Painters and draughtsmen
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The picture represents the feelings and point of view of the intelligence behind the camera. This disease of our age is boredom and a good photographer must combat it. The way to do this is by invention – by surprise. When I say a good picture has surprise value I mean that it stimulates my thinking and intrigues me. The best way to achieve surprise quality is by avoiding clichés. Imitation is the greatest danger of the young photographer.
Alexey Brodovitch
Photography, February 1964
HMM! Ukraine Matters!
prunus, Blireana plum, j c raulston arboretum, ncsu, raleigh, north carolina
Yellow dragonfly.It represents your will and how you assert yourself in the world. The energy of the yellow dragonfly is one of youthful exuberance. He reminds you that you have the energy within in you, no matter how ancient or tired you may feel at times, to accomplish what you must on your soul's journey.
Common darter dragonfly Sympetrum striolatum resting on a twig!
Created for the Kreative People Contest "Signs of the Zodiac"
This is a highly manipulated photo of a statue of a water carrier representing Aquarius.
A full view of the statue can be seen in a previous photo www.flickr.com/photos/lemonart/15211106491/
Thank you for your visit, comment or fave. All are much appreciated. Thank you also to all who invite my photos to their groups.
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way.
Photos and textures used are my own.
(Flickr Friday: #329 MoreThanWords)
This photo aims to represent the fact that there are emotions that can’t be adequately expressed with language. The heart was made following origami instructions.
Esta foto intenta representar que hay emociones que no se pueden expresar con palabras. El corazón de papel fue hecho siguiendo los pasos de un tutorial de papiroflexia.
This image represents an unexpected sight. Exploring areas near Kanab, Utah, we were on our way to Old Paria, which was billed as a ghost town with a wooden structure which would make for a wonderful foreground against the striated hills behind. We read that the structure was actually built as a movie prop and was used in westerns, including The Outlaw Josey Wales. Supposedly, it was damaged and moved to higher ground nearby to protect it from floods. We found, or rather didn't find the structure, which we're pretty sure no longer exists. At least we couldn't find it, and it wasn't for lack of trying. We were rewarded, however, with this view along the way. Luckily, the area had been dusted with snow that morning, adding a delightful frosting to the hills and gullies and the remnants of the snowstorm in the sky.
Rotterdam
Cube houses are a set of innovative houses built in Rotterdam and Helmond in the Netherlands, designed by architect Piet Blom and based on the concept of "living as an urban roof": high density housing with sufficient space on the ground level. Blom tilted the cube of a conventional house 45 degrees, and rested it upon a hexagon-shaped pylon. His design represents a village within a city, where each house represents a tree, and all the houses together, a forest.
(Wikipedia)
Das Kubushaus (auch Kubuswohnung, Baumhaus) ist ein Entwurfsmuster für Wohngebäude, das von dem Architekten Piet Blom auf der Basis von würfelförmigen, auf einer Ecke stehenden Baukörpern entwickelt wurde. In Helmond und Rotterdam wurden zwei Gebäudekomplexe errichtet, die modular aus diesen Baukörpern zusammengesetzt wurden.
Der Kubus mit der Kantenlänge von 7,5 Metern ist gekippt und steht auf einer Ecke, so dass drei Seiten nach unten und drei nach oben zeigen. Blom sprach von „Straßenhaus“ und „Himmelshaus“.
(Wikipedia)
Painted ceramic benches representing all the provinces in Spain are arranged round the square.
It was built because of the Ibero-american Exhibition of 1929, held in Seville. Its creator was Aníbal González. He mixed a style inspired by the Renaissance with typical elements from the city: exposed brick, ceramics and wrought iron (worked by Domingo Prida). Its floor plan is semicircular. It is dominated by 2 towers, one on each side of the enclosed area, which frame the central building where the main rooms are. Between the two towers runs a network of galleries with an arcade of semicircular arches leading to exits in different parts of the square, where a fountain stands.
For Macro Mondays #love theme
Represents that intense, all-encompassing love we feel for our children. (Most of the time!)
The image shows my youngest son's wrist identification band from when he was born in hospital. It's been hanging around the kitchen for ** years for some reason; I've never worked out why I haven't put it away safely. His birthday was two days ago, and meant that the year he was born we both ended up coming out of hospital on Valentine's day; the best valentine's present ever...! :-)
Image is less than 2.5" across, the wooden heart is around 1/3rd of inch.
The Thurisaz rune (ᚦ) represents the ability to confront obstacles, the strength to endure adversity, and the protection of mighty forces. Like the thorn it symbolizes, this rune reminds you that true strength lies not just in attack, but in defense and resilience. It suggests that you have the inner fortitude to face any challenge that stands in your way, urging you to stand firm and embrace your power.
Thurisaz is a rune of both conflict and transformation, showing that through struggle, growth is achieved. It calls on you to harness your inner strength wisely, channeling your energy to break through barriers and drive positive change. More than just a force of destruction, Thurisaz is a guardian—its presence in your path signifies that you are not alone, as unseen forces shield and guide you. Whether in battle, personal trials, or major life transitions, this rune is a reminder that your resilience is your greatest weapon, and through perseverance, victory is within reach.
"Thurisaz is the force that breaks and the strength that endures—embrace the storm, for it forges the warrior within."
Svrzo House represents the culture of living of city Muslim family from the end of XVII century.
After the siege of Sarajevo, the house was rebuilt and reopened again in 1997; during 2005 another bigger reconstruction has been done: roof, pavement, installations and restoration of pictures.
Source est installée à l’entrée principale du centre-ville, sur une terrasse aménagée à l’intersection du boulevard Robert-Bourassa et de la rue Wellington. La sculpture en acier inoxydable consiste en un entrelacement aléatoire de lettres tirées des alphabets latin, grec, chinois, arabe, cyrillique, hindi, hébreu et japonais, qui donne corps à un personnage monumental en position assise. L’œuvre est une allégorie de l’humanité : comme les cellules assemblées forment le corps humain, les lettres composent des mots, et les gens forment une communauté. Source représente ainsi la richesse des cultures que Montréal a accueillies au cours de ses presque quatre siècles d’existence. Symbole du passé, du présent et de l’avenir de la cité, la sculpture Source, vue à la lumière du jour ou sous son éclairage nocturne, invite les habitants à marcher, à rêver et à se rencontrer.
En créant Source pour le 375e anniversaire de la fondation de Montréal, l’artiste a voulu tenir compte de l’importance de l’eau dans l’histoire de la ville – tant pour le commerce que pour l’immigration et les communications –, mais aussi de l’importance de la place des peuples autochtones. Source, un mot identique en français et en anglais, fait référence à la naissance d’un cours d’eau, mais peut aussi représenter les racines de l’énergie et de la vitalité d’une ville : ses habitants et leurs origines, la fluidité et la créativité des idées, les cycles de mouvement et de renouvellement.
Source : artpublic.ville.montreal.qc.ca/oeuvre/source-10747/
Theme Song ::: Jeremih - Planez ft. J. Cole
Tattoo ::: { Speakeasy } King Tattoo
Hat ::: REPRESENT - THE 6LACK CAP "Noir" - NEW @ Man Cave
Chain ::: Ecstasy & Oxycodone - "BLESSED"Bible Pendant + Cuban(Gold)
Shorts ::: REPRESENT - Drawstring Pods Short "Noir"
According to Google, Red Dahlias represent strength and perseverance. The white petals indicate innocence, purity, and new birth. I just think they're pretty.
"My transformation represents more than what is just skin deep; it represents my motivation, drive, and willingness to constantly improve." ~Jinder Mahal
I'm a firm believer that we should never stop learning & always strive to improve ourselves. Life is so precious & should be celebrated every time we awake each morning! I thank God for my many blessings, family & friends. Thank you all for reaching out this morning with the lovely birthday wishes and gifts. Missy Fenwitch, I would like to acknowledge for the beautiful 'Happy Birthday' backdrop with poses!! This was so cute!! 💞
Represented in a warrior's pose and costume this shaman battles opposing forces with his magic arrows. The hero stands on a snuff tablet used to inhale hallucinogec substances that facilitated his passage over the threshold of consciousness.
Representing the three lions in the menagerie of Henry lll at The Tower of London in the 13th century and included on his crest. Still visible to this day on the England football shirt.
There was a zoo here until the 19th century when animal welfare concerns saw the remaining animals transferred to more suitable accommodation in the new London Zoo at Regents Park.
Las Alondras y todos los representantes de su familia los alaudidos, son cada día mas escasos,
Habitantes de espacios abiertos, sufren como otras tantas especies de aves, la explotación intensiva de muchos pastizales.
Campos de cultivo de cereales de crecimiento rápido que se siegan antes de que las aves puedan haber terminado su ciclo reproductor y rociados de herbicidas y pesticidas que envenenan a sus presas, la verdad es que no lo tienen fácil para sobrevivir.
Sin embargo, bastan que en esos cultivos intensivos, se dejen pequeñas parcelas de terrenos sin sembrar, donde crezcan las mal llamadas malas hierbas y no se echen tantos pesticidas y herbicidas a los cultivos, que al final también nosotros los terminamos ingiriendo y acumulando en nuestros tejidos, para que las alondras y demás aves habitantes de estos espacios, pudiesen criar y alimentarse.
¿Estaremos dispuestos a ello?.
En algunos lugares se hace con resultados muy buenos en lo referente a los aguiluchos cenizos y pálidos,
Ojala esa sensibilidad cada vez este mas presente, pero tengo muchas dudas de ello.
En la foto una Alondra común (Alauda arvensis) .
Saludos.
New series of pictures taken in my city. They represents mural paintings conducted this year in my city by various and talented artists. You can find them on the event LongArtStreet on instagram and facebook!
LA ST HUBERT A MERCKEGHEM :
Les origines de la cornemuse sont lointaines et difficiles à déterminer étant donné le peu de preuves archéologiques dont on dispose aujourd'hui. Elle est mentionnée dès l'époque gréco-romaine : les Grecs l'appelaient ἄσκαυλος / áskaulos et chez les Romains elle se nommait tibia utricularis. On suppose que la cornemuse prendrait ses origines en Égypte antique car de nombreuses représentations de chalumeaux doubles, tant chez les Grecs (aulos bicalame, de calamus « roseau en latin ») que chez les Égyptiens montrent l'importance de cet instrument. Des débris de ce dernier ont été retrouvés dans des pyramides égyptiennes datant d'environ 300 ans av. J.-C., Aristophane (≈450-386 av. J.-C.) poète comique d'Athènes s'en moquait déjà. En théorie, il serait arrivé en Europe grâce aux Grecs, puis aux Romains et au commerce avec les peuples de tout le pourtour du bassin méditerranéen. En effet, d'après Procope (fin ve s. – vers 562), cet instrument aurait été l'instrument de marche des légions romaines. Mais aucun élément matériel, ni aucune autre référence littéraire ne permet de conforter cette théorie au vu du peu de témoignages dont nous disposons.
Rechercher une origine commune entre les différentes cornemuses est aussi hypothétique qu'illusoire ; il est d'ailleurs possible que plusieurs versions de cet instrument ait été créées simultanément dans diverses régions vers la même époque ou à des époques différentes, jusque dans des régions fort éloignées les unes des autres. Il faut établir des regroupements (par exemple le continuum Europe antique-Inde) et essayer d'établir une chronologie d'après les mentions anciennes dans les documents et les découvertes archéologiques.
Instrument pastoral à l'origine, elle a développé au cours des siècles un répertoire à part entière qui culmine avec la musique de cour et la musique militaire.
L'adjonction d'un réservoir (poche) à un hautbois à anche double ou à anche simple, constitue l'une des particularités de l'instrument qui permet alors un jeu continu (similaire au souffle continu) et puissant, une autre étant l'adjonction de tuyaux complémentaires à anche simple ou double (semi-mélodique ou bourdon) amplifiant encore la puissance sonore et l'effet polyphonique.
Le joueur de cornemuse est appelé sonneur en France, mais aussi talabarder ou biniaouer en Bretagne. Il est appelé piper en Irlande et en Grande-Bretagne, píobaire en gaëlique irlandais, gaitero en Espagne, gaiteiro au Portugal.
Hair: Tableau Vivant Shosuro Hair @ Creation JP R.4
Skin: The Shops Axel Skin
Shape: [Beats-Play] Sam Shape
Tat.: Speakeasy Decay Tat. @ The End Event (April 15th)
Backpack: Represent Saddle Strap Riot Bag @ Creation JP. R4
Pants: Chronokit Long Sarouel Pants New
Boots: Ronsem 5 Hole Boots
A small series of three photographs in which I tried, chromatically, to represent the state of mind rather than faithful realism.
Flickr Blog Post #12
Backdrop - FOXCITY. Photo Booth - Woxcity (Equal 10)
Top - REPRESENT - Somber Parka "Signature, Camo" (Kustom 9)
Bottoms - LoyaltyAndUnity - Dark Denim Biker Jean (N/A)
Shoes - [VALE KOER] "SPEEDSTER" SNEAKERS (Collabor 88)
Accessories - [VEX] The Cross (24k) 24inch (ManCave)
[VEX] Figaro Bracelet (24k) (ManCave)
BJEWLA Ruby Ring VB M (Access)
MULLOY - Okala Glasses (Mainstore)
Hair - YÜTH : KARIM HAIR (Mainstore)
Red Deer - Cervus elaphus
Double click image....
The red deer (Cervus elaphus) is one of the largest deer species. The red deer inhabits most of Europe, the Caucasus Mountains region, Asia Minor, Iran, parts of western Asia, and central Asia. It also inhabits the Atlas Mountains region between Morocco and Tunisia in northwestern Africa, being the only species of deer to inhabit Africa. Red deer have been introduced to other areas, including Australia, New Zealand, United States, Canada, Peru, Uruguay, Chile and Argentina. In many parts of the world, the meat (venison) from red deer is used as a food source.
The red deer is the fourth-largest deer species behind moose, elk and sambar deer. It is a ruminant, eating its food in two stages and having an even number of toes on each hoof, like camels, goats and cattle. European red deer have a relatively long tail compared to their Asian and North American relatives. Subtle differences in appearance are noted between the various subspecies of red deer, primarily in size and antlers, with the smallest being the Corsican red deer found on the islands of Corsica and Sardinia and the largest being the Caspian red deer (or maral) of Asia Minor and the Caucasus Region to the west of the Caspian Sea. The deer of central and western Europe vary greatly in size, with some of the largest deer found in the Carpathian Mountains in Central Europe.Western European red deer, historically, grew to large size given ample food supply (including people's crops), and descendants of introduced populations living in New Zealand and Argentina have grown quite large in both body and antler size. Large red deer stags, like the Caspian red deer or those of the Carpathian Mountains, may rival the wapiti in size. Female red deer are much smaller than their male counterparts.
The European red deer is found in southwestern Asia (Asia Minor and Caucasus regions), North Africa and Europe. The red deer is the largest non-domesticated land mammal still existing in Ireland. The Barbary stag (which resembles the western European red deer) is the only member of the deer family represented in Africa, with the population centred in the northwestern region of the continent in the Atlas Mountains. As of the mid-1990s, Morocco, Tunisia and Algeria were the only African countries known to have red deer.
In the Netherlands, a large herd (ca. 3000 animals counted in late 2012) lives in the Oostvaarders Plassen, a nature reserve. Ireland has its own unique subspecies. In France the population is thriving, having multiplied fivefold in the last half-century, increasing from 30,000 in 1970 to approximately 160,000 in 2014. The deer has particularly expanded its footprint into forests at higher altitudes than before. In the UK, indigenous populations occur in Scotland, the Lake District, and the South West of England (principally on Exmoor). Not all of these are of entirely pure bloodlines, as some of these populations have been supplemented with deliberate releases of deer from parks, such as Warnham or Woburn Abbey, in an attempt to increase antler sizes and body weights. The University of Edinburgh found that, in Scotland, there has been extensive hybridisation with the closely related sika deer.
Several other populations have originated either with "carted" deer kept for stag hunts being left out at the end of the hunt, escapes from deer farms, or deliberate releases. Carted deer were kept by stag hunts with no wild red deer in the locality and were normally recaptured after the hunt and used again; although the hunts are called "stag hunts", the Norwich Staghounds only hunted hinds (female red deer), and in 1950, at least eight hinds (some of which may have been pregnant) were known to be at large near Kimberley and West Harling; they formed the basis of a new population based in Thetford Forest in Norfolk. Further substantial red deer herds originated from escapes or deliberate releases in the New Forest, the Peak District, Suffolk, Lancashire, Brecon Beacons, and North Yorkshire, as well as many other smaller populations scattered throughout England and Wales, and they are all generally increasing in numbers and range. A census of deer populations in 2007 and again in 2011 coordinated by the British Deer Society records the red deer as having continued to expand their range in England and Wales since 2000, with expansion most notable in the Midlands and East Anglia.
En las proximidades de Carcastillo y congozante de las Bardenas Reales, el monasterio de Santa María la Real de la Oliva, fundado en el Siglo XII representa un importante muestra del arte cisterciense...
There are several museum located at the museum shore in Frankfurt - This one represents the Art of the 19th / Kunst des 19. Jahrhunderts and being captured on my night trip.
Wampeler (represent winter) in their typical bent forward position with a stick in their hand, moving carefully on the street. The riders (represent spring) try to lay them with their back on the street. Axams, Tyrol 2018.
'I have not tried to reproduce nature: I have represented it.'
Paul Cezanne
textures thanks to Kerstin Frank and TCP.
Holi represents the arrival of spring and the triumph of good over evil. It is also said to be the enactment of a game the Hindu god Lord Krishna played with his consort Radha and the gopis, or milkmaids. The story represents the fun and flirtatiousness of the gods but also touches on deeper themes: of the passing of the seasons and the illusory nature of the material world.
Millions of Indians celebrated Monday the Hindu Holi festival all over india, dancing to festive music, exchanging food and drink and smearing each other with red, green, blue and pink powder, turning the air into a joyful kaleidoscope of color..From red to green to indigo, each color provides festival-goers with a sense of beauty, ritual and tradition.
If you land in India anytime in late February or March, it’s wise to check the dates of the annual Holi festival, and bring a spare set of clothes. That’s because for a few days in spring, people crowd the streets and splash brilliantly colored dyes on anyone walking by. “The colors never come out of your clothes,” he said. “And you might be having purple hair for many days. It is a complete liability.” It’s hard to avoid the fun—and paint—unless you stay inside or look menacing enough to discourage the custom.
for more information read this article www.smithsonianmag.com/travel/holi-festival-colors-meanin...
Wikipedia The complex near St Austell, Cornwall is dominated by two huge enclosures consisting of adjoining domes. The larger of the two biomes simulates a rainforest environment and the second, a Mediterranean environment.
The Green Man, and in this case, the Green Woman, is a legendary being primarily interpreted as a symbol of rebirth, representing the cycle of new growth that occurs every spring.
Our big magnolia came in at a bad time this year, with a hard freeze predicted for the next day. Fortunately, Mickie cut a few branches off and put them in a vase in the dining room, so I moved them to the studio - just the other end of the dining room these days! - and photographed them. I like the different stages of blossoming represented here. Tiring a bit of plain black backgrounds, I thought this blue-green complimented the blossoms nicely. Hoping you agree.
Un tableau représentant l'arrivée de la reine Victoria au Tréport lors de sa visite en France en 1843 atteste la présence d'un phare, qui figure également sur un croquis de 1845 de Joseph Mallord William Turner et sur un plan de 1829 représentant les principaux phares de la Seine-inférieure conservé aux Archives nationales. En 1846, le peintre Auguste Jugelet grave une estampe montrant le phare dans sa première version.
Le château de Polignac est un château fort se dressant dans la commune française de Polignac près du Puy-en-Velay, dans le département de la Haute-Loire.
Localisation et situation
Gravure représentant le château de Polignac, vers le milieu du XIXe siècle.
Le château de Polignac au XVIe siècle d'après Gaston de Jourda de Vaux.
Situé à 5 km au nord-ouest du Puy, le château fort de Polignac (on dit aussi la forteresse de Polignac) occupe une butte ou plate-forme basaltique, fragment d'une ancienne coulée volcanique. Le sommet de la butte, à peu près plat, mesure environ 120 m sur 90 m et sa grande longueur est orientée plus ou moins nord-ouest/sud-est1. Elle est à 806 m d'altitude) et domine la vallée de Polignac et le bassin du Puy par des falaises abruptes hautes d'environ 100 m, sauf vers le nord où une triple ligne de remparts a été aménagée.
L'archéologue Laurent d'Agostino (2008) voit, dans la position stratégique du château entre Anicium (Le Puy-en-Velay, futur siège épiscopal au Moyen Âge) et Ruessium (Saint-Paulien, chef-lieu de la cité vellave durant l'Antiquité), l'indice d'une occupation antique.
Historique et construction
La première mention du château date d'environ 929-935 : un acte est passé dans le « castrum quod vocatur Podianacus » ; les vicomtes de Polignac sont quant à eux déjà mentionnés dès la fin du IXe siècle.
Propriétaires du château depuis au moins le XIe siècle, les vicomtes héréditaires du Velay en prirent le nom et en firent leur résidence ordinaire jusqu'au début du XVIIe siècle.
La forteresse, qui occupait un emplacement stratégique commandant les routes à l'ouest et au nord de la ville du Puy, pouvait abriter 800 soldats en plus de la famille et de ses domestiques.
Bien à l'abri dans leur forteresse, les seigneurs de Polignac purent devenir les maîtres du pays.
Alliés des rois de France mais de caractère indépendant, il n'hésitèrent à se rebeller contre l'autorité royale de Louis VI le Gros (1080-1137) puis de Louis XI (1423-1483).
La chapelle seigneuriale Saint-Andéol4 est attestée dès 10753. Elle est incluse dans l'enceinte du château et rattachée au prieuré de Pébrac (près de Langeac en Auvergne), ce dernier fondé vers 1062. En 1128 l'église Saint-Martin est rattachée au prieuré Saint-Andéol (et donc par filiation elle est rattachée au prieuré de Pébrac). Une autre source ajoute qu'en 1142, l'évêque du Puy Humbert d'Albon († 1147) donne la chapelle Saint-Andéol en même temps que l'église Saint-Martin au prieuré de prieuré de Pébrac, qui possèdent ces biens jusqu'à la Révolution.
Le logis seigneurial fut sans doute reconstruit en dur au XIIe siècle, époque où une lutte sans merci opposait les Polignac aux évêques du Puy pour la perception des péages6 sur la route du pèlerinage à Notre-Dame du Puy-en-Velay. Il fut restauré et agrandi à la fin du XVe siècle ou au début du XVIe siècle.
Côté nord-ouest de la forteresse de Polignac,
vers 1900.
Le donjon, désigné comme la « grosse tour » dans les sources anciennes, fut édifié par Randon Armand X, vicomte de 1385 à 1421, comme l'indique une inscription latine gravée sur une pierre blanche encastrée à l'angle nord-ouest. Son voûtement fut réparé de 1565 à 1566 par Philiberte de Clermont, vicomtesse et douairière de Polignac (femme de François-Armand XVI), qui l'enchapa dans un glacis.
Le 17 juillet 1532, le château reçut la visite de François Ier et sa suite : il fut reçu par le vicomte François-Armand XVI qui, au devant d'une centaine de gentilshommes, était allé à sa rencontre à Brioude. Le roi et les princes furent logés dans les bâtiments en dur et les courtisans dans un grand corps de logis en charpente dressé sur l'esplanade à cet effet. À cette occasion, le roi gratifia les Polignac du surnom « rois des montagnes ».
Lors des guerres de Religion, les Polignac prirent le parti d'Henri III puis de son successeur, Henri IV, faisant du château le bastion des royalistes face au Puy ligueur. La forteresse contribua au triomphe de la cause royaliste.
Une chapelle voûtée et peinte fut édifiée dans l'enceinte au XVIIe siècle.
Abandonnée au cours du XVIIe siècle par les vicomtes de Polignac, qui lui préfèrent leur Château de Lavoûte-Polignac, la forteresse était déjà en ruines au moment de la Révolution. Celle-ci voit les Polignac émigrer et la forteresse, vendue comme bien national, servir de carrière de pierres.
En 1830, à son retour d'émigration, le deuxième duc de Polignac racheta les ruines. Sa famille fit restaurer une partie du château durant le XIXe siècle : le chemin de ronde, des portes, le donjon. Prosper Mérimée, premier inspecteur des monuments historiques, classa le site en 18409.
Côté oriental de la forteresse de Polignac,
vers 1900.
Le donjon voit son couronnement (voûte et mâchicoulis) rétabli de 1893 à 1897, d'après des gravures anciennes.
Cette résurrection du château vient démentir la sombre prédiction du photographe Ernest Lacan (1828-1879)10 au milieu du XIXe siècle :
« le précieux monument, comme tant d'autres, tombe pierre à pierre ; bientôt il disparaîtra comme les générations qui l'ont habité mais, grâce à la photographie, il restera tel qu'il est encore, dans ce dessin tracé par la lumière. »
Les restaurations se poursuivent aujourd'hui sous l'égide de la Fondation Forteresse de Polignac.
Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born
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Hair:
#Foxy -Latte Hair-Collabor88
Outfit:
* Vanilla Bae * -Sally Onesie
Pose:
[Focus Poses] -Friends 106 -
Backdrop:
FOXCITY. Photo Booth - Cozy Bedroom (Colour Pop)
Cada amigo representa para nosotros un mundo, un mundo que posiblemente no haya nacido hasta que él llegó, y sólo gracias hasta este encuentro ha surgido un nuevo mundo.
Anaïs Nin
Una gran fotógrafa y mi amiga.
Image taken by Vik and representing quite well what 2 weeks of Iceland has been. Nevertheless, the expected “bad” weather provided some unexpected dramatic moments and shifts in mood which presented real challenges to be captured and worked on to display my images in a proper way.
Interested in a photo tour through the American Southwest? I can help you with it and make you come back with unique shots.
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Image is under Copyright by Peter Boehringer.
Contact me by email if you want to buy or use my photographs.
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Cripta (1479-1482). Grupo escultórico que representa al Cristo Redentor entre San Luis IX y el beato Bartolomeo de Breganze de Girolamo Pittonni.
Santa Corona es una iglesia católica romana de estilo gótico. Contiene la capilla Valmarana (circa 1576), cuyo diseño se atribuye al arquitecto renacentista Andrea Palladio . El mismo Palladio fue inicialmente enterrado en esta iglesia.
La construcción de la iglesia fue iniciada en 1261 por el Beato (Beato) Obispo Bartolomeo di Breganze para albergar una espina de la supuesta reliquia de la corona ( corona ) de espinas impuesta a Jesús durante su pasión . La espina le había sido entregada a este obispo como regalo de Luis IX de Francia. [1] La iglesia perteneció a la orden de los dominicos hasta su supresión durante la era napoleónica.
The color green represents envy and jealousy. The phrase "green with envy" is a fairly common saying that is said to come from Shakespeare's metaphorical use of color in both Othello and The Merchant of Venice. In Othello, Iago uses "green-eyed monster" to describe the jealousy that threatens to drive Othello mad.
+++Credits+++
-Dress-
*SPONSORED*
--Asteria - Harley Gown--
This gown is absolutely sexy and beautiful. The Skirt can be removed for a show stopper lace one piece. Comes in many colors and will look good one any skin tone.
RIGGED FOR: Lara + Petite/ Larax+PetiteX/ GenX/ Reborn +Waifu/ Kupra/ Legacy+Perky/ Senra
-Hair-
Stealthic- Dice
-Jewelery-
--Nose Ring--
YsoraL
--Earrings--
Kunglers-llza Earrings
--Nails/rings--
Pure Poison- Octavia
--Neck Diamonds--
Fakeicon/Mary Gems
-Shoes-
SPONSOR
--{Le'La} - Elene Heels
These beautiful shoes are a must have in any ladies wardrobe. Shoe/gems can be color changed through a hud.
Rigged for Old Belleza, Erika, Khara, Kupra, Legacy, Maitreya, Peach, Reborn.
Flickr: www.flickr.com/photos/135399508@N05/
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