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Kreuzgang und Kreuze
by Robert Longo
When Heaven and Hell Change Places, an installation by ROBERT LONGO
So lautet das Thema der Dauerausstellung. Sie umfasst etwa einhundert Gemälde, Skulpturen, Videos, Fotografien und Arbeiten auf Papier von mehr als dreißig Künstlern. Alle Arbeiten stammen aus der Hall Sammlung und der Sammlung der Hall Art Foundation und befassen sich mit der Darstellung christlicher Ikonographie in der zeitgenössischen Kunst.
Unter anderem finden sich Werke von Andy Warhol, Georg Richter, Niki de Saint Phalle, Georg Baselitz sowie Gilbert & George.
Manche rütteln auf, andere erschrecken und wieder andere entlocken den Betrachtenden ein Schmunzeln.
In einem der Kreuzgänge ragen überlebensgroße Kreuze auf, die der US-amerikanische Künstler Robert Longo wie eine Parade durch die Bögen führt - der Titel:
"When heaven and hell change places"
Inspired a little by Robert Longo's "Men in the Cities", an inappropriately named series of works since there are women in the series.
...stehen im Innenhof des Schlosses, als eine von derzeit 15 Stationen des Skulpturenparks.
Man findet sie in guter Nachbarschaft zu Werken von Georg Baselitz, Anthony Gormley, Alicja Kwade oder Jonathan Meese.
Die Ausstellungen in den Innenräumen speisen sich aus der rund 6000 Objekte umfassenden Privatsammlung der Halls.
Beide zählen zu den weltweit wichtigsten Sammlern für zeitgenössische Kunst und man findet sie unter den Top 200 in den internationalen Ranglisten.
Andrew Hall machte sein Vermögen übrigens als ein sehr erfolgreicher Ölhändler... sowie an der Börse.
Einer der Schwerpunkten der Sammlung der Halls: deutsche Kunst nach 1945. Sie besitzen aktuell die wohl umfangreichste Sammlung zur deutschen Nachkriegskunst in den USA.
Unter anderm ist der Grund dafür im Preis zu suchen - deutsche Kunst ist deutlich günstiger zu haben als amerikanische... ;-))
Quelle: www.Handelsblatt.com
ce monde fasciné par sa propre perte, ses yeux grand ouverts, sa bouche grand ouverte comme celle du monstre qui approche, ce monstre qui s’apprête à les avaler tous, le monde en nombre cauchemardesque, les foules qui crient, les petits groupes qui se taisent, persuadés qu’ils sont qu’il ne sert plus à rien de crier et qu’il vaut mieux regarder ailleurs, regarder vers leurs nombrils, jouer entre amis quelques notes de musique, la musique du monde qui s’apprête à disparaître,
au fil du blog Éléments du monde ordinaire vous trouverez en contrepoint de quoi lire et imaginer ou bâiller,
and for those of you who do not speak French, Francis J. recommends that you use DeepL to get his texts translated into the language of your choice.
la beauté du diable robert longo shark 9(5375r2000)
Karfreitag: Das Kreuz
artist: Robert Longo
"When heaven and hell change places"
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Hall art foundation Derneburg
Robert Longo (2008): Shark 9
Musée d’Art Moderne et d’Art Contemporain MAMAC in Nizza
Provence-Alpes-Côte d’Azur, Frankreich 15.08.2014
www.robertlongo.com/series/perfectgods/
www.flickr.com/photos/147123366@N06/52537017642/in/photol...
A visitor to the Brooklyn Museum is reflected in the glass of Robert Longo's charcoal "Untitled (Enstein's Desk, The Day He Died")
wörtlich genommen.
Skulpturen von Robert Longo im Schloss Derneburg.
Teil der Installation "When Heaven and Hell Change Places".
Robert Longo: Now Everybody (For R. W. Fassbinder), 1982
Charcoal, graphite, ink on paper;
polyester resin with bronze
Ludwig Museum - Museum of Contemporary Art, Budapest; courtesy of the artist
Currently at the exhibition "Robert Longo" in the ALBERTINA
The fc presentation of the photo of my signature of the print of my photo of Robert Longo's painting, in whose glazing the photographer is reflected.
Street exhibition of 'Shark - eating the photographer' among others in the Oberkampf district in the 11th arrondissement.
Paris, France 17.08.2018
Streetart - L'image dans l'image dans le .... 5 niveaux de réalité
La fc-présentation de la photo de la signature de l'edition de ma photo de l'image de Robert Longo, dans le vitrage duquel se reflète le photographe.
Exposition de rue de 'Shark - eating the photographer' entre autres dans le quartier d'Oberkampf dans le 11ème arrondissement
Paris, France 17.08.2018
Streetart - Das Bild im Bild im ... 5 Ebenen von Wirklichkeit
Die fc-Präsentation des Fotos von der Signatur des Ausdrucks meines Fotos vom Bild Robert Longos, in dessen Verglasung sich der Fotograf spiegelt.
Strassenausstellung von 'Shark - eating the photographer' u.a. im Oberkampfviertel im 11. Arrondissement
Paris, Frankreich 17.08.2018
Charcoal on paper
Robert Longo (*1953, Brooklyn)
From the current exhibition at the ALBERTINA Museum in Vienna
A museum visitor is reflected on the protective glass of artist Robert Longo's "Destroyed Head of Lamassu, Nineveh" This is one of the most impressive exhibits I've ever seen. Working in charcoal on a massive scale Longo's work is so detailed that they appear to be black and white photographs.
"Often forages by perching fairly low and flying down to ground to capture insects, sometimes hovering briefly before pouncing. May catch insects in mid-air, or may seek them among foliage. Perches or flutters among branches to take berries." Audubon
Derneburg, Hall Art Foundation, Schloß Derneburg, Schloßhof, "When Heaven and Hell Change Places (7 day version)" (1992-2019) v. Robert Longo
OLYMPUS art filter "Dramatic Tone"
Derneburg, Hall Art Foundation, Schloß Derneburg, Robert Longo: When Heaven and Hell Change Places
OLYMPUS art filter "Cross Process"
New Order
CD :
New Order
Bizarre Love Triangle
Factory
FAC163
Design by Peter Saville
Use Hearing Protection
GMA
Gastr Del Sol
Art :
Robert Longo
Untitled (Ping)
Charcoal On Mounted Paper
2007
CD :
Moritz Von Oswald Trio
Sounding Lines
Honest Jons Records
HJR72
Music by Moritz Von Oswald, Max Loderbauer & Tony Allen
Artwork by Marc Brandenburg
Sleeping Bag
Graphite On Paper
2010
iTunes :
My Bloody Valentine
(When You Wake) You're Still In A Dream
Creation
CRE40
GMAsleep ...
Robert Longo’s charcoal drawing "Tiger Head No. 7" seen through Jean Arp’s sculpture "Ptolemy I" inside the museum Würth II, Gaisbach (Kuenzelsau), Franconia (Baden-Wuerttemberg)
Some background information:
If you drive through the countryside of the rural district of Hohenlohe with its pastures and little villages in the northeast of the federal state of Baden-Wuerttemberg, you wouldn’t expect an art museum of international reputation being located in this area. However the museums Würth 1 and Würth 2 are and that has a particular reason: Both museums are attached to the headquarters of Würth Group, a multinational company and the biggest producer of screws in the world.
In 1954, the German billionaire Richard Würth took over a two-man business from his father at the age of 19 and made it a successful worldwide concern with almost 86,000 employees today. In the 70s, Würth began to collect art. Since then, he has collected roughly 18,500 works of art. His passion for collecting art even resulted in art becoming an important element of the Würth company culture. The most important works of art are made publicly available in altogether five museums of the Würth Group. All of them are freely accessible.
The newest of the five Würth museums is the museum Würth 2. It was attached to a forum, named after Reinhold Würth’s wife Carmen. The forum was opened in 2017, on occasion of the 80th birthday of Carmen Würth, while the extension building with the museum was opened in 2020. Both forum and museum were planned by the English architect David Chipperfield, who is based in Berlin. The extension building costed 39 million Euro, is dedicated to art from the late 19th to the 21st centuries and has a surface area of 5,500 square metres.
Beyond that, the Carmen Würth Forum is surrounded by an extensive sculpture garden. This sculpture garden features large sculptures of world-renowned sculptors, such as Georg Baselitz, Niki de Saint Phalle, Tony Cragg, Anish Kapoor, Anthony Caro, Alfred Hrdlicka, Eduardo Chillida and Jaume Plensa. However, the heart of the art collection is situated inside the museum.
On two floors, visitors can admire paintings and sculptures of modern painters and sculptors famous the world over. The collection comprises numerous artworks of Pablo Picasso, Georges Braque, Fernand Legér, Rene Magritte, Giorgio de Chirico, Roy Lichtenstein, Andy Warhol, Edvard Munch, Max Ernst, Paul Klee, Eugene Boudin, Joan Miró, Ernst Ludwig Kirchner, Emil Nolde, Max Beckmann, Max Liebermann, Anselm Kiefer, David Hockney, Jörg Immendorff, Jean Arp, Fernando Botero, Serge Poliakoff and Gerhard Richter, to name just the best known artists.
If you want to visit the museum, just follow the A6 motorway between Nuremberg and Heilbronn. Take the exit to Kupferzell then and follow the road about 9 km (5.6 miles) towards Kuenzelsau. After having arrived in Gailsbach, the museum is well-signposted. And if you are interested in art, you definitely won’t regret your visit.
About Jean Arp:
Jean resp. Hans Arp was a German-French sculptor, painter and poet. He was born in 1886 in Strasbourg, France, and died in 1966 in Basel, Switzerland. His father was German while his mother was French. Arp was and still is known as a Dadaist and an abstract artist. During his career, he won many awards, including the Grand Prize for sculpture at the 1954 Venice Biennale, the 1963 Grand Prix National des Arts, the 1964 Carnegie Prize and the 1965 Goethe Prize from the University of Hamburg.
In 1950 he executed a relief for the Harvard University Graduate Center in Cambridge, Massachusetts, and painted a mural at the UNESCO building in Paris. In 1958, a retrospective of Arp's work was held at the Museum of Modern Art in New York City, followed by an exhibition at the Musée National d'Art Moderne in Paris. In 1972, Arp’s work was shown as a touring exhibition by several major museums in the US and Australia, such as the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York. In 1986, another 150-piece exhibition concluded an international six-city tour.
About Robert Longo:
Robert Longo, who was born in 1953 in Brooklyn, New York, is an American artist, filmmaker, photographer and musician. Since 1994, Longo is married to the German actress Barbara Sukowa. He became first well known in the 1980s for his "Men in the Cities" drawing and print series, which depict sharply dressed men and women writhing in contorted emotion. Although he had studied sculpture, drawing remained Longo's favourite form of self-expression. However, the sculptural influence pervades his drawing technique, as Longo's "portraits" have a distinctive chiselled line that seems to give the drawings a three-dimensional quality.
In the 1980s, Longo directed several music videos, including New Order's "Bizarre Love Triangle", Megadeth's "Peace Sells" and "The One I Love" by R.E.M. In 1992, Longo directed an episode of "Tales from the Crypt" and in 1995, he directed the cyberpunk film "Johnny Mnemonic", starring Keanu Reeves, Dolph Lundgren and Takeshi Kitano. Commissioned by Italian luxury label Bottega Veneta, Longo photographed models Terron Wood and Alla K for the brand's fall/winter 2010 advertisements, evoking memories of the dancing silhouettes of his "Men in the Cities" series.
Derneburg, Hall Art FoundationDerneburg, Hall Art Foundation, Schloß Derneburg, Ausstellung: Robert Longo: When Heaven and Hell Change Places
OLYMPUS art filter "Cross Process"
Joy Division
Book :
True Faith
Manchester Art Gallery
2017
True Faith explores the ongoing significance and legacy of New Order and Joy Division through the wealth of visual art their music has inspired. Curated by Matthew Higgs, Director of White Columns, New York and author and film-maker Jon Savage with archivist Johan Kugelberg, True Faith is centred on four decades’ worth of extraordinary contemporary works from artists including Julian Schnabel, Jeremy Deller, Liam Gillick, Scott King, Mark Leckey, Glenn Brown and Slater Bradley, all directly inspired by the two groups. Also featuring Peter Saville’s seminal cover designs, plus performance films, music videos, fashion and posters from John Baldessari, Barbara Krüger, Lawrence Weiner, Jonathan Demme, Robert Longo, Raf Simons and Kathryn Bigelow, True Faith provides a unique perspective on these two most iconic and influential Manchester bands.
Postcard :
Ian Curtis
Hulme
Manchester
6 January 1979
Photography by Kevin Cummins
CD :
Joy Division
Closer
Factory
FAC25
iTunes :
Joy Division
Factory
FAC25
Use Hearing Protection(s) ...
Antonio Carlos Jobim
CD :
Antonio Carlos Jobim
Tide
A&M Records
1970
Design . Sam Antupit
Photography . Pete Turner
Producer . Creed Taylor
Postcard :
Robert Longo
Untitled . Monsters Series
Charcoal On Mounted Paper
2009
Use Hearing Protection
Ordem E Progresso
GMA
French postcard by La Cinémathèque française. Photo: Dennis Hopper. Caption: Quentin Tarantino for Robert Longo's work Bodyhammer Glock, 2006.
American director/screenwriter/actor/producer Quentin Tarantino (1963) was the most distinctive and volatile talent to emerge in American film in the 1990s. Tarantino learned his craft from his days as a video clerk at Video Archives in Manhattan Beach, CA. He developed a fusion of pop culture and independent arthouse cinema. With Pulp Fiction (1994) he won the Palme d'Or for best film at the Cannes Film Festival. He also won the Oscar for Best Original Screenplay, in addition to nominations for Best Picture and Best Director. Inglourious Basterds (2009) also received Oscar nominations for Best Picture, Best Director, and Best Original Screenplay. He won his second Oscar for the screenplay of Django Unchained (2012).
Quentin Jerome Tarantino was born in Knoxville, Tennesse, in 1963. He was the only child of Connie McHugh and aspiring actor Tony Tarantino, who left the family before his son's birth. Quentin grew up in Los Angeles, and his stepfather Curtis Zastoupil encouraged Tarantino's love of cinema. The summer after his 15th birthday, Tarantino was grounded by his mother for shoplifting Elmore Leonard's novel 'The Switch' from Kmart. He was allowed to leave only to attend the Torrance Community Theater, where he participated in such plays as 'Two Plus Two Makes Sex' and 'Romeo and Juliet'. Later, Tarantino attended acting classes at the James Best Theatre Company, where he met several of his eventual collaborators. During his five years at Video Archives, he began writing screenplays. In 1987, he completed his first, True Romance, with his co-worker, Roger Avary who would later also become a director. Tarantino tried to get financial backing to film the script. After years of negotiations, he decided to sell the script, which wound up in the hands of director Tony Scott. During this time, Tarantino wrote the screenplay for Natural Born Killers. Again, he was unable to come up with enough investors to make a film and gave the script to his partner, Rand Vossler. Tarantino then used the money he made from True Romance to begin pre-production on Reservoir Dogs, a Neo-Noir about a failed heist. Reservoir Dogs received financial backing from LIVE Entertainment (now Lionsgate) after Harvey Keitel agreed to star in the film. Word-of-mouth on Reservoir Dogs began to build at the 1992 Sundance Film Festival, which led to scores of glowing reviews, making the film a cult hit. While many critics and fans were praising Tarantino, he developed a sizable number of detractors. Claiming he ripped off the obscure Hong Kong thriller City on Fire, the critics only added to the director/writer's already considerable buzz. In 1993, Tarantino wrote and directed his next feature, Pulp Fiction, which featured three interweaving crime storylines; Tony Scott's big-budget production of True Romance was also released that year.
In 1994, Quentin Tarantino was elevated from a cult figure to a major celebrity. Pulp Fiction won the Palme d'Or at the Cannes Film Festival, beginning the flood of good reviews. Before Pulp Fiction was released, Oliver Stone's bombastic version of Natural Born Killers hit the theatres. Tarantino distanced himself from the film and was only credited for writing the basic story. Pulp Fiction soon eclipsed Natural Born Killers in both acclaim and popularity. Made for eight million dollars, the film eventually grossed over 100 million dollars and topped many critics' top ten lists. Pulp Fiction earned seven Oscar nominations, including Best Picture, Best Director, Best Original Screenplay (Tarantino and Avary), Best Actor (John Travolta), Best Supporting Actor (Samuel L. Jackson), and Best Supporting Actress (Uma Thurman). It won one, for Tarantino and Avery's writing. After the film's success, Tarantino was everywhere, from talk shows to a cameo in the low-budget Sleep With Me. He directed a segment of the anthology film Four Rooms (1995) and acted in Robert Rodriguez's sequel to El Mariachi, Desperado, and the comedy Destiny Turns on the Radio, in which he had a starring role. Tarantino also kept busy with television, directing an episode of the NBC TV hit ER and appearing in Margaret Cho's sitcom All-American Girl. The latter half of the 1990s saw Tarantino continue his multifaceted role as an actor, director, screenwriter, and producer. In 1996, he served as the screenwriter and executive producer for the George Clooney schlock-fest From Dusk Till Dawn, and the following year renewed some of his earlier acclaim as the director and screenwriter of Jackie Brown (1997), an homage to the blaxploitation films of the 1970s. The film was an adaptation of Elmore Leonard's novel 'Rum Punch'. It won him the raves that had been missing for much of his post-Fiction career. In 1999, he was back behind the camera as the producer for From Dusk Till Dawn 2: Texas Blood Money.
Quentin Tarantino laid relatively low in the early years of the new millennium. In late 2002, the hype started to build around his fourth feature, Kill Bill (2003). Though originally envisioned to be a single release, Kill Bill was eventually separated into two films entitled Kill Bill Vol. 1 and Kill Bill Vol. 2 when it became obvious that the story was simply too far-reaching to be contained in a single film. A kinetic homage to revenge movies of the 1970s, Kill Bill Vol. 1 featured Uma Thurman as a former assassin known as 'The Bride'. While the first film in the pair was an eye-popping homage to Asian cinema and all things extreme, the outrageous violence of Kill Bill Vol. 1 stood in stark contrast to the dialogue-driven second installment that concluded the epic tale of revenge and betrayal. The gambit of separate releases paid off, as both earned a combined sum of more than 130 million dollars domestically. In the wake of the Kill Bill films, rumors abounded concerning Tarantino's next feature. In 2005, Tarantino did step back into the director's chair to helm a segment of Robert Rodriguez's eagerly anticipated comic book adaptation Sin City. A longtime friend of Rodriguez, Tarantino agreed to take part in the filming of Sin City, not only to repay the versatile filmmaker for providing soundtrack music for the Kill Bill films but also to try his hand at digital filmmaking. Stephen Thomas Erlewine at AllMovie: "After this, the two directors joined forces again, for one of the most ballyhooed and hotly anticipated pictures of 2007: Grindhouse. A no-holds-barred elegy to the sleazy, seedy, often half-dilapidated inner-city theaters of the 1970s that would churn out similarly sleazy movies, Tarantino and Rodriguez divided Grindhouse into two portions: the first half, Death Proof, directed by Tarantino, starred Kurt Russell in homage to the high-octane auto thrillers of the '70s. Merging low-brow thrills with blunt, existential dialogue, the Tarantino segment garnered the lion's share of the film's considerable critical praise, although the three-hour-plus Grindhouse ultimately failed to connect with audiences, much to the dismay of The Weinstein Company, who released it." Separate versions of Death Proof and Rodriguez's Planet Terror were then prepped for European release, with Tarantino's effort screened in competition at the 2007 Cannes Film Festival.
In 2009 Quentin Tarantino issued Inglorious Basterds, a sprawling World War II epic about a band of Jewish American soldiers fighting an Apache resistance behind enemy lines in Nazi-occupied France. The film, starring Brad Pitt, was a hit around the world and garnered Tarantino nominations from the Writers Guild, the Directors Guild, the Hollywood Foreign Press, and the Academy for his screenplay and his direction. He took three years to craft his follow-up, the revisionist Western Django Unchained (2012), a film about the revenge of a former slave (Jamie Foxx) in the U.S. South in 1858. The slave teams up with a bounty hunter (Christoph Waltz) to get his wife away from a sadistic plantation owner (Leonardo DiCaprio). Django Unchained was another international box office hit, grossing over $425 million worldwide against its $100 million budget, becoming Tarantino's highest-grossing movie to date. It also earned a number of year-end awards including a second Best Original Screenplay Oscar for Tarantino. Quentin Tarantino's eighth film was the Western The Hateful Eight (2015), starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir, Tim Roth, Michael Madsen, and Bruce Dern, as eight strangers who seek refuge from a blizzard in a stagecoach stopover sometime after the American Civil War. The original score was Italian composer Ennio Morricone's first and only for a Tarantino film, his first complete Western score in thirty-four years. Daniel Gelb at AllMovie: "It's a viscerally bloody, chronologically fractured whodunit full of betrayal and biting wit. It's profane, protracted, violent, and yet another achievement in a career full of inspired filmmaking. After teasing what he could do with the Western genre in the good but not great Django Unchained, Tarantino's second consecutive Civil War-era picture is a fully realized epic. (...) Despite its three-hour runtime, its hold on the audience's attention never wavers. Tarantino's trademark dialogue (never known for its brevity) keeps us riveted inside Minnie's Haberdashery, and the stellar cast manages to bring out the deadpan hilarity in the script." Tarantino's ninth film, Once Upon a Time in Hollywood (2019), turned out one of his best. It recounts an alternate history of events surrounding the Tate–LaBianca murders in 1969, and Leonard DiCaprio and Brad Pitt star as a fading actor and his stuntman. Providing a sense of intrigue during the long 161-minute runtime, the epic weaves in and out of tense moments and comedic relief. Travis Norris at AllMovie: "Hollywood is a great behind-the-scenes look into the end of an era. The film touches on the pursuit of perfection: how it is never obtainable yet always worth striving for. These are words that seem to drive Tarantino, and it is apparent while watching a film like this. A fun and genuine ride, Once Upon a Time… in Hollywood is a must-see." Since 20018, Quentin Tarantino is married to Israelian singer Daniella Pick.
Sources: Stephen Thomas Erlewine (AllMovie), Daniel Gelb (AllMovie), Travis Norris (AllMovie), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
What’s so awesome about a black and white image of a US fighter jet? Nothing—except when you realised that it was a charcoal drawing and not a photo. Seriously.
Robert Longo (born 1953-01-07 in Brooklyn, NY) is an American painter and sculptor. Even when I was standing right next to the drawing I could not tell that it was a drawing.
Those of you who have worked with charcoal knows that being able to achieve hyperrealist drawings such as this is no small feast.
Crazyisgood!
Robert Longo
Untitled (F-15 Eagle), 2012
Charcoal on mounted paper
165.1 x 274.3 cm
65 x 108 in
RLO 1317
# Robert Longo
en.wikipedia.org/wiki/Robert_Longo
# Galerie Thaddaeus Ropac
7, rue Debelleyme
75003 Paris
France
69 avenue du Général Leclerc
93500 Paris-Pantin
France
Mirabellplatz 2
5020 Salzburg
Austria
# SML Data
+ Date: 2013-05-23T18:29:01+0800
+ Dimensions: 4753 x 2925
+ Exposure: 1/40 sec at f/4.0
+ Focal Length: 24 mm
+ ISO: 125
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14234
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Hyperrealist drawing by Robert Longo: Untitled (F-15 Eagle), 2012 (Charcoal on mounted paper) / Galerie Thaddaeus Ropac / Art Basel Hong Kong 2013 / SML.20130523.6D.14234
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RobertLongo #GalerieThaddaeusRopac #Ropac #charcoal #drawing #WTF #crazy #US
The Pale Fountains
Book :
Men In The Cities
Schirmer / Mosel
2015
CD :
Roxy Music
Flesh + Blood
Polydor
1980
Design by Peter Saville & Anthony Price
iTunes :
Monolake
Amazons
Imbalance Computer Music
ML001
GMAchilles ...
New Order
BLT Video Directed By Robert Longo
Book :
Floriane Herrero
Art Et Musique
Palette
2014
Cover
Robert Longo
Men In The Cities
1981 - 1987
CD :
New Order
Bizarre Love Triangle
Factory
FAC163
Design by Peter Saville
iTunes :
New Order
Bizarre Dub Triangle
Factory
FAC163
BGLMTA ...