Rekey photos on Flickr

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Well, this shot cost me a day and about $400 to rekey... The night before as I was shooting the northern lights at this same spot, somehow the rental car key fell out of my pocket and vanished. The sea ice was moving, so it likely got gobbled by the Icelandic troll that monitors these seascapes. Legend has it that Hvitserkur is a petrified troll. It also could easily have been the elves. Regardless, I was incredibly lucky to have some photographers from Spain come back to shoot sunrise, cart me to the freeway (loosely called that) and land a ride from the north all the way to Reykjavik, then somehow hitch all the way back up before complete nightfall thanks to the lady running the hotel Hvitserkur who came and got me at the highway. What an adventure... And a cold one. Hitching at -8 seems to have advantages as it seems you get picked up fairly quickly. I guess they feel sorry for you.

A week in Provence by Richie Johns13

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I’ve just come back from a week in Provence, primarily to photograph the Lavender fields. Day one and a rekey of the beautiful surrounding hill top villages saw just a splattering of Lavender. My initial thoughts were that I’d missed the main show and that the Lavender had been harvested. After speaking to a local guy, my fears were confirmed, however, he told me there are two varieties, Lavender and Lavendin, if I headed into the mountains and the Valensole or Vaucluse plateau’s, I would see plenty of Lavender, as the temperature was a little cooler in the mountains giving a much later harvest. A one and a half hour drive the next day saw me heading towards the Lavender fields of Voucluse, you can smell the Lavender long before you see it, the scent is so strong in the air.

My first attempt at photographing the Lavender saw me carefully walking around the edge of the fields, treading carefully not to damage the Lavender. I soon realised from the numerous Chinese tourist wandering deep into the fields that the farmers had no problem with you entering into the Lavender fields, as long as you kept between the adequately spaced rows.

After the initial urge to capture the Lavender I soon realised you need something more than just a standard Lavender field, over the next few days I drove many miles through some stunning scenery in search of various compositions. Because of the driving distances involved I couldn’t be in the right locations for early morning or late evenings but I got really lucky one afternoon with some nearby thunder storms providing a great backdrop.

Dreams Of Tomorrow by Everett

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Model: Rekey Jackson

Liberian Girl by Everett

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Model: Rekey Jackson

A PORTRAIT OF REKEY by Everett

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Model: Rekey Jackson

My 500px Photostream by Thomas Hawk

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For the past week or so I've been spending some time playing around with the photosharing site 500px and am really starting to like it. The site has been around awhile (since 2003) but went through some major redesigns, most notably in the Fall of last year. The result seems to be a very elegant photosharing community that is far more focused on fine art and artistic oriented photography than Flickr is.

In a lot of ways, the site reminds me of an early Flickr, back when the staff seemed to care more and back when Flickr actually seemed to care about beautiful photography and their users.

The site has two different versions. There is a free version which features a basic photostream and limits you to 20 uploads per week and one collection. And then there is a paid version at $50 per year which offers unlimited uploads and collections.

Both versions offer unlimited hosting and a basic photostream organized by most recently uploaded photo in an elegant large square format with oversized photos when you click through. Both versions also include a free photoblog to blog your work in a different way if you'd prefer that over the traditional photostream as well as a wall where people can leave comments about you. 500px also claims that the photos are optimized for SEO so that your work can be found.

In addition to allowing unlimited uploads, the paid version allows a number of other features including the ability to link your photostream to a custom domain, an RSS feed, the ability to remove all 500px branding from your stream (aka white label), advertising free, as well as the ability to hook your stream up to a Google analytics account to better monitor traffic and activity.

In addition to your own photostream, like Flickr, you can build favorites of other photographs, comment on photographs and either "like" or "dislike" photographs which results in a public numerical score that a photograph receives. There are several areas where you can also explore some pretty amazing photography, including popular, editor's choice, upcoming and fresh.

Perhaps what I find most refreshing about the site as it's structured right now is that it seems to be attracting some of the most talented photographers I've seen on the web in any one place in long time.

Scrolling through many of the members photostreams it reminds me of some of the early photographers who gravitated to flickr using it to express the beauty of the world around them. Comparing some of the showcase areas above, for example, with Flickr's super crappy Explore (complete with blacklisting users, sparkly gifs, and obnoxious watermarks) there simply is no comparison as to which is showing superior fine art photography. 500px is better.

Also, in contrast to Flickr's puritanical censorship, 500px doesn't seem to have a problem with the occasional artistic representation of the female form that, God forbid, might (gasp) actually show a naked breast. I guess it probably helps that they are Canadian and more laid back about those sorts of things. Flickr on the other hand censored this photograph of mine of an 1874 painting by Jules-Joseph Lefebvre from the Chicago Art Institute that doesn't even show boobs.

Creating an account and profile was very easy on 500px. I liked that they don't seem to have a problem with html markup in your profile and I was able to link all of my other social media sites. It's also nice that your profile accompanies your photostream, favorites, etc. giving good exposure to the photographer.

Uploading photos was pretty easy. It's also nice that 500px allows images sized up to 30MB. Flickr is stuck in the dark ages with the pre-2004 20MB limit still. When popular cameras like the Canon 5DM2 routinely produce images between 20MB and 30MB it sucks that when you use Flickr's bulk uploader that they mangle images so badly, resizing them in some cases down to less than 500kb (example). It's bad enough to have your images resized without being told about it, but to resize a 22MB image down to less than 5% of it's original size just seems really cheap on Flickr's part.

It is a drag that 500px doesn't seem to read a photo's metadata and allow you to auto-populate titles, keywords, descriptions/captions, etc. Hopefully they enable that soon as there is no sense in doing that work in lightroom only to have to rekey that data in after uploading to 500px. There are also lots of areas that 500px seems to have room to grow in. It would be nice to see groups there like Flickr has.

Like Flickr, 500px allows you an embed code to blog your images, as well as the buttons necessary to share your image to other popular social networking sites like Twitter, StumbleUpon, Facebook, Google Buzz, etc.

I think more than any of the above items, what's got me most interested in 500px though, is what feels to me like a truly refreshing view of photography from the people who work there. Flickr staffers have routinely expressed their disdain over the years for the fine art photographer. They've deleted accounts without warning, they've censored artists, they've blacklisted many from Explore, they've banned artists from the public help forum areas, and in general just routinely treat us (their users) like garbage. We've been talked down to, treated like children, and been openly abused.

Compare and contrast Flickr's disdain for the artistic fine art photographer with this "about" page from 500px.

"The mission

Being an artist has never been easy, especially in today's fast paced, digital age. Photographers can't be just artists anymore, they have to be managers, accountants, marketing teams, assistants, web developers, and their own 'mean, lean, shutter-clicking machines". Too many things to handle? We sure think so! We started the company to help photographers get greater exposure, reduce some of the marketing headaches, and to let creatives concentrate on what they do best. We love seeing amazing work and equally love promoting it! A sense of inspired community is also important to us. We believe that the way forward is through presenting, discussing, supporting, and socializing with like-minded people."

Our Team

500px is a group of individuals that live and breathe photography. We like to share art with others and have the means to do so. Our small company is based in Toronto and from there we broadcast the awesomeness. We truly enjoy what we do.

That reads so refreshing.

500px still has a lot of work to do to continue competing with Flickr, but thus far I've found it to be very community centered and certainly with great potential. They state that they are currently seeking angel and VC funding here.

You can check out my photostream and follow me on 500px here.

Thanks by the way to my good rooftopping Pal Tomms, for turning me on to this awesome site. Check out this amazing photograph that he posted on 500px!

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Ancient locks by Ronny Ackerman

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REKEY Jeep Design by r2 d2

Design for Apli Concepts

My 500px Favorites by Thomas Hawk

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