View allAll Photos Tagged Restrepo,
Impartido por Javier Darío Restrepo
Martes 31 de agosto de 2010.
Lugar: Universidad Iberoamericana, Ciudad de México.
Foto: Gerardo Romo.
RESTREPO VALENCIA Jhonatan wins the 7th Stage of Tour du Rwanda 2020, Kigali - Nyamirambo. 29 February 2020
RÛnald Segura para La NaciÛn para los cuartos de final entre Carmen de Alajuela y Brujas de Escazu. Partido ganado por Brujas 1-0. Aparece en la foto el tÈcnico Carlos Restrepo( Brujas)/Carlos Gonzalez
RESTREPO VALENCIA Jhonatan wins the 6th Stage of Tour du Rwanda 2020, Musanze - Muhanga . 28 February 2020
Photos by Lina Forero
Image 03 = " Mercovida_Restrepo_Lina Forero "
These images were taken at a meeting of food security activists in Popayan and at a campesino market in Buga by Colombian environmentalist Lina Forero.
Words by Stephen O'Dwyer.
These photographs capture the diversity inherent in campesino agriculture.
In the first image a single producer transports, somewhat precariously, multiple varieties of potato, plantain, carrots, leeks and more. This is in contrast to homogeneity inherent in agroindustrial monocrop plantations. In the second image many types of seeds and beans are seen. These seeds are the product of generations of careful selection and interchange, rather than the outputs of bioindustry and the inputs to agroindustry. These seeds have a cultural and historical significance.
Viernes 18 de octubre de 2013
Persecución Individual Varones
Velódromo Martín Emilio Cochise (Medellín)
Foto: ©nuestrociclismo.com
Marca: Colombina. Concepto: Un regalo lleno de sabor y color tropical. Técnica Compositiva: Audacia.
Viernes 18 de octubre de 2013
Persecución Individual Varones
Velódromo Martín Emilio Cochise (Medellín)
Foto: ©nuestrociclismo.com
M/Other Tongue at Tenderpixel
Anna Barham, Olivier Castel, Iñaki Garmendia, Mónica Restrepo, Katarina Zdjelar
–curated by Sabel Gavaldon
PV Thursday, 22 January, 7 to 9pm
23 January to 28 February 2015
“I have but one language — yet that language is not mine”, wrote Jacques Derrida in what is supposed to be an autobiographical essay, reflecting on the loss of one’s mother tongue as a consequence of colonialism in Algeria. But in what language does one write memoirs when there is no mother tongue? Whatever language we speak, and no matter how proficiently we master that language, the truth is we never quite own it. Language is an implant as much as it is a product of discipline and domestication. It is a foreign body within one’s own body. “I have but one language — yet that language is not mine”. Departing from this paradox, this exhibition is meant to be experienced as a passage between languages. A proliferation of voices whose identity remains in question. Some of them appear to be thrown into absolute translation. Others provide a line of flight from native culture and the politics of cultural belonging. Away from national identity and its dominant linguistic forms. A line of flight from the authority of the mother tongue. This exhibition wants to be a place from which to conjure up those voices that sound the most alien to us, not because they belong to another language, but because they are foreigners in their own language and so they make ours foreign to us.
Labor issues continue to play a significant role both in Colombia’s post-conflict development plans and in its bilateral relations with the United States. Since the signing of a Labor Action Plan with the United States in 2011, the country has striven to improve workers’ rights—although several pressing items remain on the agenda, including those raised by Colombia’s ongoing accession to the OECD.
For this open conversation on labor in Colombia, the bilateral labor agenda with the United States, and labor policy’s role in the post-conflict, the Dialogue is pleased to welcome Griselda Restrepo, Colombia’s minister of labor and a former national senator and member of congress.
Follow this event on Twitter at #LaborInColombia and @The_Dialogue.