View allAll Photos Tagged Refuse,
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The billboard says:
Mayotte est comorienne et le restara a jamais = Mayotte is Comorian and will remain so forever.
Mayotte, although one of the 4 Comorian islands, chose to remain with France in 1975 after the Comoros declared its independence following the 1974 referendum. From the very beginning Mayotte refused to join the new republic and aligned itself even more firmly to the French Republic.
Submitted: 28/10/2024
Needs revision.
Changed to editorial and REsubmitted: 04/11/2024
Accepted: 10/11/2024
Bartow is the county seat of Polk County. Bartow refuses to let PCSO take over operations of it's police dept. Other smaller municipalities have already let PCSO take operations.
When Amtrak refused to renew their lease on space in D&RGW's Provo, Utah train depot, the structure was found to be surplus by the Rio Grande and demolished in January 1987.
Amtrak found itself with no station/facility for passengers to wait for trains. Not even a pay phone. Amtrak arranged to have the D&RGW built for them a "Handi-Hut" transit shelter for California Zephyr passengers.
Only the finest accommodations for Amtrak passengers in Utah's fourth largest city!
New York & Atlantic SW1001 no. 101 leads train RS-40's power east on the LIRR Bushwick Branch, amidst a yard full of New York City's finest export!
"There are parts of me that will always remain untamable, messy, and reckless; but I refuse to apologize for it anymore." ~Kaitlin Foster~
"Qué difícil habitar la piel de los otros; y qué necesario. Imaginar el sufrimiento cotidiano de los 60 millones de personas sin raíces y forzados a dejar sus hogares que buscan un lugar en el mundo".
🌊 (pulsa L para ver en grande)
another one from my early morning puddle reflection sortie.
as I waited for an uninterrupted view on the street I heard the rumble of a truck moments before it came into view, I rallied to the challenge of tweeting the camera settings in just five or six seconds to capture the moving vehicle in the dawn light.
Rather than being an annoyance to the street it adds a Wonderfull feeling of reality to the early morning setting. The driver was most curtious and careful to avoid the puddle in which my camera was located, Thankyou.
The irony was that I crouched next to the bins which this truck was on its way to empty. I was subsequently able to relocate the bins and progress with my session with more of the puddle in view.
Shy and Submissive Vera Thomson has never been able to refuse the needs of her lover Megan Bucur, she gets her way, when ever and where ever, even near the dumpsters outside of the punk rock venue Meg drags Vera too once in a while. Taken at Sunny's studio. (pose: Alley Passion) maps.secondlife.com/secondlife/Sunny%20Side%20Up/25/40/801
New York City Transit Authority (NYCTA) R42 car 4830 is the lead motor on a refuse train seen climbing the grade into 20th Avenue Station on the West End Line. One of few daylight refuse train runs, this pickup runs from 38th Street Yard to Jamaica (179th St or Parsons/Archer Aves) via the West End, Culver, Crosstown, and Queens Boulevard Lines collecting trash from stations along the way.
Beneath a threatening sky, 66150 passes Claverton with a lengthy and fully-laden 6C03, 0933 Northolt to Severnside (Avonmouth) refuse containers on 7 August, 2020.
I have always been drawn towards abandoned places, both in SL and RL. There is something poetic about buildings, toys and objects once loved and cared for, now left behind - it's almost like the objects themselves refuse to forget and cling to the memory of lost love. Finding these places is like discovering hidden gateways to the past, and it chills me. This sequence was shot at the beautiful sim called Phabolaois Stran - maps.secondlife.com/secondlife/Beck/4/11/28 - by kind curtesy of Squonk Levenque.
NB! See the full series of the photos at my photostream.
Tesseracts and other shapes within them selves revealing imagination and potential.
Maybe we can all agree to disagree that there was, “There was a crooked man,” or at least hold different notions of who the original is and how other visionaries have seen within the, “little crooked house.” One starting point could be, “—And He Built a Crooked House—,” by Robert A. Heinlein first published in, “Astounding Science Fiction,” in February 1941.
There again that work looks in on this one,
There was a crooked man and he went a crooked mile,
He found a crooked sixpence against a crooked stile;
He bought a crooked cat, which caught a crooked mouse,
And they all liv'd together in a little crooked house.
James Orchard Halliwell set this in print in, “The Nursery Rhymes of England,” 1842 followed in 1849 with, “Popular Rhymes and Nursery Tales,”this was a sequel to, “The Nursery Rhymes of England.” Halliwell was banned from The British Museum suspected of taking documents from Trinity College, Cambridge, no prosecution ensued, but even his father in law a noted bibliophile refused to see him, or his daughter again. Halliwell literally created books within books and pages coming from and leading off to further illumination as he cut from old books and made scrapbooks of his cuttings. The destructive process of his book cutting and pasting was enough to close doors and have him excluded from rooms whilst he made new perspectives and gave food to fuel imagination opening doors that others could never follow him through.
I feel sure that there are those still enraged by his actions.
© PHH Sykes 2023
phhsykes@gmail.com
Now for the pizza lover, it's rest, relaxation and a large chicken pizza. Who says hard work never pays off?
نعم ان اسمي سفينة الصحراء وليس سفينة البحار ... وهذا لرجل يحاول ادخالي للبحر وبالقوة .. قولوا له انني لا ارغب في البحر لانني احب الصحراء
ارحموني منه سوف اقاوم واقاوم
I shot this picture in 2008
.......He refuses to be alone.He is the man of the crowd. It will be in vain to follow, for I shall learn no more of him, nor of his deeds.....
The Man of the Crowd-Edgar Allan Poe
The subject is trapped in a cage, regardless that it is made of paper. An easy material to break through as seen through the tears in it. Even the lock and the shackles are made of paper aswell which as well can be broken with ease. But these are all obstacles the subject refuses to tackle so she therefore remains trapped with no will to break free of her boundaries.
Collected in Scotland in 2013 but never seen the light of day or taste of lips! From left to right - and add at least eight years now - even though I guess it wasn't further aged in the wood.
- Balvennie Doublewood aged 12 years
- Dewars Aberfeldy 12 years
- Glenfiddich Valley of the Deer aged 15 years.
What to do on a wet and grey Australia Day perhaps.
But here's my admission. Neither of us drink much at all in the way of alcohol, and certainly not Whiskey with or without an "e"! Not even Bourbon. My first headache was caused by Scotch and unlike Lot's wife, I refused to look back, ever. But yes, it's all genuine of course but the only place we visited of the three was Dewars in the delightful village of Aberfeldy. And horror of horrors, none have or will be opened, the crystal contains something I do like, Lady Grey tea. A prop like they use on TV!
Old Tasmanian blue gum (eucalyptus globulus) in wild oak woodland. The old tree refuses to die, throwing out water shoots and leaves, like an old man growing hair in his ears and nose.
Strong winds meant the Short-eared owls refused to fly until after the sun had set yesterday, but this barn owl was brave enough to take on the blustery conditions.
Burwell Fen, Cambridgeshire.
OK, had a very frustrating week of photography, starting with the big Flickr Server Switchover.
My new login refused to stick and kept throwing me out. My old login still worked on my Mac but not on my iPhone. My SD card broke. It was my SD card reader that broke it. Ordered new SD card and reader.
Apologies to everyone I've not commented back on recently, will aim to do better!
Pieter Lastman (Amsterdam, 1583 - Amsterdam, April 4, 1633) Susanna and the Two Old Men (1635) - oil on oak panel 43.1 x 58.7 cm - Gemäldegalerie, Berlin
Nel 1614, Pieter Lastman, uno dei più importanti pittori di storia del suo tempo, creò la sua rappresentazione biblica della casta Susanna, che resistette fermamente alle minacce di due vecchi giudici. Il libro di Daniele racconta del rispettato Ioiachim che possedeva una casa con giardino a Babilonia, dove si incontravano gli ebrei. Sono venuti anche due giudici anziani e si sono innamorati della bella moglie di Jojakim, Susanna, e hanno deciso di tendere un'imboscata a lei un giorno mentre faceva il bagno in giardino. Susanna rifiutò, fu calunniata e condannata a morte. Il giovane Daniel infine condannò i giudici che furono giustiziati al posto di Susanna. Lastman mostra Susanna nel momento della paura, seduta su una figura di fontana simile a una sfinge. I due anziani si sono già fatti avanti e sono visibilmente colpiti dalla loro bellezza fisica. Sulla destra nell'albero ci sono due pavoni, che, come tradizionale simbolo di orgoglio, sono chiaramente legati ai giudici. Lastman ha già plasmato il sistema pittorico con la Susanna seduta e gli abiti posti alle sue spalle nonché la visione profonda del paesaggio, che Rembrandt utilizzerà in seguito come fonte di ispirazione.
In 1614, Pieter Lastman, one of the most important history painters of his time, created his biblical depiction of the chaste Susanna, who firmly resisted the threats of two old judges. The book of Daniel tells of the respected Ioiachim who owned a house with a garden in Babylon, where the Jews met. Two old judges also came and fell in love with Jojakim's beautiful wife, Susanna, and decided to ambush her one day while she was bathing in the garden. Susanna refused, was slandered and sentenced to death. Young Daniel finally condemned the judges who were executed in Susanna's place. Lastman shows Susanna in her moment of fear, sitting on a sphinx-like fountain figure. The two elders have already stepped forward and are visibly impressed by their physical beauty. To the right in the tree are two peacocks, which, as a traditional symbol of pride, are clearly related to the judges. Lastman has already shaped the pictorial system with the seated Susanna and the clothes placed behind her as well as the deep view of the landscape, which Rembrandt will later use as a source of inspiration
Brand: SSI Schaefer
Model: USD M
Size: 65 gallons
Hauler: Basin Disposal, Inc.
Location: Pasco, WA
Date: January 2018
See more at: www.thrash-n-trash.com/galleries/carts
©Bryn Erdman. All Rights Reserved.
Fontana, CA
Some pictures of the already well-known IGS ASL during production prior to UWS taking ownership.
Be sure to check out Tony's video here: www.youtube.com/watch?v=AYhLMLd_rzI