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Purple Sandpiper - Calidris Maritima
In Britain, these birds occur in winter in good numbers principally along the east and south coasts, where they favour rocky shorelines adjacent to the sea.
It is much rarer as a breeding bird, found only in a localised area of the Cairngorms National Park, where 1–3 pairs have bred since the 1970s. Records of breeding by this species in the UK are monitored and archived by the Rare Breeding Birds Panel.
They are late migrants and move to rocky ice-free Atlantic coasts in winter. most go no further south than North Carolina and northern Portugal. They are fairly gregarious, forming small flocks, often with ruddy turnstones. This species is tame and approachable.
Their breeding habitat is the northern tundra on Arctic islands in Canada and coastal areas in Greenland and northwestern Europe. They nest on the ground either elevated on rocks or in lower damp location. The males makes several scrapes; the female chooses one and lays 3 or 4 eggs. The male takes the major responsibility for incubation and tends the chicks. The young feed themselves.
An apparent case of hybridization between this species and the dunlin has been reported from England.
A couple of pairs nest in Scotland, but this species is mainly a winter visitor to almost any rocky coast in the UK. Most are found in Orkney, Shetland and along the east coast of Scotland and northern England - it is scarce south of Yorkshire, other than Devon and Cornwall. The breeding areas in Scotland are kept secret to protect the birds from egg thieves and disturbance.
It is listed on Schedule 1 of The Wildlife and Countryside Act.
de/from: Wikipedia.
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es.wikipedia.org/wiki/Museo_de_Artes_y_Costumbres_Populares_(Sevilla)
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Museo de Artes y Costumbres Populares - Sevilla
El Museo de Artes y Costumbres Populares de la ciudad de Sevilla (Andalucía, España) está localizado en la plaza de América del parque de María Luisa. Al otro lado de la plaza se encuentra el Museo Arqueológico. Fue el pabellón de Arte Antiguo de la Exposición Iberoamericana de 1929.
Fue planteado como pabellón de Industrias, Manufacturas y Artes Decorativas. Finalmente, se le llamó pabellón de Arte Antiguo e Industrias Artísticas. Se trata de un edificio proyectado en 1913 y construido en 1914 por el arquitecto Aníbal González, autor también de los otros edificios levantados en la misma plaza de América. Es de ladrillo visto con motivos decorativos de cerámica. Por su estilo arquitectónico, fue conocido como el pabellón Mudéjar.
En principio constaba de dos plantas sobre una cámara de aireación para evitar la humedad. Se realiza una mejora durante la década de 1960 en la planta principal, que tenía más de doce metros de altura, y se dividió con una planta artificial (corresponde a la planta primera) por el arquitecto Antonio Delgado y Roig. En 1972 se unen las plantas con una gran escalera de caracol que diseña el arquitecto José Galnares Sagastizábal, trabajo que realiza después de que la construcción fuese designada para albergar el museo por el Decreto de Creación del Museo de Artes y Costumbres Populares de Sevilla, con fecha de 23 de marzo de 1972, constituido como una sección del Museo de Bellas Artes.
Sus funciones como museo se desarrollan desde el 4 de marzo de 1973, fecha en que abre sus puertas al público.
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en.wikipedia.org/wiki/Museum_of_Arts_and_Popular_Customs_...
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Museum of Arts and Popular Customs of Seville
The Museum of Arts and Popular Customs of Seville (Spanish: Museo de Artes y Costumbres Populares) is a museum in Seville, Andalusia, Spain, located in the María Luisa Park, across the Plaza de América from the Provincial Archeological Museum.
The museum occupies the Mudéjar Pavilion (Pabellón Mudéjar) designed by Aníbal González and built in 1914. It served as an art pavilion, the Pabellón de Arte Antiguo, for the Ibero-American Exposition of 1929, when Aníbal González had the opportunity to design several additional permanent buildings for the plaza. The exterior is ceramic over brick, and has three doors with archivolts adorned with glazed tiles (azulejos).[citation needed]
The building originally consisted of two stories over an aeration chamber (necessary because of the humidity). In the 1960s, the main floor, originally over 12 metres (39 ft) high, was divided in two, with an intermediate level added by architect Delgado Roig. In 1972, as part of the preparations for the current museum, the various stories of the building were connected by a grand spiral staircase designed by José Galnares Sagastizábal.
The museum was established by a decree of 23 March 1972, initially as a section of the Museum of Fine Arts of Seville. It opened its doors to the public 4 March 1973.[2] For the next seven years, the museum fell under the responsibility of the Ministry of Education and Science, but the city government occupied more than half of the poorly maintained building. Neither institution took full responsibility. This situation led to a series of temporary closures. In 1976, the electric bill could not be paid, and the museum had to be shut until it could get power again. In 1979, heavy rains damaged the interior.
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Environment is no one’s property to destroy; it’s everyone’s responsibility to protect.
Mohith Agadi
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
"Responsibility is the price of greatness" -Winston Churchill
Took this one also at the Oklahoma City Bombing memorial. This tree is the only thing that withstood the blast zone. Strong and stubborn enough not to fall. I suppose that's how we should all live our lives.
Have a wonderful Friday my friends.
HSS 😊😊😍
If you really think the environment is less important than the economy try holding your breathe while you count your money.
Anon
The truth is: the natural world is changing. And we are totally dependent on that world. It provides our food, water and air. It is the most precious thing we have and we need to defend it. David Attenborough
We are in danger of destroying ourselves by our greed and stupidity. We cannot remain looking inwards at ourselves on a small and increasingly polluted and overcrowded planet.
Stephen Hawking
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️ ❤️ ❤️
Am Nachmittag des 15. Julis konnte bei Vierkirchen die von Alpha Trains an TX Logistik vermietete 193 552-2 "Responsibility Driven" mit einem ARS Altmann Autotransportzug auf dem Weg nach München fotografiert werden.
On the afternoon of July 15, 193 552-2 "Responsibility Driven" leased by Alpha Trains to TX Logistik was photographed near Vierkirchen while hauling an ARS Altmann car transport train on the way to Munich.
Taking responsibility does not mean accepting the consequences.
To bear responsibility means to be self-aware of one's own inner echo. Our own echo that is sent back into the world.
I need to ground myself and listen to my own echo ♥
Shooted at [ 3 minds ] - maps.secondlife.com/secondlife/La%20Rochelle/168/55/21
Tree from Konoha - Prunus lanie
Background Stone from Konoha - Black Forest Boulder
"Our humanity rests upon a series of learned behaviors, woven together into patterns that are infinitely fragile and never directly inherited."
Margaret Mead
Come touch me like I'm an ordinary man
Have a look in my eyes
Underneath my skin there is a violence
It's got a gun in its hands
Ready to make sense of
Anyone, anything
Black holes living in the side of your face
Razor wire spinning around your
blistering sky
Bullets are the beauty of the blistering sky
Bullets are the beauty and I don't know why
Personal responsibility
In this family Fynn is responsible for the well-being of the tomatoes which means that he spends a lot of time with them, watches over them and I suppose he talks to them too. He does that every year and is quite successful. Last year we had a fantastic tomato harvest.
I add another capture in the comments.
When you can do the things I can, but you don't, and then the bad things happen. They happen because of you...
Mit einem langen ARS Altmann-Zug aus Regensburg konnte 193 552-7 "Responsibility Driven" (saving CO2 in sustainable, cross-border connections) bei Feldmoching fotografiert werden.
Near Feldmoching I was able to take this picture of TX Logistik's 193 552-7 "Responsibility Driven" (saving CO2 in sustainable, cross-border connections) hauling a long ARS Altmann train from Regensburg to Verona Q. E.
193 553 "Responsibility driven" zieht DGS 43109 von Hannover nach Verona und kam zur Freude des Fotografen im Altmühltal vor die Linse.
193 553 "Responsibility driven" with DGS 43109 from Hannover to Verona in the Altmühl valley.
Eyebrows : Vladdy // « Nova » Eyebrows ft. Body Alchemy
Vladdy Shop : maps.secondlife.com/secondlife/Vladdy/118/162/4000
I'm not politically minded but the caption fitted the image of a person lying on the sign outside this office block, wanted to ask him why he chose this platform for a rest but thought against it!
The Party´s over!
Das alte Jahr ist Vergangenheit, 2020 ist da. Alles bleibt gut, der Rest wird besser. Neue Ziele werden gesteckt, die eigenen Skills geschärft. Wer weiß das schon!?! Jeder hat seinen eigenen Kopf. Sein eigenes Herz. In diesem Sinne: "Frohes Neues".
i am Daddy’s girl
i am His submissive
i am His lover
i am His little one
i am His plaything
i am His slut
i am His pain bitch
i am His responsibility
He is my Daddy
He is my Dominant
He is my lover
He is my protector
He is my mentor
He is my tormentor
He is my safe place
He is my universe
Chhath Puja is a four-day elaborate celebration in honour of the Sun, which involves a long fast without water, and making offerings to Usha and Pratyusha, the light of the rising and the setting Sun, while standing in a water body.
The males of the home generally carry the bamboo basket full of household necessities to the Ghat on their heads
Taken @ Witherwood Thicket
maps.secondlife.com/secondlife/Caracus%20Island/14/72/21
Do you know me?
Really know me?
You have opinions about my opinions
About my music
About my clothes
About my body
Some people hate what I wear
Some people praise it
Some people use it to shame others
Some people use it to shame me
If I wear what is comfortable, I am not a woman
If I shed the layers, I'm a slut
Though you've never seen my body, you still judge it
And judge me for it
Why?
We make assumptions about people based on their size
We decide who they are
We decide what they're worth
If I wear more, if I wear less
Who decides what that makes me?
Is my value based only on your perception?
Or is your opinion of me not my responsibility?
No responsibility no guilt or morals
Cloud her judgement
Smile on her face
She does what she damn well please
Taken at Mother Road
Up with the larks this morning as it was my responsibility to deliver some cards and parcels around Faversham. So any task can be made into a glorious walk, from my last drop off it was up to Judds Folly and onto our friends woodlands at Syndale Bottom, along Telegraph Hill to Ospringe Downs then over to Lorenden and home for breakfast, hot freshly brewed coffee, toast and homemade marmalade, yummy!
The rest of the day was taken up with three tasks. Firstly making the tarka dhal and puttanesca sauce for next week, secondly looking at the OS maps and working out the route between Woodchurch and Littlesone-on-Sea for Thursdays big walk and lastly sorting out restaurants and hotel rooms and Paddington 3 tickets for all of us up in town as it is Phoebe's Birthday treat! So it will be the Victoria Plaza, Ognisko's on Friday and Sicilian on Saturday and Paddington Three at the Curzon St Jame's Park, which is nice!
Quality is everyone's responsibility.
W. Edwards Deming
Replacing the trench drain apron at our garage door entrance.
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wear and take, especially in these times, distinguishes people with attitude.
The Memorial to the Murdered Jews of Europe, Berlin
Reichstag / Berlin / Germany
Album of Germany: www.flickr.com/photos/tabliniumcarlson/sets/7215762606822...
Dragon Age: Inquisition
• WBG for custom resolution
• HattiWatti's Cinematic Tools for free camera, FOV, DOF, Tonemap, fog, hide HUD and Resolution Scale 2
• ReShade (Realistic config by Erika Tschinkel)
• Images stitched together with Image Composite Editor
One afternoon I walked to the park with my children. While there, I noticed three young children and the oldest sister (who looked too young for this responsibility) appeared to be in charge of her two younger siblings. As I noticed these children I felt so sad for them and concerned for their safety. I used my camera to take some pictures of nature and the middle of the three siblings was watching me. She began talking to me and was very interested in the picture I had just taken, my camera, telling me about her interest in taking pictures, her instant film camera which she doesn’t have film for right now, that she would like to have a camera like I had. I told her I hoped someday she could have a camera of her own and she said maybe she could when she was older. She asked if she could see the photo I had just taken so I showed her the image of the leaf on my camera screen and she really liked it. She told me an idea she thought would make a good picture—across an open, grassy area, looking into the sunset. I took a quick, simple picture which certainly wasn’t fantastic. I showed her the picture and she said she really liked it (I deeply appreciated her kind words) and I told her that the photo was inspired by her. I felt concerned and sad for this girl, afraid of what could happen to her if she met a dangerous person here at the park. I was so thankful that today she was talking to someone who didn’t intend to harm her, who cared about her and her wellbeing and I was thankful for the connection we made through our interest in photography. I don’t even know what her name was and to me this was a meaningful connection. Due to harmful interpersonal experiences (especially as a child) it’s difficult for me to connect with others and I was thankful that on this day I made a connection with this girl. I would struggle to put into words how these moments were helpful and healing for my own journey and I hope that in some way our time together was perhaps beneficial for this girl as well. While I don’t consider these images anything spectacular, seeing them does remind me of the meaningful connection we shared that day.
[image created on 2-11-2024]
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As a way to cope with circumstances beyond my control, survive and work to keep fighting for life I decided to try to take at least one photo (or more) each day. I call this “a photo (or more) a day.” Practicing this form of therapeutic photography helps me work to focus on the present moment, gives me something familiar and enjoyable to focus on as I use photography skills that have become like second-nature to me and being able to view the images I capture helps me recall what I was thinking, feeling and noticing at the moment when I created the photos. More of the photos from this series can be seen on my Instagram account
I may not always have the energy, time or capacity to share photos from this series—especially with the very challenging circumstances my family and I are experiencing—and will do my best to continue taking a photo (or more) a day even if I’m not able to share.
If you would like to support my work and my family, one way you can do so is by ordering my zines:
Many thanks for your support.