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from The Goethe Institut USA

Albert Jaegers, Sculptor

The statue of Steuben in Washington's LaFayette Park is the work of the German-born artist Albert Jaegers, who was born on March 28, 1868 in Elberfeld, since 1929 a section of the city of Wuppertal (North Rhine-Westphalia). Jaegers emigrated to the United States as a child and grew up in the heavily German-American city of Cincinnati, where he found work in an architect's office and became a self-taught artist. His younger sister, Augustine Jaegers, was also a prominent sculptor. In 1889, he moved to New York. In 1912, he was elected to the American Academy of Arts and Letters.

Jaegers was clearly a prominent and successful artist. In the obituary published after the artist's death on July 22, 1925, the New York Times noted that "Mr. Jaegers won various competitions by decision of the National Sculpture Society and his rise to prominence became so rapid that he was soon executing many works for the United States Government, among these were statuary for the Buffalo and St. Louis Expositions, the new Custom House in New York City and the Baron von Steuben statue for Washington, D.C." Prior to the unveiling of the Steuben Monument's replica in Potsdam, Kaiser Wilhelm II awarded Jaegers the fourth-class Order of the Red Eagle.

In addition to the Steuben statue, Jaegers is known for the monument to Francis Daniel Pastorius, located in Vernon Park in the Germantown section of Philadelphia. The Pastorius Monument commemorates the founding of Germantown in 1683 and was funded jointly by the US Congress and the German-American Alliance; its cornerstone was laid in 1908 on the 225th anniversary of the founding. Jaegers designed the monument in 1912 and it was completed by 1917, but American entry into World War I in that year led to the finished monument being encased in a wooden box; it was finally dedicated in November, 1920.

Jaegers sculpted another work with a similar fate: his cornice sculpture entitled "Germany," created in 1907 for the United States Customs House in New York as one of twelve sculptures symbolizing commercial and seafaring powers of the ancient and modern worlds, was altered and renamed "Belgium" in 1918. According to the Smithsonian American Art Museum's Inventories of American Painting and Sculpture, the piece "was orginally a woman leaning on an antique shield inscribed with the word 'Kiel' which was the insignia of Kaiser Wilhelm."

The New York Times recounted:

Shortly after America's entrance into the World War, [Jaegers] declined a request coming from [Treasury] Secretary McAdoo to alter his statue representing Germany above the main cornice of the New York Custom House, to become a symbol for America's ally, Belgium. Although his refusal at the time was attributed to his having previously been decorated by the German Kaiser, Mr. Jaegers explained his attitude before the National Sculpture Society by declaring that it was manifestly impossible to change the significance of the existing statue by "a little camouflage with a relabel." He also said that the proposed expedient was indeed "a somewhat dubious honor for plucky little Belgium."

www.goethe.de/ins/us/lp/kul/mag/deu/ewy/per/en3541230.htm

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Vicen Martínez a la guitarra con su Fender Telecaster.

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Momento guitarrero con Malu y su guitarrista Carlos Calzada.

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Kim Fanlo al bajo.

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John Newman frente a la tropa de compis que le acribillaron mientras se arrodillaba ante ellos.

Hace ya unos cuantos meses que voy de foso en foso y tiro porque me toca, cuando el resto de mis obligaciones me lo permiten. Desde el principio he visto comportamientos buenos, regulares, malos y... Es una profesión donde el intrusismo está a la orden del día. Cualquiera con una cámara se cree fotógrafo. Pero esos que dicen llevar toda la vida y fardan de esto y de lo otro deberían, con su gran experiencia, saber distinguir quien viene de intruso y quien viene para quedarse. Yo soy de los que he venido para quedarme, y voy a hacer todo lo que esté en mi mano para lograrlo, siempre desde el respeto. Cometeré errores y pido disculpas de antemano pero todo será siempre con el buen rollo por bandera.

Por eso doy las gracias a todos aquellos que han visto algo en mi y me han tendido la mano. O incluso han ido más allá.

Este es mi pequeño homenaje a gente como Goyo Conde, Penelope Sierra, Cesar Lorenzo, Roberto Fierro, Marta Pich, Hector H. Villa, etc, etc, etc

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Recently I was at Michael's and found the Dymo Buddy on clearance. I hadn't seen a Dymo machine in years and of course I had to get it. It looks like the machine had been redesigned to introduce it to the current market but I guess it didn't take off.

I had one as a kid and used to love making all kinds of labels with it. The crunching of the tape as you embossed each letter is so satisfying, and I love the three-dimensionality of it. It's so nice to run your hands over the tape and feel the letters. My unit only came with navy blue tape but I need to get some fun colors and relabel my everything with the Dymo Buddy.

YIP 2010

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This is my reference file at work. It's starting to be a really good resource for my job. I'm almost done re-filing all of the files from my predecessor. I file alphabetically and in reverse chronological order eg- BMES 2007 then BMES 2006.

I have a separate file drawer for supplies, where I file blank forms, handouts, etc. I make the distinction because they are not reference materials.

I have to use lateral hanging files for student records. I've been working on reducing the use of hanging files and using regular file folders inside of them, as recommended in Getting Things Done. So far I've reduced the required space for Minor student paperwork by 50% just by using this method.

Next I'm going to reverse the right-tab folders and relabel them so that they are all left faaccing. I started doing that at home and it's very cool.

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Tambien puedes seguirme en facebook o twitter:

(www.facebook.com/pages/Roberto-Fierro-Photography/2555424....)

(www.facebook.com/pages/THE-CONCERT-IN-CONCERT/23690438301....)

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(twitter.com/TheCinC)

Please do not copy or use images without permission

Por favor no copie o use imagenes sin mi permiso

Fotos para el Web Magazine The Concert in Concert (www.theconcertinconcert.com/) La Noche de Cadena 100 - Palacio de los Deportes -Madrid - 22/03/14

Tambien puedes seguirme en facebook o twitter:

(www.facebook.com/pages/Roberto-Fierro-Photography/2555424....)

(www.facebook.com/pages/THE-CONCERT-IN-CONCERT/23690438301....)

(www.facebook.com/RobertoFierroDiaz/)

(twitter.com/TheCinC)

Please do not copy or use images without permission

Por favor no copie o use imagenes sin mi permiso

Fotos para el Web Magazine The Concert in Concert (www.theconcertinconcert.com/) La Noche de Cadena 100 - Palacio de los Deportes -Madrid - 22/03/14

Tambien puedes seguirme en facebook o twitter:

(www.facebook.com/pages/Roberto-Fierro-Photography/2555424....)

(www.facebook.com/pages/THE-CONCERT-IN-CONCERT/23690438301....)

(www.facebook.com/RobertoFierroDiaz/)

(twitter.com/TheCinC)

Please do not copy or use images without permission

Por favor no copie o use imagenes sin mi permiso

Fotos para el Web Magazine The Concert in Concert (www.theconcertinconcert.com/) La Noche de Cadena 100 - Palacio de los Deportes -Madrid - 22/03/14

Tambien puedes seguirme en facebook o twitter:

(www.facebook.com/pages/Roberto-Fierro-Photography/2555424....)

(www.facebook.com/pages/THE-CONCERT-IN-CONCERT/23690438301....)

(www.facebook.com/RobertoFierroDiaz/)

(twitter.com/TheCinC)

Please do not copy or use images without permission

Por favor no copie o use imagenes sin mi permiso