SML Fine Art = 大中小藝 = SML ファインアート
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Volkswagen has been trending for a while in the social media sphere in recent years. Their retro vans and beetles have been remixed to unrecognisable magical form. So to see this at Art Basel is a surprise. The higher echelon of the art world often feel somewhat dated, filled with “old people” hiding behind the gates in their ivory towers. It is unclear if this means that they are rebranding, or perhaps simply that Asia is the “new world” in art as California is in the world of wines.
This work is by Indonesian artist Ichwan Noor (b. 1963), an artist born in Jakarta and studied at the Indonesian Art Institute, Yogyakarta. He got his idea of this piece from his personal perception that objects are products of a “transportation culture,” which induced hints and signs of spiritual emotion.
For this sculpture / installation, real parts from VW Beetle '53 is used as raw materials, and combined with aluminium and polyester to form this majestic sphere measuring 180 x 180 x 180 cm. Exposure to Indonesian contemporary artworks is a first for me at Art Basel Hong Kong, and I am seriously considering traveling to Indonesia for more.
Seriously. Crazyisgood. SML Love. VW lovers rejoice!
Ichwan Noor
Beetle Sphere, 2013
Aluminium, polyester, real parts from VW beetle '53, paint
180 x 180 x 180 cm
# Ichwan Noor
www.artbaselhongkong-online.com/?Action=showProduct&i...
www.mondecor.com/kuratorial/ichwan-noor-solo-exhibition-e...
# Art:1 by Mondecor Gallery
Jl. Rajawali Selatan Raya no. 3
Jakarta 10720
Indonesia
# SML Data
+ Date: 2013-05-23T17:48:05+0800
+ Dimensions: 5118 x 3570
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 19 mm
+ ISO: 500
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14135
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Ichwan Noor (b. 1963): Beetle Sphere, 2013 (Aluminium, polyester, real parts from VW beetle '53, paint)” / Art:1 by Mondecor Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14135
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #IchwanNoor #MondecorGallery #Indonesia #WTF #Beetle #VW #Volkswagen #installation
Mixed media paintings by Dean Russo (Facebook). Photographed inside the artist's studio during Dumbo Art Festival in 2009.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Mixed media paintings by Dean Russo (Facebook). Photographed inside the artist's studio during Dumbo Art Festival in 2009.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
I knew that this won't work as a portrait when I photograph it. The reflection on the window is too great and it literally cuts off her head. But then I can't really get them to open the windows, and there is some interesting things happening with the forms of the bridge, the people in the car that you cannot really see, as well as the pedestrians on the road from the reflection - you can call this a one-frame collage!
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
I went to check out the giant inflatable duck art installation currently on view at Harbour City to see what the fuss is all about. And there it is, floating on water.
This gigantic rubber duck which measures 14 x 15 x 16.5 meters was created as a statement for peace. In the Dutch artist Florentijn Hofman’s own words, “the Rubber Duck knows no frontiers, it doesn't discriminate people and doesn't have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them. The rubber duck is soft, friendly and suitable for all ages!” [1]
As with all things crazy in Hong Kong, what was most spectacular is not really the duck, but how many it has appeared on the media as well as how many people were seen photographing the duck on the docks.
On the evening news in Hong Kong, it was reported that some photographers were pushing each other just to get a space to photograph this floating duck. Oh humans.
The best place to photograph this is on the roof of Ocean Terminal where the car park is. There are much less people there and you get to see the duck well. I am claustrophobic so this is obviously where I photographed it.
# Notes
1. Florentijn Hofman: Projects: Rubber Duck: Hong Kong 2013 www.florentijnhofman.nl/dev/project.php?id=192
# SML Data
+ Date: 2013-05-08T16:07:39+0800
+ Dimensions: 5118 x 3412
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 32 mm
+ ISO: 200
+ Flash: DId not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°17'42" N 114°10'4" E
+ Location: 中國香港九龍尖沙咀海港城 Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong, China
+ Workflow: Lightroom 4
+ Serial: SML.20130508.6D.05448
+ Series: Photojournalism, Crazyisgood, SML Fine Art
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Florentijn Hofman: Rubber Duck: Hong Kong 2013” / Crazyisgood Art Installation / SML.20130508.6D.05448
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #FlorentijnHofman #RubberDuck #ducks #yellow #WTF #LOL #people #crazy #installation #art #fineart
Charming typographic installation with motion activated sensors. That said, I am personally a bit tired of seeing them. They mostly remind me of Edward Ruscha’s paintings with big type, except with added technology. When these first appeared in the art world I do like them but unfortunately not anymore. They become almost formulaic these days, but they are popular because obviously _some_ people love them.
Peter Liversidge (born 1973, Lincoln, England) is a British contemporary artist notable for his diverse artistic practice and use of proposals.
Over the course of the last 12 years, using an Olivetti typewriter, Liversidge has created proposals for exhibitions that range from the simple to the impossible. He experiments with what he describes as the "notion of creativity", often realised as objects, performances, or happenings over the course of an exhibition.
Liversidge says of his proposals that: “.. it’s important that some of the proposals are actually realized, but no more so that the others that remain only as text on a piece of A4 paper. In a sense they are all possible and the bookwork that collates the proposals allows the reader to curate their own show, and because of its size and scale the bookwork allows an individual to interact with each of the proposals on their own terms, one to one.”
Peter Liversidge
Hello, 2013
58 Light bulbs, powder coated steel, motion activated sensor
Unique at this size
53.5 x 267.9 x 18 cm
# Peter Liversidge
www.inglebygallery.com/artists/peter-liversidge/
en.wikipedia.org/wiki/Peter_Liversidge
# Ingleby Gallery
15 Calton Road
Edinburgh EH8 8DL
United Kingdom
# SML Data
+ Date: 2013-05-23T14:06:37+0800
+ Dimensions: 4017 x 2678
+ Exposure: 1/200 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03963
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Installation by Peter Liversidge: Hello, 2013 (58 Light bulbs, powder coated steel, motion activated sensor)” / Ingleby Gallery / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03963
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLTypography #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #PeterLiversidge #typography #installation #InglebyGallery #UK
Artist toolbox: James Cospito (Flickr)
See also
+ Artits on Art: James Cospito talks about his NYC Subway series (Flickr HD video)
+ Art + Artists: James Cospito talks about Brooklyn Art Project (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Whereas having a chiseled body may be a physical ideal in the modern times, being fat was once considered a natural beauty in China. As early as Han Dynasty, the rounded figures used to be desired. And in the early to mid 1900s, when wars were fought across the nation, being fat was once considered a sign of being “well fed,” even though this notion has slowly dissipated.
The “Fatty” sculptural series by Chinese artist 牟柏岩 Mu Boyan (b. 1976) depicts a naked male figure in unimaginable position. Here he is seen hanging onto a ledge and would not let go. Some art critics see the figure as that of sumo wrestler, though I highly doubt that at Chinese artist would be referencing sports culture from Japan.
Similar to the laughing men of 岳敏君 Yue Minjun, you either love it or hate it, but the one thing you cannot do is forget about it. And in that sense it is a successful piece.
Truly demented. Crazyisgood. Just the kind of art I love.
牟柏岩 Mu Boyan (b. 1976 Yunan, China)
Dot
2013
Color on Stainless steel
142 x 37 x 42 cm
# 牟柏岩 Mu Boyan
b. 1976
+ 1993-1997: 中央美术学院 China Central Academy of Fine Arts
+ 1997-2002: BFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获学士学位
+ 2002-2005: MFA, Sculpture, China Central Academy of Fine Arts 中央美术学院雕塑系，获硕士学位。
+ 2005: Teaches at China Central Academy of Fine Arts 中央美术学院
# Aye Gallery
Rm 601, Unit 3, Yonghe Garden, Yard 3, Dongbinhe Road, Dongcheng District
Beijing 100013
China
# SML Data
+ Date: 2013-05-23T18:33:48+0800
+ Dimensions: 3545 x 5252
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 29 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14253
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Sculpture by 牟柏岩 Mu Boyan (b. 1976 China): Dot (Fatty series), 2013 (Color on Stainless steel) / Aye Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14253
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #牟柏岩 #MuBoyan #sculpture #WTF #LOL #sculpture #fat #figure
At first I thought that this work was by Tony Oursler, who is the only artist I like who integrates videos in his work with other media. But it would appear that I have found someone I should keep an eye on—in China no less.
周啸虎 Zhou Xiaohu (b. 1960, Changzhou, Jiangsu Province) was one the of the first contemporary artists in China to work experimentally with sculptural ideas of video and animation. With a background in sculpture, oil painting and graphic design, Zhou’s work is a dynamic combination of these mediums, reflecting a world in which technology rules and the media is the pinnacle of propaganda and public influence.
Titled “America Loves Me”, this oil painting on aluminium plate comes come with an animated video as part of the piece which runs for 1 min 6 sec. It shows almost the same image as the painting, except that the shovel was seen digging dirt out from the tent.
As with the best contemporary artworks which I like, I found myself saying “WTF” out loud continuously for almost a minute. I have no idea what it is intended to say. Some day I would love to meet this guy. For now, my tiny brain is off to a reboot.
ZHOU Xiaohu 周啸虎
America Loves Me
2012
Oil painting on aluminium plate, animation video
217 x 122 cm
Animation video: 1 min 6 sec
Edition 2/2
# Zhou Xiaohu 周啸虎 (周嘯虎)
b. 1960, Changzhou, Jiangsu Province, China
www.longmarchspace.com/artist/list_7_brief.html
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# SML Data
+ Date: 2013-05-23T15:39:41+0800
+ Dimensions: 4798 x 2725
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 40mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13936
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by ZHOU Xiaohu 周啸虎 (周嘯虎): America Loves Me, 2012 (Oil painting on aluminium plate, animation video)” / Long March Space 长征空间 (長征空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13936
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ZHOUXiaohu #周啸虎 #周嘯虎 #LongMarchSpace #长征空间 #WTF #installation #oil
James Cospito's (Flickr) Moleskine stash, seen at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.
See also James Cospito talks about his NYC Subway series (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
A red sculptural doll lies happily on the flat and two-dimensional canvas filled with black and white characters drawn with lines waiting to come out.
Korean artist Eddie Kang’s mixed media piece is yet another fine example of WTF work seen recently at Art Basel Hong Kong 2013 which short-circuited my tiny brain.
As always, I am further WTF’ed up by the gallery description, which you are free to read below. Korean pop art at its heights. The artist got his art education in film and animation at RISD, which might explain the style which he paints with.
Crazyisgood.
Eddie Kang
In the middle of
2013
mixed media on canvas
130 x 130 cm
# Eddie Kang
2003 Rhode Island School of Design (BFA in Fine Art: Film/Animation/Video)
Eddie Kang thematically centered on memories (reminiscences) continuously when he had expressed his works. To express the psychological status of the fiction space (Comic series), he adjusts the frame and juxtaposes the characters with the realities of life that has structural limits and develops an unfamiliar space time. Hereafter, the process of recalling his childhood illusion or series of events is to reconstruct the memories and combine (“Absorbing”, “KARMA” series) them together which is similar as the memory of systematic reconstruction. In places, the collision of reality and inner narrative exposes in his artworks. The behavior of sewing emblem that indulges the cherished objects’ absence during the artist’s childhood and studying abroad, while the subject of dolls and in between their relationship and the overwhelming robots that symbolize the external world events not only deployed as a symbolic placement but by narration which renders a distinctive structure. This description that continues the process of the stories’ context does not exist, but which suits with fiction that evolves to a positive result. The individual characters exist by themselves and continuously arouse hybridization, transmutation that proliferates and might be evidence of the past memories that harmonize with the reality; the process of recalling.
www.galleryihn.com/at/eddie/bio.html
# Gallery Ihn
73 Cheongwadae-ro Jongno-gu
110 - 220 Seoul
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T16:42:01+0800
+ Dimensions: 2985 x 2985
+ Exposure: 1/80 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13996.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Eddie Kang: In the middle of, 2013 (mixed media on canvas)” / Gallery Ihn / Art Basel Hong Kong 2013 / SML.20130523.6D.13996.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #EddieKang #GalleryIhn #mixedmedia #WTF #LOL #popart #KR
Mixed media paintings by Dean Russo (Facebook). Photographed inside the artist's studio during Dumbo Art Festival in 2009.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Korean artist Insook Kim discovered the hotel by accident, just as it was being finished. Standing about third meters away in complete darkness, the she observed the lively activity inside the hotel after dark when the guests arrived.
With its panoramic windows, the guest see themselves as being anonymous in the dark, and so they are unaware that they are in fact taking part in a very public presentation for all to see. Given a bed and some mood lights, a musician was seen playing a cello while some explicit coupling can be clearly observed.
Human nature at its finest. At crowdy neighbourhoods in urban areas you often can see similar happenings in the dark, though I live in the middle of nowhere so I am unable to produce similar shots — I am somewhat ethically bound by my own creation. But here-in I salute the photographer who found this wonderland on a saturday night many winters ago.
This is one of my favorite photography works seen at ABHK recently.
(it is clear to me by now that galleries put up these very reflective frames so photojournalists cannot go and snap a high res photo for print, obviously. But interesting is how this reflective framing also allows me to photograph the people behind me… which is voyeuristic in its very own way)
Insook Kim
Saturday Night, 2007
C-print, diasec
230 x 370 cm
# Insook Kim 金仁淑（キム・インスク）
b. 1978 Osaka, Japan
based in Seoul Korea
+ 2000: BFA Fashion, Osaka Shoin Women's College, Osaka, Japan
+ 2002: Photography, Visual Arts College, Osaka, Japan
+ 2005: MFA in Painting, Photography & images, Hansung University Graduate School of Arts, Seoul, Korea
# 313 Art Project
313 Dosan Daero, Gangnam-gu
Seoul 135-895
Korea, Republic Of
# SML Data
+ Date: 2013-05-23T17:50:22+0800
+ Dimensions: 4951 x 3038
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 2000
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14141
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Photography by 金仁淑 Insook Kim (b. 1978 Japan): Saturday Night, 2007 (C-print, diasec) / 313 Art Project / Art Basel Hong Kong 2013 / SML.20130523.6D.14141
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #金仁淑 #InsookKim #313ArtProject #Japan #Korea #WTF #LOL #people #humans
Amazing work which looks like lenticular images by Brazilian artist Abraham Palatnik (b. 1928).
This genre of work is known as “kinechromatic,” a term coined in 1951 by Mario Pedrosa in an article in Tribuna da Imprensa in reference to Palatnik’s work. The artist initially created electro-mechanical devices, based on the kaleidoscopic principle, which projected a constantly changing pattern of coloured light on a screen.
This is not such device, but an acrylic on canvas painting, but it is no doubt that one influence another.
Love this.
Abraham Palatnik
W-427
2012
Acrylic on wood
110 x 170 cm
# Abraham Palatnik
Abraham Palatnik (born 1928) is a Brazilian artist and inventor whose innovations include kinechromatic art. He is Jewish and of Russian descent.
en.wikipedia.org/wiki/Abraham_Palatnik
# Galeria Nara Roseler
Av Europa 655
São Paulo 01449-001
Brazil
# SML Data
+ Date: 2013-05-23T14:38:58+0800
+ Dimensions: 3777 x 2460
+ Exposure: 1/50 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.04006
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Abraham Palatnik (b. 1928 Brazil): W-427, 2012 (Acrylic on wood)” / Galeria Nara Roseler / Art Basel Hong Kong 2013 / SML.20130523.EOSM.04006
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #AbrahamPalatnik #GaleriaNaraRoseler #kinechromatic #abstract #forms #painting #acrylic
Artist Toolbox, seen inside Ruza Bagaric's studio in DUMBO. Bagaric's portfolio online: www.ruzabagaric.com
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
This abstract oil painting by Chinese artist Liu Wei 刘韡 (劉韡) caught by eye as they look like computer circuit boards.
The series “Truth Dimension” were painted with the help of a computer. He first draws an image with the house, and then a computer program is used to “find and create new images” randomly into the artist’s own randomness [1].
It feels a bit of a cop-out to me, but one has to admit that this work is mostly amazing because it has left the computer screen and became a painting in oil. In this regard I see this mostly as an oil reproduction of the computer screen—and so perhaps it is hyperrealistic in that regard?
When the medium travels into another realm, they often feel more interesting. But what does it really say if the image itself may not really be considered a work of art before it was “transferred” to the oil medium?
LIU Wei
Truth Dimension No 7
2013
Oil on canvas
189 x 399 cm
# Liu Wei 刘韡 (劉韡)
1972 Born in Beijing, China
1996 BFA, China National Academy of Fine Arts, Oil Painting Department, Hangzhou
Lives and works in Beijing.
en.wikipedia.org/wiki/Liu_Wei_(artist)
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# Notes
1. Lehmann Maupin: Press Release: www.lehmannmaupin.com/exhibitions/2013-02-28_liu-wei/pres...
# SML Data
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+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 26 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13932
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
“Painting by LIU Wei 刘韡 (劉韡): Truth Dimension No 7, 2013 (oil on canvas)” / Long March Space 长征空间 (長征空間) / Art Basel Hong Kong 2013 / SML.20130523.6D.13932
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #LIUWei #刘韡 #LongMarchSpace #长征空间 #Painting #Oiloncanvas #oil #abstract
Touring Dean Russo's (Facebook) artist studio is an interesting experience, as I haven't really met any pop artists in person before. Here we find many interesting tools not commonly found in an artist toolbox: stencils, spray paints, etc. It's quite a wonder to see.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
More goodies from Yayoi Kusama—a gigantic stainless steel pumpkin in this case. Ota Fine Arts decided to give her a solo show at the event in collaboration with Victoria Miro Gallery so closed to 40 of her pieces were shown.
Here behind the sculpture you can also see some of her printmaking works, which are silkscreen on canvas. In the far back the yellow organic forms from wonderland far far away is a mixed media sculpture formed with stuffed fabric.
Yayoi Kusama
Pumpkin, 2010
Stainless steel
H220 x diameter 220 cm
H86 5/8 x diameter 65 5/8 in
# Yayoi Kusama
Yayoi Kusama (草間 彌生 or 弥生 Kusama Yayoi, born March 22, 1929) is a Japanese artist and writer.
en.wikipedia.org/wiki/Yayoi_Kusama/
# Ota Fine Arts
3F Piramide Building, 6-6-9 Roppongi, Minato-ku
Tokyo 106-0032
Japan
47 Malan Road, #01-23 Gillman Barracks
Singapore 109444
Singapore
# Victoria Miro
16 Wharf Road
London N1 7RW
United Kingdom
# SML Data
+ Date: 2013-05-23T16:44:22+0800
+ Dimensions: 3474 x 3474
+ Exposure: 1/50 sec at f/4.0
+ Focal Length: 22 mm
+ ISO: 10
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13830.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Yayoi Kusama: Pumpkin, 2010 (stainless steel)” / Ota Fine Arts + Victoria Miro / Art Basel Hong Kong 2013 / SML.20130523.6D.13830.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #草間彌生 #YayoiKusama #OtaFineArts #VictoriaMiro #Japan #sculpture #installation
When this installation was first on view, many have questioned what it was intended to mean. The words “Same but not equal” was painted in all caps on top of a collage of Thai newspaper “khaosod” on linen canvas. The panel was placed on top of two piles of Thai rice. Although the pile of rice appears the same, one pile of rice is ordinary rice and the other, apparently, is premium export-grade Thai jasmine rice.
To one art blog Blouin Art Info [1], it is a commentary about ABHK, where Art Basel Hong Kong, though featuring many of the same galleries seen Art Basel Switzerland and Art Basel Miami, is in many ways different than their counterparts given the type of art works being shown in comparison.
To me, it is a commentary on a larger issue where news media speak of the same kind of political news though their analysis and content is highly different.
Art is up to all kinds of interpretation. I have no idea if the artist created this piece specifically for ABHK, if so then perhaps that does have some validity. It is interesting nevertheless, though I would most certainly not pay 100-150k USD for it which is apparently the asking price for this work [2].
Rirkrit Tiravanija
Untitled (same but not equal), 2013
Newspaper on Linen, Rice
286 x 220 cm
# Rirkrit Tiravanija
b. 1961 Buenos Aires, Argentina
1980 Carleton University
1980-1984 Ontario College of Art, Toronto, Canada
1984 Banff Center School of Fine Arts
1984–86 School of the Art Institute of Chicago
1985-86 Whitney Independent Studies Program
1982 Moved to New York, NY
Rirkrit Tiravanija (Thai: ฤกษ์ฤทธิ์ ตีระวนิช, pronunciation: [rɯk-rit tira-wanit] or Tea-rah-vah-nit) is a contemporary artist residing in New York, Berlin, and Chiang Mai. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work.
en.wikipedia.org/wiki/Rirkrit_Tiravanija
# Shanghai Gallery of Art 沪申画廊
3F, No. 3, Zhong Shan Dong Yi Road
200002 Shanghai
China
# Notes
1. enjp.blouinartinfo.com/news/story/905969/same-but-not-equ...
2. artsy.net/artwork/rirkrit-tiravanija-untitled-same-but-no...
# SML Data
+ Date: 2013-05-23T17:45:10+0800
+ Dimensions: 5412 x 3619
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 29 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14129
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Mixed media installation by Rirkrit Tiravanija (b. 1961): Untitled (same but not equal), 2013 (Newspaper on Linen, Rice) / 沪申画廊 Shanghai Gallery of Art / Art Basel Hong Kong 2013 / SML.20130523.6D.14129
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RirkritTiravanija #沪申画廊 #ShanghaiGalleryOfArt #installation #mixedmedia #rice #same #equal
Two Solo Exhibitions
Exhibition dates: September 26 - November 8, 2009
Artists’ reception: Saturday, September 26, 5-8pm
Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work.
Ellen Driscoll
FASTFORWARDFOSSIL: Part 2
“This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.
The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.
Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201
Gallery hours are Wednesday-Sunday, 12-6pm.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
A pre-pubescent girl appears lost in wonderland. Her dress is made with flowers, her hair turns into trees as the wind blows. Flocks of seagulls turn into clouds in air, which lead towards the deep space of galaxy. A 招き猫 Maneki-neko hair pin is seen on her hair, but it looks like that it might also be a kite flying in air.
The art of Aya Takano (タカノ綾 Takano Aya) is one coming straight from science fiction, or a mythology set in a distant future. As a Superflat artist, her work is deeply rooted in the language of manga and anime. Exotic animals and landforms combined with an urban city are common themes in her artwork, and are intended to show the juxtaposition between future and fantasy.
After graduating from college, Aya Takano became an assistant for 村上隆 Takashi Murakami, who became her first mentor and jump-started her career. She also work as a manga artist and science fiction essayist.
I will be frank and say that this is not really for me—I would have probably loved it though if the brushwork is more defined and precise—as it stands there is something rather amateurish about it—but it could also be intentional? It is hard to say.
Aya Takano (b. 1976, Japan)
Ejecta
Oil on canvas
606 x 500 mm
2013
# Aya Takano (タカノ綾 Takano Aya)
born December 22, 1976, Japan
Japanese Superflat artist, manga artist, and science fiction essayist.
en.wikipedia.org/wiki/Aya_Takano
# SML Data
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+ Dimensions: 2836 x 3224
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+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03974
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by タカノ綾 Aya Takano: Ejecta (Oil on canvas)” / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03974
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #AyaTakano #タカノ綾 #girl #painting #oiloncanvas #superflat
How do you paint with photography? By creating composition of forms from the surroundings around you. I picked up photography because it’s a way to see — it’s how I see the world.
The understanding of forms is best understood when you can find representative structure in space that you could capture on a 2D plane.
It’s like music — but rhythm, melody, and harmony in space. Sometimes it’s hard to even describe what these things are.
Often, it’s a feeling. Emotion is hard to describe. This is an abstract painting about monochromatic blues, accented by the tip of a white paint and shades of gold in the shadow.
Stata Center, officially the Ray and Maria Stata Center and sometimes referred to as Building 32, is a 430,000-square-foot academic complex designed by Pritzker Prize-winning architect Frank Gehry for the Massachusetts Institute of Technology. The building opened for initial occupancy on March 16, 2004.
- Camera: Canon EOS 10D
- Lens: Canon EF 24-70 f/2.8L USM
- Exposure: 70mm, 1/180 sec, f/8, ISO 100
- Series: Forms, Architecture
- Date: 2009-08-01
- Process: 2024-04-28
Creative Commons Attribution (CCBY)
Copyright 2009, 2024 See-ming Lee / SML Photography / SML Universe Limited
Rhapsody in Blue / Stata Center, MIT / SML.20090801.10D.50885
Painting by James Cospito (Flickr), seen at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.
James Cospito's portfolio is available at www.brooklynartproject.com/profile/jcospito.
See also
+ Artits on Art: James Cospito talks about his NYC Subway series (Flickr HD video)
+ Art + Artists: James Cospito talks about Brooklyn Art Project (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
When I posted artworks by Yoshitomo Nara and Yayoi Kusama on Facebook, artist Claudia Schwalb commented that she prefer works by Murakami, and we had an interesting discussion of whether or not it is fair to compare them to one with another.
Japanese contemporary artists are interesting as they often blur the lines between “fine” vs “commercial” or what is unfortunately coined as “high” vs “low”. The visual language which these artists employ are used by illustrators and designers alike, but the medium they choose is one which roots from more academic roots.
What is pop anyway? What is fine? What is high? What is low? I think that in the end none of that matters—what matters is that you respond to the works. Certainly we need no “academic eye” to evaluate our taste, do we?
Takashi Murakami
Pom & Me: On the Red Mound of the Dead
2013
Acrylic on canvas mounted on board
39 3/8 x 39 3/8 inches
100 x 100 cm
# Takashi Murakami (b. 1962 Japan)
Takashi Murakami (村上隆 Murakami Takashi, born in Tokyo on February 1 1962) is an internationally prolific contemporary Japanese artist. He works in fine arts media—such as painting and sculpture—as well as what is conventionally considered commercial media —fashion, merchandise, and animation— and is known for blurring the line between high and low arts.
He coined the term superflat, which describes both the aesthetic characteristics of the Japanese artistic tradition and the nature of post-war Japanese culture and society. Superflat is also used as a moniker to describe Murakami’s own artistic style and that of other Japanese artists he has influenced.
Murakami is the founder and President of Kaikai Kiki Co., Ltd., through which he manages the careers of several younger artists and organizes the biannual art fair GEISAI.
en.wikipedia.org/wiki/Takashi_Murakami
# Blum & Poe
2727 S. La Cienega Boulevard
Los Angeles, CA 90034
USA
# SML Data
+ Date: 2013-05-23T16:18:57+0800
+ Dimensions: 2650 x 2650
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 325 mm
+ ISO: 200
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13924.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Takashi Murakami 村上隆: Pom & Me: On the Red Mound of the Dead, 2013 (Acrylic on canvas mounted on board)” / Blum & Poe / Art Basel Hong Kong 2013 / SML.20130523.6D.13924.SQ
/ #Photojournalism #CreativeCommons #Crazyisgood #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #TakashiMurakami #村上隆 #blumandpoe #Japan #popart #pop
A dirty bunny with a bow-tie sits quietly on a log in trance, completely ignoring the humans around him. People who walked by gave a curious glance but were all too WTFed-up to stand around to admire.
Much of American artist Marnie Weber (b. 1959)’s work revokes around a recurring cast of characters. Inspired by American Wsterns and Surrealism, her work is defined by a unique style of poetic narrative, which combines fantasy, animal costumes, and pastoral scenes.
This particular mixed media installation, titled ‘Log Lady & Dirty Bunny,’ was originally exhibited in 2009 for Weber’s first exhibition ‘The Truth Speakers, Sea of Silence’ with Simon Lee Gallery in London. The installation was intended to establish te relationships between the characters in the film ‘The Sea of Silence,’ which was the central focus of that show.
Marnie Weber
Log Lady & Dirty Bunny, 2009
# Marnie Weber
b. 1959
1981 B.A. University of California, Los Angeles, CA
1977-79 University of Southern California, Los Angeles, CA
Lives and works in Los Angeles, CA
en.wikipedia.org/wiki/Marnie_Weber
# Simon Lee Gallery
304, 3/F The Pedder Building, 12 Pedder Street
Hong Kong, Central
China
12 Berkeley Street
London W1J 8DT
United Kingdom
# SML Data
+ Date: 2013-05-23T17:11:54+0800
+ Dimensions: 5472 x 3648
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14087
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Marnie Weber: Log Lady & Dirty Bunny, 2009 (Mixed Media)” / Simon Lee Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14087
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #MarnieWeber #SimonLeeGallery #US #LA #WTF #LOL
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
New York-based artist Petah Coyne has taken the term “mixed media” to new heights. Seen at the Galeries Lelong at Art Basel Hong Kong 2013, the “Untitled #1378 (ZELDA, Alabama Slammer Series)” has a media listing which reads like a laundry list of ingredients on a piece of candy. It is eye candy in this case, which includes silk flowers, a personal wax formula, candles, stands of ribbons, knitting needles, steel rods and more.
I do not know if it is specific to the very “friendly” Chinese audience, a lot of these sculptures seen at the art fair comes with a gigantic glass display case. There is a fantasy world housed inside her cage, waiting to come alive.
Enchanting. Crazyisgood. SML Love.
# Art Info
Petah Coyne
Untitled #1378 (ZELDA, Alabama Slammer Series), 1997-2013
Silk flowers, specially-formulated wax, candles, acrylic paint, white pigment, pearl-head pins, artificial pearl strands, cast wax, statuary figure, cast wax hand sculptures, ribbon, knitting needles, steel rods, chicken-wire, washers, fabric, thread, wire, horse hair, Masonite, plywood, drywall, plaster, glue, filament, rubber, steel, wood and metal screw, maple, laminated Luxar.
81.2 x 35.75 x 35.75 inches (206.2 x 90.8 x 90.x cm)
# Petah Coyne
Born in New York, USA, 1953
Lives and works in New York
Petah Coyne is well known for her beautifully hand-crafted sculptures made from innovative materials such as silk flowers, velvet, ribbons, and pearls. In many of her works, Coyne adds layers of floral elements to adorn central figures, carefully covering the composition in her own unique blend of wax. Her sculptures often convey a complex narrative about innocence and seduction, life and death, and vulnerability and redemption as a mirror to real life. In 2010, Coyne presented a major solo exhibition at one of the United States’ largest contemporary art museums, MASS MoCA in North Adams, Massachusetts.
en.wikipedia.org/wiki/Petah_Coyne
# Galerie Lelong
Galerie Lelong is located in Paris, New York and Zurich.
The Paris gallery has been exhibiting recent works from artists of international standing since 1981. The 1980s were notable for artists who went on to become household names, including Joan Miró, Antoni Tàpies, Francis Bacon, Eduardo Chillida, Paul Rebeyrolle and Pierre Alechinsky, but also for the next generation of artists: Konrad Klapheck, Jan Dibbets, Jannis Kounellis, Arnulf Rainer, Nicola De Maria and Jan Voss.
In the 1990s, the gallery hosted artists who represented major movements in contemporary art: Sean Scully, Günther Förg, Andy Goldsworthy, Karel Appel, Ernest Pignon-Ernest and Antonio Saura.
Since the turn of the century, Galerie Lelong has accentuated the geographical and expressive diversity of its artists: from sculpture and objects by Jaume Plensa, David Nash, Wolfgang Laib, Rebecca Horn, Barry Flanagan and Urs Lüthi to installations by Barthélémy Toguo, without forgetting painting, namely Robert Motherwell, Ryan Mendoza and Kate Shepherd.
Following the first personal exhibition of Louise Bourgeois in France in 1985, Galerie Lelong has also exhibited Nancy Spero, Ana Mendieta, Kiki Smith, Nalini Malani and Jane Hammond.
Galerie Lelong has a large publishing department which produces and distributes engravings, lithographs, digital prints and multiple objects, and collates these works in catalogues raisonnés.
It produces monumental sculptures to order for public spaces and private clients.
The gallery is present at the leading international contemporary art fairs (Art Basel, Art Basel Miami Beach, Fiac Paris, Art HK, Arco Madrid, Art Brussels, Art Cologne).
The directors of the Gallery are Daniel Lelong, Jacques Dupin and Jean Frémon (Paris); Patrice Cotensin (editions); Mary Sabbatino (New York) and Anne Blümel (Zürich).
13, rue de Téhéran
75008 Paris
France
528 West 26th Street
New York, NY 10001
USA
# SML Data
+ Date: 2013-05-23T16:21:37+0800
+ Dimensions: 2874 x 4672
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 35 mm
+ ISO: 800
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13930
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Sculpture by Petah Coyne: Untitled #1378 (ZELDA, Alabama Slammer Series), 1997-2013” / Galerie Lelong / Art Basel Hong Kong 2013 / SML.20130523.6D.13930
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #MixedMedia #PetahCoyne #GalerieLelong #untitled #sculpture #AlabamaSlammer
American painter Tom Wesselmann (1931 – 2004) is regarded as one of the founding members of American Pop Art. Alongside his contemporaries Andy Warhol, Roy Lichtenstein, and James Rosenquist, Wessellmann produced artworks using imagery seen in everyday popular culture.
He is famous for his “Great American Nude” series beginning in the 1960s, which played on the “corruption of Eros by a consumer society.” This series feature female figures in highly suggestive forms and painted in very patriotic primary colors in red, white, yellow and blue.
In the 1970s, Wesselmann’s work became increasingly sculptural and started working with constructions and assemblages, but in his final years, Wesselmann returned to the female form in the “Sunset Nudes” series (pictured) with very simple lines and forms. The artist acknowledge the influence of Mondrian by choosing titles that recall the earlier painter’s works, and is he seen with his own still life painting, but painted in a style which bears influence from Henri Matisse.
Tom Wesselmann
Sunset Nude with Wesselmann Still Life, 2004
Oil on canvas
142.9 x 198.1 cm
56 1/4 x 78 inches
Signed and dated on canvas overlap verso: "Wesselmann 04"
www.artbaselhongkong-online.com/index.php5?id=1411584&...
# Tom Wesselmann
1931 Born Cincinnati, US
1949-1951 Hiram College, transferred to major in Psychology at the University of Cincinnati
1952 US Army
1954 Art Academy of Cincinnati
1956 Cooper Union
2004 Died (age 73)
Tom Wesselmann (February 23, 1931, Cincinnati – December 17, 2004) was an American artist associated with the Pop art movement who worked in painting, collage and sculpture.
en.wikipedia.org/wiki/Tom_Wesselmann
# Bernard Jacobson Gallery
17 East 71st Street
New York, NY 10021
USA
6 Cork Street
London W1S 3NX
United Kingdom
# SML Data
+ Date: 2013-05-23T16:58:47+0800
+ Dimensions: 3487 x 2459
+ Exposure: 1/30 sec at f/8.0
+ Focal Length:40 mm
+ ISO: 400
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14062
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Tom Wesselmann: Sunset Nude with Wesselmann Still Life, 2004 (Oil on canvas)” / Bernard Jacobson Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14062
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #TomWesselmann #Wesselmann #BernardJacobsonGallery #US #Pop #Popart #oiloncanvas #painting
Here is another piece of work by Georgia Russell. Paper has been cut to form layers abstract brush strokes. It shows skills, determination and artistry by the artist.
Papercutting (Jianzhi 剪紙) is an art practiced in China since at least the 6th century AD. Red is the color for fortune and good luck in China. So when I say that the works from Art Basel Hong Kong has a very strong Asian representation—either through the origin of the artists or that with motifs originating from Asia, I do mean that quite literally. And some of the gallerists spoke to have expressed that they do intentionally curate the show for the Chinese audience, showing some of the pieces which they would not usually show if the art fair is held at other places in the world.
Another one of my favourite pieces of the show. Highly recommended.
(Pardon the reflection from the glass. Sometimes I think that they intentionally place shiny materials on these installation so no one can get a good shot of the artwork…)
Georgia Russell 喬治亞•羅素
Brushstroke (red)
2013
Cut Paper 剪紙; plexiglass 塑膠玻璃
70 x 89 x 11 cm
27 1/2 x 35 x 4 1/3 in
Titled verso lower left: Brushstroke
Signed and dated verso lower right: Georgia Russell 13
# Galerie Karsten Greve
Drususgasse 1-5
50667 Cologne
Germany
5, rue Debelleyme
75003 Paris
France
# SML Data
+ Date: 2013-05-23T15:59:36+0800
+ Dimensions: 4099 x 3190
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 32 mm
+ ISO: 640
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13863
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Georgia Russell: Brushstroke (red), 2013. (Cut paper; plexiglass)” / Galerie Karsten Greve AG St. Moritz / Art Basel Hong Kong 2013 / SML.20130523.6D.13863
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #GeorgiaRussell #paper #papercutting #GalerieKarstenGreve #UK #剪紙 #Red
You don’t normally talk about sex in China, so it was fun to see this gigantic installation at Art Basel Hong Kong recently.
Titled “Play - (201301)”, it is a gigantic gothic cathedral made completely out of leather fetish gear. The artist responsible is 没顶公司 MadeIn Company, a contemporary art creation company founded by Chinese artist 徐震 Xu Zhen.
Quite a showpiece. When I saw this a crowd of high school girls were giggling non-stop around the installation. This might be the first and last time they would have ever experienced this—perhaps no one really knew what they are looking at except me?
Crazyisgood. SML Love.
MadeIn Company
Play - (201301), 2013
# MadeIn Company
MadeIn Company was established in 2009 in Shanghai by Xu Zhen, it is a contemporary art creation company, focused on the production of creativity, and devoted to the research of contemporary culture’s infinite possibilities.
没顶公司是由艺术家徐震创办于2009年。 是一个当代艺术创作型公司，以生产艺术创造力为核心，致力于探索当代文化的无限可能。这对当代艺术的创作模式、收藏消费系统以及作者权等问题开始了全面挑战和标准的刷新。
沒頂公司是由藝術家徐震創辦於2009年。是一個當代藝術創作型公司，以生產藝術創造力為核心，致力於探索當代文化的無限可能。這對當代藝術的創作模式、收藏消費系統以及作者權等問題開始了全面挑戰和標準的刷新。
Personnel:
徐震 Xu Zhen, 金利萍 Vigy Jin, 关超群 (關超群) Alexia Dehaene, 俞玮 (俞瑋) Yu Wei, 陆平原 (陸平原) Lu Pingyuan, 郁天柱 (鬱天柱) Yu Tianzhu, 奶粉 Nathan Zhou, 林晓彤 (林曉彤) Louise Lam, 沈崴崴 Shen Weiwei, 汪嘉伦 (汪嘉倫) Wang Jialun, 沈卿 Shen Qing, 朱慧 Zhu Hui, 郭利 Guo Li, 余菲菲 Yu Feifei, 周菁 Zhou Jing, 王强 Wang Qiang, 张俐 (張俐) Zhang Li, 夏云飞 (夏雲飛) Xia Yunfei, 孙崴 (孫崴) Sun Wei, 何越 He Yue, 何雪峰 He Xuefeng, 仇银美 (仇銀美) Chou Yinmei, 李强 Li Qiang, 江国雄 (江國雄) Jiang Guoxiong
1/F, Bldg 8, 18 Wuwei Road, 200331 Shanghai, CHINA
上海普陀区武威路18号桃浦创意园8号楼1楼
# Long March Space 长征空间 (長征空間)
Founded by Lu Jie in the 798 Art District of Beijing in 2002, Long March Space plays a vital role in pursuing new avenues of production, discourse, and promotion of contemporary art in China. Working to advance the careers of eighteen artists across three generations, the gallery looks to establish a portfolio of the most progressive artists working in contemporary China today.
4 Jiuxianqiao Road, Chaoyang District
Beijing 100015
China
# SML Data
+ Date: 2013-05-23T17:10:15+0800
+ Dimensions: 5433 x 3622
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 17 mm
+ ISO: 1600
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14071
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by 没顶公司 (沒頂公司) MadeIn Company: Play (201301), 2013 (leather, rope, mixed media)” / 长征空间 (長征空間) Long March Space / Art Basel Hong Kong 2013 / SML.20130523.6D.14071
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #没顶公司 #MadeInCompany #LongMarchSpace #长征空间 #installation #leather #rope
Born in 1933 in a family of Swedish and Norwegian descent in North Dakota, American artist James Rosenquist grew up as the only child. His parents were amateur pilots and they moved from town to town looking for work before eventually settling in Minneapolis.
In this early years, he earned his living as a billboard painter. Such training would eventually allow the artist to flourish in the pop art scene by applying sign-painting techniques to the large-scale paintings he began creating in 1960.
Although he is well considered by critics to be a protagonist of the pop art movement, his work emerged separately from other pop art icons such as Warhol and Lichtenstein. He is especially known for combining fragmented images in abstract and provocative ways.
# Art Info
James Rosenquist (b. 1933)
Females and Flowers, 1984
Oil on canvas
68 x 112 inches (173 x 285 cm)
占士·勞森傑斯 (生於 1933)
女性與花, 1984
帆布油畫
68 x 112 英寸 (173 x 285 厘米)
# James Rosenquist
James Rosenquist (born November 29, 1933) is an American artist and one of the protagonists in the pop-art movement. Rosenquist was a 2001 inductee into the Florida Artists Hall of Fame.
en.wikipedia.org/wiki/James_Rosenquist
# Richard Gray Gallery
Founded in 1963. Specializing in contemporary art and European and American modern master paintings, drawings, and sculpture.
1018 Madison Avenue, 4th Floor
New York, NY 10075
USA
# SML Data
+ Date: 2013-05-23T16:00:11+0800
+ Dimensions: 4229 x 2092
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 33 mm
+ ISO: 800
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13865
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by James Rosenquist: Females and Flowers, 1984 (Oil on canvas)” / Richard Gray Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13865
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #Painting #oil #JamesRosenquist #Rosenquist #US #RichardGrayGallery #Female #Flowers
Chiharu Shiota (塩田 千春 Shiota Chiharu) is my favorite artist seen at Art Basel Hong Kong 2013. There are at least four sculptures from this series seen at the show. By the end of my visit I have learned her name intimately [1].
These series of sculptures all feature the same three raw materials: metal, threads and an everyday object. Their structural construction is the same. Color threads are secured to the metal frame where they travel in midair organically to form a cocoon-like structure to hold an everyday item—a children’s dress in this case—in mid air.
Great art to me always hold one property which is universal—pure magic through the process of an artist’s imagination. This is one such instance. Its presence is beyond what an image or words alone can transpire.
Highly recommended.
# Art Info
Chiharu Shiota
Zustand des Seins (Kinderkleid) / State of Being (Children’s Dress), 2013
Metal, children’s dress, red thread
120 x 80 x 45 cm
47.24 x 31.5 x 17.72 in
# Chiharu Shiota
Chiharu Shiota (塩田 千春 Shiota Chiharu?) is a Japanese installation artist born in 1972 in Osaka. She has been living and working in Berlin since 1996.
She studied at the Seika University in Kyoto and at various schools in Germany and is represented by ARNDT in Berlin and Galerie Daniel Templon in Paris.
en.wikipedia.org/wiki/Chiharu_Shiota
# ARNDT
Arndt & Partner was established in 1994 as one of the first contemporary art galleries in former East Berlin with an international profile. In the gallery's eighteen years of operation, it has presented more than 270 exhibitions, produced sixty publications, and participated in approximately ninety international art fairs. Within this period the gallery has also operated spaces and offices in Zurich and New York City.
In 2010, the gallery changed its structure and location from Arndt & Partner at Zimmerstrasse, Checkpoint Charlie, to Arndt at Potsdamer Strasse, Schöneberg – again launching a new gallery district and adding to the everexpanding Berlin art scene.
In addition to the ongoing exhibition program of the Berlin gallery, Arndt is expanding its operations to the vibrant art landscapes of Asia – particularly Southeast Asia and the Pacific Region. While Arndt Berlin continues to present shows of international talents from around the world and to organize curatorial projects, Arndt also stages pop-up shows in unconventional, temporary spaces in Hong Kong, Sydney, Singapore, and Jakarta.
In January 2013 Arndt opened a project space, viewing room, and Asian office in Singapore: Arndt Singapore is situated in Gillman Barracks, the new art destination located in the center of Singapore, which houses galleries and creative businesses as well as the Centre for Contemporary Art (CCA), opening in 2013.
Potsdamer Strasse 96
10785 Berlin
Germany
Lock Road 22 #01-35
108939 Singapore
Singapore
# Notes
1. It usually takes me years to learn any one artist’s name, and for me to fall in love with one within an afternoon says something.
# SML Data
+ Date: 2013-05-23T14:05:28+0800
+ Dimensions: 3258 x 4523
+ Exposure: 1/100 sec at f/2.0
+ Focal Length: 22 mm
+ ISO: 100
+ Camera: Canon EOS M
+ Lens: Canon EF-M 22mm f/2 STM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.EOSM.03954
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Sculpture by Chiharu Shiota: Zustand des Seins (Kinderkleid) / State of Being (Children’s Dress), 2013” / ARNDT / Art Basel Hong Kong 2013 / SML.20130523.EOSM.03954
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #ChiharuShiota #ARNDT #dress #red #thread #sculpture #installation
J. Ariadhitya Pramuhendra (b. 1984 in Indonesia) is an Indoensian artist who is famous for his realistic black and white charcoal drawings. And it is easy to see why — from afar I had thought that it was a black and white photograph mainly because of the way he depicts lights and shadows with deep emotion.
Titled “The Forgotten Robe,” a catholic priest is seen pondering at a moment of regrets. He is known for appropriating famous art works while replacing himself as the central figure as he explores the inner struggles of the being facing himself, the social order or the moral dictates.
I rarely see charcoal works these days, so it definitely left a strong mark in my databank. Yet another Indonesian artist — only in ABHK.
J.A. Pramuhendra (b. 1984 Indonesia)
The Forgotten Robe
2013
charcoal on canvas
190 x 300 cm
# J. Ariadhitya Pramuhendra
en.wikipedia.org/wiki/J_Ariadhitya_Pramuhendra
# Langgeng Gallery
Cempaka 8B
Magelang 56123
Indonesia
# SML Data
+ Date: 2013-05-23T17:56:15+0800
+ Dimensions: 5177 x 3227
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 29 mm
+ ISO: 160
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14162
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
J. Ariadhitya Pramuhendra (b. 1984 Indonesia): The Forgotten Robe, 2013 (charcoal on canvas) / Langgeng Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14162
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #JAriadhityaPramuhendra #Pramuhendra #LanggengGallery #Indonesia #hyperrealism #charcoal #drawing #catholic #religion
James Cospito's (Flickr) Moleskine sketches, seen at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.
See also James Cospito talks about his NYC Subway series (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Even if you do not follow the art world, it is hard to not notice the works by Chinese artist 岳敏君 YUE Minjun—a man in tighty whities frozen in his laughter would put a smile in anyone’s face.
The men depicted in his paintings and sculptures are in fact the artist himself, and they are seen doing all kinds of activities which read more WTF than reality. If his work features more than one person, it would be a whole array of them. The joy is so overdone that it seems more like irony than reality. And that seems to be the artist’s intention, as his work has been described by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China.”
Art critics have often associated Yue with the Cynical Realism art movement in contemporary Chinese art, although he himself rejects the label, while at the same time “doesn't concern himself about what people call him.”
YUE Minjun (b. 1962 China)
Free Sky No. 1, 2012
Oil on canvas
100 x 90 cm
39 3/8 x 35 3/8 in
岳敏君 (生於 1962年, 中國)
自由的天空 No. 1, 2012
布油畫
100 x 90 cm
39 3/8 x 35 3/8 in
# Yue Minjun
Yue Minjun (Chinese: 岳敏君; born 1962) is a contemporary Chinese artist based in Beijing, China. He is best known for oil paintings depicting himself in various settings, frozen in laughter. He has also reproduced this signature image in sculpture, watercolour and prints.
en.wikipedia.org/wiki/Yue_Minjun
# Galerie Daniel Templon
Founded in 1966
30, rue Beaubourg
75003 Paris
France
# SML Data
+ Date: 2013-05-23T16:51:37+0800
+ Dimensions: 2662 x 2971
+ Exposure: 1/40 sec at f/9.0
+ Focal Length: 32 mm
+ ISO: 800
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14035
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by 岳敏君 Yue Minjun: 自由的天空 Free Sky No. 1, 2012 (Oil on canvas)” / Galerie Daniel Templon / Art Basel Hong Kong 2013 / SML.20130523.6D.14035
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #岳敏君 #YueMinjun #WTF #LOL #Beijing #portrait #painting #oiloncanvas
The hyperrealist / surrealist (hyper surrealist?) painting “Paradox” by Turkish artist Rasim Aksan is a collage of facial features from different people.
In the age of Photoshop I often wonder if I would like these as much if they are done on the computer instead of by hand. If done on the computer I would have expected better workmanship. When I spoke to many hyperrealist painters in the past they too told me that they work from photographs instead of painting from memories. So what you are looking is a very skilled human producer of a Photoshop rendering, perhaps?
The painting peeked my interest enough to take a photograph but in regarded to whether I would consider purchasing it for my collection my feeling is a bit lukewarm. It might also simply not be my “thing,” but it is interesting nevertheless.
Rasim Aksan
Paradox
2011
Acrylic airbrush on canvas
100 x 150 cm
# Rasim Aksan
Lives and works in Turkey. (no further data available)
# Galerist
Founded in 2001, Galerist is the pioneering contemporary art gallery that hosts exhibitions for Turkish and international artists in Istanbul’s two different locations, Tepebaşı and Hasköy.
Mesrutiyet Cad. No. 67/1 Beyoglu
34430 Istanbul
Turkey
# SML Data
+ Date: 2013-05-23T17:44:06+0800
+ Dimensions: 4260 x 2817
+ Exposure: 1/30 sec at f/8.0
+ Focal Length: 31 mm
+ ISO: 320
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14124
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Rasim Aksan (Turkey): Paradox, 2011 (Acrylic airbrush on canvas)” / Galerist / Art Basel Hong Kong 2013 / SML.20130523.6D.14124
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RasimAksan #Gallerist #hyperrealism #surrealism #painting #acrylic #airbrush
It’s Nara’s puppies! Need I say more? Loooove. :)
Yoshitomo Nara
Big Pup Head, 2007
FRP (Fibre-reinforced plastic)
59 x 48 1/2 x 49 1/4 in
150 x 123 x 125 cm
# Yoshitomo Nara
Yoshitomo Nara (美智奈良 Nara Yoshitomo, born 5 December 1959 in Hirosaki, Japan) is a Japanese artist. He lives and works in Tokyo, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. He is represented in New York City by Pace Gallery, in Los Angeles by Blum & Poe and in London by Stephen Friedman Gallery.
Nara received his B.F.A. (1985) and an M.F.A. (1987) from the Aichi Prefectural University of Fine Arts and Music. Between 1988 and 1993, Nara studied at the Kunstakademie Düsseldorf, in Germany.
en.wikipedia.org/wiki/Yoshitomo_Nara
# Blum & Poe
2727 S. La Cienega Boulevard
Los Angeles, CA 90034
USA
# SML Data
+ Date: 2013-05-23T16:15:07+0800
+ Dimensions: 5199 x 3466
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 40 mm
+ ISO: 250
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13914
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by 美智奈良 Yoshitomo Nara: Big Pup Head, 2007 (FRP)” / Blum & Poe / Art Basel Hong Kong 2013 / SML.20130523.6D.13914
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #美智奈良 #YoshitomoNara #Nara #BlumAndPoe #Japan #puppy
A sculpture made with cardboards and other paper waste materials found lying on the street during the 13th Annual Art Under the Bridge Festival organized by the Dumbo Arts Center in New York City. Particularly interesting is their forms which resemble tree logs, though at the same time when one thinks of paper, one also thinks of its effect with regarding to the environment. It's like a before and after dialog about the trees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Drawing, seen at the Brooklyn Art Project headquarter in Dumbo, during the Art Under the Bridge Festival organized by Dumbo Arts Center in New York city, 2009.
James Cospito (Brooklyn Art Project / Facebook / Flickr / LinkedIn / SML Flickr / Twitter) is an artist, painter, photographer, illustrator, designer in New York City. He is also the co-founder of Brooklyn Art Project.
You can check out James Cospito's portfolio at brooklynartproject.ning.com/profile/jcospito
See also the 720p high-def video of James Cospito talking about BAP on Flickr.
Brooklyn Art Project (FriendFeed / Twitter) is a free online social network that connects 5500+ artists, collectors, and art enthusiasts from over 44 countries featuring over 44,000 artworks and 800+ short films and videos.
Members can participate in collaborative exhibits in Brooklyn and beyond while enjoying unlimited online gallery space, blogs, forums, chat, and tools to share / promote their artwork across the web.
See also
+ Artits on Art: James Cospito talks about his NYC Subway series (Flickr HD video)
+ Art + Artists: James Cospito talks about Brooklyn Art Project (Flickr HD video)
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Mixed media paintings by Dean Russo (Facebook). Photographed inside the artist's studio during Dumbo Art Festival in 2009.
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
Thank you for Your Visit, Have a Nice Day is a performance piece by Agata Olek (Facebook / Flickr / Portfolio) created for Art in Odd Places:SIGN, an annual festival exploring the odd, ordinary and ingenious in the spectacle of daily life.
Curated by Erin Donnelly and Radhika Subramaniam
Director of AIOP: Ed Woodham
Artist Statement
"Inspired by a uniformed attendant holding the sign Hold the Handrail in a Taipei metro station, I've created this moving installation/performance piece. In wearable sculptures of multicolored crocheted camouflage, my performers appear in various sites on 14th Street, displaying photographs of signs I've collected from different countries that are in emphatic, ironic or amused dialogue with their location."
See also video by Technology Artist filmed on the same day at www.youtube.com/watch?v=KfjXrKQVwPU
More information about the festival
Press
+ Timeout New York: Fall Preview 2009
+ Timeout New York: Own this City
Related SML Univese
+ SML Fine Art (Flickr Group) (FriendFeed / Twitter)
Artworks which are character-driven is an unusual thread seen in Asian contemporary artworks. In Japanese pop art, Yoshitomo Nara has his innocent girls and lonesome puppies. In Indonesia, artist Samsul Arifin created a whole series of work surrounding a kapok-stuffed doll with goggly plastic eyes—Goni.
The sculpture in the foreground is titled “Musafir Artist”, where Goni is seen riding a camel-like figure while carrying a bag of artist supplies with him on a journey out. In the back, a painting (triptych) titled “Petualang Ilmu di Negeri Unta” (Knowledge of the adventurous camel? Google Translate).
To the gallerists whom I talked to, Goni is seen as the artist’s own avatar, and through this avatar the artist is writing his own autobiography in the works of his art.
Samsul Arifin was born in 1979. I was as surprised as you to find someone younger than me with works at Art Basel. Indonesia is truly full of surprises. You see why I am planning for a visit soon?
Crazyisgood. SML Love.
Samsul Arifin (b. 1979 Indonesia)
Musafir Artist #1
2013
Resin, leather, jute, steel, wood
240 x 210 x 60 cm
Samsul Arifin (b. 1979 Indonesia)
Petualang Ilmu di Negeri Unta
2013
acrylic on canvas
300 x 600 cm (triptych)
# Samsul Arifin
b. March 5, 1979 in Malang, Indonesia
# Nadi Gallery
Based in Jakarta, Nadi Gallery is an art gallery founded by Biantoro Santoso, a young collector of Indonesian art. The Indonesian word nadi means "aorta", "artery", "vein" that evokes the idea of signaling pulsation. Without pulsation, the aorta soon looses its significance for life. As the name indicates, the Gallery's principal programs of exhibitions have been aspiring to present the pulses of recent developments in contemporary art in Indonesia.
Jl. Kembang Indah III Blok G3 no. 4-5 Puri Indah
Jakarta 11610
Indonesia
# SML Data
+ Date: 2013-05-23T16:35:22+0800
+ Dimensions: 5215 x 3477
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 20 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13970
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Mixed Media Sculpture by Samsul Arifin (b.1979): Musafir Artist #1, 2013 (“Goni”: Resin, leather, jute, steel, wood)” / Nadi Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.13970
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #SamsulArifin #NadiGallery #Indonesia #Goni
李占洋 Li Zhanyang’s sculpture gives a glimpse of what it is like to live in China. Born in Changchun, Jilin Province in 1969, he has been drawn to crowds since he was a child. So when he moved to a big city like Beijing in his late twenties, he found himself spending hours in bars, gambling dens, railway stations (pictured), brothels and bus stops. Afterwards he would go home and sculpt the scenes he has observed from memory.
When I visited cities in mainland China, I am also in awe with the amount of people everywhere, all minding their own business. In that regard, Li Zhanyang’s sculptural interpretation is a true reflection of the modern China.
This work is like a holographic 3D video still from a capture. And it was funny to me as it features three gigantic signage types which can be seen across all railway stations in China:
1. “第三候車大厅” (Train waiting area no. 3). The often obnoxiously huge characters which designate the name of the location usually placed on the facade of Chinese architectures.
2. “严禁也携带易燃易爆有毒等危险品进站上車” (Do not bring flammable, combustible, toxic or other dangerous objects into the station nor alight the trains). Official warning signs plastered everywhere at the station.
3. “嘉陵摩托” (Jialing Motors). Advertising everywhere there is space.
In this artwork, there are the Chinese Literation Army attempting to the keep the crowd in line, the bourgeois making space. Sea of people everywhere. Advertising everywhere. Modern China is full of chaos. And this artwork captures that reality honestly and magically.
Li Zhanyang
Railway Station
2004-2006
Bronze, Ed. 2/4
198.2 x 42.5 x 98.5 cm / 78 x 16 3/4 x 38 3/4 in
Signed, dated and numbered recto lower left: Li Zhanyang 2004 2/4
李占洋
火車站
2004-2006
青銅, Ed. 2/4
198.2 x 42.5 x 98.5 cm / 78 x 16 3/4 x 38 3/4 in
簽名, 日期和編號於作品正面左下: Li Zhanyang 2004 2/4
# Li Zhanyang (b.1969)
Born in Changchun, Jilin Province, China.
Lives and works in Beijing and Chongqing, China.
# References
+ www.whiterabbitcollection.org/artists/li-zhanyang/
+ www.galerieursmeile.com/artists/artists/li-zhanyang/
# Galerie Karsten Greve
Drususgasse 1-5
50667 Cologne
Germany
5, rue Debelleyme
75003 Paris
France
# SML Data
+ Date: 2013-05-23T16:10:06+0800
+ Dimensions: 4622 x 2344
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 23 mm
+ ISO: 800
+ Flash: Did not fire
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'58" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13894
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Sculpture by Li Zhanyang 李占洋: Railway Station (火車站), 2004-2006. (青銅 Bronze, Ed. 2/4)” / Galerie Karsten Greve AG St. Mortiz / Art Basel Hong Kong 2013 / SML.20130523.6D.13894
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #LiZhanyang #李占洋 #GalerieKarstenGreve #Sculpture #Bronze #crowd
Most people like to see the end result, but I prefer seeing the process. I believe that process is an important part, without it you cannot have the result.
Here's a mixed media painting in progress, seen at Dean Russo's artist studio during the 13th Annual Art Under the Bridge Festival organized by the Dumbo Arts Center in New York City in 2009.
During our interview, Dean told me about his entire process in creating his mixed media paintings, as long as I don't record it nor write it down. As such, I cannot really write about it either but all I can say is that I find it very interesting — that an artist workflow is not far from that from designers (my primary profession).
Dean Russo on the Web
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
See also Agata Olek talks about her 100% Acrylic Art Guards (Flickr 720p HD video)
Agata Olek (Flickr)
100% Acrylic Art Guards
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.
Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."
Agata Olek Biography. The SPLAT! of colors hits you in the face, often clashing so ostentatiously that it instantly tunes you into the presence of severely cheeky humor. A moment later the fatigue of labor creeps into your fingers as a coal miner's work ethic becomes apparent. Hundreds of miles of crocheted, weaved, and often recycled materials are the fabric from which the wild and occasionally wearable structures of her fantasylands are born.
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.
Resume sniffers may be pleased to know Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.
Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.
Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html
The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation's largest urban forum for experimental art.
Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists' studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.
The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.
Related SML
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009