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Set against the rocky hills of the semi-desert border region between Georgia and Azerbaijan lies the Natlismtsemeli Monastery, rugged and weathered, but still alive. Dozens of openings have been hewn out of the soft sandstone: simple entrances to cells, chapels and caverns that once housed monks devoted to silence and prayer. Among the weathered caves, one spot stands out: a cell with a modern door and window — a sign that this monastery has not been abandoned. A monk still lives there, perhaps, continuing the centuries-old monastic tradition on his own. He lives where his predecessors have prayed, meditated and worked for more than a thousand years, in a world of simplicity and seclusion. High above this inhabited cave stands a watchtower, weathered but proud, looking out over the empty, undulating landscape. It once served to defend the monastery; now it symbolizes vigilance, connectedness, and the survival of a spiritual legacy. The cave dwellings are carved out of soft, yellow-brown stone — vulnerable to the ravages of time, but shaped with dedication. The floor is strewn with rubble, the walls blackened or crumbling, and yet it is still alive here. Not as a ruin, but as a living monastery. Natlismtsemeli is therefore not a monument, but a place where the past and present meet. Where silence is not an emptiness, but a presence. And where, high on the hill, behind a simple wooden door, someone still watches in silence.
Nestled in the remote hills of Georgia, the Natlismtsemeli Monastery is carved directly into the sandstone cliffs. Though centuries old, it is still inhabited — a single door and window reveal that monastic life continues here. Above the caves, a weathered watchtower looks out over the silent landscape. This is not just a relic, but a living place of solitude and devotion, where the past quietly endures in the present.
Tegen de rotsachtige heuvels van het halfwoestijnachtige grensgebied tussen Georgië en Azerbeidzjan ligt het Natlismtsemeli-klooster, ruig en verweerd, maar nog altijd levend. Uit de zachte zandsteen zijn tientallen openingen gehouwen: eenvoudige ingangen naar cellen, kapellen en grotruimten die ooit onderdak boden aan monniken die zich volledig aan stilte en gebed hadden gewijd. Tussen de verweerde grotten valt één plek op: een cel met een moderne deur en raam — teken dat dit klooster niet verlaten is. Er woont nog steeds een monnik, wellicht, die de eeuwenoude kloostertraditie in zijn eentje voortzet. Hij leeft daar waar zijn voorgangers al meer dan duizend jaar baden, mediteerden en werkten, in een wereld van eenvoud en afzondering. Hoog boven deze bewoonde grot staat een wachttoren, verweerd maar fier, uitkijkend over het lege, golvende landschap. Ooit diende hij ter verdediging van het klooster; nu staat hij symbool voor waakzaamheid, verbondenheid en het overleven van een spirituele erfenis. De grotwoningen zijn uitgehouwen in zachte, geelbruine steen — kwetsbaar voor de tand des tijds, maar gevormd met toewijding. De vloer bezaaid met puin, de muren zwartgeblakerd of afgebrokkeld, en toch leeft het hier nog. Niet als ruïne, maar als levend klooster. Natlismtsemeli is daarmee geen monument, maar een plek waar het verleden en heden elkaar raken. Waar stilte geen leegte is, maar een aanwezigheid. En waar, hoog op de heuvel, achter een eenvoudige houten deur, nog altijd iemand in stilte waakt.
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Mtskheta, located just 20 kilometers from Tbilisi, is one of the oldest cities in Georgia and is considered the spiritual capital of the country. This charming city is located at the confluence of the Mtkvari Kura and Aragvi rivers and is known for its rich history. In the heart of the city stands the imposing Svetitskhoveli Cathedral, built between 1010 and 1029. This masterpiece of medieval Georgian architecture is a UNESCO World Heritage Site and is considered one of the most important religious buildings in the country. According to tradition, the robe that Jesus wore during his crucifixion is buried here, making the cathedral one of the holiest sites in Georgia. The cathedral is surrounded by an impressive fortified wall, complete with battlements, towers and age-old gates, which almost looks like a castle. Step through one of the gates and you’ll find yourself in a bustling courtyard where faith is still very much alive. During our visit, a traditional wedding was taking place: guests in festive attire gathered, a priest sang in Old Georgian, candles flickered, and the sound of singing filled the room. The atmosphere was intense and powerful — a special mix of holiness and human connection. In addition to its spiritual heritage, Mtskheta has a lively and welcoming atmosphere. Cozy shopping streets wind through the old town, where you’ll find small boutiques, local crafts, and colorful souvenirs. At weekends, the town comes to life with cheerful market stalls selling everything from fresh fruit and fragrant herbs to handmade jewelry and traditional delicacies.
The entrance gate to the Svetitskhoveli Cathedral stands on the western side of the walled complex, in the heart of Mtskheta. Dating back to the 11th century, it was built alongside the cathedral itself. The heavy wooden doors are framed by solid stone and a rounded arch, worn smooth by centuries of pilgrims passing through. Stepping through this gate means walking straight into Georgia’s living history.
Mtskheta, gelegen op slechts 20 kilometer van Tbilisi, is een van de oudste steden van Georgië en wordt beschouwd als de spirituele hoofdstad van het land. Deze charmante stad ligt aan de samenvloeiing van de rivieren Mtkvari Kura en Aragvi, en staat bekend om haar rijke geschiedenis. Midden in de stad prijkt de imposante Svetitskhoveli-kathedraal, gebouwd tussen 1010 en 1029. Dit meesterwerk van middeleeuwse Georgische architectuur is opgenomen op de UNESCO Werelderfgoedlijst en geldt als een van de belangrijkste religieuze bouwwerken van het land. Volgens de overlevering ligt hier het kleed begraven dat Jezus droeg tijdens zijn kruisiging, waardoor de kathedraal een van de heiligste plekken in Georgië is. De kathedraal wordt omringd door een indrukwekkende versterkte muur, compleet met kantelen, torens en eeuwenoude toegangspoorten. Het geheel oogt bijna als een kasteel. Zodra je door een van de poorten stapt, bevind je je in een bruisende binnenplaats waar het geloof nog springlevend is. Tijdens ons bezoek vond er een traditionele bruiloft plaats: gasten in feestelijke kleding verzamelden zich, een priester zong in het Oud-Georgisch, kaarsen flakkerden, en het geluid van gezang vulde de ruimte. De sfeer was intens en krachtig — een bijzondere mix van heiligheid en menselijke verbondenheid. Naast haar spirituele erfgoed heeft Mtskheta een levendige en gastvrije sfeer. Gezellige winkelstraatjes slingeren zich door het oude centrum, waar je kleine boetiekjes, lokale ambachten en kleurrijke souvenirs vindt. In het weekend komt de stad extra tot leven met vrolijke marktkraampjes, waar je alles kunt vinden van vers fruit en geurige kruiden tot handgemaakte sieraden en traditionele lekkernijen.
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The David Gareja Monastery complex is one of the most remarkable and historically significant religious sites in Georgia. Located in the Kakheti region, near the border with Azerbaijan, it is partially carved into the rocks of a rugged, semi-desert landscape. The monastery was founded in the 6th century by the Syrian monk David Garejeli and later grew into an important center of religion, art, and learning — especially during the medieval period. In the centuries that followed, the complex was repeatedly plundered, including by Mongols and Persians, yet it never lost its spiritual importance. This photo shows a striking building within the complex, constructed from rough-hewn natural stone and topped with a traditional red-tiled roof. The wooden railings and projecting balcony give the structure a warm, almost welcoming appearance — despite the remote and harsh surroundings. The building serves as a communal space for the monks, used as a dining hall and meeting area. The outer wooden gallery provides not only fresh air and panoramic views, but also a place for quiet reflection — overlooking the vast semi-desert below. The blend of simplicity, functionality, and connection to the landscape reflects the essence of monastic life: silence, community, and contemplation, high above the world and far removed from the everyday.
Set in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old spiritual site carved into the cliffs. Once a thriving center of faith, art, and learning, it has withstood invasions but remained a place of devotion. The photo shows a communal building for monks — likely used for meals and gatherings — with a wooden balcony overlooking the vast landscape. Its simplicity and setting reflect the quiet rhythm of monastic life, rooted in reflection, solitude, and connection to nature.
Het David Gareja-kloostercomplex is één van de meest bijzondere en historische religieuze locaties van Georgië. Het ligt in de regio Kakheti, vlak bij de grens met Azerbeidzjan, en is deels uitgehouwen in de rotsen van een ruig, halfwoestijnachtig landschap. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli. In de daaropvolgende eeuwen groeide het uit tot een belangrijk centrum van religie, kunst en wetenschap — vooral in de middeleeuwen. In latere periodes werd het herhaaldelijk geplunderd, onder andere door Mongolen en Perzen, maar het bleef altijd een plaats van diepe spirituele betekenis. Op deze foto zien we een opvallend gebouw binnen het complex, opgetrokken uit ruwe natuursteen en voorzien van een traditioneel rood pannendak. De houten balustrades en het uitkragende balkon geven het geheel een warme, bijna uitnodigende uitstraling — ondanks de afgelegen, onherbergzame omgeving. Het gebouw fungeert als gemeenschappelijke ruimte voor de monniken, en wordt onder meer gebruikt als eetzaal en ontmoetingsplek. De houten galerij aan de buitenzijde biedt niet alleen frisse lucht en uitzicht, maar dient ook als plek van rust en overpeinzing — met een weids panorama over de uitgestrekte semi-woestijnvlakten. De combinatie van eenvoud, functionaliteit en verbondenheid met het landschap weerspiegelt de essentie van het kloosterleven: stilte, gemeenschap en contemplatie, hoog boven de wereld en ver weg van het alledaagse.
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The David Gareja Monastery complex is one of the most impressive religious and historical sites in Georgia. Located in a remote, semi-desert region along the border with Azerbaijan, it is carved into the soft sandstone slopes of the surrounding hills. The complex was founded in the 6th century by David Garejeli, one of the thirteen Assyrian monks who helped spread Christianity in Georgia. Over the centuries, it grew into a major center of faith, art, and learning. The church shown in the photo is one of the central buildings of the Lavra Monastery, the oldest part of the David Gareja complex. It is constructed from rough-hewn stone and brick, following the characteristic style of medieval Georgian architecture. The bell tower with double arches and the stone spire topped with an Orthodox cross give the church its iconic silhouette. The arched forms above the door and windows reflect Byzantine influences, while the partial integration of the building into the rock wall is typical for many structures in the complex. Despite repeated plundering by Mongols, Persians, and later neglect during Soviet rule, the church has retained both its religious function and its peaceful atmosphere. The Lavra Monastery is still active and inhabited by monks. During our visit, we were the only guests, which allowed us to explore the entire complex in quiet reflection. From the monastery, you can enjoy breathtaking views across the vast, silent semi-desert plains.
The David Gareja Monastery in eastern Georgia is a historic religious site carved into sandstone cliffs near the Azerbaijani border. Founded in the 6th century by monk David Garejeli, it became a spiritual and cultural center over time. The main church in the Lavra section features medieval Georgian architecture with Byzantine elements. Despite invasions and neglect, the site remains active and peaceful, offering stunning views over the surrounding semi-desert landscape.
Het David Gareja-kloostercomplex is een van de meest indrukwekkende religieuze en historische plekken van Georgië. Het ligt in een afgelegen, halfwoestijnachtig gebied aan de grens met Azerbeidzjan, uitgehouwen in de zachte zandstenen hellingen van de bergen. Het complex werd in de 6e eeuw gesticht door David Garejeli, een van de dertien Assyrische monniken die het christendom in Georgië verspreidden. Door de eeuwen heen groeide het uit tot een belangrijk centrum van geloof, kunst en studie. De afgebeelde kerk is een van de centrale gebouwen van het Lavra-klooster, het oudste deel van het David Gareja-complex. Ze is gebouwd uit ruwe natuursteen en baksteen, in een karakteristieke middeleeuws-Georgische stijl. De klokkentoren met dubbele bogen en het stenen spitsdak met orthodox kruis geven het gebouw zijn kenmerkende silhouet. De ronde boogvormen boven de deur en ramen verraden invloeden uit de Byzantijnse architectuur. Het gebouw is deels in de rotswand geïntegreerd, wat typerend is voor veel structuren in het complex. Ondanks eeuwen van plunderingen — door Mongolen, Perzen en later verwaarlozing onder Sovjetbewind — heeft de kerk haar religieuze functie en serene uitstraling behouden. Het Lavra-klooster is nog steeds in gebruik en wordt bewoond door monniken. Tijdens ons bezoek waren wij de enige bezoekers, waardoor we in alle rust het hele complex konden verkennen. Vanaf het klooster heb je een adembenemend uitzicht over de stille, uitgestrekte semi-woestijnvlakten.
As the civilisation evolved, religion and temples and other religious centres acted as focal point of societies around the world. India is no exception.
Many large temples in ancient and mediaeval India acted as learning centres. Religion was instrumental in laying ethics for the society, gave art, craft, sculpture, music, performing arts and linguistics a huge boost.
Tarakeswara Temple located in a small dusty town of Hangal, even today is centre for various societal activities.
When I visited this ancient temple, a group of women from around the locality were having their regular meeting. I was told that they exchange information, practice music and even exchange recipes while they meet under the roofs of this ancient temple.
#Temple #templeArchitecture #India #Hinduism #Religion #Faith #Belief #People #Culture #Architecture #Arecheaology #Sculpture #Customs #Travel #WanderLust #Wanderings #Monuments #HistoryOfIndia #MonumentsOfIndia #Ancient #History #Medieval #Heritage #arts #crafts #music #linguistics #classical_dance
Interior da Sainte-Chapelle, uma capela gótica localizada em Paris, França. A arquitetura é caracterizada por uma série de colunas altas e esbeltas que sustentam arcos pontiagudos (arcos quebrados), formando uma abóbada elegante. O teto é pintado de azul profundo com estrelas douradas, criando a ilusão de um céu noturno. As paredes são quase inteiramente compostas por vitrais, apresentando desenhos intrincados e uma vibrante gama de cores que inundam o espaço com luz e cor. Estes vitrais retratam cenas bíblicas e de santos, contribuindo para a importância da capela como uma obra-prima da arte gótica.
A capela é considerada uma das maiores realizações da arquitetura gótica devido ao seu uso inovador da luz e da estrutura. Historicamente, foi encomendada pelo Rei Luís IX, em meados do século XIII, para abrigar a sua coleção de relíquias da Paixão, incluindo a Coroa de Espinhos de Cristo.
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The Zion Cathedral in Tbilisi, also known as the Sioni Cathedral, is one of the most significant religious and historical buildings in Georgia. Located in the old part of the city, along the Kura River, the cathedral is named after Mount Zion in Jerusalem, highlighting its deep religious significance. The original cathedral was built in the 6th and 7th centuries, but it has been destroyed and rebuilt several times over the centuries, with the current structure primarily dating from the 13th century. Despite these reconstructions, the cathedral has retained much of its ancient charm, featuring elements of Georgian, Byzantine, and Persian architecture. Inside the cathedral is the holy cross of Saint Nino, one of Georgia’s most revered relics. According to tradition, this cross was made from grapevines by Saint Nino, who brought Christianity to Georgia. The Zion Cathedral is not only a place of worship but also a symbol of the long and complex history of Christianity in Georgia, making it a must-see for visitors wanting to experience the spiritual and cultural heart of Tbilisi.
Between 1850 and 1860, the interior of Zion Cathedral was transformed by Russian artist and general Knyaz Grigory Gagarin, who painted a series of new murals. Unfortunately, this work resulted in the loss of some original medieval frescoes. In the 1980s, Georgian artist Levan Tsutskiridze added his own murals to the western wall, blending his contemporary style with the cathedral’s rich artistic history. These contributions reflect the mix of Russian and Georgian influences that have shaped the cathedral over time.
De Zion kathedraal in Tbilisi, ook wel de Sioni-kathedraal genoemd, is een van de belangrijkste religieuze en historische gebouwen in Georgië. Gelegen in het oude deel van de stad, langs de Kura-rivier, is de kathedraal vernoemd naar de berg Zion in Jeruzalem, wat een diepgaande religieuze betekenis onderstreept. De oorspronkelijke kathedraal werd in de 6e en 7e eeuw gebouwd, maar door de eeuwen heen is het gebouw meerdere keren verwoest en herbouwd, waarbij het huidige bouwwerk voornamelijk dateert uit de 13e eeuw. Ondanks deze reconstructies heeft de kathedraal veel van haar oude charme behouden, met elementen van Georgische, Byzantijnse en Perzische architectuur. Binnen in de kathedraal bevindt zich het heilige kruis van Sint Nino, een van de meest vereerde relikwieën in Georgië. Volgens de legende maakte Sint Nino dit unieke kruis van druivenranken, die ze samenbond met haar eigen haar. Dit heilige relikwie, centraal in de kathedraal, belichaamt de diepe spirituele band die Georgiërs hebben met hun geloof en geschiedenis. Ja, Sint Nino is inderdaad een vrouw. Ze is een van de belangrijkste figuren in het Georgische christendom, en wordt gecrediteerd voor het bekeren van het koninkrijk Iberia het oude Georgië tot het christendom in het begin van de 4e eeuw. Sint Nino wordt vaak afgebeeld met haar druivenrankkruis, dat een symbool is van haar missie en geloof. Tussen 1850 en 1860 onderging het interieur van de kathedraal een transformatie onder leiding van de Russische kunstenaar en generaal Knyaz Grigory Gagarin, die een reeks nieuwe muurschilderingen aanbracht. Helaas gingen hierbij enkele originele middeleeuwse fresco's verloren. In de jaren 1980 voegde de Georgische kunstenaar Levan Tsutskiridze zijn eigen muurschilderingen toe aan de westelijke muur, waarbij hij zijn moderne stijl combineerde met de rijke kunstgeschiedenis van de kathedraal. Deze bijdragen weerspiegelen de mix van Russische en Georgische invloeden die de kathedraal in de loop der tijd hebben gevormd. De Zion kathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de lange en complexe geschiedenis van het christendom in Georgië, en het is een must-see voor bezoekers die de spirituele en culturele kern van Tbilisi willen ervaren.
It is hard to walk a few steps in Savannah without seeing not only cool images but also important history. This building is Savannah's minor Catholic basilica, the Cathedral Basilica of St. John the Baptist.
The early British colony of Georgia was anti-slavery but in that same liberal breath of enlightenment ahead of its time, it prohibited Catholic worship. Why did the government of Georgia dislike Catholics? In an on-again off-again hot and cold war against Spain, the British colonial leaders of Georgia feared that Catholics would be more loyal to the Pope, Spain, and Spain's neighboring colony of Florida rather than Britain and its colony of Georgia.
The Georgia charter prohibited Catholics the right to worship.
It is therefore safe to bet that a congregation of Catholics and any Catholic building here in Savannah would come near or after the American Revolutionary War. Sure enough. After the Revolutionary War and the establishment of the First Amendment of the U.S. Constitution, which separated church and state, a congregation of Catholics met at this site.
Wikipedia explains the history of the Cathedral Basilica of St John the Baptist: "French Catholic émigrés established the first church after they fled Haiti in 1799, following the outbreak of slave rebellions that began on the Caribbean island in 1791. It became the main church for free blacks from Haiti in the early 19th century...Construction began on the new Cathedral of St. John the Baptist in 1873. The structure was nearly destroyed by fire in 1898 but through diligent effort was rebuilt by 1899. "
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The David Gareja Monastery complex is one of the most unique and historically significant religious sites in Georgia. Located in the Kakheti region, near the border with Azerbaijan, the complex is partly carved into the rocks of a rugged, semi-desert landscape. It was founded in the 6th century by the Syrian monk David Garejeli. Over the following centuries, it became an important center of religion, art, and scholarship—especially during the medieval period. Despite repeated invasions, including by Mongols and Persians, it has always remained a place of deep spiritual meaning. This photo shows the courtyard of the Lavra Monastery, the oldest part of the complex. In the upper right corner, you can see the wooden gallery of the building that serves as the communal space for the monks — a place where they eat, gather, and find rest. The timber balcony and extended structure give it a warm, welcoming appearance, even in this remote and austere setting. To the left, in the background, rises the small church with its bell tower, dedicated to David Garejeli himself — the revered founder of the monastery. The weathered stone, the cross motifs in the wall, and the simple architecture reflect the essence of monastic life: simplicity, community, and contemplation. Here in this quiet courtyard, one can feel history, faith, and landscape come together — far from the world, yet full of meaning.
This photo captures the quiet courtyard of the ancient Lavra Monastery at David Gareja. On the right is the monks’ communal hall, where they gather and share meals; in the background stands the simple stone church of Saint David Garejeli. The architecture reflects a life of humility and reflection, set in the stillness of Georgia’s semi-desert hills.
Het David Gareja-kloostercomplex is één van de meest bijzondere en historische religieuze locaties van Georgië. Het ligt in de regio Kakheti, vlak bij de grens met Azerbeidzjan, en is deels uitgehouwen in de rotsen van een ruig, halfwoestijnachtig landschap. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli. In de daaropvolgende eeuwen groeide het uit tot een belangrijk centrum van religie, kunst en wetenschap — vooral in de middeleeuwen. Ondanks herhaalde plunderingen, onder andere door Mongolen en Perzen, bleef het altijd een plaats van diepe spirituele betekenis. Deze foto toont de binnenplaats van het Lavra-klooster, het oudste deel van het complex. Rechtsboven zie je de houten galerij van het gebouw dat dienstdoet als gemeenschappelijke ruimte voor de monniken — een plek waar ze samen eten, bijeenkomen en rust vinden. De houten structuur en het uitkragende balkon zorgen voor een warme en uitnodigende uitstraling, zelfs in deze afgelegen omgeving. Links op de achtergrond prijkt de kleine kerk met klokkentoren die is gewijd aan David Garejeli zelf — de heilige stichter van het klooster. De verweerde steen, de ingelegde kruismotieven in de muur en de sobere architectuur weerspiegelen de geest van het kloosterleven: eenvoud, gemeenschap en contemplatie. Hier, op deze stille binnenplaats, voel je hoe geschiedenis, geloof en landschap samenvallen — ver van de wereld, maar vol betekenis.
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Dariali Monastery Complex is a beautiful Georgian monastery complex located in the Dariali Gorge, close to the border between Georgia and Russia. This monastery is located on the Georgian side of the famous Georgian Military Highway, in the dramatic mountain landscape of the Greater Caucasus. Near the town of Stepantsminda. Construction began in 2005 and was completed in the following years. Traditional Georgian Orthodox architecture, with stone facades, a large bell tower and golden domes. The monastery is inhabited by monks and serves as a spiritual and cultural center. The Dariali Gorge has always played a strategic role as a gateway between Russia and Georgia and was defended by fortifications since ancient times. The monastery is an impressive stop for travelers on their way to Kazbegi Stepantsminda and offers a serene atmosphere amidst the rugged nature of the Caucasus.
The Dariali Monastery Complex is located in the Dariali Valley of Georgia, at the foot of the Greater Caucasus Mountains. It is located near the border with Russia. The complex was originally built as a strategic site, both religious and defensive. The location is of historical importance due to its control over the important passage through the Caucasus, which was used for trade routes and military movements between Georgia and the areas north of the mountains. Thus, the monastery served not only as a spiritual center, but also as a fortress for protection against incursions. The Dariali Monastery Complex has a rich history, dating back to the early Middle Ages, and it remains a symbolic site for the Georgian Orthodox Church.
Het Dariali Monastery Complex is een prachtig Georgisch kloostercomplex gelegen in de Dariali-kloof, vlak bij de grens tussen Georgië en Rusland. Dit klooster ligt aan de Georgische kant van de beroemde Georgian Military Highway, in een dramatisch berglandschap van de Grote Kaukasus. Nabij de stad Stepantsminda. De bouw begon in 2005 en werd in de daaropvolgende jaren voltooid. Traditionele Georgisch-orthodoxe bouwstijl, met stenen gevels, een grote klokkentoren en gouden koepels. Het klooster wordt bewoond door monniken en fungeert als een spiritueel en cultureel centrum. De Dariali-kloof heeft altijd een strategische rol gespeeld als toegangspoort tussen Rusland en Georgië en werd al in de oudheid verdedigd door vestingwerken. Het klooster is een indrukwekkende stop voor reizigers op weg naar Kazbegi Stepantsminda en biedt een serene sfeer te midden van de ruige natuur van de Kaukasus.
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The Zion Cathedral in Tbilisi, also known as the Sioni Cathedral, is one of the most significant religious and historical buildings in Georgia. Located in the old part of the city, along the Kura River, the cathedral is named after Mount Zion in Jerusalem, highlighting its deep religious significance. The original cathedral was built in the 6th and 7th centuries, but it has been destroyed and rebuilt several times over the centuries, with the current structure primarily dating from the 13th century. Despite these reconstructions, the cathedral has retained much of its ancient charm, featuring elements of Georgian, Byzantine, and Persian architecture. Inside the cathedral is the holy cross of Saint Nino, one of Georgia’s most revered relics. According to tradition, this cross was made from grapevines by Saint Nino, who brought Christianity to Georgia. The Zion Cathedral is not only a place of worship but also a symbol of the long and complex history of Christianity in Georgia, making it a must-see for visitors wanting to experience the spiritual and cultural heart of Tbilisi.
In the heart of the Zion Cathedral, the revered cross of Saint Nino stands prominently, a powerful symbol of Georgia’s Christian heritage. According to legend, Saint Nino crafted this unique cross from grapevines, which she tied together with her own hair. This sacred relic, central to the cathedral, embodies the deep spiritual connection Georgians hold with their faith and history. Yes, Saint Nino is indeed a woman. She is one of the most important figures in Georgian Christianity, credited with converting the Kingdom of Iberia (ancient Georgia) to Christianity in the early 4th century. Saint Nino is often depicted with her grapevine cross, which is a symbol of her mission and faith.
De Zionkathedraal in Tbilisi, ook wel de Sioni-kathedraal genoemd, is een van de belangrijkste religieuze en historische gebouwen in Georgië. Gelegen in het oude deel van de stad, langs de Kura-rivier, is de kathedraal vernoemd naar de berg Zion in Jeruzalem, wat een diepgaande religieuze betekenis onderstreept. De oorspronkelijke kathedraal werd in de 6e en 7e eeuw gebouwd, maar door de eeuwen heen is het gebouw meerdere keren verwoest en herbouwd, waarbij het huidige bouwwerk voornamelijk dateert uit de 13e eeuw. Ondanks deze reconstructies heeft de kathedraal veel van haar oude charme behouden, met elementen van Georgische, Byzantijnse en Perzische architectuur. Binnen in de kathedraal bevindt zich het heilige kruis van Sint Nino, een van de meest vereerde relikwieën in Georgië. Volgens de legende maakte Sint Nino dit unieke kruis van druivenranken, die ze samenbond met haar eigen haar. Dit heilige relikwie, centraal in de kathedraal, belichaamt de diepe spirituele band die Georgiërs hebben met hun geloof en geschiedenis. Ja, Sint Nino is inderdaad een vrouw. Ze is een van de belangrijkste figuren in het Georgische christendom, en wordt gecrediteerd voor het bekeren van het koninkrijk Iberia het oude Georgië tot het christendom in het begin van de 4e eeuw. Sint Nino wordt vaak afgebeeld met haar druivenrankkruis, dat een symbool is van haar missie en geloof. De Zionkathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de lange en complexe geschiedenis van het christendom in Georgië, en het is een must-see voor bezoekers die de spirituele en culturele kern van Tbilisi willen ervaren.
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Dariali Monastery Complex is a beautiful Georgian monastery complex located in the Dariali Gorge, close to the border between Georgia and Russia. This monastery is located on the Georgian side of the famous Georgian Military Highway, in the dramatic mountain landscape of the Greater Caucasus. Near the town of Stepantsminda. Construction began in 2005 and was completed in the following years. Traditional Georgian Orthodox architecture, with stone facades, a large bell tower and golden domes. The monastery is inhabited by monks and serves as a spiritual and cultural center. The Dariali Gorge has always played a strategic role as a gateway between Russia and Georgia and was defended by fortifications since ancient times. The monastery is an impressive stop for travelers on their way to Kazbegi Stepantsminda and offers a serene atmosphere amidst the rugged nature of the Caucasus.
The Dariali Monastery Complex is located in the Dariali Valley of Georgia, at the foot of the Greater Caucasus Mountains. It is located near the border with Russia. The complex was originally built as a strategic site, both religious and defensive. The location is of historical importance due to its control over the important passage through the Caucasus, which was used for trade routes and military movements between Georgia and the areas north of the mountains. Thus, the monastery served not only as a spiritual center, but also as a fortress for protection against incursions. The Dariali Monastery Complex has a rich history, dating back to the early Middle Ages, and it remains a symbolic site for the Georgian Orthodox Church.
Het Dariali Monastery Complex is een prachtig Georgisch kloostercomplex gelegen in de Dariali-kloof, vlak bij de grens tussen Georgië en Rusland. Dit klooster ligt aan de Georgische kant van de beroemde Georgian Military Highway, in een dramatisch berglandschap van de Grote Kaukasus. Nabij de stad Stepantsminda. De bouw begon in 2005 en werd in de daaropvolgende jaren voltooid. Traditionele Georgisch-orthodoxe bouwstijl, met stenen gevels, een grote klokkentoren en gouden koepels. Het klooster wordt bewoond door monniken en fungeert als een spiritueel en cultureel centrum. De Dariali-kloof heeft altijd een strategische rol gespeeld als toegangspoort tussen Rusland en Georgië en werd al in de oudheid verdedigd door vestingwerken. Het klooster is een indrukwekkende stop voor reizigers op weg naar Kazbegi Stepantsminda en biedt een serene sfeer te midden van de ruige natuur van de Kaukasus.
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The Zion Cathedral in Tbilisi, also known as the Sioni Cathedral, is one of the most significant religious and historical buildings in Georgia. Located in the old part of the city, along the Kura River, the cathedral is named after Mount Zion in Jerusalem, highlighting its deep religious significance. The original cathedral was built in the 6th and 7th centuries, but it has been destroyed and rebuilt several times over the centuries, with the current structure primarily dating from the 13th century. Despite these reconstructions, the cathedral has retained much of its ancient charm, featuring elements of Georgian, Byzantine, and Persian architecture. Inside the cathedral is the holy cross of Saint Nino, one of Georgia’s most revered relics. According to tradition, this cross was made from grapevines by Saint Nino, who brought Christianity to Georgia. The Zion Cathedral is not only a place of worship but also a symbol of the long and complex history of Christianity in Georgia, making it a must-see for visitors wanting to experience the spiritual and cultural heart of Tbilisi.
The dome of the Zion Cathedral in Tbilisi is one of the most striking features of the building. This large, circular dome rises above the cathedral’s nave, symbolizing the heavens and serving as a central element in Orthodox church architecture. The interior of the dome is adorned with stunning frescoes, often depicting Christ surrounded by angels and saints, emphasizing the spiritual significance of the space. Natural light filters through the dome, gently illuminating the interior and bringing the frescoes to life. The ceiling is a remarkable feature of the interior, adorned with intricate religious frescoes and artwork. These paintings depict various Biblical scenes and saints, contributing to the sacred and serene atmosphere of the cathedral. The decorations result from different periods of artistic influence, including the work of Russian artist Knyaz Grigory Gagarin in the 19th century and Georgian artist Levan Tsutskiridze in the 20th century. Together, these artworks create a harmonious blend of traditional and modern styles, reflecting Georgia’s spiritual and cultural heritage.
De Zionkathedraal in Tbilisi, ook wel de Sioni-kathedraal genoemd, is een van de belangrijkste religieuze en historische gebouwen in Georgië. Gelegen in het oude deel van de stad, langs de Kura-rivier, is de kathedraal vernoemd naar de berg Zion in Jeruzalem, wat een diepgaande religieuze betekenis onderstreept. De oorspronkelijke kathedraal werd in de 6e en 7e eeuw gebouwd, maar door de eeuwen heen is het gebouw meerdere keren verwoest en herbouwd, waarbij het huidige bouwwerk voornamelijk dateert uit de 13e eeuw. Ondanks deze reconstructies heeft de kathedraal veel van haar oude charme behouden, met elementen van Georgische, Byzantijnse en Perzische architectuur. Binnen in de kathedraal bevindt zich het heilige kruis van Sint Nino, een van de meest vereerde relikwieën in Georgië. Volgens de legende maakte Sint Nino dit unieke kruis van druivenranken, die ze samenbond met haar eigen haar. Dit heilige relikwie, centraal in de kathedraal, belichaamt de diepe spirituele band die Georgiërs hebben met hun geloof en geschiedenis. Ja, Sint Nino is inderdaad een vrouw. Ze is een van de belangrijkste figuren in het Georgische christendom, en wordt gecrediteerd voor het bekeren van het koninkrijk Iberia het oude Georgië tot het christendom in het begin van de 4e eeuw. Sint Nino wordt vaak afgebeeld met haar druivenrankkruis, dat een symbool is van haar missie en geloof. De koepel laat natuurlijk licht binnen, dat subtiel de binnenruimte verlicht en de fresco's tot leven brengt. Dit licht speelt een belangrijke rol in de ervaring van de ruimte, waardoor een sfeer van rust en devotie ontstaat. Het plafond is een indrukwekkend onderdeel van het interieur, rijk versierd met religieuze fresco's en kunstwerken. De schilderingen op het plafond, die verschillende Bijbelse scènes en heiligen afbeelden, dragen bij aan de heilige en serene sfeer van de kathedraal. De versieringen zijn het resultaat van verschillende periodes van artistieke invloeden, waaronder het werk van Russische kunstenaar Knyaz Grigory Gagarin in de 19e eeuw en Georgische kunstenaar Levan Tsutskiridze in de 20e eeuw. Samen vormen deze kunstwerken een harmonieuze mix van traditionele en moderne stijlen, die de spirituele en culturele geschiedenis van Georgië weerspiegelen. De Zionkathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de lange en complexe geschiedenis van het christendom in Georgië, en het is een must-see voor bezoekers die de spirituele en culturele kern van Tbilisi willen ervaren.
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The David Gareja Monastery complex is one of the most remarkable and historically significant religious sites in Georgia. Located in the Kakheti region, near the border with Azerbaijan, it is partly carved into the cliffs of a rugged, semi-desert landscape. The monastery was founded in the 6th century by the Syrian monk David Garejeli, and by the Middle Ages it had grown into an important center of religion, art, and scholarship. In the centuries that followed, the complex was repeatedly plundered — including by Mongols and Persians — but it never lost its deep spiritual significance. The David Gareja complex consists of dozens of rock-hewn chapels and churches, some of which are over a thousand years old. At its heart lies the Lavra, the oldest and central part of the monastery. Within it stands the Church of the Transfiguration, a cave church carved into the sandstone cliffs during the early medieval period. As the name suggests, the church is dedicated to the Transfiguration of Christ — a major feast in the Eastern Orthodox tradition that commemorates the moment when Jesus, on Mount Tabor, was revealed in divine light. The church is part of a larger cave system. Its walls and vaults were not constructed, but cut directly from the rock. Inside the Lavra church are icons in traditional Byzantine style, depicting saints, Christ Pantocrator, and scenes from the New Testament. As seen in the photo, an iconostasis a wall of icons separates the sanctuary from the rest of the chapel — a key feature of Eastern Orthodox liturgy. To this day, the church is still in use by Georgian Orthodox monks, underlining its role as a living place of worship. The atmosphere in the Lavra Church — with its raw stone walls, soft natural light, and ancient icons — radiates a sense of timeless devotion. Here, the silence is not empty, but filled with history, faith, and reverence.
Tucked into Georgia’s arid hills near the Azerbaijani border, the David Gareja Monastery is a centuries-old spiritual site carved into rock. At its core lies the Lavra, home to the Church of the Transfiguration — a cave church dating back to the early Middle Ages. Once a center of faith and learning, it remains active today, with monks still using its ancient spaces. The raw stone, quiet light, and sacred icons create an atmosphere not of ruin, but of living devotion.
Het David Gareja-kloostercomplex is een van de meest bijzondere en historisch belangrijke religieuze locaties van Georgië. Het ligt in de regio Kakheti, vlak bij de grens met Azerbeidzjan, en is deels uitgehouwen in de rotsen van een ruig, halfwoestijnachtig landschap. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli. In de middeleeuwen groeide het uit tot een belangrijk centrum van religie, kunst en wetenschap. In latere eeuwen werd het complex meerdere malen geplunderd — onder andere door Mongolen en Perzen — maar het bleef altijd een plek van diepe spirituele betekenis. Binnen het David Gareja-complex bevinden zich tientallen uit rotsen gehouwen kapellen en kerken, waarvan sommige meer dan duizend jaar oud zijn. Het oudste en centrale deel is de Lavra. Hier bevindt zich de Church of the Transfiguration, een grotkerk die in de vroege middeleeuwen werd uitgehouwen in de zandsteenrotsen. Zoals de naam al aangeeft, is deze kerk gewijd aan de Gedaanteverandering van Christus — een belangrijk feest in de Oosters-Orthodoxe traditie dat verwijst naar het moment waarop Jezus op de berg Tabor straalde van goddelijk licht. De kerk maakt deel uit van een groter grotensysteem. De muren en gewelven zijn niet gebouwd, maar direct uit de rots gehakt. Binnen deLavra-kerk zien we iconen in traditionele Byzantijnse stijl, met voorstellingen van heiligen, Christus Pantokrator en scènes uit het Nieuwe Testament. Zoals op de foto te zien is, scheidt een iconostase iconenwand het altaargedeelte van de rest van de kapel — een essentieel element in de Oosters-Orthodoxe eredienst. Deze kerk wordt tot op de dag van vandaag gebruikt door de monniken van het David Gareja-klooster, wat haar status als levende religieuze plek onderstreept. De sfeer in de Lavra Church — met haar ruwe stenen wanden, zachte lichtinval en eeuwenoude iconen — ademt een gevoel van tijdloze devotie. De stilte is hier niet leeg, maar gevuld met geschiedenis, geloof en toewijding.
The Taarkeshwar temple is a significant 12th-century Hindu temple located in the small town of Hanagal in Karnataka. Built during the reign of the Kalyani Chalukya dynasty, the temple's construction is credited to the Chalukya kings who were fervent patrons of art and architecture. The temple's architecture is typical of the Kalyani Chalukya style, characterized by intricate carvings on the exterior walls, the use of decorative sculptures, and elaborate doorways. The temple's shikara or spire is particularly remarkable, with a design that is similar to the Hoysala style of architecture. The Taarkeshwar temple is an important example of ancient Indian temple architecture and a popular pilgrimage destination for those interested in Indian history and culture.
A cloister (from Latin claustrum) is a part of cathedral, monastic and abbey architecture. A cloister consists usually of four corridors, with a courtyard or garth in the middle. It is intended to be both covered from the rain, but open to the air. The attachment of a cloister to a Cathedral church usually indicates that it is (or was once) a monastic foundation.
Cloistered (or "Claustral") life is also another name for the life of a monk or nun in the enclosed religious orders; the modern English term enclosure is used in contemporary Catholic church law to mean cloistered, and cloister is sometimes used as a synonym for monastery.
In medieval times, cloisters served the primary function of quiet meditation or study gardens.
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The David Gareja Monastery complex was founded in the 6th century by the monk David Garejeli and comprises dozens of caves, churches, chapels, and hermit cells carved into the sandstone hills along the border of Georgia and Azerbaijan. For centuries, the monastery was a major center of faith, art, and learning. It is especially known for its unique rock-cut architecture and remarkable medieval frescoes. This photo captures the humble and austere beauty of monastic life: weathered stones, hidden doors, silence, and simplicity — a place where spirituality is literally carved into the rock. A small cell has been hewn into the soft sandstone, its wooden door bearing a simple wooden cross. To the left, a rough rock-carved staircase leads to a higher cell, typical of the hermit dwellings found throughout the complex. The walls, made of clay, natural stone, and brick, are unfinished and worn — characteristic of the medieval Georgian Orthodox architectural style, where simplicity and spirituality go hand in hand. This place breathes silence, devotion, and centuries-old mysticism. The atmosphere is sober and contemplative, perfectly reflecting the hermit lifestyle that has been practiced here since the 6th century by David Garejeli and his followers. During our visit, we were the only visitors, allowing us to explore the entire complex in complete tranquility. From the monastery, a breathtaking view opens up over the vast, silent semi-desert landscape.
Hidden in the sandstone hills of eastern Georgia, the David Gareja Monastery is a centuries-old spiritual retreat carved into the rock. This photo reveals a humble monastic cell with a wooden door marked by a cross, alongside a weathered staircase leading deeper into the hillside. The simplicity, silence, and raw textures reflect the ascetic lifestyle of the monks who once lived here in solitude and devotion.
Het David Gareja Monastery-complex werd in de 6e eeuw gesticht door de monnik David Garejeli en omvat tientallen grotten, kerken, kapellen en kluizenaarsverblijven, verspreid over de zandstenen heuvels langs de grens van Georgië en Azerbeidzjan. Eeuwenlang was het klooster een belangrijk centrum van geloof, kunst en studie. Het staat vooral bekend om zijn unieke rotsarchitectuur en indrukwekkende middeleeuwse fresco’s. Deze foto toont de bescheiden, ingetogen schoonheid van het kloosterleven: verweerde stenen, verborgen deuren, stilte en eenvoud — een plek waar spiritualiteit letterlijk in de rotsen is verankerd. Een kleine cel is uitgehouwen in de zachte zandsteenrots, met een houten deur waarop een eenvoudig houten kruis is bevestigd. Links zie je een ruwe, in de rotsen uitgehouwen trap die leidt naar een hoger gelegen ruimte, typisch voor de kluizenaarsverblijven binnen dit complex. De muren bestaan uit leem, natuursteen en baksteen, ruw afgewerkt en verweerd — typerend voor de middeleeuwse Georgisch-orthodoxe bouwstijl waarin eenvoud en spiritualiteit hand in hand gaan. Deze plek ademt stilte, devotie en eeuwenoude mystiek. De sfeer is sober en ingetogen, volledig in lijn met het kluizenaarsleven dat hier sinds de 6e eeuw werd geleid door David Garejeli en zijn volgelingen. Tijdens ons bezoek waren we de enige bezoekers, wat ons de zeldzame kans gaf om het hele complex in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, uitgestrekte semi-woestijnvlakten.
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The Zion Cathedral in Tbilisi is one of Georgia's most important religious landmarks, known for its rich history dating back to the 6th century. The cathedral features a blend of medieval and modern frescoes, reflecting both Russian and Georgian artistic influences. In the Georgian Orthodox Church, kissing icons, including paintings of saints or important religious figures, is a deeply rooted and symbolic tradition. In the context of paintings depicting the feet of saints, such as in Orthodox churches in Tbilisi, kissing these icons is an expression of humility, reverence, and respect. Believers often bow before the icons and kiss specific parts of the image, such as the hands or feet, to express their devotion and homage to the saint or Christ. This ritual reflects the Orthodox belief that icons are not merely works of art, but sacred windows to the divine. By kissing the feet, believers show their submission and love for the saint, and acknowledge the spiritual authority and blessing emanating from the saint. It is a physical gesture that symbolizes the deep spiritual bond between the believer and the saints or Christ.
Between 1850 and 1860, the interior of Zion Cathedral was transformed by Russian artist and general Knyaz Grigory Gagarin, who painted a series of new murals. Unfortunately, this work resulted in the loss of some original medieval frescoes. In the 1980s, Georgian artist Levan Tsutskiridze added his own murals to the western wall, blending his contemporary style with the cathedral’s rich artistic history. These contributions reflect the mix of Russian and Georgian influences that have shaped the cathedral over time.
De Zion kathedraal in Tbilisi is een van de belangrijkste religieuze bezienswaardigheden van Georgië, met een geschiedenis die teruggaat tot de 6e eeuw. De kathedraal bevat een mix van middeleeuwse en moderne fresco's, die zowel Russische als Georgische artistieke invloeden weerspiegelen. In de Georgisch-orthodoxe kerk is het kussen van iconen, inclusief schilderijen van heiligen of belangrijke religieuze figuren, een diepgewortelde en symbolische traditie. In de context van schilderijen waar de voeten van heiligen zijn afgebeeld, zoals in orthodoxe kerken in Tbilisi, is het kussen van deze iconen een uiting van nederigheid, eerbied en respect. Gelovigen buigen vaak voor de iconen en kussen specifieke delen van de afbeelding, zoals de handen of voeten, om hun devotie en eerbetoon aan de heilige of Christus uit te drukken. Dit ritueel weerspiegelt de orthodoxe overtuiging dat iconen niet slechts kunstwerken zijn, maar heilige vensters naar het goddelijke. Door de voeten te kussen, tonen de gelovigen hun onderdanigheid en liefde voor de heilige, en erkennen ze de spirituele autoriteit en zegen die van de heilige uitgaat. Het is een fysiek gebaar dat de diepe spirituele band tussen de gelovige en de heiligen of Christus symboliseert.
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St. George's Cathedral in Tbilisi, also known as the Cathedral of St. George, is a significant religious and historical landmark in Georgia. Situated in the heart of Tbilisi's old town, this cathedral is one of the oldest and most revered Orthodox churches in the city. The current structure dates back to the 13th century, though it's believed that a church existed on this site even earlier. The cathedral is dedicated to St. George, the patron saint of Georgia, who is venerated in the country for his role as a protector and symbol of the Christian faith. Over the centuries, the cathedral has undergone numerous changes, including restorations and expansions. Its interior is richly decorated with icons and frescoes depicting various saints and Biblical scenes. The architecture of the cathedral blends elements of traditional Georgian design with influences from Byzantine and Persian styles, creating a unique and striking appearance. St. George's Cathedral serves not only as a place of worship but also as a symbol of Georgia's religious and cultural identity. It attracts both worshippers and tourists who come to experience its spiritual and historical significance.
St. George's Cathedral is located in the heart of Tbilisi's old town, within the historic district known as Abanotubani. This area is famous for its traditional sulfur baths and narrow, winding streets. The cathedral is nestled among other historic landmarks, making it a central part of Tbilisi's rich cultural and religious heritage. Its location in the old town places it within easy reach of other significant sites, such as the Narikala Fortress and the Metekhi Church, offering visitors a deep sense of the city's history and spiritual life.
De Sint-Joriskathedraal in Tbilisi, ook bekend als de Kathedraal van Sint Joris, is een belangrijke religieuze en historische locatie in Georgië. Gelegen in het hart van Tbilisi's oude stad, is deze kathedraal een van de oudste en meest vereerde orthodoxe kerken in de stad. De huidige structuur van de kathedraal dateert uit de 13e eeuw, hoewel er aanwijzingen zijn dat er al eerder een kerk op deze plek heeft gestaan. De kathedraal is gewijd aan Sint Joris, de patroonheilige van Georgië, die in het land wordt vereerd vanwege zijn rol als beschermer en symbool van het christelijk geloof. De kathedraal heeft door de eeuwen heen vele veranderingen ondergaan, waaronder restauraties en uitbreidingen. Het interieur is rijk versierd met iconen en fresco's, die verschillende heiligen en Bijbelse scènes uitbeelden. De architectuur van de kathedraal combineert elementen van traditionele Georgische bouwkunst met invloeden uit Byzantijnse en Perzische stijlen, wat resulteert in een uniek en indrukwekkend ontwerp. Sint-Joriskathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de religieuze en culturele identiteit van Georgië. Het trekt zowel gelovigen als toeristen aan, die de kathedraal bezoeken om haar spirituele enhistorische betekenis te ervaren.
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St. George's Cathedral in Tbilisi, also known as the Cathedral of St. George, is a significant religious and historical landmark in Georgia. Situated in the heart of Tbilisi's old town, this cathedral is one of the oldest and most revered Orthodox churches in the city. The current structure dates back to the 13th century, though it's believed that a church existed on this site even earlier. The cathedral is dedicated to St. George, the patron saint of Georgia, who is venerated in the country for his role as a protector and symbol of the Christian faith. Over the centuries, the cathedral has undergone numerous changes, including restorations and expansions. Its interior is richly decorated with icons and frescoes depicting various saints and Biblical scenes. The architecture of the cathedral blends elements of traditional Georgian design with influences from Byzantine and Persian styles, creating a unique and striking appearance. St. George's Cathedral serves not only as a place of worship but also as a symbol of Georgia's religious and cultural identity. It attracts both worshippers and tourists who come to experience its spiritual and historical significance.
In St. George's Cathedral in Tbilisi, the altar is a focal point of deep reverence and spiritual significance. Richly adorned with religious icons, candles, and ornate decorations, the altar represents the sacred space where the divine meets the earthly. A priest, clad in traditional vestments, stands at the altar, embodying the role of mediator between the congregation and the divine. Before the altar, a man kneels in prayer, his posture reflecting humility and devotion. The scene captures a profound moment of spiritual connection, where the ancient traditions of faith continue to thrive in the sacred atmosphere of the cathedral.
De Sint-Joriskathedraal in Tbilisi, ook bekend als de Kathedraal van Sint Joris, is een belangrijke religieuze en historische locatie in Georgië. Gelegen in het hart van Tbilisi's oude stad, is deze kathedraal een van de oudste en meest vereerde orthodoxe kerken in de stad. De huidige structuur van de kathedraal dateert uit de 13e eeuw, hoewel er aanwijzingen zijn dat er al eerder een kerk op deze plek heeft gestaan. De kathedraal is gewijd aan Sint Joris, de patroonheilige van Georgië, die in het land wordt vereerd vanwege zijn rol als beschermer en symbool van het christelijk geloof. De kathedraal heeft door de eeuwen heen vele veranderingen ondergaan, waaronder restauraties en uitbreidingen. Het interieur is rijk versierd met iconen en fresco's, die verschillende heiligen en Bijbelse scènes uitbeelden. De architectuur van de kathedraal combineert elementen van traditionele Georgische bouwkunst met invloeden uit Byzantijnse en Perzische stijlen, wat resulteert in een uniek en indrukwekkend ontwerp. Het altaar is een plek van diep respect en spirituele betekenis. Rijkelijk versierd met religieuze iconen, kaarsen en sierlijke decoraties, symboliseert het altaar de heilige ruimte waar het goddelijke en het aardse elkaar ontmoeten. Een priester, gekleed in traditionele gewaden, staat bij het altaar en vervult de rol van bemiddelaar tussen de gemeente en het goddelijke. Voor het altaar knielt eenman in gebed, zijn houding weerspiegelt nederigheid en toewijding. Dit tafereel vangt een krachtig moment van spirituele verbinding, waar de eeuwenoude geloofstradities voortleven in de heilige sfeer van de kathedraal. Sint-Joriskathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de religieuze en culturele identiteit van Georgië. Het trekt zowel gelovigen als toeristen aan, die de kathedraal bezoeken om haar spirituele en historische betekenis te ervaren.
Byland Abbey is a ruined abbey and a small village in North Yorkshire, England. It is situated in the North York Moors National Park
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St. George's Cathedral in Tbilisi, also known as the Cathedral of St. George, is a significant religious and historical landmark in Georgia. Situated in the heart of Tbilisi's old town, this cathedral is one of the oldest and most revered Orthodox churches in the city. The current structure dates back to the 13th century, though it's believed that a church existed on this site even earlier. The cathedral is dedicated to St. George, the patron saint of Georgia, who is venerated in the country for his role as a protector and symbol of the Christian faith. Over the centuries, the cathedral has undergone numerous changes, including restorations and expansions. Its interior is richly decorated with icons and frescoes depicting various saints and Biblical scenes. The architecture of the cathedral blends elements of traditional Georgian design with influences from Byzantine and Persian styles, creating a unique and striking appearance. The serene and sacred atmosphere of the chapel in St. George's Cathedral invites visitors to find a moment of silence, connect with the divine and experience the depth of their faith. The cathedral serves not only as a place of worship but also as a symbol of Georgia's religious and cultural identity. It attracts both worshippers and tourists who come to experience its spiritual and historical significance.
The chapel in St. George's Cathedral in Tbilisi is an intimate space within the larger church, designed for personal prayers and smaller, private ceremonies. This chapel is richly adorned with icons, candles, and religious symbols that emphasize the sanctity of the space. The walls are covered with frescoes and icons depicting saints and Biblical scenes, creating a deeply spiritual atmosphere. Here, worshippers find a place of quiet reflection and meditation, away from the bustle of the main cathedral. Kanitha lights a candle in the chapel, her thoughts filled with hope and prayers for someone dear to her. In the soft glow of the light, she trusts in a moment of silent connection, wishing the best for them.
De Sint-Joriskathedraal in Tbilisi, ook bekend als de Kathedraal van Sint Joris, is een belangrijke religieuze en historische locatie in Georgië. Gelegen in het hart van Tbilisi's oude stad, is deze kathedraal een van de oudste en meest vereerde orthodoxe kerken in de stad. De huidige structuur van de kathedraal dateert uit de 13e eeuw, hoewel er aanwijzingen zijn dat er al eerder een kerk op deze plek heeft gestaan. De kathedraal is gewijd aan Sint Joris, de patroonheilige van Georgië, die in het land wordt vereerd vanwege zijn rol als beschermer en symbool van het christelijk geloof. De kathedraal heeft door de eeuwen heen vele veranderingen ondergaan, waaronder restauraties en uitbreidingen. Het interieur is rijk versierd met iconen en fresco's, die verschillende heiligen en Bijbelse scènes uitbeelden. De architectuur van de kathedraal combineert elementen van traditionele Georgische bouwkunst met invloeden uit Byzantijnse en Perzische stijlen, wat resulteert in een uniek en indrukwekkend ontwerp. Het altaar is een plek van diep respect en spirituele betekenis. Rijkelijk versierd met religieuze iconen, kaarsen en sierlijke decoraties, symboliseert het altaar de heilige ruimte waar het goddelijke en het aardse elkaar ontmoeten. De kapel in de kathedraal is een intieme ruimte binnen de grotere kerk, bedoeld voor persoonlijke gebeden en kleinere, meer privéceremonies. Deze kapel is vaak rijkelijk versierd met iconen, kaarsen, en religieuze symbolen die de heilige aard van de ruimte benadrukken. De muren zijn vaak bedekt met fresco's en iconen die heiligen en Bijbelse taferelen afbeelden, wat een diep spirituele sfeer creëert. De kapel biedt een plek van rust en contemplatie, waar gelovigen zich kunnen terugtrekken voor persoonlijk gebed of meditatie, ver weg van de drukte van het hoofdgedeelte van de kathedraal. Kanitha steekt een kaarsje aan in de kapel, haar gedachten gevuld met hoop en gebeden voor iemand die haar dierbaar is. In het zachte schijnsel van het licht, vertrouwt ze op een moment van stille verbinding en wens het beste voor diegene. Sint-Joriskathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de religieuze en culturele identiteit van Georgië. Het trekt zowel gelovigen als toeristen aan, die de kathedraal bezoeken om haar spirituele en historische betekenis te ervaren.
photo rights reserved by B℮n
The Zion Cathedral in Tbilisi, also known as the Sioni Cathedral, is one of the most significant religious and historical buildings in Georgia. Located in the old part of the city, along the Kura River, the cathedral is named after Mount Zion in Jerusalem, highlighting its deep religious significance. The original cathedral was built in the 6th and 7th centuries, but it has been destroyed and rebuilt several times over the centuries, with the current structure primarily dating from the 13th century. Despite these reconstructions, the cathedral has retained much of its ancient charm, featuring elements of Georgian, Byzantine, and Persian architecture. Inside the cathedral is the holy cross of Saint Nino, one of Georgia’s most revered relics. According to tradition, this cross was made from grapevines by Saint Nino, who brought Christianity to Georgia. The Zion Cathedral is not only a place of worship but also a symbol of the long and complex history of Christianity in Georgia, making it a must-see for visitors wanting to experience the spiritual and cultural heart of Tbilisi.
In the heart of the Zion Cathedral, the revered cross of Saint Nino stands prominently, a powerful symbol of Georgia’s Christian heritage. According to legend, Saint Nino crafted this unique cross from grapevines, which she tied together with her own hair. This sacred relic, central to the cathedral, embodies the deep spiritual connection Georgians hold with their faith and history. Yes, Saint Nino is indeed a woman. She is one of the most important figures in Georgian Christianity, credited with converting the Kingdom of Iberia (ancient Georgia) to Christianity in the early 4th century. Saint Nino is often depicted with her grapevine cross, which is a symbol of her mission and faith.
De Zionkathedraal in Tbilisi, ook wel de Sioni-kathedraal genoemd, is een van de belangrijkste religieuze en historische gebouwen in Georgië. Gelegen in het oude deel van de stad, langs de Kura-rivier, is de kathedraal vernoemd naar de berg Zion in Jeruzalem, wat een diepgaande religieuze betekenis onderstreept. De oorspronkelijke kathedraal werd in de 6e en 7e eeuw gebouwd, maar door de eeuwen heen is het gebouw meerdere keren verwoest en herbouwd, waarbij het huidige bouwwerk voornamelijk dateert uit de 13e eeuw. Ondanks deze reconstructies heeft de kathedraal veel van haar oude charme behouden, met elementen van Georgische, Byzantijnse en Perzische architectuur. Binnen in de kathedraal bevindt zich het heilige kruis van Sint Nino, een van de meest vereerde relikwieën in Georgië. Volgens de legende maakte Sint Nino dit unieke kruis van druivenranken, die ze samenbond met haar eigen haar. Dit heilige relikwie, centraal in de kathedraal, belichaamt de diepe spirituele band die Georgiërs hebben met hun geloof en geschiedenis. Ja, Sint Nino is inderdaad een vrouw. Ze is een van de belangrijkste figuren in het Georgische christendom, en wordt gecrediteerd voor het bekeren van het koninkrijk Iberia het oude Georgië tot het christendom in het begin van de 4e eeuw. Sint Nino wordt vaak afgebeeld met haar druivenrankkruis, dat een symbool is van haar missie en geloof. De Zionkathedraal is niet alleen een plaats van aanbidding, maar ook een symbool van de lange en complexe geschiedenis van het christendom in Georgië, en het is een must-see voor bezoekers die de spirituele en culturele kern van Tbilisi willen ervaren.
this photo captures a detail from the west side of the santa eulàlia church in palma de mallorca, a gothic building from the 13th century dedicated to the young martyr eulàlia of barcelona. these arches are part of the church’s lower façade, combining gothic elements with later baroque modifications.
the arches are closed with stone, likely to provide structural support or to protect the interior from weather. over time, this became common in mediterranean architecture to keep interiors cool and shielded from the intense sun.
This image captures two significant sculptures within the Santa Maria del Mar Basilica in Barcelona. On the left stands a statue of the Virgin Mary holding the infant Jesus, with a symbolic ship below representing the maritime heritage of the church. To the right, a crucifix depicts the suffering of Christ, contrasting with the serene figure of Mary. The stone walls and subtle lighting emphasize the spiritual atmosphere of this Gothic church.
Standing tall on Washington Street, the United Methodist Church in Harpers Ferry, West Virginia, is a striking example of 19th-century religious architecture. Its bright red brick exterior is crowned by a crisp white steeple that rises confidently against the moody Appalachian sky. Framed by leafless winter trees, the church serves as a focal point of faith and community in this historic town.
With deep roots in Harpers Ferry’s storied past, the United Methodist Church has witnessed the town’s transformation from a bustling 19th-century industrial hub to a cherished landmark of American history. Its steeple, once a guiding point for travelers and townsfolk alike, stands as a reminder of the resilience and faith that carried this community through times of change.
To the right of the church, charming white clapboard homes evoke the town’s historic character, with their wraparound porches and neatly trimmed lawns. Together, they tell a story of a town steeped in heritage and shaped by the ebb and flow of American history—from John Brown’s raid to the Civil War and beyond. The road that runs through this scene invites travelers to slow down and appreciate the town’s enduring spirit, its architecture, and its deep sense of place.
Photographed here in the gentle light of an overcast afternoon, the United Methodist Church on Washington Street stands as a symbol of Harpers Ferry’s enduring legacy—a legacy of faith, resilience, and community spirit that continues to inspire visitors and locals alike.
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
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73 acres. Formerly the Kenwood Convent and Doane Stuart School; This extraordinary campus features original architecture, beautiful woodwork, soaring chapel w/ stained glass windows, classrooms, 2 gyms, tennis court, athletic fields plus 2 other homes on the property. www.selectsothebysrealty.com/enb/sales/detail/327-l-2632-...
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Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2699
I was traveling back home from Niagara Falls, New York and made this stop. This historic spot is about a mile from the interstate highway.
The property is owned by the Community of Christ, a church that has Mormon roots. It was formerly known as the Reorganized Church of Jesus Christ of Latter-day Saints.
The guide told me that when it was first used this building was a church, community center, church office and temple all in one. I was also told this was not the original coating and color of the building. The original blue color was coated all over with crushed pieces of glass that would reflect a glow of sun and moonlight, reflecting that celestial illumination more intensely under the right conditions.
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
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73 acres. Formerly the Kenwood Convent and Doane Stuart School; This extraordinary campus features original architecture, beautiful woodwork, soaring chapel w/ stained glass windows, classrooms, 2 gyms, tennis court, athletic fields plus 2 other homes on the property. www.selectsothebysrealty.com/enb/sales/detail/327-l-2632-...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2678
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2694
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2700
This image features the magnificent rose window of Santa Maria del Mar, located in the heart of Barcelona’s Gothic Quarter. The window, adorned with intricate floral motifs, is illuminated by the warm glow of interior lighting, creating a striking contrast against the aged stone of the basilica’s vaulted ceiling. The symmetry and design of the window showcase the artistic mastery of Gothic architecture, making it a prominent feature of this iconic church.
O Claustro de Sant'Andrea, em Génova, é o único vestígio remanescente do antigo mosteiro beneditino de Sant'Andrea, fundado no século XI e demolido no início do século XX. A estrutura, um exemplar notável da arquitetura românica ligúria dos séculos XII e XIII, foi desmontada em 1905 e reconstruída em 1922 junto à Porta Soprana e à casa de Cristóvão Colombo, por iniciativa do arquiteto Alfredo d'Andrade. O claustro distingue-se pelas colunas geminadas e capitéis, que exibem estilos e temas variados: os lados sul e oeste ostentam capitéis românicos com cenas bíblicas e da vida agrícola, atribuídos a artistas lombardo-emilianos, enquanto os lados norte e este apresentam capitéis góticos tardios com motivos florais. Originalmente um espaço de meditação e circulação para as monjas beneditinas de famílias ilustres, o claustro alberga um poço central e hoje serve como testemunho da história religiosa e artística de Génova, preservando a memória do mosteiro que outrora estruturou a malha urbana medieval.
The Cloister of Sant'Andrea in Genoa is the only remaining vestige of the ancient Benedictine monastery of Sant'Andrea, founded in the 11th century and demolished in the early 20th century. The structure, a remarkable example of 12th- and 13th-century Ligurian Romanesque architecture, was dismantled in 1905 and rebuilt in 1922 next to Porta Soprana and Christopher Columbus' house, on the initiative of architect Alfredo d'Andrade. The cloister is distinguished by its twin columns and capitals, which display varied styles and themes: the south and west sides feature Romanesque capitals with biblical scenes and scenes from agricultural life, attributed to Lombard-Emilian artists, while the north and east sides feature late Gothic capitals with floral motifs. Originally a space for meditation and circulation for Benedictine nuns from illustrious families, the cloister houses a central well and today serves as a testimony to Genoa's religious and artistic history, preserving the memory of the monastery that once structured the medieval urban fabric.
The north rose window dates from 1250 and is also 12.9 meters in diameter. Its main theme is the Old Testament, but the central medallion depicts the Virgin and Child.
The stained glass windows of the Notre-Dame are very beautiful and a good part of them date from the 13th century when the cathedral was constructed. In this author's opinion, Notre-Dame's collection of stained glass is not as impressive as those at other French cathedrals, such as Chartres and Bourges, and in Paris the best place to enjoy an overall effect of stained glass is probably not Notre Dame but Sainte-Chapelle.
Nevertheless, Notre-Dame's stained glass windows remain an important and beautiful work of 13th-century Gothic art, with interesting details well worth exploring in more detail. The highlight - and the greatest survival of original glass - is the set of three beautiful rose windows, which shine like jewels over the west door and in the north and south transept.
The magnificent roses of the transepts at Notre Dame date to 1250-60. Unlike most of the glass in Paris, and much of France, these two contain nearly all of their original elements. The ravages of time and war destroyed a majority of the great glass works of the Middle Ages, though human arrogance also took its toll. By the seventeenth and eighteenth centuries, the distaste for Medieval styles was prevalent across Europe. In efforts to modernize the churches and cathedrals, windows were callously smashed out and replaced with a lightly tinted glass called grisaille. In the nineteenth century some of these works were restored. Sadly, there no longer existed an extant tradition which supported the same degree of craft evident in such masterpieces as the roses of Notre Dame de Paris and Chartres.
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn.http://blog.timesunion.com/realestate/on-the-market-the-old-doane-stuart-campus/416/
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73 acres. Formerly the Kenwood Convent and Doane Stuart School; This extraordinary campus features original architecture, beautiful woodwork, soaring chapel w/ stained glass windows, classrooms, 2 gyms, tennis court, athletic fields plus 2 other homes on the property. www.selectsothebysrealty.com/enb/sales/detail/327-l-2632-...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2677 A
Nestled in a wooded valley in Burgundy, the Abbaye de Fontenay is a well-restored 12th-century Cistercian monastery founded by St. Bernard of Clairvaux. It is one of the oldest and most complete Cistercian abbeys in Europe, and became a UNESCO World Heritage Site in 1981.
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The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
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73 acres. Formerly the Kenwood Convent and Doane Stuart School; This extraordinary campus features original architecture, beautiful woodwork, soaring chapel w/ stained glass windows, classrooms, 2 gyms, tennis court, athletic fields plus 2 other homes on the property. www.selectsothebysrealty.com/enb/sales/detail/327-l-2632-...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2682
This is the sculpted head of John Wycliffe, designed by Edward Wagner. Wycliffe was the first man to translate the entire Bible into English. The sculpture is located at the Trumbull Avenue porch of Trinity Episcopal Church.
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn.
blog.timesunion.com/realestate/on-the-market-the-old-doan...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
++ ++ ++ ++ ++
image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2696
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn.http://blog.timesunion.com/realestate/on-the-market-the-old-doane-stuart-campus/416/
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
++ ++ ++ ++ ++
image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2697
Among the ruins of Neath Abbey on a cool spring day.
The substantial remains of Neath Abbey, outside the modern day South Wales town of the same name, were once the site of the largest abbey in Wales.
Built by the Savigniac Monks in 1129AD on land given to them by Sir Richard de Granville, it was taken over by the Cistercians in 1147.
The site was ravaged by the Welsh uprisings of the 13th century and eventually dissolved by King Henry VIII in 1539, after which it became a large personal estate.
The ruins were excavated in the 1920s and are now in the care of CADW. They are open to the public, as well as being used by TV companies as a film set. They have featured in such shows as Dr Who.
Valle Crucis Abbey beneath leaden skies near Llangollen.
The ruins of Valle Crucis Abbey (Abaty Glyn y Groes in Welsh, or Abbey of the Valley of the Cross – named after Eliseg’s Pillar, a ninth century Christian memorial cross nearby) are located just outside the Denbighsire town of Llangollen, in North Wales.
Home to Cisterican monks between its founding in 1201 and its dissolution by King Henry VIII in 1537, Valle Crucis was the spiritual centre of the area and home to around 60 monks at the height of its power.
The abbey was built under the auspices of Madog ap Gruffydd Maelor, Prince of Powys Fadog, and was the last Cistercian monastery founded in Wales.
It served its religious purpose for more than 300 years, before being resolved and falling into disrepair. It was passed through several families before being used as a farm in the 18th century and eventually excavated in the 19th century
Many of the abbey’s original features remain, including the west front, with rose window and the 14th century inscription ‘Abbot Adams carried out this work; may he rest in peace. Amen’.
Valle Crucis is now under the care of Cadw, the Welsh government, and is open as a visitor attraction.
Beauvais, a charming city located in northern France, is known for its historical significance and stunning architecture. One of its most prominent landmarks is the Beauvais Cathedral, also known as the Cathédrale Saint-Pierre de Beauvais.
The Beauvais Cathedral is renowned for its remarkable and ambitious Gothic design, particularly its towering choir and transept. However, what sets this cathedral apart is its unfinished state – it lacks a nave due to the challenges of constructing such a massive structure in the Middle Ages. Despite its incomplete status, the cathedral remains an impressive testament to the architectural and engineering prowess of its time.
The construction of the Beauvais Cathedral began in the 13th century and aimed to surpass even the grandeur of the famed Amiens Cathedral, located not far away. The intention was to create the tallest and most majestic cathedral in the world. The soaring choir and transept reflect this ambition, and the intricate details of the stonework showcase the mastery of the craftsmen involved in its creation.
The cathedral also houses some remarkable stained glass windows that depict biblical scenes and stories, offering visitors a glimpse into the religious and artistic history of the region. The intricate sculptures and carvings adorning the exterior and interior of the cathedral further contribute to its visual splendor.
While the cathedral's lack of a nave prevents it from being used for its original purpose as a fully functioning church, it still attracts visitors from around the world who marvel at its architectural significance and the unique story it tells. The unfinished state of the Beauvais Cathedral serves as a reminder of the challenges faced by medieval builders and the enduring impact of their vision.
In addition to its cathedral, Beauvais offers a charming cityscape with cobblestone streets, traditional French architecture, and a rich history that spans centuries. The city's cultural heritage, coupled with the striking presence of the Beauvais Cathedral, makes it a compelling destination for history enthusiasts, architecture aficionados, and travelers seeking a deeper connection to France's past.
73 acres. Formerly the Kenwood Convent and Doane Stuart School; This extraordinary campus features original architecture, beautiful woodwork, soaring chapel w/ stained glass windows, classrooms, 2 gyms, tennis court, athletic fields plus 2 other homes on the property. www.selectsothebysrealty.com/enb/sales/detail/327-l-2632-...
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locator: Google Earth 01
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn.
blog.timesunion.com/realestate/on-the-market-the-old-doan...
++ ++ ++ ++ ++
Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
copyrighted: ©2017 GCheatle
all rights reserved
locator: GAC_2686
The property has the large 1878 Gothic Revival-style building that was the former Kenwood Academy, a private Roman Catholic school. The campus also includes a gatehouse, gardener’s cottage and carriage barn. blog.timesunion.com/realestate/on-the-market-the-old-doan...
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Three of the four business partners involved in an offer to buy the large, secluded Kenwood Academy property in Albany, New York, have stepped away from the deal or now have a limited role.
The abrupt changes leave one person looking for other financial and development partners.
The 73-acre wooded campus near Thruway Exit 23 has been empty since Doane Stuart School moved out and the religious order closed its convent in 2008. Attempts to sell and develop the property, which includes 214,000 square feet of buildings, have been unsuccessful. The list price has dropped to $2.9 million.
Several ideas have been floated for the unique property, including an international boarding school and language institute. There are also retail opportunities on the exterior of the campus fronting busy Southern Boulevard and South Pearl Street. www.bizjournals.com/albany/news/2017/04/07/shakeup-among-...
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image by Photo George
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locator: GAC_2683