View allAll Photos Tagged Rereading
Watercolor on paper based on this lovely work: www.flickr.com/photos/mnico/4675993961/
Hope you like this one too. I loved!
The book is one I read many years ago, Kristin Lavransdatter by Sigrid Undset. I'm considering rereading it soon with all the time spent indoor. At 1047 pages it's quite a commitment. It's a wonderful book, though.
a former military troop carrier, they rejected their subjugation and now wander known space, carrying a large and ever-changing crew of travelers. a notorious ai liberation actor, jubilance of hestia is considered extremely dangerous in many systems and welcomed enthusiastically in others.
have been rereading ancillary justice and i wanted to make a ship inspired by justice of toren/mercy of kalr. build wise, i feel like ive been done this same style of ship several times over the years but that this is my best attempt. i have not built much in the last few years, and mostly do so when i'm feeling very bad, so i tend to stay in my comfort zone. comments appreciated.
It has all been said before.
This picture is of a monument dedicated to William Cooper, who in his lifetime achieved much. Please see his Wiki page, try typing in William Cooper Australian, and in contrast here is a link to a national Australian education page adb.anu.edu.au/biography/cooper-william-5773 . Interesting reading when doing a critical comparison, and one of many stimuli for this dairy entry.
(Musings from my diary.)
Despite my office 365-word processor giving me 100% editorial rating after correcting this writing, l recorrected my diary entry, so that it scores lower. I recorrected my dairy entry after rereading it, so it was more accurate. l think office 365-word is incredible, and l will admit that it did help me, but l needed to write my observations as untainted as possible… If that is at all achievable. This is not an argumentative essay, and office 365 had me talking in absolutes, defining a majority when I was discussing the influence of a minority over the majority. A personal consideration of current day hypocrisy and war.
Well, it is my diary!
Why is it so important to be apolitical when reporting on politics?
Personally, l feel that if a person reads the above question and does not know, they might have missed critically observing the last ten or so years of social division, and extremism, from both the right and left. Extremism that has cost lives and revealed ugly truths. I think as an Australian looking from geographical isolation at the world, everything might be a lot easier while viewing it all at a distance, and with hindsight. It leaves me a bit ignorant, but l think that helps with my objectivity.
Why did it happen? The causation was like a hydra, with multiple self-replicating heads, and it was like watching a social media battle between school children who had never been hurt in the real world. Not the type of hurt that you get when you metaphorically fall, skin your knee, and get back up, but the type you get when you enter a fight, get brutalised, and lose. Bones and tissue crushed by an opponent driven by a hatred so strong that they would injure you, another human being. Was it caused by people who had never learned that to enter a fight is to risk everything? That to fight is a last resort? This lack of political and social experience cost some their friends, loved ones, and others, members of their families. But it raised in me a question. Despite the efforts of the well-meaning, what did they achieve?
America the crucible for everything, descended into something that some would call near anarchy. Some on the left assumed both fascist and anarchist tendencies that go back to the 1930s, all the while not reading the social and political history of pre-World War Two Germany. That would have been militaristic and did not serve the narrative. A narrative produced to generate a political outcome. Could they have committed the errors of the past if they had read it? Given to wide a birth, media extremists influenced millions with emotive prompting. On the other hand, some on the right looking for relief from the relentless onslaught, sold out. Losing patience, self-fortitude, and political integrity. They reduced the work of their group’s past into a parody. Debasing the history of men and woman who had really made a positive impact. Like two spoilt children in the new education system, no one could suggest or admit that they had done wrong, while the media produced single sided political narratives, but in general did not report.
Political moderates and swinging voters pondered when it would end, while living in perpetual despair. Watching a school yard fight that had descended into a riot, one that involved the media as a cheer squad for two opposing sides. The radicalized media would not allow moderates to be objective, you had to be either a right-wing neo fascist or a left-wing neo fascist, with the spectre of your personal anarchy to drive your decision. You had to take a side. The mainstream media had descended into a form of politically opportunistic rhetoric, as if it had learnt the lessons of the sixties, but this time, it was not a foreign war, it was a form of civil war at home. One thankfully that lacked major armed war fare. Thankfully, the military were not involved. All credit due, but it left western law prostrate. The law could not be consensually blind. It was not a peaceful protest, people did not thread flowers down barrels of guns pointed at them in acts of peace, and monks did not self-immolate, producing images that moved millions to peace. Some asking for peace and equality, did the opposite, mostly peaceful protestors tried to immolate others. They tried repeatedly to incinerate living humans. It was shocking. The sixties saw the west implement peaceful protest, and we all saw how effective it was at causing change, but in the last decade those that referenced the sixties insighted indirectly by narrative omission the used Molotov cocktails and violence. Peaceful protest is notoriously difficult to combat, as the law was and is hamstrung with misdemeanours, aided by the images of people not harming others. But this new form of western protest differed. Who needs a little naked burnt Vietnamese girl running down the road to achieve peace, when you can try to incinerate a people, to force for peace? Simultaneously, the right with extraordinarily little representation outside of the lumbering behemoth of Fox, surrendered to social media, a place where the Kardashians once ruled. Quite a historical event. History was made, if you realise that one of the reasons for the development of the internet, was as a military defence system. One designed and built to defend communications, if all else failed. It was a war in which both sides lost, but extremism gained power. Media integrity on both sides was and is running ragged, with no one prepared to fly their flags at half-mast, to mourn the distress of western communications. Distress caused by the media’s dissemination of radicalized neo right-wing and neo left-wing politically biased narratives. Narratives enforced by wilful omissions of blatant historical truths and current day conduct.
The result was that America regardless of political persuasion had failed to successfully defend the constitution, not the second amendment, but the principle of the constitution. It was America’s greatest failing over the last ten years, but they were not alone in this failure. With the use of the internet and the world media, the world failed to defend the principle of a document that 620,000 lost their lives for, and it destabilized the world. A document that was purported by some in the world media as an antiquated inadequate document, neglecting the principle that all men are equal before the law, but not created equal. This consideration made me reflect heavily on me experience of university. The adage was, “…That the best you can do, is stand on the shoulders of giants….” And I wondered how a person could neglect the work and sacrifice of those that had built humanity. Institutions promoted as being pacifist and educated, institutions built to serve everyone, now indirectly instigated violence. In this new form of civil war, where was Hans Blix to say no weapons of mass destruction are to be found? Was this modern achievement, achieved by children, now adults, whose parents had lied to them? Where these the children that had been told they could do anything, or become anyone? It raised in me the rhetorical questions, did the neo right, and neo left media, use a military grade apparatus to wage a war? And had everyone forgot that the pen is mightier than the sword, and thus just as dangerous?
History education starts at school, and I personally had experienced the new education system as a stepfather here in Australia. When it comes to educating children, the new system that fails no one, has become a system that has already failed. How can you learn history, and think critically, if you cannot read? I considered the potential political motives for the instigation of an education system that does not indiscriminately educate, but selectively indoctrinates. I thought that it was an effective tool for maintaining power. It is something l heard about the church. Someone had told me that the church had only allowed priests to read the bible in Latin. It is said that this practice allowed those in positions of power to quote verse, and interpret codes of conduct, for those under them. It kept those who could not read Latin ignorant. This is an activity, that has now been banned by the church. It appears that the new education system has now adopted a similar practice. As a result, the education system, now has a new ignorant flock to shepherd. What happens when the history channel algorithms or sponsored feeds, have turned into a political shill? Yes, even history, is not apolitical. I think someone, somewhere, had read the adage, that “…those that win the war, write the history…” Ironically, someone was ignorant enough, not to know that it was not a term of endearment, nor did this fact entitle the writer a position of everlasting power. Ironically, people postured one position, and then did the reverse. Some in the media left and right, assumed what some would call, a militaristic imperialistic mode, using their viewers, fans, and their audience as cannon fodder. Driving them with politically vested rhetoric and association, to achieve a political end. Both sides looked for someone to blame other than themselves, or looked for someone other than themselves to pay.
Fascists once did this, now neo liberals and neo conservatives in the media looked for a group to classify as mentally deficient or ill. The mob had to become the populous, classifying the opposition as inferior. Someone to other, someone internally to blame for all the world’s problems. The language from both sides was remarkably familiar. It had all happened before. But on the media chanted like zealots, willingly oblivious to history like a petulant child, and it resulted in deaths. Instead of reporting, the media sold themselves to become a self-pontified populist political cheer squad of indoctrination. In this communications war, some in the media’s right, and some in the media’s left, had surrendered to a form of self-serving political prostitution. It produced 1930s like self-cannibalism. The radicalized political media’s appetite to feed their opposing mob’s zest, could not be quenched. They ate their own, seeing who could jeer the loudest, while destroying the integrity of all the institutions that surrounded them. Neo right, and neo left, used 1930s fascist language and influence, while relying on others to apply anarchy as the vector for change, thus negating any personal responsibility for death and violence.
I think back, and to be honest, what the west in the majority lacked, was apolitical reporting. The result over the last ten years, was that we had all lost. In a political war of words where the media became the protagonists, the west did not just sacrifice its integrity and dignity, the west surrendered lives.
I REALLY HOPE YOU ENJOYED THIS
VENICE FILM FESTIVAL WITH ME
YOUR CORRIESPONDENT WISHES YOU A VERY GOOD NIGHT
AND ....
SEE YOU FROM LIDO OF VENICE NEXT YEAR...
I WILL BE HERE FOR YOU.... NEXT YEAR.....
BYE, BYE..... Good night and happy tomorrow.....
✩ ✫ ✬ ✭ ✮ ✰ ☆ ★ ☆☆☆☆☆☆☆☆☆☆☆☆ ★ ☆ ✰ ✮ ✬ ✫ ✩
✮ ✰ ☆ ★... THE MAGIC RED CARPET FOR THE STARS ...★ ☆ ✰
✩ ✫ ✬ ✭ ✮ ✰ ☆ ★ ☆☆☆☆☆☆☆☆☆☆☆☆ ★ ☆ ✰ ✮ ✬ ✫ ✩
✩ ✫ ✬ ✭ ✮ ✰ ☆ ★ ☆☆☆☆☆☆☆☆☆☆☆☆ ★ ☆ ✰ ✮ ✬ ✫ ✩
✮ ✰ ☆ ★..★ ☆ ✰....AND THE WINNERS ARE...★ ☆ ✰...★ ☆ ✰
✩ ✫ ✬ ✭ ✮ ✰ ☆ ★ ☆☆☆☆☆☆☆☆☆☆☆☆ ★ ☆ ✰ ✮ ✬ ✫ ✩
☆☆★GOLDEN LION for Best Film to:
ROMA
by Alfonso Cuarón (Mexico)
☆☆★SILVER LION - GRAND JURY PRIZE to:
THE FAVOURITE
by Yorgos Lanthimos (UK, Ireland, USA)
☆☆★SILVER LION - AWARD FOR BEST DIRECTOR to:
Jacques Audiard
for the film THE SISTERS BROTHERS (France, Belgium, Romania, Spain)
☆☆★COPPA VOLPI for Best Actress:
Olivia Colman
in the film THE FAVOURITE by Yorgos Lanthimos (UK, Ireland, USA)
☆☆★COPPA VOLPI for Best Actor:
Willem Dafoe
in the film AT ETERNITY’S GATE by Julian Schnabel (USA, France)
☆☆★AWARD FOR BEST SCREENPLAY to:
Joel Coen and Ethan Coen
for the film THE BALLAD OF BUSTER SCRUGGS by Joel Coen and Ethan Coen (USA)
☆☆★SPECIAL JURY PRIZE to:
THE NIGHTINGALE
by Jennifer Kent (Australia)
☆☆★MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to:
Baykali Ganambarr
in the film THE NIGHTINGALE by Jennifer Kent (Australia)
☆☆★LION OF THE FUTURE
“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to:
YOM ADAATOU ZOULI (THE DAY I LOST MY SHADOW)
by Soudade Kaadan (Syrian Arab Republic, Lebanon, France, Qatar)
as well as a prize of 100,000 USD, donated by Filmauro di Aurelio e Luigi De Laurentiis to be divided equally between director and producer.
☆☆★ORIZZONTI
The Orizzonti Jury of the 75th Venice International Film Festival, chaired by Athina Tsangari and composed of Michael Almereyda, Frédéric Bonnaud, Fatemeh (Simin) Motamed-Arya, Mohamed Hefzy, Alison Maclean, and Andrea Pallaoro, after screening the 19 feature films and 12 short films in competition has decided to award:
the ORIZZONTI AWARD FOR BEST FILM to:
KRABEN RAHU (MANTA RAY)
by Phuttiphong Aroonpheng (Thailand, France, China)
the ORIZZONTI AWARD FOR BEST DIRECTOR to:
Emir Baigazin
for the film OZEN (THE RIVER) (Kazakhstan, Poland, Norway)
the SPECIAL ORIZZONTI JURY PRIZE to:
ANONS (THE ANNOUNCEMENT)
by Mahmut Fazıl Coşkun (Turkey, Bulgaria)
the ORIZZONTI AWARD FOR BEST ACTRESS to:
Natalya Kudryashova
in TCHELOVEK KOTORIJ UDIVIL VSEH (THE MAN WHO SURPRISED EVERYONE)
by Natasha Merkulova e Aleksey Chupov (Russia, Estonia, France)
the ORIZZONTI AWARD FOR BEST ACTOR to:
Kais Nashif
in TEL AVIV ON FIRE by Sameh Zoabi (Luxembourg, France, Israel, Belgium)
the ORIZZONTI AWARD FOR BEST SCREENPLAY to:
Pema Tseden
for JINPA by Pema Tseden (China)
the ORIZZONTI AWARD FOR BEST SHORT FILM to:
KADO
by Aditya Ahmad (Indonesia)
the VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2018 to:
GLI ANNI
by Sara Fgaier (Italy, France)
☆☆★CLASSICS
The Venice Classics Jury, chaired by Salvatore Mereu and composed of 25 cinema history students – nominated by their professors – from Italian universities, DAMS performing arts courses, and Ca’ Foscari University of Venice, has decided to award:
the VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to:
THE GREAT BUSTER: A CELEBRATION
by Peter Bogdanovich (USA)
the VENICE CLASSICS AWARD FOR BEST RESTORED FILM to:
LA NOTTE DI SAN LORENZO
by Paolo and Vittorio Taviani (Italy, 1982)
☆☆★ VIRTUAL REALITY
The Venice VR Jury of the 75th Venice International Film Festival, chaired by Susanne Bier and composed of Alessandro Baricco and Clémence Poésy has decided to award:
the BEST VR AWARD (IMMERSIVE STORY) to:
SPHERES
di Eliza McNitt (USA, France)
the BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to:
BUDDY VR
by Chuck Chae (South Korea)
the BEST VR STORY AWARD (FOR LINEAR CONTENT) to:
L’ÎLE DES MORTS
by Benjamin Nuel (France)
✩ ✫ ✬ ✭ ✮ ✰ ☆ ★ ☆☆☆☆☆☆☆☆☆☆☆☆ ★ ☆ ✰ ✮ ✬ ✫ ✩
*****************************************************
Since 2009, the Venice Biennale has assumed the task of intervening directly in the organization and management of the Venice Film Festival’s venues at the Lido, and has been able to do so thanks to the receptiveness and continuous support of the Municipality of Venice.
In those venues at the Lido licensed by the City administration, the Biennale chose torenovate the system of the Sale (Halls), the surrounding spaces and the Festival’s itineraries, according to a new and clearer perspective, enhancing the quality and style of the ensemble of venues (Palazzo del Cinema, Palazzo del Casinò, Sala Darsena, and Lion’s Bar).
In addition, great efforts have been made to improve the services offered to the Festival’s public, with the help of various authorities and local organizations.
This overall upgrade project includes other improvements that are currently in the planning stage, and once finished will completely transform the Film Festival, bringing both the Festival and the Lido to a new level of excellence.
Thanks to an agreement with the Hotel Excelsior, the Biennale was able to lease the historical Art-Deco building of the Lion's Bar (one of the Lido’s landmarks) together with the spaces under the porticos, which will result in a unified and improved management of this central location of the Festival.
As part of this overall project, the Biennale has aimed to provide special benefits to the guests and the public, making the Festival more welcoming and competitive. Agreements were signed with the Excelsior at the Lido and Starwood (Hotel Danieli and Hotel Europa in Venice), which will reserve a number of rooms and services at a fixed price and make them available to the delegations, producers and distributors of the Festival’s films, offering accommodation of the highest quality.
As regards to technology, and again thanks to the collaboration of the City of Venice, this Festival will offer free Wi-Fi coverage at the Lido to visitors, journalists and cinema professionals; hotspots will be located in all the Festival’s venues and at the Lido sites most traversed by the public.
The Biennale was directly involved in the complete renovation of the Sala Grande of the Palazzo del Cinema, which now becomes a hall of great historical significance. It is the first time that the Sala Grande is renovated in the spirit of its initial design, through a contemporary rereading of the formal elements present in the project of 1937, and this also remind us that the Venice Film Festival is the oldest film festival in the world.
The renovation includes a return to the original architecture, the overhaul of acoustics and the lighting system, and the complete refurbishing of the interiors (armchairs, floors, curtains) according to the Modernist style. To complete the Sala Grande’s renovation, alterations were carried out in the Hall on the ground floor and in the Galleria of the Palazzo del Cinema, aiming to adapt the Palazzo itself to the aesthetic and technological standards required by the Film Festival.
At the Lido the Biennale thus sets out to celebrate its history, which will be featured also in the renovated Palazzo del Cinema through an exhibit on notable artists and works shown at the Festival throughout the years.
The upgrade project also includes a repair of the roof of the Palazzo del Casinò, in order to prevent the recurrence of the water leakage that happened last year during the Film Festival.
FOR MORE INFORMATIONS PLEASE, FOLLOW THESE LINKS:
it.wikipedia.org/wiki/Lion's_Bar
www.labiennale.org/en/cinema/archive/68th-festival/68miac...
www.myblacksunglasses.com/2013/08/venice-film-festival-lo...
www.italia.it/en/travel-ideas/art-and-history/venices-his...
FOR THE PLACE:
wikimapia.org/#lang=it&lat=45.406239&lon=12.36854...
*************************************************************************************
“It is an illusion that photos are made with the camera…
they are made with the eye, heart and head.”
[Henry Cartier Bresson]
*************************************************************************************
Please don't use any of my images on websites, blogs or other media without my explicit written permission.
© All rights reserved
it was cold and lovely today.
I long for those days when I don't have to turn away rain, and just sit with it and immerse myself in the soft silence.
This is a very south Tampa sign here. But it also brings back memories. I didn't go to Plant, but I did go to Hillsborough, where I also passed my AP exams. I didn't have to take English in college, though I might have enjoyed that very much. Instead, I just became a serial reader, even going back and rereading some of what we covered in AP, but this time, just for fun.
My most recent addition to my R.A. Lafferty library. Though I already own many of these in digital form, it is nice to find them all in one book. A few that stand out, and which recommend themselves for rereading, are The Ugly Sea, The Wagons and Sodom and Gomorrah, Texas.
“If one cannot enjoy reading a book over and over again, there is no use in reading it at all.” - Oscar Wilde (Irish Poet, Novelist, Dramatist and Critic, 1854-1900)
My little girls received this wonderful gift from my best friend, Kitten, in Denmark. Hans Christian Andersen! Kits, thank you so much! Gia, especially, looks forward to our story time and I find myself rereading it at night. Sure brings back so many memories.
Seen in Explore! March 2, 2009
I've recently been plowing through some favorites (currently rereading "The Name of the Wind"). I have so many books to read for the first time (over 50 of them, just waiting on the shelves) but sometimes you just need a gripping, trusted story. Next up? Likely the Graceling series and, for the fourth or fifth time, the Attolia series. Maybe even the Abhorsen series again.
Image made with my Nikon F100.
...IMAGINE TO BE HERE....
My Best Greetings from the "72nd Venice Film Festival"
FOR YOU ALL ....
*****************************************************
Since 2009, the Venice Biennale has assumed the task of intervening directly in the organization and management of the Venice Film Festival’s venues at the Lido, and has been able to do so thanks to the receptiveness and continuous support of the Municipality of Venice.
In those venues at the Lido licensed by the City administration, the Biennale chose torenovate the system of the Sale (Halls), the surrounding spaces and the Festival’s itineraries, according to a new and clearer perspective, enhancing the quality and style of the ensemble of venues (Palazzo del Cinema, Palazzo del Casinò, Sala Darsena, and Lion’s Bar).
In addition, great efforts have been made to improve the services offered to the Festival’s public, with the help of various authorities and local organizations.
This overall upgrade project includes other improvements that are currently in the planning stage, and once finished will completely transform the Film Festival, bringing both the Festival and the Lido to a new level of excellence.
Thanks to an agreement with the Hotel Excelsior, the Biennale was able to lease the historical Art-Deco building of the Lion's Bar (one of the Lido’s landmarks) together with the spaces under the porticos, which will result in a unified and improved management of this central location of the Festival.
As part of this overall project, the Biennale has aimed to provide special benefits to the guests and the public, making the Festival more welcoming and competitive. Agreements were signed with the Excelsior at the Lido and Starwood (Hotel Danieli and Hotel Europa in Venice), which will reserve a number of rooms and services at a fixed price and make them available to the delegations, producers and distributors of the Festival’s films, offering accommodation of the highest quality.
As regards to technology, and again thanks to the collaboration of the City of Venice, this Festival will offer free Wi-Fi coverage at the Lido to visitors, journalists and cinema professionals; hotspots will be located in all the Festival’s venues and at the Lido sites most traversed by the public.
The Biennale was directly involved in the complete renovation of the Sala Grande of the Palazzo del Cinema, which now becomes a hall of great historical significance. It is the first time that the Sala Grande is renovated in the spirit of its initial design, through a contemporary rereading of the formal elements present in the project of 1937, and this also remind us that the Venice Film Festival is the oldest film festival in the world.
The renovation includes a return to the original architecture, the overhaul of acoustics and the lighting system, and the complete refurbishing of the interiors (armchairs, floors, curtains) according to the Modernist style. To complete the Sala Grande’s renovation, alterations were carried out in the Hall on the ground floor and in the Galleria of the Palazzo del Cinema, aiming to adapt the Palazzo itself to the aesthetic and technological standards required by the Film Festival.
At the Lido the Biennale thus sets out to celebrate its history, which will be featured also in the renovated Palazzo del Cinema through an exhibit on notable artists and works shown at the Festival throughout the years.
The upgrade project also includes a repair of the roof of the Palazzo del Casinò, in order to prevent the recurrence of the water leakage that happened last year during the Film Festival.
FOR MORE INFORMATIONS PLEASE, FOLLOW THESE LINKS:
it.wikipedia.org/wiki/Lion's_Bar
www.labiennale.org/en/cinema/archive/68th-festival/68miac...
www.myblacksunglasses.com/2013/08/venice-film-festival-lo...
www.italia.it/en/travel-ideas/art-and-history/venices-his...
FOR THE PLACE:
wikimapia.org/#lang=it&lat=45.406239&lon=12.36854...
*************************************************************************************
“It is an illusion that photos are made with the camera…
they are made with the eye, heart and head.”
[Henry Cartier Bresson]
*************************************************************************************
Please don't use any of my images on websites, blogs or other media without my explicit written permission.
© All rights reserved
I cannot resist an almond croissant.
I was going to make my own almond cream
called frangipane but decided against it
because then I might be tempted
to spread it on my morning toast or just
eat it with a spoon ... hmm, just rereading
the recipe has rekindled my interest :))
I was with my friend Karen at a local eatery
last October - she is a fabulous knitter
and she gave me this little cutie.
I named him Walter Knitty.
www.thekitchn.com/how-to-make-frangipane-the-easiest-fren...
As I've told people close to me: a sure sign that I'm going through something rough is when I decide it's time to re-read "Pride & Prejudice." For some reason I find the familiarity of that book very comforting whenever there's something chaotic going on in my world.
Well, lately I've been rereading Jane Austen's complete works. The last time I did that was when my grandfather passed away; so that says something.
I'm on the west coast this week for a work conference. Normally the travel and change of pace is something that I would get excited about. There's a really healthy reset that can happen in those experiences, but I've found myself resisting; even when I say to myself "this will be good for me" I want to retreat further into my safe haven of reassuring routine and familiar spaces.
So I shot and edited this photo last night to address and help sort out some of the anxiety I've been dealing with before the trip.
just recently i started rereading some of the old books that i first came across 4 years ago, when staying in different ashrams around india. I read many books one of my favarites was the works of Sri Aurobindo
He will realize that he lives in a surreptitious racket, an exhausting and ceaseless whirlwind exclusively filled with his thoughts, his feelings, his impulses, his reactions–him, always him, an oversized gnome intruding into everything, obscuring everything, hearing and seeing only himself, knowing only himself (if even that!), whose unchanging themes manage to give the illusion of novelty only through their alternation. In a certain sense we are nothing but a complex mass of mental, nervous and physical habits held together by a few ruling ideas, desires and associations–an amalgam of many small self-repeating forces with a few major vibrations. By the age of eighteen we are set, one might say, with our major vibrations established. Then the deposits of the same perpetual thing with a thousand different faces we call culture or “our” self will ceaselessly settle around this primary structure in ever thicker layers, increasingly refined and polished. We are in fact shut in a construction, which may be like lead, without even a small opening, or as graceful as a minaret; but whether in a granite skin or a glass statue, we are nonetheless confined, forever buzzing and repetitive.
auromere.wordpress.com/2009/04/08/all-thoughts-come-from-...