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I open for online shootings!

Coming onto Kanidal beach we only travelled it for about 1 kilometre before we came across an exit point I had marked as a waypoint.

you can sit on the toilet and control the temperature of the water and intensity of um... how intensely it will clean you, this way you don't need to use T.P.

Their eyes are pure. Their have many dreams but few of them will be realized. You cann't helo moving when they stare at you withou their eys.

trying out the macro mode on my coolpix S570. I liked the results

Exposure: 2 sec (2)

Aperture: f/4.8

Focal Length: 14 mm

Remote viewed during the incident.This is the end result,coming soon.

This is the results of an experiment I did in the christmas holidays. I hung up this birdfeeder in a tree right outside my house. Then I put my 450d with my 70-300 on it, on a tripod, and connected it to my laptop. Running windows at the time, I used EOS utility to remotecontol the camera. After some testshots I set EOS utility to interval shooting, at its minimum of 5s delay, and left it for some time.

 

When I got back, I found that the camera had stoped shooting, due to a lens communication error, and the feder had fell down. Anyway, My harddrive was filled with surprisingly good shots, considering how they were shot.

Brutus, with TV remote, napping on couch, Santa Cruz, California 2006-12-03

Unmanned UP remote control yard locomotives 1818 and 1923 assemble a train at the UP Global III intermodal facility in Rochelle, IL.

a battery, a PIC, a resistor, an infrared LED and there goes your nikon remote control

2011/04/12 | 55 mm | ¹⁄₁₆₀ Sek. @ f/5.6 | ISO 400

Fiber optics and RIO are awesome

SAFE PRODUCE HANDLING — The Cooperative Extension Service, part of the University of Arkansas System Division of Agriculture, will offer a remote, two-day safety training workshop for fruits and vegetable growers May 24-24. Topics covered will include soil amendments, postharvest handling, sanitation and developing a farm food safety plan. (Division of Agriculture graphic.)

We are heading down the 11 kms of Witch Bay Camp Road to return to the US after enjoying the company of good friends, sleeping like logs and catching our legal limit of walleye...notice the leaves turning on this last day of summer

I went to Pentre Ifan , a neolithic burial chamber for some landscape shots, when this little fellow showed up. I crept 10 metres to my bag to change to 100-400 lens and by then he had walked closer and was standing next to and looking up at my husband. He then started moving closer to me, I started shooting until .... he came too close for my lens.... walked past me ,up to my10-20 lens and remote cable which were lying on the ground near me where I had put them in my haste to capture fox photos, HE PICKED UP MY REMOTE CABLE AND RAN OFF WITH IT!!!!!!!!! I shouted to my husband to STOP HIM!!!, afterwards I giggled, did I expect him to rugby tackle him or what!!! The fox did drop the cable thank goodness and then came back to have another good look at us. An amazing and wonderful experience and I am pleased to say that I still have my cable. Not the best focused shot in the world but would you if someone was stealing your cable!?!

The motorhome Turbo-vent lid operated manually. But because it is now out of reach we need to motorise it.

Using a geared motor with enough Umph 19volts 1 turn a second, we mounted it on the frame using aluminium angle.

We added a shaft coupling and made a positioning disc with sensor.

Now all we need to do is modify the other Fan and make some sort of electronic controller

Need I say more?

 

Taken for ODC, Thursday 18th of August, 2011 Masculinity

conform.

  

lighting pulled from...

marktipple.blogspot.com/2008/12/eskimo-lmd.html

 

Anyway tried to line a few cats up for the dude model, all fell through, the girl in the story was down to help, with the rain falling and the last scruff cat unable to make it i stood in myself, turned out to be pretty easy actually. As always the crew i'm working with help me out more than i could ask for, while i'm setting the lights Sare's on make-up and costume, prepping and just hanging, on this occasion filled in as camera operator too. Froth to have that team around.

 

Went for a structured glow look that i knew i could make in post, could have just shot available and fixed later, agro way to work i know and pretty much never would unless circumstances forced it...tried a few different things.

 

Shoot through camera left on full, rim on 1/4 bare behind the wall next to my head, and a small softbox on 1/4 behind my back pointed at Marta for fill. Worked surprisingly well in camera, cut down on the post work i had to do, left me just enhancing rather than creating.

 

When security warned and threatened with some dumb fine we moved to a black wall...ya exciting i know but with a spectral behind it popped and left me stoked on a 3 minute setup for some closer feels.

Maybe not even 3 minutes hey, like just the shoot through eye level camera left and voice position for the subject to get in the highlight.

Still haven't heard back from the clients, apparently they're in the mountains getting some soul inspiration to finish they're script. Hope they're happy....and that i got the story right....

 

sb-28 44" shoot through on 1/2 camera left

My SONY A200 first try

a few of the remotes we have in the house for our various wii consoles

My remote camera setup. Canon 1D Mark IV & 135mm f/2.

For a radio. It works like a telephone dial. Apparently a lot of kids who come to the museum need the concept explained to them.

Just some experiencing with my new flashlight, the SB-700. This shot is done with the flash situated behind the stove, controlled remotely.

Fascinating that headless trains are running around at grade crossings without gates.

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