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Warriewood Wetland, 26 hectares is the largest remaining sandplain wetland in Sydney. After many decades of dispute, this important are is now protected and can be enjoyed by the community. The long boardwalks running over the wetlands mean that walkers can get into the heart of the wetlands and enjoy watching the waterbirds and other animals. It’s an area particularly enjoyed by birdwatchers. It’s a good walk for families as it’s so flat. There’s also an enclosed playground and BBQs right there. There is parking near the playground which is at Katoi Reserve, on the corner of Garden Street and Jackson Road, Warriewood. There are parking spaces at Katoi Close. Then walk either way around the loop. That is, either onto the path to the west which leads onto one of the boardwalks, or walk along Jackson’s Road and then left alongside the back of the shopping centre and then into the wetlands. Whichever way you do it, there are two very long boardwalks. It’s fun to see lots of ducks and to try to see frogs and lizards as you walk along. Feels lovely to be in a city and yet walking along through landscape that looks primordial. 28150
A cockatoo is any of the 21 parrot species belonging to the family Cacatuidae, the only family in the superfamily Cacatuoidea. Along with the Psittacoidea (true parrots) and the Strigopoidea (large New Zealand parrots), they make up the order Psittaciformes. The family has a mainly Australasian distribution, ranging from the Philippines and the eastern Indonesian islands of Wallacea to New Guinea, the Solomon Islands and Australia. Cockatoos are recognisable by the prominent crests and curved bills. Their plumage is generally less colourful than that of other parrots, being mainly white, grey or black and often with coloured features in the crest, cheeks or tail. On average they are larger than other parrots; however, the cockatiel, the smallest cockatoo species, is a small bird. Cockatoos prefer to eat seeds, tubers, corms, fruit, flowers and insects. They often feed in large flocks, particularly when ground-feeding. Cockatoos are monogamous and nest in tree hollows. Some cockatoo species have been adversely affected by habitat loss, particularly from a shortage of suitable nesting hollows after large mature trees are cleared; conversely, some species have adapted well to human changes and are considered agricultural pests. 60484
Ibises are a group of long-legged wading birds in the family Threskiornithidae, that inhabit wetlands, forests and plains. Ibises usually feed as a group, probing mud for food items, usually crustaceans. It is widespread across much of Australia. It has a predominantly white plumage with a bare, black head, long down curved bill and black legs. They are monogamous and highly territorial while nesting and feeding. Most nest in trees, often with spoonbills or herons. Due to its increasing presence in the urban environment and its habit of rummaging in garbage, the species has acquired a variety of colloquial names such as tip turkey; and bin chicken, and in recent years has become an icon of popular culture, being regarded with passion, wit, and, in equal measure, affection and disgust. 60495
Gulls or seagulls are seabirds of the family Laridae in the suborder Lari. They are most closely related to the terns (family Sternidae) and only distantly related to auks, skimmers, and more distantly to the waders. Gulls are typically medium to large birds, usually grey or white, often with black markings on the head or wings. They typically have harsh wailing or squawking calls; stout, longish bills; and webbed feet. Most gulls are ground-nesting carnivores which take live food or scavenge opportunistically, particularly the Larus species. Live food often includes crabs and small fish. Gulls have unhinging jaws which allow them to consume large prey. Gulls are typically coastal or inland species, rarely venturing far out to sea, except for the kittiwakes. 18699
On a recent trip to Boston, one of the top attractions for me was this set of sculptures called Harbor Fog. Getting this image was funny. Normally I spend my time behind the camera almost like a statue myself. Here, that was not the case. The lighting and 'fog' was motion activated. So you have to interact with these sculptures in order to get them to spew fog. So I would set up the camera and then run through them to set them off. I had other people with me, and they did a fair amount of running too. There was some science behind how you approached them and how much fog they put out. I admit, I don't think we ever figured it out. Anyway, we looked like around of silly gents continually running around like chickens with our heads cut off.
It has been fun to watch the area around these sculptures grow over time. For a long time the trees were new and the images around them have grown a lot. In the winter this scene looks much different, more stark. You almost have to shoot it in the summer to get the framing. I tried several different lens combos to make the Custom House building it bigger and smaller. In the end, I would have liked it bigger, but it kind of distracted when it was. In the end I liked these proportions better. Naturally, this is a blend of several images, to add as much fog as I could. I wished there was more, but these sculptures are tricky. Here is some info on these from wiki:
Harbor Fog, stilled buoys dream of a lost harbor, is a responsive sensor-activated interactive contemporary public sculptural environment located in Boston along the main pedestrian walkway of Wharf District Park Parcel 17, on the Rose Fitzgerald Kennedy Greenway. The first permanent public artwork along the Greenway, the concept was selected through a competition for commission by the Mass Highway Department, and integrated into site construction in collaboration with engineers during building of the Central Artery/Tunnel Project (Big Dig).
The sculpture is constructed of three column forms fabricated from stainless steel and bronze, that reference the shape of buoys, each column contains multiple fog nozzles, LED light sources, motion sensors, and sound systems. The sculptural columns are surrounded by a boat-shaped outline of granite seawall blocks, salvaged from landfill containing 18th century piers that were discovered during sub-surface highway construction. The 2000 lb granite seawall blocks are elevated on stainless steel supports that allow the fog to travel under the blocks, and openings between the elevated blocks allow passage into the interior space. Multiple motion sensors on top of the vertical columns register pedestrian activity that is transmitted to a computer processor to control changing sequences of fog, light, and sound.
The technology that operates the sculpture is maintained by the non-profit Rose Kennedy Greenway Conservancy.
The Australian magpie (Gymnorhina tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Although once considered to be three separate species, it is now considered to be one, with nine recognised subspecies. A member of the Artamidae, the Australian magpie is placed in its own genus and is most closely related to the black butcherbird (Melloria quoyi). Currawongs have yellow eyes, whereas Magpies have red-brown eyes and Butcherbirds have very dark brown, almost black eyes. It is not, however, closely related to the European magpie, which is a corvid. The adult Australian magpie is a fairly robust bird ranging from 37 to 43 cm in length, with distinctive black and white plumage, gold brown eyes and a solid wedge-shaped bluish-white and black bill. The male and female are similar in appearance, and can be distinguished by differences in back markings. The male has pure white feathers on the back of the head and the female has white blending to grey feathers on the back of the head. With its long legs, the Australian magpie walks rather than waddles or hops and spends much time on the ground. Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates. It is generally sedentary and territorial throughout its range. Common and widespread, it has adapted well to human habitation and is a familiar bird of parks, gardens and farmland in Australia and New Guinea. This species is commonly fed by households around the country, but in spring (and occasionally in autumn) a small minority of breeding magpies (almost always males) become aggressive and swoop and attack those who approach their nests. 35904
The genus Pan consists of two extant species: the common chimpanzee and the bonobo. Taxonomically, these two ape species are collectively termed panins; however, both species are more commonly referred to collectively using the generalized term chimpanzees, or chimps. Together with humans, gorillas, and orangutans they are part of the family Hominidae (the great apes, or hominids). Native to sub-Saharan Africa, common chimpanzees and bonobos are currently both found in the Congo jungle, while only the common chimpanzee is also found further north in West Africa. Both species are listed as endangered. Chimpanzees and bonobos are equally humanity's closest living relatives. As such, they are among the largest-brained and most intelligent primates: they use a variety of sophisticated tools and construct elaborate sleeping nests each night from branches and foliage. Their learning abilities have been extensively studied. R_8661
Le temps suspendu...
L'ora blu, l'ora sospesa.
Non ancora buio, ma quasi...
Fascino, magia, attrazione, potrei continuare ancora per descrivere questo breve istante ricercato da me, da chi desidera vivere questa particolare condizione di Luce!
Se poi aggiungiamo la Luna (e la sua Luce) che si riflette nel Lago, un Cielo indimenticabile, le Cattedrali del Silenzio che sembrano delle apparizioni notturne e, ciliegina sulla torta, il passaggio di un maschio di Stambecco - Capra ibex impettito che sembra soffermarsi per lasciarsi fotografare o per contemplare anch'esso quel meraviglioso pulpito.
Ebbene, potrai ricordare quell'Incatesimo finchè vivi!
Il mio tempo in Montagna...
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
I miei Video amatoriali su:
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Ibises are a group of long-legged wading birds in the family Threskiornithidae, that inhabit wetlands, forests and plains. Ibises usually feed as a group, probing mud for food items, usually crustaceans. It is widespread across much of Australia. It has a predominantly white plumage with a bare, black head, long down curved bill and black legs. They are monogamous and highly territorial while nesting and feeding. Most nest in trees, often with spoonbills or herons. Due to its increasing presence in the urban environment and its habit of rummaging in garbage, the species has acquired a variety of colloquial names such as tip turkey; and bin chicken, and in recent years has become an icon of popular culture, being regarded with passion, wit, and, in equal measure, affection and disgust. 55209
The meerkat (Suricata suricatta) or suricate is a small carnivoran in the mongoose family. It is the only member of the genus Suricata. Meerkats live in all parts of the Kalahari Desert in Botswana, in much of the Namib Desert in Namibia and southwestern Angola, and in South Africa. A group of meerkats is called a mob, gang or clan. A meerkat clan often contains about 20 meerkats, but some super-families have 50 or more members. In captivity, meerkats have an average life span of 12–14 years, and about 6–7 years in the wild. Meerkats are primarily insectivores, but also eat other animals (lizards, snakes, scorpions, spiders, eggs, small mammals, millipedes, centipedes and, more rarely, small birds), plants and fungi. Meerkats are immune to certain types of venom, including the very strong venom of the scorpions of the Kalahari Desert. A meerkat has the ability to dig through a quantity of sand equal to its own weight in just seconds. Digging is done to create burrows, to get food and also to create dust clouds to distract predators. R_9342
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Images in this gallery were captured by:
Mark Smith M.S. Geoscientist mark@macroscopicsolutions.com
Annette Evans Ph.D. Student at the University of Connecticut annette@macroscopicsolutions.com
The sail-by at the end of the festival had sunshine and active wind. The blue cutter has full sails and can enjoy the responsive boat heeling over. I look this at the Port Townsend Wooden Boat Festival
When the temperatures drop, the Chinese Witch Hazel flowers curl-up tight to prevent freezing. With the ice from yesterday's storm melting in the 50F degree heat today these sweet little yellow buds will cover this little tree like the confetti at the Patriot's Celebration Parade. :)
This female giraffe was followed by these three males. They were all waiting patiently for their turn to sniff, checking to see if she was responsive (she wasn't yet).
was strolling with her friend Murphy, plus their caregivers along Hirtle's Beach, Kingsburg, Nova Scotia
It is a member of the bird family Columbidae (doves and pigeons). In common usage, this bird is often simply referred to as the pigeon. The domestic pigeon descended from this species. Escaped domestic pigeons have raised the populations of feral pigeons around the world. Wild rock doves are pale grey with two black bars on each wing, whereas domestic and feral pigeons vary in colour and pattern. Few differences are seen between males and females. The species is generally monogamous, with two squabs (young) per brood. Both parents care for the young for a time. Habitats include various open and semi-open environments. Cliffs and rock ledges are used for roosting and breeding in the wild. Originally found wild in Europe, North Africa, and western Asia, pigeons have become established in cities around the world. The species is abundant, with an estimated population of 17 to 28 million feral and wild birds in Europe alone. 19263
Rainbow lorikeets are true parrots, within the Psittacoidea superfamily in the order Psittaciformes. The rainbow lorikeet or lorikeet (common name) is a species of parrot found in Australia. It is common along the eastern seaboard, from northern Queensland to South Australia. Its habitat is rainforest, coastal bush and woodland areas. They are true parrots of medium-size, with the length ranging from 25 to 30 cm, including the tail. The weight varies from 75 to 157 g. The plumage of the nominate race, as with all subspecies, is very bright. The head is deep blue with a greenish-yellow nuchal collar, and the rest of the upper parts (wings, back and tail) are green. The chest is orange/yellow. The belly is deep blue, and the thighs and rump are green. In flight a yellow wing-bar contrasts clearly with the red underwing coverts. 3292
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The Australian magpie (Gymnorhina tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Although once considered to be three separate species, it is now considered to be one, with nine recognised subspecies. A member of the Artamidae, the Australian magpie is placed in its own genus and is most closely related to the black butcherbird (Melloria quoyi). Currawongs have yellow eyes, whereas Magpies have red-brown eyes and Butcherbirds have very dark brown, almost black eyes. It is not, however, closely related to the European magpie, which is a corvid. The adult Australian magpie is a fairly robust bird ranging from 37 to 43 cm in length, with distinctive black and white plumage, gold brown eyes and a solid wedge-shaped bluish-white and black bill. The male and female are similar in appearance, and can be distinguished by differences in back markings. The male has pure white feathers on the back of the head and the female has white blending to grey feathers on the back of the head. With its long legs, the Australian magpie walks rather than waddles or hops and spends much time on the ground. Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates. It is generally sedentary and territorial throughout its range. Common and widespread, it has adapted well to human habitation and is a familiar bird of parks, gardens and farmland in Australia and New Guinea. This species is commonly fed by households around the country, but in spring (and occasionally in autumn) a small minority of breeding magpies (almost always males) become aggressive and swoop and attack those who approach their nests. R_1021
After the "cush" of some paved trail, I took off on some loose gravel - VERY loose, in fact! Riding was responsive on the few packed areas (as seen above) but somewhat squirmy when I hit deep patches of larger, loose rocks.
A rhinoceros, from Greek rhinokerōs, meaning 'nose-horned', from rhis, meaning 'nose', and keras, meaning 'horn'), commonly abbreviated to rhino, is one of any five extant species of odd-toed ungulates in the family Rhinocerotidae, as well as any of the numerous extinct species therein. Two of the extant species are native to Africa, and three to Southern Asia. The term rhinoceros is often more broadly applied to now extinct species of the superfamily Rhinocerotoidea. Members of the rhinoceros family are some of the largest remaining megafauna, with all species able to reach or exceed one tonne in weight. They have a herbivorous diet, small brains (400–600 g) for mammals of their size, one or two horns, and a thick (1.5–5 cm) protective skin formed from layers of collagen positioned in a lattice structure. They generally eat leafy material, although their ability to ferment food in their hindgut allows them to subsist on more fibrous plant matter when necessary. Unlike other perissodactyls, the two African species of rhinoceros lack teeth at the front of their mouths, relying instead on their lips to pluck food.
The Australian wood duck, maned duck or maned goose (Chenonetta jubata) is a dabbling duck found throughout much of Australia. It is the only living species in the genus Chenonetta. This 45–51 cm duck looks like a small goose, and feeds mostly by grazing in flocks. The male is grey with a dark brown head and mottled breast. The female has white stripes above and below the eye and mottled underparts. Both sexes have grey wings with black primaries and a white speculum. Juveniles are similar to adult females, but lighter and with a more streaky breast. The Australian wood duck is widespread in Australia, including Tasmania. The Australian wood duck is found in grasslands, open woodlands, wetlands, flooded pastures and along the coast in inlets and bays. It is also common on farmland with dams, as well as around rice fields, sewage ponds and in urban parks. It will often be found around deeper lakes that may be unsuitable for other waterbirds' foraging, as it prefers to forage on land. S20N_1281
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The Australian magpie (Gymnorhina tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Although once considered to be three separate species, it is now considered to be one, with nine recognised subspecies. A member of the Artamidae, the Australian magpie is placed in its own genus and is most closely related to the black butcherbird (Melloria quoyi). Currawongs have yellow eyes, whereas Magpies have red-brown eyes and Butcherbirds have very dark brown, almost black eyes. It is not, however, closely related to the European magpie, which is a corvid. The adult Australian magpie is a fairly robust bird ranging from 37 to 43 cm in length, with distinctive black and white plumage, gold brown eyes and a solid wedge-shaped bluish-white and black bill. The male and female are similar in appearance, and can be distinguished by differences in back markings. The male has pure white feathers on the back of the head and the female has white blending to grey feathers on the back of the head. With its long legs, the Australian magpie walks rather than waddles or hops and spends much time on the ground. Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates. It is generally sedentary and territorial throughout its range. Common and widespread, it has adapted well to human habitation and is a familiar bird of parks, gardens and farmland in Australia and New Guinea. This species is commonly fed by households around the country, but in spring (and occasionally in autumn) a small minority of breeding magpies (almost always males) become aggressive and swoop and attack those who approach their nests.
Noisy miner is a bird in the honeyeater family, and endemic to Australia. It is grey, with a black head, orange-yellow beak and feet, a distinctive yellow patch behind the eye and white tips on the tail feathers. It's a vocal species with a large range of songs, calls, scoldings and alarms, and almost constant vocalisations. They are gregarious and territorial; they forage, bathe, roost, breed and defend territory communally. R_3181
The galah (Eolophus roseicapilla), also known as the pink and grey cockatoo, is one of the most common and widespread cockatoos, and it can be found in open country in almost all parts of mainland Australia. It is endemic on the mainland and was introduced to Tasmania, where its distinctive pink and grey plumage and its bold and loud behaviour make it a familiar sight in the bush, and increasingly in urban areas. It appears to have benefited from the change in the landscape since European colonisation and may be replacing the Major Mitchell's cockatoo in parts of its range. Galahs are about 35 cm long and weigh 270–350 g. They have a pale silver to mid-grey back, a pale grey rump, a pink face and chest, and a light pink mobile crest. They have a bone-coloured beak, and the bare skin of the eye rings is carunculated. They have grey legs. The sexes appear similar; however, generally adult birds differ in the colour of the irises; the male has very dark brown (almost black) irises and the female has mid-brown or red irises. The colours of the juveniles are duller than the adults. Juveniles have greyish chests, crowns, and crests, and they have brown irises and whitish bare eye rings, which are not carunculated. Galahs are found in all Australian states, and are absent only from the driest areas and the far north of Cape York Peninsula.
Eucalyptus is a genus of over seven hundred species of flowering trees, shrubs or mallees in the myrtle family, Myrtaceae. Along with several other genera in the tribe Eucalypteae, including Corymbia, they are commonly known as eucalypts. Plants in the genus Eucalyptus have bark that is either smooth, fibrous, hard or stringy, leaves with oil glands, and sepals and petals that are fused to form a cap or operculum over the stamens. The fruit is a woody capsule commonly referred to as a gumnut. Most species of Eucalyptus are native to Australia, and every state and territory has representative species. About three-quarters of Australian forests are eucalypt forests. Wildfire is a feature of the Australian landscape and many eucalypt species are adapted to fire, and resprout after fire or have seeds which survive fire. A few species are native to islands north of Australia and a smaller number are only found outside the continent. Eucalypts have been grown in plantations in many other countries because they are fast growing and have valuable timber, or can be used for pulpwood, for honey production or essential oils. In some countries, however, they have been removed because they are highly flammable. R_947
Produced during a golden period for British sports cars, the Triumph TR4A perfectly embodies their timeless appeal thanks to its crisp styling, responsive handling and robust four-cylinder engine.
Only 40,253 TR4s were built during its 5-year production run, of which 37,661 cars were sold in export markets (primarily the US), and only 2,592 cars sold domestically.
Still in exceptional condition following a meticulous rebuild in the late 1990s, this particular TR4A is presented in the same attractive colour scheme – Signal Red with a black interior – with which it left the Canley factory on 5th June 1967.
WTU 890E was seen at the Classic Motor Hub on 14th February 2025.
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Gulls or seagulls are seabirds of the family Laridae in the suborder Lari. They are most closely related to the terns (family Sternidae) and only distantly related to auks, skimmers, and more distantly to the waders. Gulls are typically medium to large birds, usually grey or white, often with black markings on the head or wings. They typically have harsh wailing or squawking calls; stout, longish bills; and webbed feet. Most gulls are ground-nesting carnivores which take live food or scavenge opportunistically, particularly the Larus species. Live food often includes crabs and small fish. Gulls have unhinging jaws which allow them to consume large prey. Gulls are typically coastal or inland species, rarely venturing far out to sea, except for the kittiwakes. R_14651
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The common raven (Corvus corax), also known as the northern raven, is a large all-black passerine bird. Found across the Northern Hemisphere, it is the most widely distributed of all corvids. There are at least eight subspecies with little variation in appearance, although recent research has demonstrated significant genetic differences among populations from various regions. It is one of the two largest corvids, alongside the thick-billed raven, and is possibly the heaviest passerine bird; at maturity, the common raven averages 63 centimetres in length and 1.2 kilograms in mass. Common ravens can live up to 21 years in the wild, a lifespan surpassed among passerines by only a few Australasian species such as the satin bowerbird and probably the lyrebirds. Young birds may travel in flocks but later mate for life, with each mated pair defending a territory. Common ravens have coexisted with humans for thousands of years and in some areas have been so numerous that people have regarded them as pests. Part of their success as a species is due to their omnivorous diet; they are extremely versatile and opportunistic in finding sources of nutrition, feeding on carrion, insects, cereal grains, berries, fruit, small animals, nesting birds, and food waste. Some notable feats of problem-solving provide evidence that the common raven is unusually intelligent. Over the centuries, it has been the subject of mythology, folklore, art, and literature. In many cultures, including the indigenous cultures of Scandinavia, ancient Ireland and Wales, Bhutan, the northwest coast of North America, and Siberia and northeast Asia, the common raven has been revered as a spiritual figure or godlike creature. 42558
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The fruit doves, also known as fruit pigeons, are a genus (Ptilinopus) of birds in the pigeon and dove family (Columbidae). These colourful, frugivorous doves are found in forests and woodlands in Southeast Asia and Oceania. It is a large genus with over 50 species, some threatened or already extinct. These small- to medium-sized doves generally have short, fan-shaped tails, and are remarkable for their colourful and often glossy plumage, as evidenced in the aptly named orange fruit dove, flame-breasted fruit dove, and pink-headed fruit dove. Males and females of many fruit dove species look very different. For example, the female many-colored fruit dove shares the male's crimson crown and deep pink undertail feathers, but is otherwise green, whereas the male has a crimson on the upper back and has areas of yellow, olive, cinnamon, and grey. This is a large genus, most diverse in and around the island of New Guinea, in the Philippines, and in the biogeographical region of Wallacea. Some species have ranges as far west as the Sunda Islands, others north to Taiwan, south to Australia, and east into Polynesia. 14521
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Three individuals of Macroscopic Solutions, LLC captured the images in this database collaboratively.
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Mark Smith M.S. Geoscientist
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The guinea pig or domestic guinea pig (Cavia porcellus), also known as the cavy or domestic cavy is a species of rodent belonging to the genus Cavia in the family Caviidae. Despite their common name, guinea pigs are not native to Guinea, nor are they closely related biologically to pigs, and the origin of the name is still unclear. They originated in the Andes of South America.
In Western society, the guinea pig has enjoyed widespread popularity as a pet since its introduction to Europe and North America by European traders in the 16th century. Their docile nature, friendly responsiveness to handling and feeding, and the relative ease of caring for them have made guinea pigs a continuing popular choice of household pet.
Livestock breeds of the guinea pig play an important role in folk culture for many indigenous Andean peoples, especially as a food source. The animals are also used in folk medicine and in community religious ceremonies. They are raised for their meat and are a culinary staple in the Andes Mountains, where they are known as cuy.
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Grounded in traditions yet undeniably fun, Gujarati weddings are a perfect portrayal of their colorful culture, warm hospitality and delectable vegetarian cuisine. From twirling bandhani outfits to fun wedding games, and of course, a whole lot of garba, there is never a dull moment.
Equivalent to the ‘baraat,’ the groom travels to the bride’s home or the wedding venue on a magnificently decked horse as his relatives dance along with him on the way. Upon reaching, the groom and his family are welcomed by the bride’s mother with sweets and aarti in the ‘jaan’ ritual. In a fun custom, the bride’s mother then lightly pinches the groom’s nose to remind him to be humble since he is there to ask for her daughter’s hand, as he playfully tries to avoid getting caught. R_38727
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Dietro ogni scatto ci sono sempre fatiche e attese!
Zaino carico e pesante (quasi sempre) e, quando trasporti la Fotocamera con obiettivo, la Sera avverti un dolore al collo...
Ma le Passioni, è noto, comportano sempre sacrifici!
In Natura non esistono malintesi esistono solo in ciò che l'uomo chiama ragione!
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
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se
Fotocamere:
Canon 5D Mark lV
Obiettivi:
Canon EF 100-400mm f/4.5-5.6 L IS USM II
Canon EF 24-105mm f/4L IS USM II
Canon EF 16-35mm f/4L IS USM
Canon EF 50mm f/1.4 USM
Canon EF 100mm f/2.8 Macro USM
Treppiede Manfrotto 190 X Prob
Testa Manfrotto a sfera compact nera con attacco rapido 496RC2 con frizione
Piastra a sgancio rapido 200PL
Telecomando infrarossi Canon RC-6
Telecomando Rollei Schermo LCD e Retroilluminazione
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Prendetevi del tempo per Sognare, ogni scatto racconta una lunga storia...
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
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Canon EOS 7D Mark ll / CANON EF 100/400 mm Serie II USM
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Dietro ogni scatto ci sono sempre fatiche e attese!
Zaino carico e pesante (quasi sempre) e, quando trasporti la Fotocamera con obiettivo, la Sera avverti un dolore al collo...
Ma le Passioni, è noto, comportano sempre sacrifici!
In Natura non esistono malintesi esistono solo in ciò che l'uomo chiama ragione!
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Washi
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
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Fotocamere:
Canon 5D Mark lV
Obiettivi:
Canon EF 100-400mm f/4.5-5.6 L IS USM II
Canon EF 24-105mm f/4L IS USM II
Canon EF 16-35mm f/4L IS USM
Canon EF 50mm f/1.4 USM
Canon EF 100mm f/2.8 Macro USM
Treppiede Manfrotto 190 X Prob
Testa Manfrotto a sfera compact nera con attacco rapido 496RC2 con frizione
Piastra a sgancio rapido 200PL
The olive-headed lorikeet (Trichoglossus euteles), also called the perfect lorikeet, is a species of parrot in the family Psittaculidae. It is found in forest, woodland and cultivated areas on Timor and smaller nearby islands. The olive-headed lorikeet is a mainly green parrot about 24 cm (9.5 in) long. It has an olive coloured head which is demarcated by a green collar. Its beak is orange-red, its irises are red, and its legs are grey. The male and female have an identical external appearance. Juveniles have a slightly greener head, a brown beak, and brown irises. 57850
Una modesta quantità di pelo di Stambecco e Camoscio - misto ad aghi di Larici - nella piccola bocca di questo abile Roditore - evidentemente una scorta da portare nel Nido per affrontare i rigori dell'Inverno!
In Natura non esistono malintesi esistono solo in ciò che l'uomo chiama ragione!
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
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Fotocamere:
Canon 5D Mark lV
Obiettivi:
Canon EF 100-400mm f/4.5-5.6 L IS USM II
Canon EF 24-105mm f/4L IS USM II
Canon EF 16-35mm f/4L IS USM
Canon EF 50mm f/1.4 USM
Canon EF 100mm f/2.8 Macro USM
Treppiede Manfrotto 190 X Prob
Testa Manfrotto a sfera compact nera con attacco rapido 496RC2 con frizione
Piastra a sgancio rapido 200PL
Motorcycles - British - Triumph - Speed Triple.
Take a look at the most powerful and responsive Speed Triples ever – the all new Speed Triple S and range-topping RS. With a major engine development, lighter weight (RS) and cutting edge technological advancements the iconic 1050cc Triple engine revs harder for longer, improving on its already legendary agility, razor-sharp handling, and pinpoint precision. Raising the game to a new high with a totally addictive ride, delivering all of the Speed Triple’s characteristic nose-down focused attitude together with superior handling, a higher standard of finishing, and a phenomenal enhanced triple soundtrack. This is the greatest Speed Triple ever.
Watch full video at youtu.be/IBeCkBHNH84
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Hippos are among the most dangerous animals in the world due to their aggressive and unpredictable nature.
The local staff at the camp move quickly away from the path of the hippos.
After elephants and rhinoceroses, the hippopotamus is the next largest land mammal. Adults average 1,500 kg (3,300 lb) for males and 1,300 kg (2,900 lb) for females.
Despite its stocky shape and short legs, it is capable of running 30 km/h (19 mph) over short distances.
Hippos are important to the aquatic ecosystems they live in. They can help maintain river channels, moving soil and modifying the underwater landscape, helping to create complex habitats that support numerous other species.
The hippopotamus (Hippopotamus amphibius), or common hippopotamus, is a large, mostly herbivorous, semiaquatic mammal and ungulate native to sub-Saharan Africa. It is one of only two extant species in the family Hippopotamidae, the other being the pygmy hippopotamus (Choeropsis liberiensis or Hexaprotodon liberiensis). The name comes from the ancient Greek for river horse. After the elephant and rhinoceros, both of which are found in Africa, the hippopotamus is the third-largest type of land mammal and the heaviest extant artiodactyl. Despite its physical resemblance to pigs and other terrestrial even-toed ungulates, the closest living relatives of the Hippopotamidae are cetaceans (whales, dolphins, porpoises, etc.) from which they diverged about 55 million years ago. The hippopotamus is recognisable by its barrel-shaped torso, wide-opening mouth revealing large canine tusks, nearly hairless body, columnar legs and large size; adults average 1,500 kg and 1,300 kg for bulls and cows respectively. Despite its stocky shape and short legs, it is capable of running 30 km/h over short distances. The hippopotamus inhabits rivers, lakes and mangrove swamps, where territorial bulls preside over a stretch of river and groups of five to thirty cows and young. During the day, they remain cool by staying in the water or mud; reproduction and childbirth both occur in water. They emerge at dusk to graze on grasses. While hippos rest near each other in the water, grazing is a solitary activity and hippos are not territorial on land. The hippo is among the most dangerous animals in the world as it is highly aggressive and unpredictable. They are threatened by habitat loss and poaching for their meat and ivory canine teeth. Hippos at camp -Still 2024-10-31 111049_3.1.2-s
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
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Fotocamere:
Canon 5D Mark lV
Canon EOS 7D Mark ll
Obiettivi:
Canon EF 100-400mm f/4.5-5.6 L IS USM II
Canon EF 24-105mm f/4L IS USM II
Canon EF 16-35mm f/4L IS USM
Canon EF 50mm f/1.4 USM
Canon EF 100mm f/2.8 Macro USM
Treppiede Manfrotto 190 X Prob
Testa Manfrotto a sfera compact nera con attacco rapido 496RC2 con frizione
Piastra a sgancio rapido 200PL
These are preview images for the talk I am giving at UCLA tomorrow.
Made with Processing and runs in near realtime (anywhere from 5 to 30 fps). The sphere surface is not traditionally texture mapped and is made up of a couple hundred freely moving overlapping textures. The entire system is dynamic, and with a zippy computer, could probably be audio responsive with little extra overhead.
Germano reale - Anas platyrhynchos - Canard colvert
L'atterraggio di una femmina di Germano reale, nelle placide e rosee Acque della Dora, in una tranquilla Alba di Primavera...
Inn AMÒR ati della NATURA anche tu!
Il mio tempo in Montagna!
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
I miei Video amatoriali su:
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Canon EOS 7D Mark ll / CANON EF 100-400mm F/4.5-5.6L IS II USM
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Please view more of my 10,300+ images and videos at the following websites. Totally, I have 28+ million views; 4,300+ followers/subscribers and 25,000+ views daily.
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_________
The lion (Panthera leo) is a species in the family Felidae; it is a muscular, deep-chested cat with a short, rounded head, a reduced neck and round ears, and a hairy tuft at the end of its tail. It is sexually dimorphic; adult male lions have a prominent mane, which is the most recognisable feature of the species. With a typical head-to-body length of 184–208 cm they are larger than females at 160–184 cm. It is a social species, forming groups called prides. A lion pride consists of a few adult males, related females and cubs. Groups of female lions usually hunt together, preying mostly on large ungulates. The lion is an apex and keystone predator, although some lions scavenge when opportunities occur, and have been known to hunt humans, although the species typically does not. Typically, the lion inhabits grasslands and savannas, but is absent in dense forests. It is usually more diurnal than other big cats, but when persecuted it adapts to being active at night and at twilight. African lions live in scattered populations across Sub-Saharan Africa. The lion prefers grassy plains and savannahs, scrub bordering rivers and open woodlands with bushes. It is absent from rainforest and rarely enters closed forest. R_47460
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"The Silence of the Village" was my first title for this image. I captured this peaceful scenery in Saint Léon. It's a very quite place in the South West of France. A must see if you ever travel in this region...
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For more information about my art: info@benheine.com
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The Deserted Village
A poem by Oliver Goldsmith
Sweet Auburn! loveliest village of the plain,
Where health and plenty cheered the labouring swain,
Where smiling spring its earliest visits paid,
And parting summer's lingering blooms delayed:
Dear lovely bowers of innocence and ease,
Seats of my youth, where every sport could please,
How often have I loitered o'er your green,
Where humble happiness endeared each scene;
How often have I paused on every charm,
The sheltered cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topped the neighbouring hill,
The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made;
How often have I blessed the coming day,
When toil remitting lent its turn to play,
And all the village train, from labour free,
Led up their sports beneath the spreading tree:
While many a pastime circled in the shade,
The young contending as the old surveyed;
And many a gambol frolicked o'er the ground,
And sleights of art and feats of strength went round;
And still as each repeated pleasure tired,
Succeeding sports the mirthful band inspired;
The dancing pair that simply sought renown
By holding out to tire each other down!
The swain mistrustless of his smutted face,
While secret laughter tittered round the place;
The bashful virgin's sidelong look of love,
The matron's glance that would those looks reprove:
These were thy charms, sweet village; sports like these,
With sweet succession, taught even toil to please;
These round thy bowers their cheerful influence shed,
These were thy charms -But all these charms are fled.
Sweet smiling village, loveliest of the lawn,
Thy sports are fled, and all thy charms withdrawn;
Amidst thy bowers the tyrant's hand is seen,
And desolation saddens all thy green:
One only master grasps the whole domain,
And half a tillage stints thy smiling plain:
No more thy glassy brook reflects the day,
But choked with sedges works its weedy way.
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries.
Sunk are thy bowers, in shapeless ruin all,
And the long grass o'ertops the mouldering wall;
And, trembling, shrinking from the spoiler's hand,
Far, far away, thy children leave the land.
Ill fares the land, to hastening ills a prey,
Where wealth accumulates, and men decay:
Princes and lords may flourish, or may fade;
A breath can make them, as a breath has made;
But a bold peasantry, their country's pride,
When once destroyed can never be supplied.
A time there was, ere England's griefs began,
When every rood of ground maintained its man;
For him light labour spread her wholesome store,
Just gave what life required, but gave no more:
His best companions, innocence and health;
And his best riches, ignorance of wealth.
But times are altered; trade's unfeeling train
Usurp the land and dispossess the swain;
Along the lawn, where scattered hamlet's rose,
Unwieldy wealth and cumbrous pomp repose,
And every want to opulence allied,
And every pang that folly pays to pride.
Those gentle hours that plenty bade to bloom,
Those calm desires that asked but little room,
Those healthful sports that graced the peaceful scene,
Lived in each look, and brightened all the green;
These, far departing, seek a kinder shore,
And rural mirth and manners are no more.
Sweet Auburn! parent of the blissful hour,
Thy glades forlorn confess the tyrant's power.
Here as I take my solitary rounds,
Amidst thy tangling walks and ruined grounds,
And, many a year elapsed, return to view
Where once the cottage stood, the hawthorn grew,
Remembrance wakes with all her busy train,
Swells at my breast, and turns the past to pain.
In all my wanderings round this world of care,
In all my griefs -and God has given my share -
I still had hopes my latest hours to crown,
Amidst these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting by repose.
I still had hopes, for pride attends us still,
Amidst the swains to show my book-learned skill,
Around my fire an evening group to draw,
And tell of all I felt and all I saw;
And, as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew,
I still had hopes, my long vexations passed,
Here to return -and die at home at last.
O blest retirement, friend to life's decline,
Retreats from care, that never must be mine,
How happy he who crowns in shades like these
A youth of labour with an age of ease;
Who quits a world where strong temptations try,
And, since 'tis hard to combat, learns to fly!
For him no wretches, born to work and weep,
Explore the mine, or tempt the dangerous deep;
No surly porter stands in guilty state
To spurn imploring famine from the gate;
But on he moves to meet his latter end,
Angels round befriending Virtue's friend;
Bends to the grave with unperceived decay,
While Resignation gently slopes the way;
All, all his prospects brightening to the last,
His Heaven commences ere the world be past!
Sweet was the sound when oft at evening's close
Up yonder hill the village murmur rose;
There, as I passed with careless steps and slow,
The mingling notes came softened from below;
The swain responsive as the milkmaid sung,
The sober herd that lowed to meet their young;
The noisy geese that gabbled o'er the pool,
The playful children just let loose from school;
The watchdog's voice that bayed the whisp'ring wind,
And the loud laugh that spoke the vacant mind;
These all in sweet confusion sought the shade,
And filled each pause the nightingale had made.
But now the sounds of population fail,
No cheerful murmurs fluctuate in the gale,
No busy steps the grass-grown footway tread,
For all the bloomy flush of life is fled.
All but yon widowed, solitary thing,
That feebly bends beside the plashy spring;
She, wretched matron, forced in age for bread
To strip the brook with mantling cresses spread,
To pick her wintry faggot from the thorn,
To seek her nightly shed, and weep till morn;
She only left of all the harmless train,
The sad historian of the pensive plain.
Near yonder copse, where once the garden smiled,
And still where many a garden flower grows wild;
There, where a few torn shrubs the place disclose,
The village preacher's modest mansion rose.
A man he was to all the country dear,
And passing rich with forty pounds a year;
Remote from towns he ran his godly race,
Nor e'er had changed, nor wished to change, his place;
Unpractised he to fawn, or seek for power,
By doctrines fashioned to the varying hour;
Far other aims his heart had learned to prize,
More skilled to raise the wretched than to rise.
His house was known to all the vagrant train,
He chid their wanderings, but relieved their pain;
The long remembered beggar was his guest,
Whose beard descending swept his aged breast;
The ruined spendthrift, now no longer proud,
Claimed kindred there, and had his claims allowed;
The broken soldier, kindly bade to stay,
Sat by his fire, and talked the night away;
Wept o'er his wounds, or, tales of sorrow done,
Shouldered his crutch, and showed how fields were won.
Pleased with his guests, the good man learned to glow,
And quite forgot their vices in their woe;
Careless their merits or their faults to scan,
His pity gave ere charity began.
Thus to relieve the wretched was his pride,
And e'en his failings leaned to Virtue's side;
But in his duty prompt at every call,
He watched and wept, he prayed and felt, for all.
And, as a bird each fond endearment tries
To tempt its new-fledged offspring to the skies,
He tried each art, reproved each dull delay,
Allured to brighter worlds, and led the way.
Beside the bed where parting life was laid,
And sorrow, guilt, and pain, by turns dismayed,
The reverend champion stood. At his control
Despair and anguish fled the struggling soul;
Comfort came down the trembling wretch to raise,
And his last faltering accents whispered praise.
At church, with meek and unaffected grace,
His looks adorned the venerable place;
Truth from his lips prevailed with double sway,
And fools, who came to scoff, remained to pray.
The service passed, around the pious man,
With steady zeal, each honest rustic ran;
Even children followed with endearing wile,
And plucked his gown, to share the good man's smile.
His ready smile a parent's warmth expressed,
Their welfare pleased him, and their cares distressed;
To them his heart, his love, his griefs were given,
But all his serious thoughts had rest in Heaven.
As some tall cliff, that lifts its awful form,
Swells from the vale, and midway leaves the storm,
Though round its breast the rolling clouds are spread,
Eternal sunshine settles on its head.
Beside yon straggling fence that skirts the way,
With blossomed furze unprofitably gay,
There, in his noisy mansion, skilled to rule,
The village master taught his little school;
A man severe he was, and stern to view;
I knew him well, and every truant knew;
Well had the boding tremblers learned to trace
The day's disasters in his morning face;
Full well they laughed, with counterfeited glee,
At all his jokes, for many a joke had he;
Full well the busy whisper, circling round,
Conveyed the dismal tidings when he frowned;
Yet he was kind; or if severe in aught,
The love he bore to learning was in fault.
The village all declared how much he knew;
'Twas certain he could write, and cipher too;
Lands he could measure, terms and tides presage,
And even the story ran that he could gauge.
In arguing too, the parson owned his skill,
For e'en though vanquished, he could argue still;
While words of learned length and thundering sound
Amazed the gazing rustics ranged around,
And still they gazed, and still the wonder grew
That one small head could carry all he knew.
But past is all his fame. The very spot
Where many a time he triumphed is forgot.
Near yonder thorn, that lifts its head on high,
Where once the signpost caught the passing eye,
Low lies that house where nut-brown draughts inspired,
Where grey-beard mirth and smiling toil retired,
Where village statesmen talked with looks profound,
And news much older than their ale went round.
Imagination fondly stoops to trace
The parlour splendours of that festive place:
The white-washed wall, the nicely sanded floor,
The varnished clock that clicked behind the door;
The chest contrived a double debt to pay, -
A bed by night, a chest of drawers by day;
The pictures placed for ornament and use,
The twelve good rules, the royal game of goose;
The hearth, except when winter chilled the day,
With aspen boughs, and flowers, and fennel gay;
While broken teacups, wisely kept for show,
Ranged o'er the chimney, glistened in a row.
Vain transitory splendours! Could not all
Reprieve the tottering mansion from its fall!
Obscure it sinks, nor shall it more impart
An hour's importance to the poor man's heart;
Thither no more the peasant shall repair
To sweet oblivion of his daily care;
No more the farmer's news, the barber's tale,
No more the woodman's ballad shall prevail;
No more the smith his dusky brow shall clear,
Relax his ponderous strength, and lean to hear;
The host himself no longer shall be found
Careful to see the mantling bliss go round;
Nor the coy maid, half willing to be pressed,
Shall kiss the cup to pass it to the rest.
Yes! let the rich deride, the proud disdain,
These simple blessings of the lowly train;
To me more dear, congenial to my heart,
One native charm, than all the gloss of art.
Spontaneous joys, where Nature has its play,
The soul adopts, and owns their first-born sway;
Lightly they frolic o'er the vacant mind,
Unenvied, unmolested, unconfined:
But the long pomp, the midnight masquerade,
With all the freaks of wanton wealth arrayed,
In these, ere triflers half their wish obtain,
The toiling pleasure sickens into pain;
And, even while fashion's brightest arts decoy,
The heart distrusting asks, if this be joy.
Ye friends to truth, ye statesmen, who survey
The rich man's joys increase, the poor's decay,
'Tis yours to judge how wide the limits stand
Between a splendid and a happy land.
Proud swells the tide with loads of freighted ore,
And shouting Folly hails them from her shore;
Hoards even beyond the miser's wish abound,
And rich men flock from all the world around.
Yet count our gains. This wealth is but a name
That leaves our useful products still the same.
Not so the loss. The man of wealth and pride
Takes up a space that many poor supplied;
Space for his lake, his park's extended bounds,
Space for his horses, equipage, and hounds;
The robe that wraps his limbs in silken sloth
Has robbed the neighbouring fields of half their growth;
His seat, where solitary sports are seen,
Indignant spurns the cottage from the green;
Around the world each needful product flies,
For all the luxuries the world supplies:
While thus the land adorned for pleasure, all
In barren splendour feebly waits the fall.
As some fair female unadorned and plain,
Secure to please while youth confirms her reign,
Slights every borrowed charm that dress supplies,
Nor shares with art the triumph of her eyes;
But when those charms are passed, for charms are frail,
When time advances and when lovers fail,
She then shines forth, solicitous to bless,
In all the glaring impotence of dress.
Thus fares the land, by luxury betrayed,
In nature's simplest charms at first arrayed;
But verging to decline, its splendours rise,
Its vistas strike, its palaces surprise;
While, scourged by famine, from the smiling land
The mournful peasant leads his humble band;
And while he sinks, without one arm to save,
The country blooms -a garden, and a grave.
Where then, ah! where, shall poverty reside,
To 'scape the pressure of contiguous pride?
If to some common's fenceless limits strayed,
He drives his flock to pick the scanty blade,
Those fenceless fields the sons of wealth divide,
And even the bare-worn common is denied.
If to the city sped -what waits him there?
To see profusion that he must not share;
To see ten thousand baneful arts combined
To pamper luxury, and thin mankind;
To see those joys the sons of pleasure know
Extorted from his fellow creature's woe.
Here, while the courtier glitters in brocade,
There the pale artist plies the sickly trade;
Here, while the proud their long-drawn pomps display,
There the black gibbet glooms beside the way.
The dome where Pleasure holds her midnight reign
Here, richly decked, admits the gorgeous train;
Tumultuous grandeur crowds the blazing square,
The rattling chariots clash, the torches glare.
Sure scenes like these no troubles e'er annoy!
Sure these denote one universal joy!
Are these thy serious thoughts? -Ah, turn thine eyes
Where the poor houseless shivering female lies.
She once, perhaps, in a village plenty blessed,
Has wept at tales of innocence distressed;
Her modest looks the cottage might adorn,
Sweet as the primrose peeps beneath the thorn;
Now lost to all; her friends, her virtue fled,
Near her betrayer's door she lays her head,
And, pinched with cold, and shrinking from the shower,
With heavy heart deplores that luckless hour,
When idly first, ambitious of the town,
She left her wheel and robes of country brown.
Do thine, sweet Auburn, thine, the loveliest train,
Do thy fair tribes participate her pain?
E'en now, perhaps, by cold and hunger led,
At proud men's doors they ask a little bread!
Ah, no! -To distant climes, a dreary scene,
Where half the convex world intrudes between,
Through torrid tracts with fainting steps they go,
Where wild Altama murmurs to their woe.
Far different there from all that charmed before,
The various terrors of that horrid shore;
Those blazing suns that dart a downward ray
And fiercely shed intolerable day;
Those matted woods where birds forget to sing,
But silent bats in drowsy clusters cling;
Those poisonous fields with rank luxuriance crowned,
Where the dark scorpion gathers death around;
Where at each step the stranger fears to wake
The rattling terrors of the vengeful snake;
Where crouching tigers wait their hapless prey,
And savage men more murderous still than they;
While oft in whirls the mad tornado flies,
Mingling the ravaged landscape with the skies.
Far different these from every former scene,
The cooling brook, the grassy-vested green,
The breezy covert of the warbling grove,
That only sheltered thefts of harmless love.
Good Heaven! what sorrows gloomed that parting day
That called them from their native walks away;
When the poor exiles, every pleasure passed,
Hung round their bowers, and fondly looked their last,
And took a long farewell, and wished in vain
For seats like these beyond the western main;
And, shuddering still to face the distant deep,
Returned and wept, and still returned to weep.
The good old sire, the first prepared to go
To new-found worlds, and wept for others' woe;
But for himself, in conscious virtue brave,
He only wished for worlds beyond the grave.
His lovely daughter, lovelier in her tears,
The fond companion of his helpless years,
Silent went next, neglectful of her charms,
And left a lover's for a father's arms.
With louder plaints the mother spoke her woes,
And blessed the cot where every pleasure rose;
And kissed her thoughtless babes with many a tear,
And clasped them close, in sorrow doubly dear;
Whilst her fond husband strove to lend relief
In all the silent manliness of grief.
O luxury! thou cursed by Heaven's decree,
How ill exchanged are things like these for thee!
How do thy potions, with insidious joy,
Diffuse thy pleasures only to destroy!
Kingdoms by thee, to sickly greatness grown,
Boast of a florid vigour not their own;
At every draught more large and large they grow,
A bloated mass of rank unwieldly woe;
Till, sapped their strength, and every part unsound,
Down, down they sink, and spread the ruin round.
Even now the devastation is begun,
And half the business of destruction done;
Even now, methinks, as pondering here I stand,
I see the rural virtues leave the land:
Down where yon anchoring vessel spreads the sail
That idly waiting flaps with every gale,
Downward they move, a melancholy band,
Pass from the shore, and darken all the strand.
Contented toil, and hospitable care,
And kind connubial tenderness, are there;
And piety with wishes placed above,
And steady loyalty, and faithful love.
And thou, sweet Poetry, thou loveliest maid,
Still first to fly where sensual joys invade;
Unfit in these degenerate times of shame
To catch the heart, or strike for honest fame;
Dear charming nymph, neglected and decried,
My shame in crowds, my solitary pride;
Thou source of all my bliss, and all my woe,
That found'st me poor at first, and keep'st me so;
Thou guide by which the nobler arts excel,
Thou nurse of every virtue, fare thee well!
Farewell, and oh! where'er thy voice be tried,
On Torno's cliffs, or Pambamarca's side,
Whether where equinoctial fervours glow,
Or winter wraps the polar world in snow,
Still let thy voice, prevailing over time,
Redress the rigours of th' inclement clime;
Aid slighted truth; with thy persuasive strain
Teach erring man to spurn the rage of gain;
Teach him that states of native strength possessed,
Though very poor, may still be very blessed;
That trade's proud empire hastes to swift decay,
As ocean sweeps the laboured mole away;
While self-dependent power can time defy,
As rocks resist the billows and the sky.
-----------------
The poem appeared on www.bartleby.com
Jeune équilibriste...
Ancora mi sorprendo per ciò che riescono a fare sin da Cuccioli!
Il mio tempo in Montagna
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
I miei Video amatoriali su:
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Canon EOS 7D Mark ll
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