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The SCI-Arc Gallery is pleased to present, Dark Side of the Moon, a new site-specific installation by Los Angeles-based firm, Michael Maltzan Architecture. This installation introduces a new threshold in the gallery, creating a space between two worlds that provokes interaction and a simultaneous experience for, and between, those who visit.
As viewers enter the gallery, a surface descends above them, arcing across the entirety of the 1400+ square foot space and gradually bending toward the gallery floor. Expanding the role that this “fifth façade” has played in the Michael Maltzan Architecture’s recent projects, the exhibition transforms the soffit of the gallery into unique space by positioning the structure above the gallery walls rather than within them.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
ThyssenKrupp Architecture Award
Amorphica Design Research Office
amorphica.com/amorphica-html/00-170.htm
Credits
Design: Aaron Gutiérrez Cortes, Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin
Excecutive/Administrative/Development: Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin, Berenice Jimenez
Nader Ardalan + Steve Caton
New Arab Urbanism: The Challenge to Sustainability and Culture in the Gulf - Seminar
Belfer Center for Science and International Affairs - John F. Kennedy School of Government, Harvard University
Cambridge, Massachusetts
2011
Amorphica Design Research Office
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Bronze and Ebony lamps. 'From Hand to Mouse' An exhibition of renderings and furniture by architect Coy Howard at the SCI_Arc gallery. Summer 2010
Primera y Ruiz [R1] -
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Willow Road Mixed-Use
amorphica.com/amorphica-html/00-098.htm
Credits
Design: Evgenya Golik, Aaron Gutiérrez Cortes, Julia Cerrud, Octavio Quijada
Excecutive/Administrative/Development: Julia Cerrud, Octavio Quijada, Cairo Bermudez
Collaboration: David Lopez-Rosales
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Furniture designed using all recycled materials
G_Nee Lamp
180 Pieces / 180 Degrees of light coming from 180 Small spots, one spotlight at a time. You can hang it from any ceiling light bulb header, only the bulb must be an LED one. Working on it...
187 - - Amorphica Design Research Office
amorphica.com/amorphica-html/00-187.htm
Georgina Muñoz, Roberto Gutiérrez, Berenice Jiménez, Julia Cerrud, Aarón Gutiérrez Cortes
Memoria · The Family House @ Planimetry · Ninth Floor
Status @ 4th Year Undergraduate Vertical Studio · Level VII
Location @ San Miguel District¸ Lima - Perú
Lecturer @ Arch. Juvenal Baracco
Universidad Ricardo Palma · Architecture & Urbanism School
Lima - Perú
La vivienda consta de tres espacios importantes, dos destacan por las curvaturas que producen una triple y doble altura, generando sensaciones de amplitud espacial por la jerarquía de dichos espacios, siendo respectivamente la zona social y la habitación de la madre. El tercer espacio importante es el patio central, siendo el remate del proyecto. El tipo de vegetación utilizada son trepadoras rojas, el motivo por la cual se utilizó, es debido a la abundancia de ésta que permite una armonía en la vivienda actual ubicada en la ciudad de Huacho.
Posteriormente a una entrevista, se hizo una recopilación de los datos que permitió hacer una retroalimentación del tiempo vivido juntos como familia.
Honors & Awards:
@ Architecture Student Award 2018
@ El Talento · Revista D+ 2019
Proyecto seleccionado entre los mejores 7 en el mundo.
Jurado miembros de oficinas y escuelas de arquitectura:
@ Zaha Hadid Architects
@ BIG Architects
@ Morphosis Architects
@ The Bartlett UCL
@ SCI-Arc
Propuestas premiadas:
_ Museo de Movilidad y Transporte · Nicolas Turchi @ Harvard Graduate School of Design
_ El Monolito de Kasulo · Federico Fauli @ Architectural Association
_ Ecdisis Ambiental · Andreas Körner @ The Bartlett
_ Coexistencia Sintética · Vamsi Krishna @ Städelschule Architecture Class
_ Ciudad Vetical Invetida · Tucker van Leuwen-Hall @ SCI-Arc
_ Espacio No-Estándar Autónomo · Kyri Loizou @ University of East London
_ La Casa de la Familia · Kevin Abanto @ Universidad Ricardo Palma
Articles & Interviews:
Architecture Student Calls The Best Projects and there are the results · Archdaily + Designmorphine + ARQA + Diario de Lobos ·
· www.archdaily.pe/pe/890576/architecture-student-convoca-l... son-los-resultados
· arqa.com/actualidad/noticias/architecture-student-convoca...
· lobosdiario.com.ar/architecture-student-convoca-los-mejor...
Project Chosen as best of 2018 · SCI-Arc ·
· web.facebook.com/sciarc/posts/10155538239580872?_rdc=1&am...
Proyecto destacado en Archdaily · Universidad Ricardo Palma ·
· v-beta.urp.edu.pe/pdf/id/12218/n/
El Talento · Revista D+ ·
· www.revistadmas.pe/edicion08
7 de los mejores proyectos hechos por arquitectos y estudiantes de todo el mundo · Arquitectura Ideal ·
· arquitecturaideal.com/mejores-proyectos-hechos-arquitecto...
How to Modelling an House · Archicage ·
· archicage.com/the-family-house
Studente di Architettura/Design - Progetti di Kevin Abanto · Edilportale ·
· www.edilportale.com/KevinAbanto
Proyecto ganador Architecture Student Competition 2018: “La Casa de la Familia” · ARQA ·
· arqa.com/arquitectura/proyecto-ganador-archdaily-competit...
More info in portfolio:
Bronze meets Ebony, joint near the top of the lamp.
'From Hand to Mouse' An exhibition of renderings and furniture by architect Coy Howard at the SCI_Arc gallery. Summer 2010
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
ThyssenKrupp Architecture Award
Amorphica Design Research Office
amorphica.com/amorphica-html/00-170.htm
Credits
Design: Aaron Gutiérrez Cortes, Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin
Excecutive/Administrative/Development: Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin, Berenice Jimenez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
ThyssenKrupp Architecture Award
Amorphica Design Research Office
amorphica.com/amorphica-html/00-170.htm
Credits
Design: Aaron Gutiérrez Cortes, Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin
Excecutive/Administrative/Development: Julia Cerrud, Georgina Muñoz, Roberto Gutiérrez, Georgina Laborin, Berenice Jimenez