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Odharagh - The Revolt Of Mannequins - Duality by Daniel Arrhakis (2016)
With the music: audiomachine - Caprica (THE MARTIAN - Official Trailer 1 Music)
youtu.be/TaYPuIrB2CQ?list=RDa97Acuqudxo
- I am what i am .... and I'm not ... this is my eternity ... and the hours the beating of my heart ... i just wanted that stop !!
A New Series with some works already done, this is the first of a surrealist futuristic intriguing vision about the Mannequins ... about Ourselves ... Odharagh - The Revolt Of Mannequins.
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All elements taken in Lisbon, Portugal: a mannequin in a shop front , a clock, and the typical traditional stone sidewalk pavement made by hand.
Dublin
Work throughout his life to access to glory and history and then, just statued, receive gull dropping as offering for eternity
Travailler une vie durant pour accéder à la gloire et la postérité et à peine statufié, recevoir les chiures des mouettes en guise d'offrandes pour l'éternité
A natural fortress, Black Mesa was the scene of dramatic events in 1694, when Pueblo warriors encamped on its summit withstood a months-long Spanish siege. That conflict was the culmination of what is known today as the Pueblo Revolt, an indigenous uprising that began on August 10, 1680.
From Wikipedia: Here (on the Temple Mount) King Solomon built the First Temple almost 3,000 years ago. It was destroyed by the Babylonians in 586 BCE, but, 70 years later, Jews returning from exile built the Second Temple on the same site. King Herod began remodeling the building in 19 BCE, but it was not completed until 63 CE, long after his death at the beginning of the century.
In reaction to the “Great Revolt” in 70 CE, the temple was destroyed by the Romans and deliberately left in ruins. When the Romans razed the Temple, they left one outer wall standing. They probably would have destroyed that wall as well, but it must have seemed too insignificant to them since it was not part of the Temple itself, just a retaining wall surrounding the Temple Mount.
After the suppression of the revolt, Jews were allowed to pray on the ruins and to bring sacrifices on the alter that remained after the temple was burned down. Emperor Hadrian later gave Jews permission to rebuild the temple but changed his mind. After the Bar-Kokhba rebellion, Hadrian barred Jews from the area and they prayed instead on the Mount of Olives that overlooked the Temple Mount.
There is some evidence the Byzantines may have built a church on the Temple Mount at one point but the prohibition on Jews praying there remained under Emperor Constantine, who allowed them access only on Tisha B’Av. When his nephew Julian became emperor in 361, Jews were again allowed to visit the Temple Mount and were even given permission to rebuild the temple. When Julian died two years later, however, his successor canceled the project and Christian opposition to a Jewish presence continued throughout the Byzantine period.
At various times Jews may have been allowed to pray on the Temple Mount but, wherever they lived, Jews would pray three times a day in the direction of the Temple Mount for the temple’s restoration.
Following the Muslim conquest of Jerusalem in May 638, which Jews supported, Caliph Omar ibn al-Khattab ordered the clearing of the site and the building of a house of prayer. The Temple Mount was again opened to Jewish worshippers.
In 680, the Muslims built the Dome of the Rock to enshrine the outcrop of bedrock believed to be the place of the sacrifice on Mount Moriah. Nadav Shragai quotes Professor Dan Bahat who found “‘it was the Jewish elders who showed the Muslims the boundaries of the Foundation Stone,’ which was covered with garbage and sewage – boundaries from which the Muslims derived the dimensions of the Dome of the Rock, which was built above the ancient Rock.”
Inspired by "Petite Angèle" by Monsieur Balavoine...<3
and probably ... hum ...
"Faut vraiment que je dise à Angèle
Qu'ici c'est la révolution
Que tous les mômes foutent en l'air les poubelles
De la région
Qu'elle prenne sa bécane qu'elle sorte de chez elle
Qu'elle laisse tomber son feuill'ton
Pour me donner sur ces jeux rebelles
Une explication
Oh
Mais Angèle
Oh
Angèle me dit qu'il faut que je comprenne
Qu'ils ont forcément leurs raisons
Ils veulent savoir vers quoi on les entraîne
Et qui ils sont
C'est normal que ça leur pose un problème
Vu que PERSONNE ne leur répond
Angèle me dit qu'il faut que je comprenne
Leur réaction
Oh
Mais Angèle
Oh
{...}
Oh
Ma petite Angèle
Oh
C'est une gamine qui n'a que la quinzaine
Laisse exploser ses émotions
Par son goût de la révolte sans haine
Et ses passions
La jeunesse est une douleur si ancienne
En manque de compréhension
Qu'on devrait tous avoir pour Angèle de l'adoration
Reviens mon Angèle
Oh
{...}
Oh, oh, oh, Angèle
La, la, la,
La, la,la,
Oh, oh, oh"
Les jolis jardins à la française (1890), place du Petit-Sablon, Bruxelles, Belgique.
Ces jardins s’ornent de la fontaine des comtes Egmont et Hornes qui furent décapités en 1568 lors de la révolte contre le joug espagnol du roi Philippe II. Dans les niches de verdure, on trouve 12 personnages du 15e et 16e siècles dont Gerard Mercator,(1512-1594) géographe et cartographe, inventeur de la cartographie moderne au 16e s.
The information about this sculpture was covered up for some reason. My best guess, though, is that it is by Alexander Liberman.
Prepared for the TMI group challenge "In the style of...CHAOS"
A single photograph edited in Photoshop: cropping, tonality adjustments, etc.
Le hameau des Bournas, à l'écart de la départementale qui monte de Gap au col de la Sentinelle, n'est constitué que de quelques bâtiments et hangars où la nature est sur le point de reprendre ses droits. Ainsi cette vieille faucheuse placée autrefois au bord du chemin est peu à peu engloutie par une dense végétation. Elle qui autrefois ne laissait place qu'à l'herbe rase se trouve submergée par la horde véhémente des buissons pressés de faire disparaître cette ennemie tombée dans l'entrelacs de leurs tiges en croissance.
Je parle mal l'anglais, pardonnez mes fautes, s'il vous plait...
I speak poor English, forgive my mistakes, please.
13 Novembre 2015
Pour les Victimes des Attentats Barbares à Paris...
REPOSEZ en PAIX...
Un très gros choc.
Beaucoup de chagrin, de tristesse, de colère et de révolte.
November 13, 2015
For Victims of Barbaric attacks in Paris...
REST in PEACE...
A big shock.
Great sorrow, sadness, anger and revolt.
Et si un jour la PAIX revenait sur la terre... je voudrais y croire encore...
And if one day returning PEACE on earth ... I would like to believe it yet ...
Imagine
www.youtube.com/watch?v=_K3TX5VvDME
Amazing Grace
“Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt.”
― Rebecca Solnit, Men Explain Things to Me
Elijah Page was murdered yesterday, July 11, by the state of South Dakota, being the first person to be executed there in 60 years.
I want to remember once again all Men Women and Child on death row all over the World !!! i have tears of revolt today because …. my life is You !!!
We cannot change the past but we have the duty to change the Future !!!
it's our responsibility, you see ....
the future is right Tomorrow !!!
Kill Death Penalty NOW !!!
On the seventh day, I am again alone and happy with my love. Surrounded by the noise and fury that makes no sense. I have turned off the television, pushed away the newspapers and put my books back in my hands, which authors have written very slowly, very carefully, in their solitude. The devil's screams have made me different, more attentive to the music of life, more desperate, more resilient and more loving. This is what the devil probably hates. He hates to be torn apart himself, he who separates us. And he left : my life is a drama, not a tragedy.
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Last picture from the exhibition 2/24 at The carbone Studio
Teleport to The Carbone Studio
Milena Carbone's art studio
Novels - art photography - dance performance
More informations about this exhibition :
The ruins of the Catholic Church at Pecos Pueblo (Ciquique), destroyed in the 1680 Pueblo Revolt.
The pueblo here was a major center on the trade route now known as the Santa Fe Trail -- which the NPS weirdly dates to 1821.
When the people of Bruges revolted against their ruler Maximilian of Austria, he got imprisoned in the city for a few months. When he got out he wanted to take revenge on the inhabitants of Bruges. He wrote a decree saying that “until the end of time, the city should be required at its own expense to keep swans on all its lakes and canals”. The reason for the swans was that his adviser Pieter Lanckhals was imprisoned with him and later executed. Lanckhals is Dutch for the word ‘long neck’, which refers to the swans with their long necks.
From Giants in the Earth by O.E. Rolvaag:
She had been lying awake a long time; sleep would not come. Her thoughts drifted.
All night long as she tossed in bed, bitter revolt raged within her. They should not stay here through the winter! As soon as Per Hansa came home they must start on the journey back east; he, too ought to be able to see by this time that they would all become wild beasts if they remained her much longer.
Everything human in them would gradually be blotted out. They saw nothing, learned nothing. It would be even worse for their children - and what of their children's children?
Couldn't he understand that if the Lord God had intended these infinities to be peopled, He would not have left them desolate down through all the ages ... until now, when the end was nearing?
After a while the bitterness of her revolt began to subside; her thoughts became clear and shrewd, she tried to reason out the best way to getting back to civilization. That night she did not sleep at all.
The next morning she got up earlier than usual, kindled the fire, got the breakfast and waked the children. The food was soon prepared; first she poured some water in the pot, put in a spoonful or two of molasses, and added a few pieces of cinnamon; then she cut into bits the cold porridge form last night, and put them into the big bowl; she the sweetened water was hot she poured it over the porridge.
This was all they had - and no one asked for more.
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.
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'Revolt'
Camera: Mamiya RB67
Film: Kodak Tri-X at 1600
Process: HC-110B; 16min
Kansas
July 2025
Dedicated to Die Hard Canonite my friend Michael Morozov of San Diego.
Миша, спасибо за гостепреимство.
Au sud du Gros-Horloge se trouve un beffroi datant des XIVe et XVe siècles, ce qui explique les baies au remplage gothique rayonnant de l'avant-dernier niveau et gothique flamboyant du dernier. À l'origine, une flèche en charpente couronnait l'ensemble, mais on lui a préféré, à l'époque moderne, une coupole de style classique.
Il remplace un beffroi plus ancien, qui a été rasé après la révolte de la Harelle (1382), assorti d'une interdiction pour les Rouennais d'en faire construire un nouveau, mais, passant outre, sous le prétexte de bâtir une tour d'horloge et non plus un beffroi, les habitants l'ont réédifié en 1398].
Il abrite dès l'origine le mécanisme du Gros-Horloge ainsi que les cloches sur lesquelles il sonne. Le mécanisme d'horlogerie est l'un des plus anciens de France : le mouvement en a été fabriqué en 1389. L'horloge elle-même a été installée durant la même année4. Les cloches et le mécanisme d'horlogerie à l'intérieur du beffroi, opposés aux clochers des églises traduisent la lutte d'influence sur la maîtrise du temps, entre les autorités civiles et religieuses.
To the south of the Gros-Horloge is a belfry dating from the 14th and 15th centuries, which explains the bays with radiant Gothic tracery on the penultimate level and flamboyant Gothic on the last. Originally, a timber spire crowned the whole, but in modern times a classical-style dome was preferred.
It replaced an older belfry, which was razed after the Harelle revolt (1382), accompanied by a ban on the people of Rouen building a new one, but, ignoring this, under the pretext of building a clock tower and no longer a belfry, the inhabitants rebuilt it in 1398].
From the outset, it housed the mechanism of the Gros-Horloge as well as the bells on which it rings. The clockwork mechanism is one of the oldest in France: the movement was manufactured in 1389. The clock itself was installed during the same year. 4 The bells and the clockwork mechanism inside the belfry, opposed to the church steeples, reflect the struggle for influence over the control of time between civil and religious authorities.