View allAll Photos Tagged SEASCAPE

Bedruthan Steps, Cornwall

 

A series of islands off the north coast of Cornwall, near Padstow. From bottom right of picture and looking south: Queen Bess Rock, Samaritan Island (centre), with Redcove Island behind, Pendarves Island and in the distance Carnewas Island.

 

@manchego_photo | www.craigdesjardins.com

View from Cliffs at Chapelporth. Cornwall.

Went out to shoot sunrise at the Jamestown Bridge, heading in to Newport, RI. Edited using luminosity masks.

 

Canon 5d mark ii

Sigma 24-70 @ 32mm

Hoya 2-stop ND filter

Singh-Ray 3-stop reverse GND filter, hand held

2.5 sec, f/22, iso 100

 

All images copyright Jamie Ivins Photography. All rights reserved. No usage permitted without prior written consent. (This applies to all blogs, tumblr, websites, etc.)

Nikon F100

Nikkor 50mm f1.8

Agfa Vista 200

Donabate Beach and Lambay Island, North Dublin, Ireland at low tide

My son has just commented on this image. He said the horizon should have been just below the top of the last Groyne so the eye could travel along the groynes and then step down to the horizon. I HATE KIDS!

Thanks son.

    

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27/05/2012

 

Sunrise at Manly.

 

I tried something different with this shot by including the pipe. I was going for a silhouette against the reflections in the sea. Normally I would avoid man made objects such as pipes but in this case I think it works quite well.

Over that morn hung heaviness, until,

Near sunless noon, we heard the ship's bell beating

A melancholy staccato on dead metal;

Saw the bare-footed watch come running aft;

Felt, far below, the sudden telegraph jangle

Its harsh metallic challenge, thrice repeated:

'Stand to. Half-speed ahead. Slow. Stop her!'

They stopped.

The plunging pistons sank like a stopped heart:

She held, she swayed, a hulk, a hollow carcass

Of blistered iron that the grey-green, waveless,

Unruffled tropic waters slapped languidly.

 

And, in that pause, a sinister whisper ran:

Burial at Sea! A Portuguese official ...

Poor fever-broken devil from Mozambique:

Came on half tight: the doctor calls it heat-stroke.

Why do they travel steerage? It's the exchange:

So many million 'reis' to the pound!

What did he look like? No one ever saw him:

Took to his bunk, and drank and drank and died.

They're ready! Silence!

We clustered to the rail,

Curious and half-ashamed. The well-deck spread

A comfortable gulf of segregation

Between ourselves and death. 'Burial at sea' ...

The master holds a black book at arm's length;

His droning voice comes for'ard: 'This our brother ...

We therefore commit his body to the deep

To be turned into corruption' ... The bo's'n whispers

Hoarsely behind his hand: 'Now, all together!'

The hatch-cover is tilted; a mummy of sailcloth

Well ballasted with iron shoots clear of the poop;

Falls, like a diving gannet. The green sea closes

Its burnished skin; the snaky swell smoothes over ...

While he, the man of the steerage, goes down, down,

Feet foremost, sliding swiftly down the dim water,

Swift to escape

Those plunging shapes with pale, empurpled bellies

That swirl and veer about him. He goes down

Unerringly, as though he knew the way

Through green, through gloom, to absolute watery darkness,

Where no weed sways nor curious fin quivers:

To the sad, sunless deeps where, endlessly,

A downward drift of death spreads its wan mantle

In the wave-moulded valleys that shall enfold him

Till the sea give up its dead.

 

There shall he lie dispersed amid great riches:

Such gold, such arrogance, so many bold hearts!

All the sunken armadas pressed to powder

By weight of incredible seas! That mingled wrack

No livening sun shall visit till the crust

Of earth be riven, or this rolling planet

Reel on its axis; till the moon-chained tides,

Unloosed, deliver up that white Atlantis

Whose naked peaks shall bleach above the slaked

Thirst of Sahara, fringed by weedy tangles

Of Atlas's drown'd cedars, frowning eastward

To where the sands of India lie cold,

And heap'd Himalaya's a rib of coral

Slowly uplifted, grain on grain....

 

We dream

Too long! Another jangle of alarum

Stabs at the engines: 'Slow. Half-speed. Full-speed!'

The great bearings rumble; the screw churns, frothing

Opaque water to downward-swelling plumes

Milky as wood-smoke. A shoal of flying-fish

Spurts out like animate spray. The warm breeze wakens;

And we pass on, forgetting,

Toward the solemn horizon of bronzed cumulus

That bounds our brooding sea, gathering gloom

That, when night falls, will dissipate in flaws

Of watery lightning, washing the hot sky,

Cleansing all hearts of heat and restlessness,

Until, with day, another blue be born.

South Beach, Skerries, Dublin, Ireland at low tide

Seascapes from Roneklint Denmark April 2017 via 500px ift.tt/2pIpxzS For more please visit www.bernholdt.dk

This painting was undertaken as a kind of tribute to a wonderful seascape artist called David Conklin who produced the original.

His painting can be seen at Shipwreckmuseum.com

Posted on PigPog: pigpog.com/2014/06/30/seascape-pano/

 

A bay in or near Newquay. Almost a 360 degree field of view, stitched together by PanoEdit.

Sin duda octubre es uno de los mejores meses para la fotografía.

Square black and white Holga photo of sand dunes in three foreground leading towards the sea and against a mostly clear sky with a few light clouds

Seascape Original oil painting palette knife on professional artistic canvas panel.

This painting is 16 by 12", varnished and signed.

This seascape view is near the Yaquina Head area looking south towards Newport Oregon. What a beautiful day it was on coast. I enjoyed it so much... :-)

 

(Please View Large)

Saturday ~~~~In The Park, I thought It Was The 4th Of July~~

The seascape in Andamans never stops mesmerising people, whichever direction you look at.

Best experienced when viewed in large size.

Charting the span of Susan Collins' latest body of work, Seascape, from its earliest online manifestations to its gallery exhibition at the De La Warr Pavilion in Bexhill, the book features newly commissioned essays by Sean Cubitt and Nicholas Alfrey and includes an extensive colour plate section of archive seascape images. To order a copy email books@fvu.co.uk

ISBN 978-1-904270-30-0

www.fvu.co.uk

 

Leica M6, Summarit-M 35mm f/2.5, Kodak TRI-X 400

 

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Bournemouth Pier. Oil on Canvas. 30" x 20"

Sold.

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