View allAll Photos Tagged SLR

SR5D9281.JPG 1-27-2019, 6PM Service, Pastor Tommy Bates

My Dad passed these down to me since he’s now using digital SLRs.

i can still remember when he used to takes me with him to those old camera stores when he buys new accessories or films and batteries ^_^

 

these 2 gears still works 100%, pretty sweet eh?!

  

Tumblr   ||   DeviantArt

 

IMG_5894.JPG 10-7-2018 CFC Andrew Butler

Photo by Ed. Taken on May 1st 2005 with a Great Wall and some Fujifilm Superia 400. Title is a nod to the fact that this reminds me of the (far superior) William Eggleston shot that Green On Red used for their most excellent album, "Here Come The Snakes".

Community Family Church, May 23, 2018, 7PM CFC Kids Service, Kenzie Poindexter

Minolta XD5 Vivitar 35-85mm f2.8

canon rebel 2000 eos slr

expired kodak elitechrome 100

xpro

 

not sure where the wierd purplish colors in the foilage is coming from, but whatever it is, it looks pretty cool

CCA Graudation, May 19, 2018

Revueflex 2000CL

Carl Zeiss 1,8/50

crap ISO200 film

My old workhorse - shot with a D40 using an old Nikkor-H 50mm f/1.4.

image: P1040568

I seemed to have gone from digital (TZ3) to film ;)

Bought it in pristine condition with both kit lenses, case, and straps for a song.

2006 海拉尔

This photo was in a sequence of about 7 frames. Interestingly, they all came out great except for 2, which a sign was in the way. Anyway, there was a lot more in the photo, mostly a treeline in the back of the parking lot. To emphasize the speed and put more focus on the subject I cropped it to a more elongated profile. It also helps give less an impression it is in fact in a parking lot. Next, I sharpened only the in focus parts of the car. This definitely helped to make it pop more. As far as levels I did not feel much needed to be done so I neglected to. Curves was adjusted ever so slightly to help the contrast. Some of the cars in the parking lot were fairly bright colored so all color was removed except for the subject it self. Because of the subtle hints of color it helped pop the car more, but not so much were it was in your face. Next I made another Hue Adjustment layer to pop the reds in the lights and to reduce the cyans. It definitely had a bluish tint that needed to be subdued.

McLaren Mercedes SLR | Special Stage Route 5

Covent Garden London, stall with baskets 1985. Pentax Spotmatic F.

At Mercedes Benz Museum Stuttgart

Konica t4 slr

Salon del automovil de Barcelona, 17-05-09

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