Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Despite an early heavy thunderstorm visitors flocked to BBC Countryfile Live, held within the grounds of Blenheim Palace. Animals, wildlife, food, outdoor sports, conservation, farming, rural affairs, entertainment, all were represented. Here the Savage Skills BMX extreme freestyle display team wow the audience in the arena.

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

ONE OF THE OLDEST ARTISANS OF PANCHMURA.....

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Despite an early heavy thunderstorm visitors flocked to BBC Countryfile Live, held within the grounds of Blenheim Palace. Animals, wildlife, food, outdoor sports, conservation, farming, rural affairs, entertainment, all were represented. Here the Savage Skills BMX extreme freestyle display team wow the audience in the arena.

Artisan's daughter with unfinished Bankura horses at Panchmura, The Potters’ Village......

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Artisan's daughter with unfinished Bankura horses at Panchmura, The Potters’ Village......

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

A terracotta artisan (of Kumbhakar clan) finishing the neck of a Bankura horse after the basic shape came from the potter’s wheel at Panchmura village, Bankura district....

Panchmura, The Potters’ Village

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

Table setting seen In the Rural tradition and Craft Museum, Valignat, Allier.

A painter scribing the rural Art form of Andhra Pradesh ( a state in India) on a cotton cloth. Clicked at Dakshinchitra , Chennai

Despite an early heavy thunderstorm visitors flocked to BBC Countryfile Live, held within the grounds of Blenheim Palace. Animals, wildlife, food, outdoor sports, conservation, farming, rural affairs, entertainment, all were represented. Here the Savage Skills BMX extreme freestyle display team wow the audience in the arena.

Beautiful colours of wool, all dyed with natural dyes

221/365 9th Aug James & Flynn ! Hard at work this morning in the meadow on Allington Hill collecting up the cut and very wet grass, as it’s a wild flower meadow the cut grass is collected and not left to rot. www.jsflandscapes.co.uk #allingtonhill #wildmeadows

Despite an early heavy thunderstorm visitors flocked to BBC Countryfile Live, held within the grounds of Blenheim Palace. Animals, wildlife, food, outdoor sports, conservation, farming, rural affairs, entertainment, all were represented. Here the Savage Skills BMX extreme freestyle display team wow the audience at the arena..

Stunning

An artisan from ‘Kumbhakar’ community making Bankura horses at Panchmura, The Potters’ Village......

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

A travessia dos tropeiros é segura. Dia de Festa. O "burrico" vai atrás, amarrado no rabo do cavalo do dono. É o guia.

O estilo inconfundível das casas do interior de Minas, ao Leste e Zona da Mata.

Portrait of an artisan from ‘Kumbhakar’ community making Bankura horses at Panchmura, The Potters’ Village......

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Bankura horse has been part of a 300-year old tradition of Panchmura Village. The scope of this terracotta art form got a shot when late Sri Rashbehari Kumbhakar got the President’s Award in 1969. As a result of this some initiatives were taken then for the revival of Panchmura crafts. Subsequently, the Bankura Horse evolved as a symbol of West Bengal, adopted by the State Tourism Board. It is the crest motif of the Central Cottage Industries Emporium. Government of West Bengal and UNESCO have joined hands to develop this place as a Rural Craft Hub to be managed by the artists themselves.

Bankura horses are considered to be ridden by Dharmaraj (Sun God), and are therefore offered as a token of devotion to folk deities. During the late medieval period, the terracotta art of Bishnupur - Bankura began under the Malla dynasty. There are other legends about the origin of the horse and one of them was it being created to appease the gods in granting the boon of an offspring to a childless maharani of the Malla kings. The offering worked and since then the horse has gained a reputation as the symbol of fertility, the reason why they are always made and sold in pairs!

To begin with, alluvial soil with a little amount of sand should be smooth enough to be turned into proper shape on the potter’s wheel. The parts that have come off the wheel are placed in direct sunlight. The potters never use any artificial colour. Instead a special coloured soil is used. Coloured figurines are then fired in the kiln.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Interesting Read: www.chitrolekha.com/V1/n2/07_Terracotta_crafts_of_Panchmu...

West Bengal is famous for its arts and crafts. One of the most famous handicrafts of the state comprises of the age-old pottery, which is practiced in exquisite styles, with beautiful variations. Pottery is basically prevalent in the rural parts of West Bengal, where the men and women of 'Kumbhakar’ community are engaged in this art.

Pottery is an indigenous art that has been practiced in the state since ages. The districts of Bankura, Murshidabad and Midnapore in West Bengal are mostly famous for this art. All of which are made up of clay, though the purposes for which they are used are varied. However, the basic requirements and procedure are almost the same for all of them. Clay is taken from various places, like river bed, ditches and pits, and combined together. The clay mixture is then fashioned on wheels, to give it the shape of the required items, which range from simple pots to exquisite idols. The items are then dried and hardened, to make them hard and stabile.

Panchmura, The Potters’ Village

Potters of Bankura create exquisite horses out of clay, in a village called Panchmura, 25 km from Bishnupur, in West Bengal, India. This handcrafted clay horse are known for their symmetric shape and rounded curves with an erect neck and ears and is acclaimed for its striking elegance.

Beside horse, items like elephant, Manasa Jhar, dashabatar taas, the idols of gods and goddesses are very popular. Various artisans had to switch over from making horses and elephants to utility items like conches, flower vases, home decorative items and artefacts, tiles and panels to find a larger market.

Only the ‘Kumbhakar’ community of Panchmura (around 60 families) is still struggling to keep this craft tradition alive with their sincere effort and dedication. The potters of Panchmura fall in the category of Other Backward Classes (OBC). The ‘Panchmura Potters’ Society’ was set up in around 2005-2006. The aim was to properly organize the craft production and providing a suitable marketing opportunity by the Society.

Images of Bengal, India

© Shuvarthy Chowdhury Photography

Birbhum, West Bengal -- 2015

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Kantha for the Bengali folks means embroidered qulit. Kantha is said to be 'Dorukha' meaning turning the worn out and old textiles and fabrics to things of beauty. It is the way the stitch is used, in different arrangements, that forms the complex vocabulary of Kantha.

A Kantha is often referred to as a rural woman's diary as it reflects the rural woman's personal account of her life's events and happenings.

Kantha embroidery has led to socio-economic empowerment of thousands of women of Birbhum. Department of Micro, Small & Medium Enterprises & Textiles (MSME&T), Goverment of West Bengal in partnership with UNESCO, is developing a Rural Craft Hub at Nanoor.

Simple run stitches at the hands of skill artists create a magical artwork called as 'Kantha Embroidery'. Kantha making is a 'women's art'. It was the bengali housewife who helped the art to evolve.

The origin of the Kantha craft traces its history to a period not less than a thousand years. since then the tradition has come a long way today when the artistic brilliance of the women artists have found expressions in lifestyle products like saree, dress materials, bed and cushion covers etc. Motifs of nature including animals, birds and flowers are extensively stitched and the art work varies from intricate and heavy to light and simple designs.

There is a large concentration of the women doing Kantha embrodiery in Nanoor block of Birbhum, West Bengal. Around 2000 women of this area are engaged in doing katha embrodiery on different products. About 600 kantha artists are included in the Rural Craft Hub.

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Exposição de queijo no Mercado de Teófilo Otoni. Queijo. Um dos patrimônios de Minas