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Crazy Tuesday
Spoon Reflections
Colored pencils reflection
in a highly polished stainless steel
serving spoon
The Titanic Museum in Belfast opened in 2012 on the site of the former Harland and Wolff shipyard in Belfast's Titanic Quarter where the RMS Titanic was built.
The museum tells the stories of the Titanic (which hit an iceberg and sank during its maiden voyage in 1912) and her sister ships RMS Olympic and HMHS Brittanic.
Titanic Museum's design replicates 4 high pointed hulls mimicking the ocean liner, covered by 3,000 individual aluminium shimmering shards.
It is 126 feet tall (38 m) which is the same height as the Titanic's hull.
Over 1500 passengers and crew lost their lives when Titanic sank on 14th April 1912.
I couldn't resist to take a selfie at (or rather under) the Cloud Gate, a sculpture by Anish Kapoor installed in the Millennium park in Chicago, IL, U.S.A. It is definitely one of the most intriguing modern sculptures I've seen installed in public spaces.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
there they are, all my braincells replicated in a silo. happy new year everyone!! i love how time rolls like a wave around this big ball we all live on, striking the midnight hour according to pleats folded on the planet. ok, so i love this!....went out to dinner tonight and discovered a 13 yr old had accidentally walked off with my coat. got it when they drove back but i had done the same thing at the exact hour on christmas eve last week. so coat theft is the new must-have biorythm. love you all, thanks for a year of gobsmack amazing images. you make me happy.
Questions is are these three different pigeons or the same one and with the power of photoshop I replicated them?. Well I will leave it to you to decide :)
Crazy Tuesday theme Light
Just by pure chance I was at the Yayoi Kusama Exhibition at the Tate Modern in London last Thursday; and with my camera! However, you only get to spend 2 minutes in each of the rooms with other people so it's quite difficult to adjust to the conditions in each of the rooms in order to get any descent images. This one was one of the better ones (...and yes that is me ...and no I wasn't trying to focus on me - which is just as well because I’m out of focus 😄).
This is "Infinity Mirrored Room - Filled with the Brilliance of Life". It is one of Kusama's largest installations to date and was made for her 2012 retrospactive at the Tate Modern. In this installation Kusama is trying to replicate her experiences of anxiety and mental health that are profound to her. The installation is dependent on LED lights connected via a circuitry that creates an infinately changing sequence of lights, with mirrors and water producing an infinite, never ending, boudless experience of colour and light. It creates this strange shimmering feeling that induces a vague sense of anxiety, one which Kusama is trying to provoke.
If you get a chance, the exhibition is well worth a visit.
I have read the theme rules and I really hope this fits in with them.
Happy Crazy Tuesday and a very merry Christmas! ✨🎄✨
This view replicates what is probably the most iconic photograph taken in the Cradle Mountain National Park. Everyone who has heard of Cradle Mountain has seen a photo of the famous boatshed alongside Dove Lake with the mountain behind. And almost everyone who visits here has taken a photograph from this spot.
But this is the last photograph I will show that can be considered a normal tourist shot. Ideally, this photograph would have been taken in a glorious golden sunset with glass-smooth water (thanks to a long exposure). But as you saw in my photograph yesterday the weather had other ideas, and any use of a tripod was ruled out by the strong winds. And of course the snow storm replaced the sunset. Never mind. You can find plenty of those scenes on the internet anyway.
Replicated painted wall deterioration as part of the 19th Sydney Biennale {19BOS} by Christine Streuli "Gradually Real" 2014
Cockatoo Island, Sydney, April 2014
2014.0417
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“The Eye Moment photos by Nolan H. Rhodes”
Theeyeofthemoment21@gmail.com
www.flickr.com/photos/the_eye_of_the_moment
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.” www.flickr.com/photos/the_eye_of_the_moment
This fountain is a replication of the wine fountain that was at Hampton Court during Henry VIII's reign.
Originally built by Cardinal Wolsey in the early 16th century, Hampton Court was eventually taken over by Henry VII and turned into his residence. The palace is a blend of Tudor and Baroque architecture and was a home to the royal family until 1737 under George II. In 1838, Queen Victoria opened its doors to visitors.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
Marius Els did an example of using under the brush tool :symmetry and making Mandalas. Since I never used this variant of the brush tool here is my piece called Dream Replication. Enjoy!
Captada con cámara Canon PowerShop G-12. Imagen Jpge. No Photoshop. Ver Exif.
Gracias por visita comentarios y favorita, saludos.
Thank you for visiting comments and favorite. Greetings
Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.
Manuel Oliver © All Rights Reserved
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
Capture while the arclight was replicating in the frog road tunnel. Hope everyone is having a wonderful Wednesday. :-)
#lightpaintingbrushes
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
The 90 meter (300 ft.) replication of the famous Brooklyn bridge at the New York-New York Hotel & Casino in Las Vegas.
I would say that observations of patterns is my true quest as a nature photographer. I don't look for certain patterns, I just look, and when I see a pattern that strikes me, thats when I pull my camera out of its pouch. The pattern of the Shawnee Hills are observed from the Union County Wildlife Preserve in southern Illinois was duplicated in the clouds hovering above.
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This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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During the Italian Renaissance, Venice gave birth to an artistic style known as the Venetian School (1450-1600 A.D) that placed importance reflected light and its impact on color. In contrast to the Florentine paintings from the same time period, which focused on linear form, Venetian paintings blended Byzantine and Gothic elements with subtle layering and blending techniques to apply color of a muted vibrancy to more closely mimic colors found in nature.
Color Vibrancy The richness in Venetian color reflected the wealth prominent in Venice during the Renaissance. The dark reds, brilliant blues and muted yellows used in the oil paintings of Venetian School artists such as Jacopo Bellini have both a deepness and transparency meant to reflect light and expose the shades of layered color. Often muted in tone, Venetian colors gradually softened throughout the Renaissance to replicate natural color rather than exaggerated hues.
Layering and Blending Unlike the Florentine masters who began masterpieces by focusing on the linear movement of a composition, the Venetian School artists would begin forming their work with shapes of color painted directly on the canvas. Shades of color were carefully layered and blended to create a subtle shift of hue and tone to define form in place of the severe lines notable in other style movements.
Shadows and Light, A careful consideration of light's impact on color is reflected in the work of the masters of the Venetian School period. Whereas other movements would mimic the actual color of a subject as a whole, Venetian colorists would incorporate the subtle shifts of hue caused by the reflected light on the subject with their unique layering and blending techniques. With the interplay of shadows and light across a subject, traditional Venetian color application suggests form without sharp edges, creating a difficult to achieve sense of depth and realism.
Please add COMMENTS and FAVES to qualify for Explore again. I hope to replicate as soon as possible!!! :)
On finals to land at Prestwick airport for a fuel stop on route to Wittmund Air base in Germany is this one of a pair of Top Aces Dornier Alpha Jet's "C-GJTA".
Top Aces Inc. is a Montreal, Quebec-based defence contractor that offers contracted airborne training services to the Canadian Armed Forces through the Contracted Airborne Training Services (CATS) program. Top Aces operates a fleet of modernized fighter aircraft to provide Red Air threat replication, Joint Terminal Attack Controller (JTAC) training, practice munitions drop, air-to-air gunnery training and naval target tow profiles for the Canadian and German militaries.