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SYNOPSIS: Walt Disney Pictures presents "Rapunzel," an action-packed, swashbuckling, animated musical comedy about the girl behind 70 feet of magical, golden hair. A princess stolen from her parents' castle as a baby, Rapunzel (voice of Mandy Moore) is locked in a hidden tower longing for adventure. Now an imaginative and determined teenager, she takes off on a hilarious, hair-raising escapade with the help of a dashing bandit (voice of Zachary Levi). With the secret of her royal heritage hanging in the balance and her captor in pursuit, Rapunzel and her cohort find adventure, heart, humor and hair..lots of hair. Original music by Alan Menken and lyrics by Glenn Slater. Synopsis borrowed from Film Jabber.
MY CLOUD: As a kid, I was never much for fairy tales and nursery rhymes so I never knew that this was Rapunzel's story. I guess it's normal that I was so in awe of her hair.. It's just so looong. She could clean their whole tower from top to bottom.
The 1st thing that I thought of was that love is freeing - not just setting another person free but also lets you love another person freely. I remember the Filipino saying, "The more you hate, the more you love." There is some truth to it. Hate is synonymous to love, only on a different plane. This is the exact same reason as to why they can never go together. I don't think you can cover 1 mistake forever. It'll only be fixed if you own up to it, if the root problem's face head-on. Just like what happened to Rapunzel's "mother", it haunted her until the end. Mainly because her reason, from the onset, for keeping Rapunzel's selfishness. Despite the "safety and protection" that she's claiming to provide Rapunzel, these are false tenders of love as she's gaining back her physical youth through Rapunzel's hair.
I love how Flynn Riley, being the thief that he is, becomes "tangled" in Rapunzel's life. It's as if everything was meant to be - for Flynn to accidentally discover the beauty behind that bush, for Rapunzel to finally risk her "mother's" wrath for going outside the "cruel" world and for the horse to unconsciously bring them together.
Of course, all's well that ends well. Rapunzel reunites with her family; Eugene (Fitzpatrick) a.k.a. Flynn Riley becomes friends with his horse again; Rapunzel's "mother" finally gets what she deserves from the moment she kidnapped her.
I think this was a brave film, if only for the risque of Rapunzel being a brunette for a few scenes ;)
Genuine cult classic. Released UK Dec 1973 / USA June 1975. Directed by Robin Hardy and starring Edward Woodward, Britt Ekland, Ingrid Pitt and Christopher Lee.
Haunting, weird hybrid movie. Fascinating soundtrack. Interesting history, too -see James Berardinelli's review: www.reelviews.net/movies/w/wicker_man.html
(The 2006 Nic Cage remake seems to have been a complete disaster. Berardinelli calls it "hilariously bad": www.reelviews.net/movies/w/wicker_man2006.html User reviews of the 2006 remake are also uniformly negative, with titles like "appalling" and "Definitely pass on this movie" . . .)
I love France, and I love French movies. Even though Michael Haneke is Austrian, this is a quintessentially French movie. it's arthouse to the point of love it or hate it, but it's absolutely my kind of movie. At times it's so "slow" you wonder if you're watching a still image, until somebody rides past on a bike or walks through the frame, but that's all part of the movie's meditation on watching and being watched.
Some have found it unsatisfying as narrative, but in an accompanying interview here Haneke explains his intentions clearly. Comparing reviews, I find Roger Ebert to be on the money while James Berardinelli misses it, I think, on this occasion. This film is not for casual viewers, who could easily be enraged by the Antonioni school of slow, but the closing shot is typical: as we watch a crowded frame it's easy to think that nothing at all is going on. As Haneke relates in the interview, about half of viewers he surveyed don't see what's happening, but "hidden" ("cache") in the frame, which is the movie's whole point.
Welcome to —Where History Meets Event Mastery!
Picture this: a riverbank that transforms into a city of lights, buzzing with millions of people, folk rhythms, fireworks, and centuries of heritage reborn.
This is , Asia’s largest open-air trade fair and one of India’s oldest living festivals, a celebration of Odisha’s maritime glory and cultural brilliance.
🎪From ancient trade voyages to cutting-edge event management, Baliyatra is a masterclass in planning, logistics, and storytelling.
Spread across 50+ acres of riverbank with more than 1,500+ stalls and more than 2 million visitors, it’s a living example of how tradition and technology can merge beautifully.
At ( ), we see Baliyatra not just as a festival but as a real-world classroom.
Our students explore how large-scale cultural events manage crowd flow, safety, sustainability, and sponsorships, mastering the art of creating seamless global experiences with local heart.
ℎ ℎ, , , .
Drop a 🚢 in the comments if you’d love to visit Baliyatra, and don’t forget to subscribe for more episodes of GREAT INDIAN GLOCAL EVENTS, where we uncover the event marvels shaping India’s identity.
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Would you join a city of 15 million people as it transforms into the world’s largest open-air art gallery for ten unforgettable days?
Welcome to , a UNESCO-recognised cultural masterpiece where devotion, design, and community come alive. From towering 60-foot goddess idols to pandals modelled after pyramids, Hogwarts, and futuristic skylines—this isn’t just a festival; it’s an experience.
What’s Inside This Episode:
✅ The story of how Durga Puja grew from humble rituals to 3,000+ pandals.
✅ Street parades, dhak drumming marathons, food fiestas & fashion nights.
✅ Behind-the-scenes event management: artists, electricians, police, decorators & cultural committees work months in advance.
✅ Why Puja is a living case study in world-class event management.
At ( ), we believe festivals like this prove one thing: event management is both an art and a science. That’s why we train the next generation of event leaders with live exposure, industry expertise, and hands-on learning that no textbook can match.
Local in soul, global in impact, Durga Puja shows how events can unite people across cultures.
Would YOU lose yourself in Kolkata’s Puja madness? Drop a Diya in the comments & tell us your pandal-hopping story!
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