View allAll Photos Tagged STACKABLE
Guess where this was taken?
The Arctic? Nope.
Antarctica? Try again.
Siberia? No, no.
Believe it or not, this is right here in our beautiful state of Utah!
Don’t let chilly temps and gray skies steal three months of your life this winter. Nature doesn’t hit the snooze button just because it’s cold—and neither should you! Bundle up, grab your camera, and let’s go chase the frosty magic together.
2 last minute spots just opened up for our adventure Jan 11-14, 2025!
Canon eos 60D + Sigma 105mm os + 68mm of extension tubes + Flash Venus KX800. Stack of 10 shots hand held in the field on a living subject, F7.1 , 1/250s, iso 2500.
In my future flat, there will be a wall.
A wall to be stacked up with notebooks, stamps, cameras..... etc.
More on Scription blog: moleskine.vox.com/library/post/stacks-of-things.html
Of all the shots I exhibit, this is probably the most popular and near oldest.
Prints can be ordered via my blog: www.doublecrossed.ca/index.php?showimage=58
Stack of Kodak instamatic 110 cameras (Ektralite , Graffiti , Gimini ) . From the 1980s .
(for "Smile on Saturday")
I dedicate this shot to Eddie The Bugman (a.k.a. Edward Nurcombe), a master of this type of portrait, whose photographs are an inspiration to me. Eddie hasn't posted since 2015, and appears to have fallen off the Internet. I hope he's OK - any news would be welcomed.
Pentax D-FA 100mm F/2.8 WR Macro, with HD DA 1.4X tele-converter, Raynox DCR-250, and off-camera diffused Godox AD180 flash. Five-frame handheld focus stack. 17MP crop to 4:3 aspect ratio.
IMPORTANT:
If you would like to use this photo in a way that is appropriate under its Creative Commons license, you are welcome to do so, but please make sure to credit me by my real name and Flickr handle, and please also include a link to the Flickr page of the photo, as well as a link to the relevant Creative Commons license text. I have put examples of proper attribution on my profile page. Optionally, you may also send me a little note about your use... :)
For any other type of use, please contact me to properly license this image.
Thank you!
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One of the most interesting places on the Pacific coast is at Bandon, Oregon, where offshore sea stacks guard the beach.
It took nature millions of years and great force to create these spectacular sea stacks. Some of the vertical columns were once part of a headland, but erosion of thinner and softer material isolated them from the mainland.
Many stacks were the result of volcanic action, with lava flowing to the sea.
In body focus stacked on a rainy day. While the 60mm is not among my favorite macros you can't beat it on a rainy day. One thing Oly does not get enough credit for is the weather proofing on their gear.
The Stacked Deck: You will never find a more wretched hive of scum and villainy.
A standalone vignette, this creation will be on display at Brickworld Chicago next week. It combines many things I love about Batman the Animated Series, as well as various designs and techniques I’ve used over the years.
Here, we find many of Batman’s villains playing poker, ala 'Almost Got Im’, as well as some character relationships like that of Joker and Harley—apparently Joker is willing to risk his lovely sidekick in a game of poker! The design of the Stacked Deck was a hard one to pull off, and not just because I was so low on pieces that 50% of it is made from 1x1 dark green bricks! The curved roof is something I’ve wanted to do for a long time, and despite the flexibility of the pieces used, it was hard to keep them in place without the building exploding. The creation also features some designs I’ve used before, such as the ceiling fans from my Black Mask creation, and even some hanging fish hooks from way back when. For such a small creation, there are tons of details such as Croc and Bane throwing knives and Penguin standing on a box for a height advantage—oh and of course a Bat cowl hanging on the wall!
This creation is also meant to do more however; I’m currently out of the Lifelites products I desire, but luckily the company will be displaying products at Brickworld. So, once I arrive and get one last LED wire and the batteries (Which are impossible to find in store!), I’ll have one hanging, flickering light over the poker table. Anyways, enjoy online viewers, and those attending will be able to see this spectacular hive of villainy in person!
Enjoy!
An eastbound BNSF stack train with two CSX GE's leading, traverses the impressive bridge over Lake Pend Oreille in Sandpoint, Idaho.
In 2018, I refolded my older Stacked Propellers Tessellation design, this time as a complete tessellation rather than a single molecule. Elephant Hide paper, 64×64 grid.
More pictures: origami.kosmulski.org/models/stacked-propellers-tessellation
South Stack (Welsh: Ynys Lawd) is an island situated just off Holy Island on the North West coast of Anglesey. It is famous as the location of one of Wales' most spectacular lighthouses.
When the weather is clear you can make out Ireland as well as the Isle of Man.
A westbound SP stack train leaves Tully AZ after yet another meet on the busy Sunset Route. Remnants of the snow that completely shut down I-10 for the morning are still visible on the distant mountains and in the shadows.
Jim DeNike, Reid McNaught and I followed the Sunset from San Antonio to Tucson on the way to Victorville for a spring WGRF in 1990. It's the only time I spent much time on this line and I regret not hitting it more back then. Lots of traffic and you never knew what would be leading next.
A lenticular cloud glows with the dawn light above Green Mountain and the Flatiron formation in Boulder Colorado. Technically known as “Altocumulus Standing Lenticular” these clouds form when air is forced up by mountains oriented perpindicularly to the flowing wind. At the crest of their movement clouds will form if there is sufficient moisture, shaped like flying saucers or pancakes, reflecting the gravitational spread of the deflected air. I’m unsure what causes the stacking that we see here. While the cloud appears stationary, the air is moving very quickly. The shape may change with time as the wind velocity changes. This cloud elongated after I took this photo (see future posts and link listed below).
While it looks like I’ve gotten carried away with the saturation and vibrance sliders, I’ve actually toned this down a bit. If you visit this link and input the date as Feb 6, 2016, starting at 6:45 am and ending at 7:30 am, you can see just how bright this cloud became, and watch the shape change with time. (#2)
Stacked [Whatever] Block. I say [Whatever] because it could be so many different things. Bolts of fabric, books, bricks... Of course turning it sideways gives you a whole slew of new choices! You can read more and find the tutorial to download over here.
South Stack Lighthouse Spring Sunset
tomaszjanickiphoto.co.uk/workshops-snowdonia-wales-landsc...
The stacks off the coast of Vik in southern Iceland are very picturesque. I used a big zoom to try to capture the power of the massive waves breaking on the beach.
Multiple images stacked by software to improve image quality.
Major craters are Copernicus and Tycho.
Taken afocal through telescope eyepiece with small digital camera.
They were everywhere.
"You've never seen so many chairs in one place... And yet, everyone is standing! This curious show is in the courtyard of the Coulanges Hotel, in which Tadashi Kawamata has made a home to exhibit his new eccentric installation, a monumental stack of chairs, which extends from the top of the building to the cobblestones of the inner courtyard."
pentax pino 35
fixed focus, 38mm coated glass triplet lens, set shutter 1/125
3 light settings, 3 film speeds
"New Museum of Contemporary Art building", designed by Japanese architects SANAA.
NYC
"The anodised aluminium mesh exterior covering the building's six stacked rectangular boxes emphasises the ramshackle colour of its Lower East Side surroundings. It provides a great surface for attaching artworks, fridge magnet-style, like the Ugo Rondinone rainbow sign “Hell, Yes!” (2001)."
"I've always felt like an artistic person. I can't draw or paint or sculpt. I never really had technical skills, but I've always felt like I appreciate really beautiful things, and part of taking a good photograph is being able to recognize beauty." Brandon Stanton.
I did not want to leave Manila without getting a nice picture of some of its monuments located in Intramuros, the historic and walled heart of a city that for over three centuries was the center of Spain's main colony in Southeast Asia. Soon the city founded by Miguel Lopez de Legazpi, would see pass through it the Philippine Revolution and the American control of the archipelago, but lamentably after the devastation produced by the occupation of the Japanese army and the American bombings against them during World War II, little remains original between the walls of what once was called "Pearl of the East" or "Paris of Asia". However, some buildings have been restored and the history of Manila can still be relived if you visit among others, Fort Santiago, Casa Manila or Saint Augustine Church (which was the only one that miraculously survived after the destruction of the war).
Among the restored monuments, I chose to photograph the cathedral, whose reconstruction after the war was the seventh, since throughout history it had suffered earthquakes, fires and typhoons that destroyed it to a greater or lesser extent. It is a Neo-romanesque temple with very interesting details and a fine architecture, with a very bright interior thanks to its stained glass windows and white walls. Photographing the cathedral from the outside is a challenge, since the square in front of it is a pleasant place where people usually sit at nightfall. For this reason I chose to use beautiful red flowers in the foreground to cover the people, a decision that has made me spend several hours of work in the edition to mix the images with different focus. This technique is known as Focus Stacking, and allows more risky compositions, with the camera located a few centimeters from the elements that are placed in the foreground, but which creates really unique results and permits to show a great level of detail throughout the photograph.
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"Siempre he sentido que era una persona artística. No puedo dibujar, pintar ni esculpir. Nunca tuve habilidades técnicas, pero siempre he sentido que aprecio las cosas realmente bellas, y una parte de tomar una buena fotografía es ser capaz de reconocer la belleza". Brandon Stanton.
No quería dejar Manila sin conseguir una bonita imagen de algunos de sus monumentos localizados en Intramuros, el corazón histórico y amurallado de una ciudad que durante algo más de tres siglos fue el centro de la principal colonia de España en el Sudeste Asiático. Luego la ciudad fundada por Miguel López de Legazpi, vería pasar por ella la Revolución Filipina y el control americano del archipiélago, pero lamentablemente tras la devastación producida por la ocupación de los japoneses y los bombardeos americanos contra ellos durante la Segunda Guerra Mundial, poco queda original entre las murallas de la que fue llamada "Perla de Oriente" o "París de Asia". Sin embargo, algunos edificios han sido restaurados y la historia de Manila aún puede revivirse si se visitan entre otros, Fort Santiago, Casa Manila o la Iglesia de San Agustín (que fue la única que se libró milagrosamente de la destrucción durante la guerra).
De entre los monumentos restaurados, me decanté por fotografiar la catedral, cuya reconstrucción tras la guerra fue la séptima, ya que a lo largo de la historia había sufrido terremotos, incendios y tifones que la destruyeron en mayor o menor medida. Se trata de un templo neorománico con detalles muy interesantes y de fina arquitectura, con un interior muy luminoso gracias a sus vidrieras y blancas paredes. Fotografiar la catedral desde el exterior es un reto, ya que la plaza que se encuentra frente a ella es un lugar agradable en el que la gente suele sentarse al caer la noche. Por este motivo opté por utilizar unas bonitas flores rojas en primer plano para cubrir al gentío, una decisión que me ha supuesto varias horas de trabajo en la edición para mezclar las imágenes con diferente enfoque. Esta técnica se conoce como Focus Stacking, y da pie a composiciones más arriesgadas, con la cámara a escasos centímetros de los elementos que se sitúan en primer plano, pero que da unos resultados realmente únicos y permite mostrar un gran nivel de detalle en toda la fotografía.