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the sun, one morning after several rainy days .../El final del otoño, el sol, una mañana tras varios dias lluvia, .../Höstens slut, solen, en morgon efter flera regniga dagar...
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Comments are always welcome and favs most appreciated.
Comentarios y favoritos son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Excerpt from historicplaces.ca:
Description of Historic Place
The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.
Heritage Value
The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.
Architectural Value:
The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.
Environmental Value:
The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.
Character-Defining Elements
The character-defining elements of the Navy Hall should be respected.
Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:
-the simple, rectangular massing.
-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.
-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.
-the interior spatial arrangement of the principal rooms.
The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:
-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.
-its visibility and recognition by those frequenting the parkway and the National Historic Site.
Ricardo Campground, Red Rock Canyon [California] State Park.
I found a ledge I could climb that allowed me to look across and down into the rills and folds.
Bogen 3036/3047
Nikon Apo-Nikkor 610mm 1:9
no filter
Packard Shutter front mounted
Shanghai GP3 100 @50
Rodinal 1:50
Aperture: ƒ45; Sekonic L-308S-U said 5 seconds; Reciprocity said to adjust to 16 seconds and reduce developing time by 17%.
Heavy and long lens required heavy tripod to resist oscillations.
Friedhof Montparnasse
Adox Golf
Steinheil Cassar 3.5/75mm
Fomapan 400
Adox TX-3 stock
Plustek OpticFilm120
Silverfast9
ON1
Ricardo Aronovich: director de fotografía argentino.
Realizó su mayor producción en Europa, realizando la dirección de fotografía de gran parte de la filmografía de Alain Resnais, Ettore Scola y Costa Gavras
Ricardo Aronovich: Argentine cinematographer.
He made his increased production in Europe by the director of photography for much of Alain Resnais's filmography, Ettore Scola and Costa Gavras
Esta foto la tomé en un descanso de filmación de la película de Simón Feldman "Memorias y Olvidos" 1985 donde realicé la foto-fija, siendo la Dirección de Fotografía de Pucho Courtalon.
© All rights reserved.
© Please don't use this image on websites, blogs or other media without my explicit permission
A breach of copyright has legal consequences
Copyright © Susana Mulé
susanamul@yahoo.com.ar
Ricardo Brey (born 1955) is a child of the Cuban Revolution. He is one of the pioneer artists of Cuban New Art which began in 1891. Disillusioned by the ideals of the Cuban Revolution as corrupted by the regime of Fidel Castro, Brey participated in this key event along with many notable Cuban artists, writers and art critics.
More than twenty years after leaving Cuba, Brey was given the first retrospective of his work at the Museo Nacional Bellas Artes in Havana (2014). Belgium, Brey’s adopted country, presented the first European retrospective of his work the Museum of Contemporary Art, Antwerp.
قلبي الي من عرفتك وأنت فيــه , مأخذه مني قبل ما أقولك هااأك ;)♥~
P.S; إنت قطعه من قلبي و إنت حاجه مستحيل القى مثلها (L)
© Dr. Sandricious | Alexander Dumbadze | www.instagram.com/docsandricious/
coroflot.com/sandricious
dr.sandricious@gmail.com
Ricardo Brey (born 1955) is a child of the Cuban Revolution. He is one of the pioneer artists of Cuban New Art which began in 1891. Disillusioned by the ideals of the Cuban Revolution as corrupted by the regime of Fidel Castro, Brey participated in this key event along with many notable Cuban artists, writers and art critics.
More than twenty years after leaving Cuba, Brey was given the first retrospective of his work at the Museo Nacional Bellas Artes in Havana (2014). Belgium, Brey’s adopted country, presented the first European retrospective of his work the Museum of Contemporary Art, Antwerp.
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All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.