried to ruin it for everyone but a coat of clear lacquer foiled that attempt.

 

This great wall will be up for another two months or so and, if you live in the New York area, the view is worth the trip. You can find yourself here.

 

did this thurs night but never had a chance to take a pic.

 

sara's may story of my life kit.

The God's Eye | HandPan & Cello Meditation Session

 

Here is a translated story:

 

The days were golden, drenched in summerโ€™s warmth. Mornings carried a quiet promise, and before the world stirred, I would slip awayโ€”far from the cityโ€™s murmur, closer to natureโ€™s embrace. A brief stop at the office to gather my camera and lenses, and thenโ€”fifteen minutes on the road, a heartbeat between worlds.

 

Here, the morning still held its breath. A gentle breeze wove through the trees, prolonging the fragile coolness before the sun claimed its throne. Birds wove their melodies into the hush, not merely filling the silence but completing itโ€”an overture of joy, harmony, and peace.

 

In those days, the ritual of brewing fresh coffee was a quiet homage to the birth of a new day. So sacred was this moment that I kept a special coffee set in my car, always ready for these stolen mornings. That day, beneath the open sky, I brewed my coffeeโ€”not in an office, but in natureโ€™s cathedral. And yet, curiously, when alone, the coffee rarely reached perfectionโ€ฆ But when shared, when made for another, it unfailingly tasted just rightโ€”as if warmth of spirit were the missing ingredient all along.

 

Awake now, both in body and in soul, I stepped into my silent meditationโ€”my camera in hand, my heart open to the world. Nature, in all her quiet wisdom, painted masterpieces at my feet. I longed for grander landscapes, yet I taught myself to see the extraordinary in the ordinary, to find poetry in the simplest of things, to uncover meaning where none seemed to dwell.

 

The earth lay cracked beneath summerโ€™s relentless touch. Nearby, golden wheat swayedโ€”born from last yearโ€™s harvest, rising where none had sown. Clover, once shorn to the ground, had bloomed anew, defiant and free. Bees, butterflies, dragonflies, and silent-winged moths danced between wildflowers, turning the stillness into a symphony of life.

 

An hour, perhaps two, slipped through my fingers like water, vanishing before I could capture all that I wished to hold. It was time to return. Time to rejoin the world I had left behind.

 

And yet, looking back, I see it nowโ€”how those stolen moments, those quiet wanderings, were not mere escapes but a return. A return to myself, to a path I had not yet recognized. A foundation laid, unknowingly, for the passions that would one day shape my life. And as the years turned, I would find these places again, cherish the images captured in fleeting light, and share fragments of their beauty with othersโ€”perhaps even inspiring them to seek their own path, in their own time, in their own way.

 

The original story in Russian:

 

ั‚ะพ ะฑั‹ะปะธ ั…ะพั€ะพัˆะธะต, ะถะฐั€ะบะธะต ะปะตั‚ะฝะธะต ะดะฝะธ. ะ’ ั‚ะต ะดะฝะธ ะฟะพ ัƒั‚ั€ะฐะผ ะฟะตั€ะตะด ะฝะฐั‡ะฐะปะพะผ ั€ะฐะฑะพั‡ะตะณะพ ะดะฝั ั ะพั‚ะฟั€ะฐะฒะปัะปัั ะฟะพะดะฐะปัŒัˆะต ะพั‚ ะปัŽะดะตะน ะธ ะฟะพะฑะปะธะถะต ะบ ะฟั€ะธั€ะพะดะต. ะŸะตั€ะตะด ะฟะพะตะทะดะบะพะน ั ัƒัะฟะตะฒะฐัŽ ะทะฐะตั…ะฐั‚ัŒ ะฒ ะพั„ะธั ะธ ะฒะทัั‚ัŒ ั ัะพะฑะพะน ะบะฐะผะตั€ัƒ ะธ ะพะฑัŠะตะบั‚ะธะฒั‹.

ะŸัั‚ะฝะฐะดั†ะฐั‚ัŒ ะผะธะฝัƒั‚ ะฟัƒั‚ะธ ะธ ั‚ั‹ ัƒะถะต ะพั‡ัƒั‚ะธะปัั ะฒ ะดั€ัƒะณะพะผ ะผะธั€ะต.

ะ›ะตะณะบะธะน ัƒั‚ั€ะตะฝะฝะธะน ะฒะตั‚ะตั€ะพะบ ะธ ะฟะพะปัƒั‚ะตะฝัŒ ะดะตั€ะตะฒัŒะตะฒ ะฝะตะผะฝะพะณะพ ะฟั€ะพะดะปะตะฒะฐัŽั‚ ัƒั‚ั€ะตะฝะฝัŽัŽ ัะฒะตะถะตัั‚ัŒ, ะทะฐ ะบะพั‚ะพั€ะพะน ะผะฐัั‚ะตั€ัะบะธ ะพั…ะพั‚ะธั‚ัั ะปะตั‚ะฝะตะต ั‚ะตะฟะปะพ. ะŸั‚ะธั†ั‹ ัะฒะพะธะผ ะฟะตะฝะธะตะผ ะฒัะต-ะตั‰ั‘ ะฝะฐะฟะพะปะฝััŽั‚, ัะบะพั€ะตะต ะดะฐะถะต ะดะพะฟะพะปะฝััŽั‚ ัƒั‚ั€ะตะฝะฝัŽัŽ ะฐั‚ะผะพัั„ะตั€ัƒ ั€ะฐะดะพัั‚ัŒัŽ, ะณะฐั€ะผะพะฝะธะตะน ะธ ัƒะผะธั€ะพั‚ะฒะพั€ะตะฝะธะตะผ.

ะ’ ั‚ะต ะฒั€ะตะผะตะฝะฐ ะทะฐะฒะฐั€ะธะฒะฐะฝะธะต ัะฒะตะถะตะณะพ ะบะพั„ะต ะฑั‹ะปะพ ะฝะตะพั‚ัŠะตะผะปะตะผะพะน ั‡ะฐัั‚ัŒัŽ ัƒั‚ั€ะตะฝะฝะตะณะพ ั€ะธั‚ัƒะฐะปะฐ ะฒ ั‡ะตัั‚ัŒ ะฝะพะฒะพะณะพ ั€ะฐะฑะพั‡ะตะณะพ ะดะฝั. ะ ะฐะดะธ ัั‚ะพะน ัƒั‚ั€ะตะฝะฝะตะน ั€ัƒั‚ะธะฝั‹ ั ะดะฐะถะต ะพะฑะทะฐะฒะตะปัั ะพั‚ะดะตะปัŒะฝั‹ะผ ะบะพั„ะตะนะฝั‹ะผ ะฝะฐะฑะพั€ะพะผ, ะบะพั‚ะพั€ั‹ะน ะฟั€ะฐะบั‚ะธั‡ะตัะบะธ ะฒัั‘ ะฒั€ะตะผั ะตะทะดะธั‚ ะฒ ะฐะฒั‚ะพะผะพะฑะธะปะต. ะญั‚ะธะผ ัƒั‚ั€ะพะผ ั‚ะพะปัŒะบะพ ะฝะฐ ะฟั€ะธั€ะพะดะต ะฒะผะตัั‚ะพ ะพั„ะธัะฐ ั ะทะฐะฒะฐั€ะธะป ะฝะตะผะฝะพะณะพ ะบะพั„ะต. ะกั‚ั€ะฐะฝะฝะพะต ะดะตะปะพ, ั‡ั‚ะพ ะฝะฐะตะดะธะฝะต ะบะพั„ะต ะดะพะฒะพะปัŒะฝะพ ั€ะตะดะบะพ ะฟะพะปัƒั‡ะฐะปะพััŒ ะธัะบะปัŽั‡ะธั‚ะตะปัŒะฝั‹ะผ... ะ ะฒะพั‚ ะบะพะณะดะฐ ะทะฐะฒะฐั€ะธะฒะฐะตัˆัŒ ะฒะผะตัั‚ะต ั ะบะตะผ-ั‚ะพ ะธะปะธ ะดะปั ะบะพะณะพ-ั‚ะพ - ั‚ะพ ะฝะตะฟั€ะตะผะตะฝะฝะพ ะฝะฐะฟะธั‚ะพะบ ะพะบะฐะถะตั‚ัั ะฟะพ ะดัƒัˆะต ะฒัะตะผโ€ฆ ะกะพะฒะฟะฐะดะตะฝะธะต ะปะธ, ั‡ั‚ะพ ะฒ ะพะดะธะฝะพั‡ะตัั‚ะฒะต ะบะพั„ะต ะฒะพัะฟั€ะธะฝะธะผะฐะตั‚ัั ะฝะตะฟั€ะธะผะตั‡ะฐั‚ะตะปัŒะฝั‹ะผ? ะœะพะถะตั‚ ะดะตะปะพ ัะพัั‚ะพะธั‚ ะฒ ัะฐะผะพะน ััƒั‚ะธ ั‡ะตะปะพะฒะตั‡ะตัั‚ะฒะฐ ะธ ะตะณะพ ะณะปัƒะฑะธะฝะฝะพะน ะฟะพั‚ั€ะตะฑะฝะพัั‚ะธ ะฒ ะดั€ัƒะณะธั… ะปัŽะดัั…?โ€ฆ

ะะตะผะฝะพะณะพ ะฒะทะฑะพะดั€ะธะฒัˆะธััŒ ะธ ะฝะตะผะฝะพะณะพ ะฝะฐัะปะฐะดะธะฒัˆะธััŒ ัƒั‚ั€ะตะฝะฝะธะผ ัƒะผะธั€ะพั‚ะฒะพั€ะตะฝะธะตะผ ะธ ัะฒะตะถะธะผ ะฒะพะทะดัƒั…ะพะผ ั ะพั‚ะฟั€ะฐะฒะปััŽััŒ ะฝะฐ ัะฒะพัŽ ะพั‡ะตั€ะตะดะฝัƒัŽ ั„ะพั‚ะพ-ะผะตะดะธั‚ะฐั†ะธัŽ. ะŸั€ะธั€ะพะดะฐ ะฟะพ-ะฟั€ะตะถะฝะตะผัƒ ั€ะฐะดัƒะตั‚ ัะฒะพะธะผ ั€ะฐะทะฝะพะพะฑั€ะฐะทะธะตะผ ะบั€ะฐัะพะบ ะธ ััŽะถะตั‚ะพะฒ. ะฅะพั‚ะตะปะพััŒ ะฑั‹ ะพะบะฐะทะฐั‚ัŒัั ะฒ ะฑะพะปะตะต ะถะธะฒะพะฟะธัะฝะพะผ ะผะตัั‚ะต, ะฝะพ ะธัะบั€ะตะฝะฝะต ั€ะฐะดัƒัŽััŒ ั‚ะพะผัƒ, ั‡ั‚ะพ ะธะผะตัŽ ะธ ัƒั‡ัƒััŒ ะทะฐะผะตั‡ะฐั‚ัŒ ะฟั€ะตะบั€ะฐัะฝะพะต ะฒ ัะฐะผั‹ั… ะบะฐะทะฐะปะพััŒ ะฑั‹ ะฝะตะฟั€ะธะผะตั‡ะฐั‚ะตะปัŒะฝั‹ั… ะฒะตั‰ะฐั…, ะฝะฐั…ะพะดะธั‚ัŒ ััŽะถะตั‚ั‹ ะธ ัะผั‹ัะปั‹ ั‚ะฐะผ, ะณะดะต ัั‚ะพ ั€ะฐะฝัŒัˆะต ะบะฐะทะฐะปะพััŒ ะฑั‹ ะฝะตะฒะพะทะผะพะถะฝั‹ะผโ€ฆ

ะ’ะพั‚ ะทะตะผะปั ะฟะพั‚ั€ะตัะบะฐะปะฐััŒ ะพั‚ ะปะตั‚ะฝะตะณะพ ะทะฝะพั. ะ ั‚ัƒั‚ ะทะพะปะพั‚ัั‚ัั ัะพะทั€ะตะฒัˆะธะต ะบะพะปะพัะบะธ ะฟัˆะตะฝะธั†ั‹, ะบะพั‚ะพั€ะฐั ัะฐะผะพัั‚ะพัั‚ะตะปัŒะฝะพ ะฒะทะพัˆะปะฐ ะฝะฐ ะผะตัั‚ะต ะฟั€ะพัˆะปะพะณะพะดะฝะตะณะพ ัƒั€ะพะถะฐั. ะฃ ะทะดะตััŒ ะบะปะตะฒะตั€ ะทะฐั†ะฒะตะป ะฟะพัะปะต ั‚ะพะณะพ, ะบะฐะบ ะฝะตัะบะพะปัŒะบะพ ะฝะตะดะตะปัŒ ะฝะฐะทะฐะด ะพะฝ ะฑั‹ะป ัะบะพัˆะตะฝ. ะŸั‡ั‘ะปั‹, ะผัƒัˆะบะธ, ะผะพั‚ั‹ะปัŒะบะธ, ัˆะผะตะปะธ ะธ ะดั€ัƒะณะธะต ะฝะฐัะตะบะพะผั‹ะต ะดะพะฟะพะปะฝััŽั‚ ััŽะถะตั‚ั‹ ั ั†ะฒะตั‚ัƒั‰ะธะผะธ ั€ะพะผะฐัˆะบะฐะผะธ ะธ ะดั€ัƒะณะธะผะธ ั€ะฐะดัƒัŽั‰ะธะผะธ ะณะปะฐะท ะพะฑะธั‚ะฐั‚ะตะปัะผะธ ัั‚ะพะณะพ ะฒ ะพัะฝะพะฒะฝะพะผ ะฑะตะทะผะพะปะฒะฝะพะณะพ ะผะธั€ะฐ.

ะงะฐั-ะดั€ัƒะณะพะน - ะธ ะฒะพั‚ ัƒะถะต ะฟะพั€ะฐ ัƒั…ะพะดะธั‚ัŒโ€ฆ ะฏ ะถะต ั‚ะพะปัŒะบะพ ะฒะพัˆะตะป ะฒะพ ะฒะบัƒัโ€ฆ. ะฏ ะถะต ั‚ะฐะบ ะผะฐะปะพ ัƒัะฟะตะป ะทะฐะฟะตั‡ะฐั‚ะปะตั‚ัŒโ€ฆ ะะพ ะฒัั‘-ะถะต ะฒั‹ะบั€ะพัŽ ะตั‰ั‘ ะฝะตัะบะพะปัŒะบะพ ะบะฐะดั€ะพะฒ ะธโ€ฆ ะŸะพั€ะฐ ัะพะฑะธั€ะฐั‚ัŒัั ะฒ ะฟัƒั‚ัŒโ€ฆ ะัƒะถะฝะพ ะฒะพะทะฒั€ะฐั‰ะฐั‚ัŒัั ะบ ั€ะฐะฑะพั‚ะตโ€ฆ

 

ะ˜ะฝั‚ะตั€ะตัะฝะพ ั‚ะพ, ั‡ั‚ะพ ะฒ ั‚ะต ะฒั€ะตะผะตะฝะฐ ั ะผะฝะพะณะพ ั„ะพั‚ะพะณั€ะฐั„ะธั€ะพะฒะฐะป ะฑะตะท ะพัะพะทะฝะฐะฝะธั ั‚ะพะณะพ, ั‡ั‚ะพ ะฒะพะทะฒั€ะฐั‰ะฐัŽััŒ ะฝะฐ ัะฒะพะน ะฟัƒัั‚ัŒ, ะทะฐะบะปะฐะดั‹ะฒะฐัŽ ั„ัƒะฝะดะฐะผะตะฝั‚ ัะฒะพะธั… ะธัั‚ะธะฝะฝั‹ั… ะธะฝั‚ะตั€ะตัะพะฒ ะธ ะฒะปะตั‡ะตะฝะธะน. ะ˜ ั‡ั‚ะพ ัะฟัƒัั‚ั ะฒั€ะตะผั ั ะฑัƒะดัƒ ะทะฐะฝะพะฒะพ ะพั‚ะบั€ั‹ะฒะฐั‚ัŒ ั‚ะต ะผะตัั‚ะฐ, ั€ะฐะดะพะฒะฐั‚ัŒัั ะฟะพะปัƒั‡ะตะฝะฝั‹ะผ ะธะทะพะฑั€ะฐะถะตะฝะธัะผ ะธ ะดะตะปะธั‚ัŒัั ะผะฐะปะตะฝัŒะบะธะผะธ ััŽะถะตั‚ะฐะผะธ ะธะท ัะพะฒั€ะตะผะตะฝะฝะพ ะฝะตะฟั€ะธะผะตั‡ะฐั‚ะตะปัŒะฝะพะณะพ ัƒะณะพะปะบะฐ ัั‚ะพะณะพ ะพะณั€ะพะผะฝะพะณะพ ะผะธั€ะฐ ั ะดั€ัƒะณะธะผะธ ะปัŽะดัŒะผะธ. ะ˜ ะดะฐะถะต ะฒะดะพั…ะฝะพะฒะปัั‚ัŒ ะบะพะณะพ-ั‚ะพ ะฝะฐ ะตะณะพ ัะพะฑัั‚ะฒะตะฝะฝะพะผ ะธ ะฝะตะฟะพะฒั‚ะพั€ะธะผะพะผ ะฟัƒั‚ะธ...

 

Logan Hicks' new mural at the Bowery seen thru the window of a M21 bus. I wish I had a wider lens with me today!

 

[A7ii-7542 DxO-PScc]

yes. i did take this while the bike was moving. yes, i am still alive

Even though you haven't had internet for a day! A day without flickr is like a day without sunshine! Hope everyone is having a wonderful week end!

The story of this particular wall art is pretty interesting. The story of this wall that began in the 1970's with Keith Haring has much to do with graffiti graduating from vandalism to art.

new profile picture because I was bored

from the series 40 Something, With Cats

I asked for forces - and I encountered difficulties, but they strengthened me.

I asked for wisdom - and I was handed problems to resolve; yet through them I acquired wisdom.

I asked for courage - and obstacles were placed on my way... so that I could overcome them.

I asked for love - and was given worried human beings, anxious and downcast by problems; for me to assist them.

 

I did not receive anything from all the things I wanted!

I did however, receive all of which I was in need of.

 

Conclusion: Go through life without fear! Face all the obstacles with the certainty that you can and will overcome them.

(unknown author)

 

This, in short words, is the Story of my Life!

 

With heartfelt thanks to the 'provider' of these wonderful words Andrรฉ S and all those helping me to Go through life without fear.

 

More blue sky and more autumn sunshine go here

 

Uebersetzung DEUTSCH in der Kommentar-Box

Traduction FRANCAIS - voir commentaires

 

ยฉ All rights reserved

Kindly visit my Flickr DNA for more information on me and my work. Thanks!

 

If you have time, please visit my EXPLORE portfolio. |I| And/Or maybe you want to look up what 'DOPIAZA' considers as the MOST INTERESTING photos. |I| THESE are MY personal 50 FAVESโ€ฆ (and they change often as I delete one for every new one!) |I|

For opening all other folders, please open link(s) in a new tab each! :)

  

Asbestos mining in the Yukon July 1971

 

(asbestos - amiante)

 

I'm on the left

Je suis ร  gauche

1 3 4 5 6 7 โ€ขโ€ขโ€ข 79 80