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camera toss plus processing = fun
my initial foray into programmatic sources for camera toss, see this photo for a better description.
The effort (previous picture) paid off for this Red Tailed Hawk with a vole as a prize. As the juvenile Red Tailed Hawk took off with the vole it briefly landed on this fire hydrant marker across from where I was standing. Moments later he flew off to a tall tree nearby to finish off his dinner. Downsview Park, Toronto.
It's a handheld shot at 1/6 sec of two vehicles passing on a highway, for this week's Crazy Tuesday theme: "Something in Motion." What I can't figure out is why the vehicles themselves show motion blur, but the chrome on the wheels shows up as patterns instead of blur. I took several shots of different vehicles and they all came out the same way.
The only thing I can postulate is that maybe the autofocus function on the camera tried repeatedly to focus on the wheels as they turned(?). In any case, I sort of like the look; it gives the image a kind of sci fi or futuristic vibe for me.
HCT
Another negative that has been rescanned and reprocessed to produce an improved result. The original image, uploaded seven years ago, has been deleted.
The shot was taken at Hartlepool while on a week-long Eastern Region Railrover ticket, and features class 37 unit 37160 hauling a rake of COVHOPS, possibly carrying lime destined for the nearby Steetley Works from Thrislington or Coxhoe Quarry.
Above the loco can be seen the floodlights of the Victoria Ground, home of Hartlepool United FC and, to the left of that, is the dog track - now demolished and replaced by a Morrisons food store. The signal box is just visible through the girders of the barn-like structure on the right.
In the brake van the Guard has his coat hung up, and he's no doubt thinking about the imminent arrival and any tasks he needs to perform before signing off.
The station and surroundings were looking pretty uncared for by this time, hardly unusual for the period. Even so, I suspect there would still be a queue to go back and take a few more snaps, should the opportunity ever come up!
Ilford FP4, rated at 95asa, developed in Acutol.
8th September 1976
Explored April 21, 2021
(Image taken recently with a B&W Analog roll film camera).
Very happy with the results from using Perceptol as the film developer. Was able to get almost no grain and high sharpness on my 35mm SLR. Great for printing large.
(Spanish): Muy contento con los resultados obtenidos al usar Perceptol como el revelador. La definition es estupenda y el grano casi no visible. Bueno para ampliaciones).
(Camera: Nikon N8008 + Nikon AF 24mm f/2.8 + Yellow filter).
(Analog Film: Kodak TMax 100 black & white Negative film).
(Technical Data: Develop on Perceptol @75°. Copy negative with a DSLR, then edit on Nik Collection Silver Effex Pro 2).
(Location: Palm Bluff Conservation Area, Osteen, Florida).
This image belong to my Album: Analog Photography.
Explored on April 21, 2021
So, I had kind of forgotten about this contest until Robot reminded me, so here are the results!
In first we have Wavy Films with his SINnoman Bun from Adventure Time. I really love this figure. It's very original and creative, and the paintwork is really clean.
In second, we have Comic Customs with his Owlman from that animated Juicy League movie. The paintwork is very clean, and I've never seen this figure made before.
In third, we have Ancient Robot Customs with his Toon Lonk. The whole figure is very accurate to Lonk, and the sculpting and paintwork are great.
So, y'all can just DM me on insta to tell me what you want.
I was honestly disappointed in quite a few of the entries that didn't at all fit under the rules of the contest. Y'all gotta read the rules that I put in place.
This time the Caspian Tern managed to catch a Catfish after diving into the pond. This is one of the series of shots that I took of it diving and taking off of water with the fish in its mouth. Good to see them back in our shores. It was a cloudy afternoon; however, a nice break from three days of continuous rain. Burlington, Ontario.
Doppelbelichtung mit einer selbst fotografierten Textur - bearbeitet mit overlay / 2 Bilder + digital Overlay
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Double exposure with a self-photographed texture - edited with overlay / 2 images + digital overlay
== in Explore 12.9.2020 ( picture 79 ) ==
Thank you so much
Over the summer,that is.Hope u like this one.I re-edited some shots,that was the easy part.The hard part was trying to find the right track that would sync with the slideshow's timing,but I'm satisfied with the result.The tick-tocking,Calypso-style music will bring a smile to your face ☺.Thanks,and enjoy.
Decided to take a trip up north to Dorrigo , NSW, and visited Dorrigo National Park. What a stunning Rainforest !!! Never photographed inside such a dense rainforest before and took the opportunity to use my flash and flash extender {MagMod) for the very first time. So glad I did otherwise I wouldn't have been able to capture this little Robin hand holding my 80-400mm lens. Still feel I have a lot more to learn about using flash extenders especially in rainforest's but the results I got with this image I was happy with. Any hints and tips using flash and flash extenders especially in rainforests truly appreciated.
The weekend before the last I was really mad at myself for being too lazy to get out in the cold in the morning, and by the time I was motivated, I didn’t have much time. Nevertheless, I thought I could take a short walk with my camera at lunchtime, so I was going to drive to a specific place in my hometown from which I knew that it had potential for some nice images. However, there was quite a layer of snow on the road and so I couldn’t drive up the hill, mostly because I had to slow down to get around the only tight turn. I really regret not getting out sooner because then I could have walked up there, but that’s the way it was. So I spent the following week hoping for some snow the next weekend.
Fortunately, it snowed the next Friday and this time I was sure to get out, no matter what the weather conditions are. The next morning, we woke up, put on several layers to protect ourselves from the cold and started our hike up the local mountain. Since not a single person had hiked up there that morning, we had to fight our way through a calf-high layer of snow resulting in a hike that took us more than two hours instead of the 45 minutes it takes us to get up there in summer. Of course we stopped a few time to take some images, but mostly with our smartphones as the snow was beautiful, but I found the scenes were lacking some mist that reduces the chaos and typically drastically simplifies such forest scenery.
Once we reached the top, we were very happy that the hut was open and we could warm up and get something to drink and eat. After a fairly substantial lunch, we decided to start our descent, but before I really wanted to walk up the last few steps to the summit cross, especially since a bit of mist was rolling in. I knew that I had once taken a quite nice image at this spot, but I noticed that my girlfriend wasn’t really in the mood to wait long for me since it was really cold and windy out there. So I hurried up, took out my camera and snapped a few handheld shots, and I was really glad I did when I looked at them on the laptop. Even though it was not exactly what I had imagined, I really like how this image turned out. I hope you like it too!
After watching the storm clouds build for hours, it ended in this rain storm which also brought lightning and thunder.
Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo
There are landmarks every landscape photographer wants to shoot, and Mobius Arch is one of them. The arch simply looks gorgeous with the ragged peaks of the Eastern Sierra in the backdrop.
A quick online search will reveal that most Milky Way nightscapes from Mobius Arch are captured from a lower and more westerly position than the famous daylight or sunrise shots. From this perspective, the arch still looks nice, but the view of the mountains is blocked by the surrounding rocks, making the composition less impressive. Unfortunately, the Milky Way core doesn't align with the Sierras behind the arch.
I shot Mobius Arch in this composition during previous visits but wasn't impressed by the results. That's why I tried to do things differently during my last visit in April 2022.
For this image, I captured Mobius Arch from its back side. From this position, the Milky Way bow perfectly aligns with the completely different but still nice-looking arch.
To my surprise, I haven't been able to find any images of Mobius Arch from this side, even though I was convinced that it has been shot from every possible angle thousands of times. If I really found a new perspective of this famous place, I entitle myself to give it a new, secondary name. For obvious reasons, I call it 'Sisyphus Arch'.
EXIF
Canon EOS R, astro-modified
Sigma 28mm ART f/1.4 @ f/2
IDAS NBZ filter
iOptron SkyTracker Pro
Sky:
Panorama of 8 panels, each a stack of 8x 45s @ ISO1600, unfiltered & 3x 105s @ ISO6400, filtered
Foreground:
Focus stacked panorama of 10 panels, each a stack of 5x 5s @ISO100, f/5.6 during twilight
Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
First of all, thanks to Kalilies for being such a great person and making the standalone eye tutorial. Rahna's eyes are the result of that haha.
I am quite satisfied with Rahna's look now. I'm probably still going to tinker some more with it, though. Now that I think of it, I probably will give a little makeover to all my characters.
Net Results group of fishing nets stuck in a barrel just made an interesting arrangement, some vivid colors from the netting, found in North Carolina.
Don't use without permission of Bas Fransen
Twiter: @bas_fransen
Contact: info@basfransen.com
Website: www.basfransen.com
I really enjoyed my day out in my white socks that I didn't want to take them off after getting back to the hotel.
A pleasant day spent in the company of Dave McDigital was rounded off with this final shot of 1Z30 skirting Tanyard Bay below the cliffs of Bransty.
© Anders Leth Damgaard - www.amber-inclusions.dk.
_____________________________
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2. You must attribute the work in the manner specified by me (but not in any way that suggests that they endorse you or your use of the work).
3. If you alter, transform, or build upon the picture, you may distribute the resulting work only under the same license/copyrights as I have given my picture.
If you want to use the image in a book, brochure, poster or other printed media, please contact me and ask for an alternative copyright
A little wordy here, sorry:
First: The Scherer article and my experiments of 2023 are WRONG. There is no fixed shim or extension that will match a Contax lens to a Nikon or vice versa. It was an interesting idea but it didn’t pan out.
Second: in my tests, the Contax and Nikon are exactly matched at infinity. The error only occurs as you focus closer.
The Nikon lens rotates farther than the Zeiss lens to reach a given focus distance. To go from infinity to its minimum focus of 5 feet, the Sonnar focus ring rotates 154.4 degrees; to get to the same point the Nikkor rotates 169.4 degrees, a difference of 15 degrees. This is not enough to be obvious just looking at the lenses, but it’s beyond the depth of field limit at f/32 with the 135mm telephoto - a very significant error.
On the other hand, since the lenses match at infinity, the error is very small at longer distances. Beyond 10-12 feet, the difference is within the wide open depth of field at f/3.5, and from 15 feet it’s less than I’m able to measure repeatably. The situation deteriorates rapidly as you go closer: at 8 feet you’ll need to be at f/8; f/16 at 7 feet, f/22 at 6 feet, and the smallest aperture of f/32 won’t be enough at five feet. The quick, easy, and frankly the only answer is to consider the 135 as having a minimum focus limit of 10-12 feet.
The actual distance error is very small, only about 4 inches at the five foot limit - but the depth of field is so small at that distance that it can’t cover anywhere near that amount.
Enough of the 135. What about wide angles?
The news here is actually very good. The 35mm wide angle will have the same 15 degree error at five feet on the focusing scale - but on the 35, the depth of field is enough to cover 21 degrees, even wide open at f/2.8. I wasn’t able to measure closer than five feet since that’s the minimum limit of the lenses I have to test, but this is a very promising situation. Shooting between 3 and 5 feet, stopping down to f/4, certainly f/5.6 ought to be plenty to keep you within the depth of field.
So, okay for wide and tele. What about the normal lens?
As close as I’m able to measure, the extension of the camera body focus helical is exactly the same between the Contax and the Nikon bodies - 3.55mm to three feet. The difference is just that the Nikon mount turns farther than the Contax to get there. This suggests that there is no difference between the actual 50mm normal lenses from Zeiss and Nikon. Since the focus mount for the normal lens is part of the body and not the lens, it’s correctly matched to the rangefinder regardless of which lens you have plugged into it. So for the 50, there should be no problem at all using a Sonnar on your Nikon or a Nikkor on your Contax.
All this tends to confirm the old conventional wisdom that the problem only affects tele lenses, something I was skeptical of until I went through this exercise. It does NOT confirm the idea that the Nikon normal lens was a different focal length from the Sonnar, leading to all this kerfuffle … the difference appears to be entirely due to a very slightly different thread pitch in the focus helical in the camera body. As for WHY Nikon would have done that, I have no idea. Maybe it was just a mistake that wasn’t discovered before they already had committed to their version of the mount.
So there it is. Have I verified all this on film? No, this is all based on measurements, and on the assumption that the engraved distance markings on the Zeiss and Nikon lens barrels are accurate. Frankly I doubt that my photography is precise enough to prove much at the very small distance differences involved here… I have more faith in the measurements than I would have in my negatives. But I will be doing some shooting, to see if the results correlate to these measurements.
Kingsand is in the far south-east of Cornwall on the Rame Peninsula. The former fishing village overlooks Plymouth Sound, with Plymouth in the far distance. The village is susceptible to damage by winter storms, and repairs have only just been completed as a result of a particularly violent storm nearly two years ago. Until the middle of the 19th century the border between Devon and Cornwall lay between Kingsand and its neighbouring village of Cawsand, with Kingsand being in Devon. But now the border between the two counties is the River Tamar. This is a relatively quiet part of Cornwall, being somewhat off the beaten track. It is also one of my favourite places.
Thinking of ordering PhenQ – wait till you have read this!
Trying to lose weight huh? Tell me about it. I have struggled with it for a really long time. After the birth of Evan, my second child – my body weight was all over the place.
more info phenq-results.com/