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Source: en.wikipedia.org/wiki/Scott_Air_Force_Base
Scott Air Force Base (IATA: BLV, ICAO: KBLV, FAA LID: BLV) is a United States Air Force base in St. Clair County, Illinois, near Belleville and O'Fallon, 17 miles east-southeast of downtown St. Louis. Scott Field was one of thirty-two Air Service training camps established after the United States entered World War I in April 1917. It is headquarters of Air Mobility Command (AMC), and is also the headquarters of the U.S. Transportation Command, a Unified Combatant Command that coordinates transportation across all the services.
The base is operated by the 375th Air Mobility Wing (375 AMW) and is also home to the Air Force Reserve Command's 932d Airlift Wing (932 AW) and the Illinois Air National Guard's 126th Air Refueling Wing (126 ARW), the latter two units being operationally gained by AMC.
The base currently employs 13,000 people, 5,100 civilians with 5,500 active-duty Air Force, and an additional 2,400 Air National Guard and Reserve personnel. It was announced in June 2014 that two new cybersecurity squadrons will be added to the three currently on base.
Its airfield is also used by civilian aircraft, with civilian operations at the base referring to the facility as MidAmerica St. Louis Airport. MidAmerica has operated as a Joint Use Airport since beginning operations in November 1997. Allegiant Air, the only commercial airline with scheduled flights at the airport, pulled out of the airport on January 3, 2009, but now has multiple nonstop destinations.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Scott Air Force Base) "قاعدة سكوت الجوية" "斯科特空军基地" "Base aérienne de Scott" "स्कॉट एयर फोर्स बेस" "スコット空軍基地" "스콧 공군 기지" "База ВВС Скотт" "Base de la Fuerza Aérea Scott"
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Demolition of Scott Street Bridge Kingston upon Hull, where Banksy painted the little boy with the sword, knackered by the city council covering it in plastic, where is it now? Who knows. 25 October 2020, This lifting road bridge spans the River Hull. It was built in 1901-1902
The mechanism was renewed in the late 20th century.
The Scott Monument in Princes Street Gardens, Edinburgh, by the architect George Meikle Kemp containing the statue of Sir Walter Scott by Sir John Steell.
In the foreground is the statue of David Livingstone after a design by Mrs D O Hill.
Italian postcard by B.F.F. Edit. (Casa Edits. Ballerini & Fratini, Firenze), no. 2144. Photo: Paramount Films.
American film star Lizabeth Scott (1922-2015) starred as the bad girl — or the good girl gone bad - in hard-boiled Film Noirs like The Strange Love of Martha Ivers (1946) with Barbara Stanwyck, Dead Reckoning (1947) with Humphrey Bogart, and I Walk Alone (1948) opposite Burt Lancaster. With her blonde hair, smouldering eyes and her deep smoky voice, she was a sultry femme fatale in a world of crime, tough talk and dark secrets. Of her 22 feature films, she was the leading lady in all but one. In addition to stage and radio, she appeared on television from the late 1940s to the early 1970s.
Lizabeth Scott was born Emma Matzo in 1922, in Scranton, Pennsylvania, where her parents, John Matzo and Mary (nee Pennock), had a grocery store. Despite her parents’ opposition to an acting career, she went to the Alviene Master School of the Theatre and Academy of Cultural Arts in New York in her late teens. Here she adopted the stage name of Elizabeth Scott. She landed a small role in a touring company of the hit stage comedy Hellzapoppin'. Back in New York, unable to get an acting job, she landed work as a fashion model with Harper’s Bazaar at $25 an hour. In 1942, she got a small part in the original Broadway production of Thornton Wilder's The Skin of Our Teeth. Scott also understudied Tallulah Bankhead, who played the lead role. The tempestuous Bankhead, who did not get along with Scott, stubbornly never missed a performance. In Boston Scott finally got to play the lead role, taking over from Miriam Hopkins. She decided to remove the 'E' from Elizabeth Scott to be more distinctive. It would be either this performance or a four-picture spread in an issue of Harper’s Bazaar (the sources differ about this) that led to a long-term Hollywood contract with Hal Wallis, who had his own producing organisation through Paramount Studios. Scott": It was off-season on Broadway and since I wasn’t able to find a job there, I thought it might be a good experience to come to Hollywood and find out what it was all about.” Wallis introduced his 22-year-old discovery as “beautiful, blonde, aloof and alluring”. Scott's film debut was the comedy-drama You Came Along (John Farrow, 1945) opposite Robert Cummings. In her second film, The Strange Love of Martha Ivers (Lewis Milestone, 1946), she played a young woman wrongly jailed, opposite Barbara Stanwyck, Kirk Douglas and Van Heflin. She made more of an impression in Dead Reckoning (John Cromwell, 1947) as a gangster’s wife, almost luring Humphrey Bogart into her corruptive trap. Her mysterious character was shot in oblique angles and low-key lighting. Stylishly dressed by Edith Head, she played the good girl gone bad becoming good again in the melodrama Desert Fury (Lewis Allen, 1947). Billed as “the blonde with the brown voice”, Scott played a nightclub singer in I Walk Alone (Byron Haskin, 1948), also starring Kirk Douglas and Burt Lancaster. She was more decadent than ever in Too Late for Tears (Byron Haskin, 1949), having killed two husbands because she wanted “to move out of the ranks of the middle-class poor”. Scott was her own woman in the world of hard-boiled film crime. Ronald Bergan at The Observer: "Scott was strong and sultry, her heavy dark eyebrows contrasting with her blonde hair. Like [Lauren] Bacall, she had a low and husky voice, but she was far harder; in fact, she was able to suggest hidden depths of depravity – the ideal femme fatale of the 1940s."
In her films, Lizabeth Scott made some memorable quotes. In Pitfall (André De Toth, 1948), she described herself to Dick Powell as "a girl whose first engagement ring was bought by a man stupid enough to embezzle and stupid enough to get caught." In The Racket (John Cromwell, 1951), she asked Robert Mitchum: "Who said I was an honest citizen, and where would it get me if I was?" In another Film Noir, Dark City (William Dieterle, 1950), she is a nightclub singer again who drifts on the edges of a shadowy criminal world, though her love for a gambler (Charlton Heston in his Hollywood debut ) is uplifting. Heston and Scott were reunited for Bad for Each Other (Irving Rapper, 1953). She played several similar roles of a woman willing to change her louche ways but doomed to find a worthwhile man to love her only when she had already passed the point of redemption. After several years of making one Film Noir after another — sometimes at a pace of two or three in a year — Scott was ready for a change. She got it in the comedy Scared Stiff (George Marshall, 1953), starring Dean Martin and Jerry Lewis. In September 1954, a front-page story in the magazine Confidential claimed that Scott was a lesbian and was linked to “the little black books kept by Hollywood prostitutes”. It was also said that on a trip to Paris she had taken up with Frédérique 'Frédé' Baulé, manager of Carroll's, an upper-class, cabaret-type nightclub in Paris. One of the owners was Marlene Dietrich. Two months before the issue's printed publication, her lawyer had instituted a $ 2.5m suit against Confidential, accusing the magazine of “holding the plaintiff up to contempt and ridicule and implying in the eyes of every reader indecent, unnatural and illegal conduct in her private and public life”. Scott lost her suit on a technicality, however, and, given the witch-hunting atmosphere of the times, the case certainly harmed her. Compounding her plight was her rebellious nature, having never paid conventional homage to the film establishment and to gossip columnists Louella Parsons and Hedda Hopper. In 1955, Scott went to Great Britain to film The Weapon (Val Guest, 1957). As with other European films of the 1950s- 1970s period aimed at a US audience, Scott starred with another American actor, Steve Cochran, who played US Army CID officer Mark Andrews. Scott also played a publicity woman in the Elvis Presley vehicle Loving You (Hal Kanter, 1957). In 1957, she also released an album of torch songs and romantic ballads titled 'Lizabeth'. She had a few TV roles in the 1960s. Her last credited movie appearance was as a man-eating cougar in Pulp (Mike Hodges, 1972), a sendup of the Film Noir starring Michael Caine. One of her ex-husbands in the film is played by Mickey Rooney. Scott lived quietly in Hollywood, sometimes accepting invitations to attend film festivals and other events. In a 1996 interview with documentary filmmaker Carole Langer, Scott said she had liked the grittiness of Film Noir and didn't lament the fact that she wasn't cast in studio blockbusters: "The films that I had seen growing up were always, boy meets girl, the boy ends up marrying girl, they go off into the sunset," Scott said. After the war, films got more in touch with "the psychological, emotional things that people feel and people do. It was a new realm, and it was very exciting because suddenly you were coming closer and closer to reality." Lizabeth Scott died in 2015 at Cedars-Sinai Medical Center in Los Angeles. She was 92. The cause was congestive heart failure, said her long-time friend Mary Goodstein. Scott's survivors include her brother Gus Matzo and sister Justine Birdsall.
Sources David Colker (Los Angeles Times), Ronald Bergan (The Observer), Mike Barnes (Hollywood Reporter), Variety, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Scotland, Scottish Borders, aerial view of a cloud inversion with the Eildon HIlls in the distance. This would normally be classed a view of Scott's View from near the viewpoint there but as there is no view...
Source: en.wikipedia.org/wiki/Scott_Air_Force_Base
Scott Air Force Base (IATA: BLV, ICAO: KBLV, FAA LID: BLV) is a United States Air Force base in St. Clair County, Illinois, near Belleville and O'Fallon, 17 miles east-southeast of downtown St. Louis. Scott Field was one of thirty-two Air Service training camps established after the United States entered World War I in April 1917. It is headquarters of Air Mobility Command (AMC), and is also the headquarters of the U.S. Transportation Command, a Unified Combatant Command that coordinates transportation across all the services.
The base is operated by the 375th Air Mobility Wing (375 AMW) and is also home to the Air Force Reserve Command's 932d Airlift Wing (932 AW) and the Illinois Air National Guard's 126th Air Refueling Wing (126 ARW), the latter two units being operationally gained by AMC.
The base currently employs 13,000 people, 5,100 civilians with 5,500 active-duty Air Force, and an additional 2,400 Air National Guard and Reserve personnel. It was announced in June 2014 that two new cybersecurity squadrons will be added to the three currently on base.
Its airfield is also used by civilian aircraft, with civilian operations at the base referring to the facility as MidAmerica St. Louis Airport. MidAmerica has operated as a Joint Use Airport since beginning operations in November 1997. Allegiant Air, the only commercial airline with scheduled flights at the airport, pulled out of the airport on January 3, 2009, but now has multiple nonstop destinations.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Scott Air Force Base) "قاعدة سكوت الجوية" "斯科特空军基地" "Base aérienne de Scott" "स्कॉट एयर फोर्स बेस" "スコット空軍基地" "스콧 공군 기지" "База ВВС Скотт" "Base de la Fuerza Aérea Scott"
Pima County, Arizona | April | Canon 1D4 | Canon 600mm f4 IS | credits: Dan Behm, Mario Davalos, Bill Forbes
Unable to get out and take photos, I edited some shots I took on visits to Scotland.
The Scott Monument is a Victorian Gothic monument to Scottish author Sir Walter Scott. It stands in Princes Street Gardens in Edinburgh, opposite the Jenners department store on Princes Street and near to Edinburgh Waverley Railway Station, which is named after Scott's Waverley novels. It was completed in 1844.
A shot from the Scott Nichol / Pantherella Spring/Summer 2013 ad campaign.
Photographer: Nick Tsiatinis
All rights reserved.
Strobist info: Strobeam DL250 through 90cm shoot through umbrella, camera-right at about 1/4 power. Triggered with Strobeam 3G remote.
A Scott Tent set up at the South Pole during the winter in Antarctica. Jupiter and aurora shine above in the sky.
Scott Memorial
Robert Falcon Scott was born in Devonport on 6 June 1868 at his family's home, Outlands. He became a naval officer, and subsequently led the British Antarctic Expedition of 1910–13 in search of the South Pole. The members of his team were Lawrence Oates, Henry Bowers, Edgar Evans and Edward Wilson. The team reached the pole in January 1912 only to learn that Norwegian Roald Amundsen and his team had beaten them to it, arriving there one month earlier in December 1911. On the journey home Scott and all his men perished.
Source: en.wikipedia.org/wiki/Scott_Air_Force_Base
Scott Air Force Base (IATA: BLV, ICAO: KBLV, FAA LID: BLV) is a United States Air Force base in St. Clair County, Illinois, near Belleville and O'Fallon, 17 miles east-southeast of downtown St. Louis. Scott Field was one of thirty-two Air Service training camps established after the United States entered World War I in April 1917. It is headquarters of Air Mobility Command (AMC), and is also the headquarters of the U.S. Transportation Command, a Unified Combatant Command that coordinates transportation across all the services.
The base is operated by the 375th Air Mobility Wing (375 AMW) and is also home to the Air Force Reserve Command's 932d Airlift Wing (932 AW) and the Illinois Air National Guard's 126th Air Refueling Wing (126 ARW), the latter two units being operationally gained by AMC.
The base currently employs 13,000 people, 5,100 civilians with 5,500 active-duty Air Force, and an additional 2,400 Air National Guard and Reserve personnel. It was announced in June 2014 that two new cybersecurity squadrons will be added to the three currently on base.
Its airfield is also used by civilian aircraft, with civilian operations at the base referring to the facility as MidAmerica St. Louis Airport. MidAmerica has operated as a Joint Use Airport since beginning operations in November 1997. Allegiant Air, the only commercial airline with scheduled flights at the airport, pulled out of the airport on January 3, 2009, but now has multiple nonstop destinations.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Scott Air Force Base) "قاعدة سكوت الجوية" "斯科特空军基地" "Base aérienne de Scott" "स्कॉट एयर फोर्स बेस" "スコット空軍基地" "스콧 공군 기지" "База ВВС Скотт" "Base de la Fuerza Aérea Scott"
British postcard in the Greetings Series. Photo: 20th Century Fox.
American actor Scott Brady (1924-1985) had the manly good looks and rugged appeal to make it to top stardom in Hollywood and succeeded quite well with tough-guy roles on film and TV.
Irish-American Scott Brady was born in Brooklyn in 1924 as Gerard Kenneth Tierney (called Jerry). His parents were Lawrence and Maria Tierney. His father, chief of New York's aqueduct police force, had always had show business intentions and after retiring from the force he got, through his sons, some work in print advertising. Both Scott's older and younger brothers, Lawrence Tierney and Edward Tierney went on to become actors as well. Lawrence's promising Film Noir 'bad guy' career was sabotaged by a severe drinking disorder that led to numerous skirmishes with the law. Scott himself faced a narcotics charge in 1957 (charges were dropped, Scott maintained that he was framed) and in 1963, he was involved in illegal bookmaking activities. Gary Brumburgh at IMDb: "Fortunately, Scott was more cool-headed and wound up avoiding the pitfalls that befell his older brother, making a very lucrative living for himself in Hollywood throughout the 1950s and early 1960s." Scott Brady grew up in Westchester County and attended Roosevelt and St. Michael's High Schools. Like his older brother Lawrence, Scott was an all-round athlete in school and earned letters for basketball, football and track and expressed early designs on becoming a football coach or radio announcer. Instead, he enlisted before graduating from high school and served as a naval aviation mechanic overseas. During his term of duty, he earned a light heavyweight boxing medal. He was discharged in 1946 and decided to head for Los Angeles where his older brother Lawrence was making encouraging strides as an actor. Toiling in menial jobs as a cabbie and day-time labourer, the handsome, blue-eyed looker was noticed having lunch in a café by producer Hal B. Wallis and offered a screen test. The test did not fare well but, not giving up, he enrolled in the Bliss-Hayden drama school under his G.I. Bill, studied acting, and managed to rid himself of his thick Brooklyn accent.
Scott Brady signed with a minor league studio, Eagle-Lion, and made his debut of sorts in the poverty-row programmer In This Corner (Charles Reisner, 1948) utilising his boxing skills from his early days in the service. He showed more promise with his second and third films Canon City (Crane Wilbur, 1948) and He Walked by Night (Alfred L. Werker, 1948), the latter as a detective who aids in nabbing psychotic killer Richard Basehart. Scott switched over to higher-grade action stories for Fox and Universal over time. Westerns and crime stories would be his bread-winning genres with The Gal Who Took the West (Frederick De Cordova, 1949) opposite Yvonne De Carlo and Charles Coburn, and Undertow (William Castle, 1949), with John Russell, being prime examples. He frequently switched from hero to heavy during his peak years. In one film he would romance a Jeanne Crain in The Model and the Marriage Broker (George Cukor, 1951) or a Mitzi Gaynor in Bloodhounds of Broadway (Harmon Jones, 1952), while in the next beat Shelley Winters to a pulp in Untamed Frontier (Hugo Fregonese, 1952). A favourite pin-up hunk in his early years, he hit minor cult status as a bad hombre, The Dancin' Kid, in the offbeat Western Johnny Guitar (Nicholas Ray, 1954). He and the other manly men, however, were somewhat overshadowed in the film by the Freudian-tinged gunplay between Joan Crawford and Mercedes McCambridge. Other roles had him sturdily handling the action scenes while giving the glance over to such diverting female costars as Barbara Stanwyck, Mala Powers and Anne Bancroft.
Scott Brady would mark the same territory in TV - Westerns and crime films - finding steadier work on the smaller screen into the 1960s. He starred as the title hero in the Western series Shotgun Slade (1959). Stage too was a sporadic source of income with such productions as 'The Moon Is Blue', 'Detective Story' and 'Picnic' before making his Broadway debut as a slick card sharpie opposite Andy Griffith and Dolores Gray in the short-lived musical 'Destry Rides Again' in 1959. Scott played the villainous role Brian Donlevy played in the original. He later did the national company of the heavyweight political drama 'The Best Man' with his portrayal of a senator. The seemingly one-time confirmed bachelor decided to settle down after meeting and marrying Mary Tirony in 1967 at age 43. Prior to this, he had been linked with such luminous beauties as Gwen Verdon and Dorothy Malone. The couple had two sons: Timothy and Terence. Parts dwindled down in size in later years and he gained considerable weight as he grew older and balder, but he still appeared here and there as an occasional character heavy or hard-ass cop in less-important films such as Doctors' Wives (George Schaefer, 1971), $ (Richard Brooks, 1971) with Warren Beatty, The Loners (Sutton Roley, 1972) and Wicked, Wicked (Richard L. Bare, 1973). Minor TV roles in mini-movies also came his way at a fair pace. Towards the end, he was seen in such high-profile big-screen movies as The China Syndrome (James Bridges, 1979) and Gremlins (Joe Dante, 1984). Scott had a collapse in 1981 and was diagnosed with pulmonary fibrosis, a progressive respiratory disease. He later relied on an oxygen tank. He died of the disease four years later and was interred at the Holy Cross Cemetery in Culver City, California. Scott's brother Edward Tierney became a building contractor after quitting as an actor, and Scott financed several of his projects. One of these includes the apartment building where the infamous Wonderland murders took place. According to Scott's son Tim, Scott had a falling out with brother Lawrence Tierney in the late 1960s that lasted nearly two decades. His son Terence also became an actor.
Sources: Gary Brumburgh (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
British postcard in the Greetings Series. Photo: Associated British.
Janette Scott (1938) is a retired English actress, who started her career as a child actress at the age of 3. From the late 1950s to the mid-1960s, she was a leading lady in British films in which she co-starred with Terry-Thomas, Ian Carmichael, and Laurence Olivier. She is best remembered from the line "And I really got hot When I saw Janette Scott fight a triffid that spits poison and kills" in the opening song of The Rocky Horror Picture Show (1975). Scott gave up her film career upon marrying singer Mel Torme.
Thora Janette Scott was born in 1938 in Morecambe, Lancashire, England. She is the daughter of actors Jimmy Scott and Thora Hird and began her acting career as a child actress known as Janette Scott. She made her film debut only 3-years-old in the British war film Went the Day Well? (Alberto Cavalcanti, 1942), adapted from a story by Graham Greene. The film was produced by Michael Balcon of Ealing Studios and served as unofficial propaganda for the war effort. It tells of how an English village is taken over by German paratroopers. After a few bit roles, she had her first big part as Jennifer in No Place for Jennifer (Henry Cass, 1950) with Leo Genn and Rosamund John. She played a young girl, who experiences a trauma when her parents' divorce. Another big role followed in the sports comedy The Galloping Major (Henry Cornelius, 1951), starring Basil Radford. The title is taken from the song 'The Galloping Major', and the plot was centered on gambling at the horse racing track. She also co-starred in the British 20th Century Fox production No Highway in the Sky/No Highway (Henry Koster, 1951), starring James Stewart and Marlene Dietrich. Scott appeared in the British Technicolor biographical drama The Magic Box (John Boulting, 1951). The film stars Robert Donat as William Friese-Greene, who first designed and patented one of the earliest working cinematic cameras. Told in flashback, the film details Friese-Greene's tireless experiments with the 'moving image', leading inexorably to a series of failures and disappointments, as others hog the credit for the protagonist's discoveries. Scott was briefly (along with Jennifer Gay) one of the so-called 'Children's Announcers' providing continuity links for the BBC's children's TV programs in the early 1950s. At the age of 14, Scott wrote her autobiography, 'Act One'. During the 1950s, she also appeared in such films as the divorce drama Background/Edge of Divorce (Daniel Birt, 1953) starring Valerie Hobson, the musical comedy As Long as They're Happy (J. Lee Thompson, 1955) starring Jack Buchanan and Diana Dors, and as Cassandra in the Hollywood epic Helen of Troy (Robert Wise, 1956), based on Homer's Iliad and Odyssey. Scott also had the leading role in the romance Now and Forever (Mario Zampi, 1956). It was Scott's first adult role in which she got her first screen kiss.
In the late 1950s, Janette Scott became a popular leading lady. She appeared with Ian Carmichael in the comedy Happy Is the Bride (Roy Boulting, 1958), and with Anna Neagle and Frankie Vaughan in The Lady Is a Square (Herbert Wilcox, 1958). She is known to American audiences for her role as the parson's wife in The Devil's Disciple (Guy Hamilton, 1959) starring Burt Lancaster, Kirk Douglas, and Laurence Olivier. One of her other well-known roles is April Smith in the British comedy School for Scoundrels (Robert Hamer, 1960), based on the 'one-upmanship' books by Stephen Potter, in which Ian Carmichael and Terry-Thomas competed for her attention. Scott is referenced to in the song 'Science Fiction/Double Feature', the opening number from The Rocky Horror Show and its film version The Rocky Horror Picture Show (Jim Sharman, 1975) for her participation in The Day of the Triffids (Steve Sekely, 1962): "And I really got hot When I saw Janette Scott fight a triffid that spits poison and kills." The British Science Fiction film stars Howard Keel and Nicole Maurey and was loosely based on the 1951 novel of the same name by John Wyndham. She later appeared in the Hammer thriller Paranoiac (Freddie Francis, 1963) with Oliver Reed, Siege of the Saxons (Nathan H. Juran, 1963), set in the time of King Arthur, and the American horror-comedy The Old Dark House (William Castle, 1963), a remake of the 1932 film by James Whale. The photo of the postcard was produced for The Beauty Jungle/ Contest Girl (Val Guest, 1964), about " the beauty profession and all of its hypocrisy and sordid publicity stunts", according to Wikipedia. Ordinarily a brunette, Scott dyed her hair blonde to take on a sort of sex bomb persona for the film. Her final films were the American Science-Fiction Crack in the World (Andrew Marton, 1965) a 'doomsday disaster movie' filmed in Spain, and the American comedy Bikini Paradise/White Savage (Gregg Tallas, 1967). In the meantime, she had married American Jazz singer Mel Torme and gave up her career to raise a family. Janette Scott has been married three times: to Canadian singer and TV host Jackie Rae (1959-1965; divorced), Mel Tormé (1966-1977; divorced), and William Rademaekers (since 1981). With Mel Tormé, she has two children, actress Daisy Tormé (1969) and songwriter James Tormé (1973). In 1997, she returned to the screen for a cameo in the popular TV series Last of the Summer Wine in the episode There Goes the Groom. Although she is credited in the cast of the British film How to Lose Friends & Alienate People (Robert B. Weide, 2008), Scott did not return to the cinema. Her character - the deceased mother of the Simon Pegg character - is seen only in flashbacks as a very young woman, extracts from her film Now and Forever (Mario Zampi, 1956).
Sources: Brian Drive-in's Theater, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Scott. No, not the one from the Antarctic. The grand daddy of water cooled two stroke parallel twins. Like a Yamaha RD350LC....but made in the early 1900s. I'm not sure if I ever mentioned it, but I quite like two strokes ;-) This one was still purring away and sounded lovely.
287 steps to the top..... but well worth the effort, and the tallest monument to a writer in the world, apparently
The first shot of the trip at Scotts View, the morning colours beginning to stand out in the tree line below, the pastel sky just was amazing on this morning, this is from a field to the left of the view spot, Don had the right side covered so we did manage to get this place covered over the 2 weeks on many mornings and evenings.