Rejected Photos by the Clueless
View allAll Photos Tagged Rejects,
This chair was set out in the hallway of my building. Someone didn’t want it. I’d see it disappear and then reappear a few days later. Guess people were taking it in, then changing their mind; it never seemed to be accepted anywhere for long. Maybe the chair was rude.
ᴄʟᴇғ ᴅᴇ ᴘᴇᴀᴜ | ᴠɪɴᴄᴇ sᴋɪɴ ᴇᴠᴏ x
* 5 ᴛᴏɴᴇs ,
ʜᴅ ᴇʏᴇʙʀᴏᴡs , sʜᴀᴘᴇ
ᴇʏᴇʙʀᴏᴡs ,
sʜᴀᴘᴇs ғᴏʀ ᴅᴇᴠᴏɴ ᴀɴᴅ ᴇᴏɴ
ʜᴇᴀᴅs
ᴠᴏʟᴋsᴛᴏɴᴇ | ᴛᴇʀʀᴇʟ ʜᴅ ᴇʏᴇʙʀᴏᴡs / ғᴀᴛᴘᴀᴄᴋ
* ᴛʜɪᴄᴋ & ғɪɴᴇ ᴇᴀᴄʜ 5 sᴛʏʟᴇs ᴀɴᴅ sʜᴀᴘᴇ ғᴏʀ ᴇʏᴇʙʀᴏᴡs
** ɴᴇᴡ ʀᴇʟᴇᴀsᴇ ғᴏʀ ʜᴀᴘᴘʏ ᴡᴇᴇᴋᴇɴᴅ**
ᴏᴋᴀʀᴀ sᴛᴏʀᴇ | #ᴛ1612 ʙᴇᴀʀᴅ-2ᴋ21-ʙᴏᴍ-1515 ᴇᴠᴏx
Had a very fun time creaitng a subframe for Flickr Friday using our tiger lilies that just bloomed today and the tiny, high in the sky, wild fire smoke inhibited sun.
These four contestants didn't make the final of "Dancing with the Birds".
A Peacock, Grey Heron and two Muscovy Ducks looking rather dejected! Better luck next year guys!
Many thanks to all who take the time to view, comment or fav my images.
captured in the abandoned Cavern of Lost Souls. (UK, 2015)
On my last photo trip I visited a lot of beautiful places in the United Kingdom but the Cavern of Lost Souls was the by far most intense and awesome place to see.
Used as a dumpster for unused vehicle for many years, this cavern became the most impressive lost place I have seen by now. Finally standing there and enjoying this one of a kind location made all the efforts for planning, the costs to get there and the high risk by navigating through the tunnel system and free climbing a 30 meters drop down in the pitch black totally worth. A view never to forget and an exploration I loved very much.
Cities were always like people ....
Showing their varying personalities to the traveler
Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity.
www.youtube.com/watch?v=TU0yI2ugvgA
Only through travel can we know where we belong or not, where we are loved and where we are rejected.
Roman Payne, Cities & Countries
© All rights reserved Anna Kwa. Please do not use this image on websites, blogs or any other media without my explicit written permission
Wikipedia: The African Renaissance Monument (French: Le Monument de la Renaissance Africaine) is a 49 meter tall bronze statue located on top of one of the twin hills known as Collines des Mamelles, outside Dakar, Senegal. Built overlooking the Atlantic Ocean in the Ouakam suburb, the statue was designed by the Senegalese architect Pierre Goudiaby after an idea presented by president Abdoulaye Wade and built by Mansudae Overseas Projects, a company from North Korea. Site preparation on top of the 100-meter high hill began in 2006, and construction of the bronze statue began 3 April 2008.
Originally scheduled for completion in December 2009, delays stretched into early 2010, and the formal dedication occurred on 4 April 2010, Senegal's "National Day", commemorating the 50th anniversary of the country's independence from France. It is the tallest statue in Africa.
Submitted: 10/02/2019
File was returned for revision on February 11, 2019
Revision Reasons
Legal: Art
Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.
Resubmitted: 11/02/2019
REJECTED: 13/02/2019
Skin &Bean, with makeup layers from La Malvada Mujer and my new fav a.e.merth
Lingerie by Oh LaLa
Chair by Runoruno & old heart from Delicatessen
Just enjoyed a trip to Maui's upcountry area to explore the Kula Botanical Gardens. Saw a variety of animals from from koi fish, to the cute little rosy-faced lovedbird who is at the center of my collage to the ever so stealth Jackson's chameleon whom we almost missed. As you'd imagine the flowers and plants were amazing. Found the pincushions of all colors (yellow and orange one included above) to be so vibrant as was the pink and blue aechmea cylindrata. Would highly recommend a visit to this scenic garden in a beautiful, tropical setting.
A trip through the Doolough Valley is a special experience. Nestled between high mountains, there are two lakes along which the Wild Atlantic Way winds its way. The untouched nature creates a unique idyll.
At the northern end of the valley, right next to the road, there is a cross built in memory of the victims of the “Doolough Tragedy”. During the great famine in 1849 hundreds of needy inhabitants of Louisburgh set off on foot to Delphi Lodge to seek food from the authorities there. However, they were harshly rejected. On the way back to Louisburgh, many of them died of hunger and frost in the Doolough Valley.
This eagle tried 3-4 times to swallow this skeletal portion of the head but couldn't get it to go down and finally spit it out. You might be able to see the eyeballs still attached to the carcass. It did eat the rest of this kokanee.
It isn't often that a catch gets a reprieve so late in the game but the gulf menhaden seen beneath the Brown Pelican's left wing will have quite a story to tell when it gets back to its school on Armand Bayou.
Florida has vivid hues, even in the cluttered back end of a restaurant.
St. Augustine Beach (Crescent Beach), Florida, USA.
1 September 2024.
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▶ Photographer's note:
On 21 January 2025, the administrator for the Flickr group "Formalism" rejected this photo for NOT displaying "a three-dimensional space into a compelling two-dimensional design with strong formal elements." Capricious nonsense.
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▶ Photo by: YFGF.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
— Follow on Threads: @tcizauskas.
▶ Camera: Olympus OM-D E-M10 II.
— Lens: Olympus M.40-150mm F4.0-5.6 R
— Edit: Photoshop Elements 15, Nik Collection (2016).
▶ Commercial use requires explicit permission, as per Creative Commons.
Daisies photographed in street side florist's stall. Main purpose of the shot was to try out Fuji Classic Chrome simulation. I took a few shots there and this was the first. I was a little surprised at the colour saturation and general punchiness. I had expected something more subtle. The others in the series are more restrained and I will post some shortly.
Image was straight out of camera except for minor PS tweaking. I selected the out of camera option for colour in PS, rejecting the PS tweaking for this.
I would welcome comments about the colours and classic chrome.
Camera - Lubitel 166B (120 film format)
Film - Ilford HP5 Plus 120 Black and White (ISO 400)
Developer - Lab-Box, CineStill Df96 Monobath
Scan - Epson Perfection V600 Photo
The Fall is such a wonderful time of year for photography. I often reject posting a photo just after development, and then going back over the photos a few months later decide it wasn't so bad after all.
remember how she said that we would meet again
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i was inspired by pink floyd -- as i tend to be! -- and decided to portray my interpretation of "vera".
ok, i'm a dork who knows her stuff - vera is vera lynn, who was a singer during ww2. pink floyd (well, roger waters) is referring to her song "we'll meet again" when he asks, "remember how she said that we would meet again some sunny day?" in the film, pink (waters) loses his father in the war, someone he'll never meet again, as vera may have led him to believe. also, vera herself is a bit of an elusive character, since waters (pink) asks "what has become of you?" which implies that she, like her words, are no longer there, either not accessible or not applicable.
it's a sad feeling, because if you reject the belief that "we *will* meet again", you probably are left skeptical and feeling hopeless. in my photo, i tried to create that mood. the despondency, the heartache, the loss.. and it seems to me that those feelings would paint a pretty bleak picture of the future. even though MY vera has her eyes closed, she is not at peace with herself or her situation. instead, i'm having her revisiting memories, remembering the most beautiful times and reliving them over and over again. clinging to the blanket like she does to the past. lastly, i thought that with such a gloomy way of living/thinking, the pitchblack room save for the two floating lights was right on target... tiny lights, swallowed up in the sea of darkness and misery.
aaaand... that's me in the shawl blanket thing, perched atop the glass dining room table. you can't see the table, because it's glass, and the two green things are stone pillars that hold up the glass. i took all the chairs away from the table, switched off every light except for the three that hang from the ceiling over the table - those two (pictured) and another one that i cloned out because it was the closest to the camera, so bigger and kind of obstructive. i like these two little guys hanging out, hovering around me. it makes me look like princess leia :P
i'm actually really pleased with how this came out! pink floyd is my favorite band and i couldn't give them anything but (what i judge to be) my best.
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hmm. i'm really happy to explain all of the thoughts, plans, ideas, setting up the stage, etc. that go into my shots. of course i always have these silly mustache shots or grrrawrr clint shots, or just blah "look at my beautiful eyes and lips" close-up shots, but i really love when i try to create a scene. a mood. play a character, one who's real, who's been done a million times, or that i just make up as i go along. the most consistent compliment (at least, i think it is a compliment!) i get from you peeps and others who look at my portfolio is that i create a cast of characters, i put on a show for myself and the camera just happens to be there. i love using props, and i love paying tribute to my literary, artistic & musical heroes and heroines (and obama!), but only if i do it well. i do put an awful lot of pressure on myself, especially for tribute shots; i always end up thinking, well, thom yorke did it better! or whatever.. sometimes my safest bet is to aim for a certain style. noir, or vintage in general, outlandish, ethereal, surreal, rough/raw. i don't know what i'm talking about now, but i'm kind of having this renaissance with my 365... embracing it again, really excited about what i can do next and happy with what i've been doing.
(sorry, london, but you had some weeeeird effect on me! poo faces)
A Valentines Reject......a study and portrayal of how single people can feel during the valentines celebration!
taken at Madpea Circus in secondlife....MadPea 2/73/90/34
Entered in the weekly Masterminds challenge...Week 127: My Funny Valentine
www.flickr.com/groups/masterminds/discuss/72157623259527097/