View allAll Photos Tagged Recontextualization
From the museum label:
Love, Queen, Adam Pendleton's (b. Richmond, Virginia, 1984; lives in Brooklyn, New York) first solo exhibition in Washington, DC, brings together recent works to highlight the centrality of painting, as well as the translation and transformation of the handmade mark, in his practice. Since he began making art in the early 2000s, Pendleton has developed an expansive approach to art-making that employs gesture, fragment, text, and image to recontextualize histories of painting, abstraction, Blackness, and the historical avant-garde. Deploying collage as model and method, Pendleton places traditionally separate ideas and processes in close proximity, creating a fluid state that opens up new spaces for seeing and thinking.
Love, Queen includes paintings from five bodies of work: Black Dada, Untitled (Days), WE ARE NOT, Composition, and Movement. Challenging convention through their blurring of distinctions among painting, photography, and drawing, Pendleton's visually active and spatially complex paintings give visual form to what the artist describes as the "complex real"—the onslaught of sensory phenomena and often contradictory information that defines contemporary experience.
His painting process begins on paper by exploring the full breadth of mark-making. He layers paint, spray paint, ink, and watercolor, integrating fragmentary text and geometric forms through stenciling techniques. These works on paper are photographed and then layered using a screen-printing process. The resulting paintings—simultaneously expressionistic, minimal, and conceptually rich—feature both stark contrasts and subtle variations in tone and finish. They are a tangible manifestation of his belief in painting as a powerful "visual and conceptual force."
Project Maybach Concept (2021)
We saw this at the Mercedes-Benz Pebble Beach display.
The following text is from a December 1, 2021, Mercedes-Benz Media Group press release mourning the loss of designer Virgil Abloh.
“Mercedes-Benz is devastated to hear of the passing of Virgil Abloh. Our sincere thoughts are with Virgil’s family and teams. Now opening the world of our collaboration, and Virgil’s unique vision, to the public we want to respectfully celebrate the work of a truly unique design talent, who created endless possibilities for collaboration through his unbridled imagination and inspired all that knew his work.” Mercedes-Benz AG.
Introducing Project MAYBACH
A design unlike anything that has been developed by Mercedes-Benz, every element of Project MAYBACH has been built from scratch. Abloh, collaboratively with Gorden Wagener, has interpreted Mercedes-Maybach’s luxury identity with a new design language and pushed the boundaries of function, style, and collaborative creativity. Inspired by the great outdoors and recontextualizing a traditionally urban brand within a distinctly off-road environment, the 2-seater, battery-electric off-road coupé combines huge Gran Turismo proportions, large off-road wheels and distinctive attachments.
Key for both Abloh and Wagener was a responsible vision of future design. Complete creative freedom – untethered by production requirements - enabled the design teams to conceptualize what the future of electric travel could look like. Under the transparent surface of the show cars front hood for instance are solar cells that increase the imagined range of the Project MAYBACH.
Never afraid to spark conversation through provocative design, Project MAYBACH channels Abloh’s passion to challenge the status quo and re-write the rulebook of aspirational design. The X-Factor nature of Project MAYBACH results not only from its breathtaking size - almost six meters long - and characteristics, but above all from its unique contrasts; most notably through how naturally authentic Mercedes-Maybach design elements are harmoniously combined with a new Outdoor Adventure design motif.
The power of Abloh’s work is not only from the product design, but also the exploratory conversations that his work ignited. Whilst the Project MAYBACH show car was inspired by how one could explore nature within a uniquely luxury context with Maybach, the Mercedes-Benz teams thank Virgil Abloh for the inspiration to explore every day the power of cross-industry dialogue to imagine a better, more inclusive future.
- - -
Mercedes-Benz vehicle exhibit. After some great auction viewing at Gooding & Company, we visited the nearby Pebble Beach Concours d'Elegance exhibit and vendor tents.
- - -
Had a blast with our auto-enthusiast friend and neighbor, Fred, at Monterey Car Week 2022.
Here in the world's factory, foreign logos, brands, and symbols are all gloriusly recontextualized into a refreshing meaninglessness.
The statue of Lenin that has stood on a street corner in Seattle's Fremont neighborhood got splashed with blue and yellow paint after Russia's invasion of Ukraine.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Recontextualizations from @JulianSchnabel 's Basquiat 4 the Amazing Director of Buffalo 66, @gallo_vincent #BigLove from #DetroitRockCity! #iphone #hipstamatic
Recontextualizations from @JulianSchnabel 's Basquiat 4 the Amazing Director of Buffalo 66, @gallo_vincent #BigLove from #DetroitRockCity! #iphone #hipstamatic
I found a box of slides in a back closet at work. There is no good reason for these slides to be back there. As such, I adopted them. Now I am recontextualizing them. I am putting people by other people they never met and I'm even putting a kitchen in a forest.
Taken by Cory Funk.
I love it. Giuseppe Pellizza recontextualized in a graffiti setting. The centro sociale Ex SNIA was the unofficial headquarters of the Ciemmona affair, and their Ciclofficina Don Chisciotte was instrumental in getting a lot of weird bikes out into the mass.
Secure the Bag, Mint the Soaps and Throw the Bones is a site of exchange that aims to recontextualize the intricate histories of the brown paper bag and Hispano cuaba soap while inviting the audience to play a game of dominoes. This is based on the artist’s ongoing examination of these items found in private and domestic settings. Nonetheless, their combined racialized, colonial and social complexity reverberates in the customs and dynamics of collective space within a black diasporic subjectivity and imagination. To learn more visit www.recessart.org/francheskaalcantara/
We see a near-empty lecture hall prior to a lecture starting. The ceiling is high, and the seats are empty despite there being a large number of them. A sole figure sits in the upper rows. Closer to the photographer than the rest of the figures in the series, but still turned away not paying any attention. There is no one in the front lecturing. The photographer is, again, alone even when there are others present
CAPSTONE:
In the first album this photograph represented solitude and feeling separate from those around them, but for this capstone album I'm choosing to recontextualize it as a photograph demonstrating my time in higher education. I'm very grateful to be in a position where I am able to pursue a college degree, for my mother it was an incredibly struggle to go to college between being in an unsupportive environment and being entirely self-reliant. Where I in that position I know I would not be able to pursue higher education. Instead, I've been entirely supported through scholarships, loans, and family support which allows me to study what I like with little stress- I'm incredibly lucky to be in college and for that I am deeply grateful.
Recontextualizations from @JulianSchnabel 's Basquiat 4 the Amazing Director of Buffalo 66, @gallo_vincent #BigLove from #DetroitRockCity! #iphone #hipstamatic
Recontextualizations from @JulianSchnabel 's Basquiat 4 the Amazing Director of Buffalo 66, @gallo_vincent #BigLove from #DetroitRockCity! #iphone #hipstamatic
an artist talk for ART NOW! an exhibition of new work by Quebec multi-media artist MICHÈLE PROVOST.
ART NOW! is an assortment of recontextualized images, objects, and quotes taken from Taschen’s Art Now!, a series of volumes listing the most popular contemporary artists at present. The exhibition includes works that are embroidered, painted, and printed, as well as found objects. It questions the subjective process employed by art-world publications of selecting, defining, categorizing, and evaluating art, all while inviting the viewer to participate and discover the artworks and artists being referenced.
THE EXHIBITION ENDS THIS SATURDAY, NOV. 2
PATRICK MIKHAIL GALLERY
2401 Bank Street
Ottawa Canada
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Students, faculty, staff and community members gathered in front of South Building at UNC to recontextualize the athletic-academic scandal at UNC.
What kinds of new knowledge can be invoked from the recontextualization of the most frequently used words within the text? I have begun to work on Banned Written works as a source- the three pieces here are just a starting point.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
I make illustrated travel journals, called journey daybooks. Often I recontextualize xeroxed pages to make things. These are collaged boxes that I wrapped together and tied together with string, yarn, and ribbon.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Pre-formed, 2010
Plastic packages, spray paint, flocking
29inches X 26 feet X 2 3/4 inches (entire installation)
We tend to know what something is by how it is contextualized, what if the context is shifted? In Hardware Store the clear packages common to hardware stores for selling quantities of small items are covered with color and texture. The combination fluorescent orange and stucco-like texture makes the work impossible not to notice yet hard to focus on. Surfaces transformed, the objects are rendered useless and recontextualized as art; the utilitarian shapes of the packages becomes opaque forms reminiscent of the minimalist cube. Unlike minimalism, this project utilizes the waste of mass production rather than the techniques and materials made possible by it. By this subversion of the packaging––the detritus of consumer culture––masquerades as art, as minimalism.
Please note: The color of these objects aren't in the range of most computer monitors. They are a fluorescent orange, like the color of sales tags or caution signs.
Thomas J. Gamble, Endless Shipwreck, Mixed Media Drawing
Large images that recontextualize and conflate the historical and the personal to create new spaces for resistance. The shipwreck as disaster that suggests a survivor. Photos by: Stephanie Yu MFA Visual Studies '14
Secure the Bag, Mint the Soaps and Throw the Bones is a site of exchange that aims to recontextualize the intricate histories of the brown paper bag and Hispano cuaba soap while inviting the audience to play a game of dominoes. This is based on the artist’s ongoing examination of these items found in private and domestic settings. Nonetheless, their combined racialized, colonial and social complexity reverberates in the customs and dynamics of collective space within a black diasporic subjectivity and imagination. To learn more visit www.recessart.org/francheskaalcantara/
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Recontextualizations from @JulianSchnabel 's Basquiat 4 the Amazing Director of Buffalo 66, @gallo_vincent #BigLove from #DetroitRockCity! #iphone #hipstamatic
From the museum label: Das Dutta created some of India's earliest hand-colored lithographs, a medium that became the primary means of producing Hindu devotional images. In this work, a crowned goddess sits atop a cushioned throne, fanned and shaded by her attendants. "I wanted to break down barriers and recontextualize art objects from different eras and cultural contexts, Mattai says. "Here we are awakening a new spirit in the objects, giving them a new sense of power.”
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Fieldtrip:Kreuzberg, Berlin.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Uta Protzmann
PHOTO STOLEN FROM MORGAN WELLS (Thanks, Morgy!)
Megan Thomas-Melly - WE STILL GOT A LONG WAY TO GO
at TIGHT SPACE
Reception: July 20th 2009. 7-10pm. Artist in Attendance.
WE STILL GOT A LONG WAY TO GO will be artist Megan Thomas-Melly's first solo exhibition. It will be a one night only event (and then by appointment) taking place in a new project space located in the heart of Orange County, California as part of the monthly Santa Ana Art Walks. The show will feature a recontextualized sculptural installation and many works on paper, in cloth and on canvas presenting a hotchpotch of themes related to the artist's perception of modern (popular and sub-) culture.
TIGHT SPACE
729 N. Poinsettia Street
Santa Ana, Ca 92701
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
Secure the Bag, Mint the Soaps and Throw the Bones is a site of exchange that aims to recontextualize the intricate histories of the brown paper bag and Hispano cuaba soap while inviting the audience to play a game of dominoes. This is based on the artist’s ongoing examination of these items found in private and domestic settings. Nonetheless, their combined racialized, colonial and social complexity reverberates in the customs and dynamics of collective space within a black diasporic subjectivity and imagination. To learn more visit www.recessart.org/francheskaalcantara/
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
January 29 – May 30, 2022
Leonard Reidelbach’s installation cruising into becoming is a material, spiritual and social exploration of embodiment. Through an emphasis on touch and intimacy, this work urges you to cruise toward your own recessed desires. The images resting on the surface of these materials build a poetic texture to an alternate world. If you look closely, a pattern emerges which transports the past and recontextualizes itself across time, space and body. These reconfigurations of a moment are colorful pronunciations of an evolving physical reality.
Curated by Leila Weefur.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
January 29 – May 30, 2022
Leonard Reidelbach’s installation cruising into becoming is a material, spiritual and social exploration of embodiment. Through an emphasis on touch and intimacy, this work urges you to cruise toward your own recessed desires. The images resting on the surface of these materials build a poetic texture to an alternate world. If you look closely, a pattern emerges which transports the past and recontextualizes itself across time, space and body. These reconfigurations of a moment are colorful pronunciations of an evolving physical reality.
Curated by Leila Weefur.
ShangShan/Stone Age Music, USA 2017
Cover by Jun-Y Ciao
kendrasteinereditions.wordpress.com/2017/10/22/shanghai-q...
Review in Bad Alchemy 99:
a23h-ba.blogspot.com/2018/08/shanghai-quintet-shangshan-k...
The Shanghai Quintet emerged in 2011 from the fertile intersections of Shanghai’s improvised scene, bringing together guitarist and electronics player MaiMai, Alfred 23 Harth on bass clarinet, pocket trumpet and Kaos Pad, Cheng Xu on electronics, Jun‑Y Ciao on alto saxophone and clarinet, and Yi Tao on drums and percussion. Their first performances in Shanghai quickly marked them as a distinctive ensemble, blending mercurial electronics, extended instrumental vocabularies, and an urgent collective drive. The group returned the following year for the German Chinese Jazz Improvise Meeting Festival, with concerts in Shanghai, Beijing, and Shenzhen, further underscoring its importance as a cross‑cultural venture. In that same season, Harth—assisted by Jun‑Y Ciao—also appeared in Hong Kong with local musicians under the banner of Struggle For More Freedom, an event emblematic of his engagement with politically charged improvisation in East Asia.
This period culminated in 2014 with Harth’s major KSE release China Collection, a sprawling and audacious 70‑minute assemblage incorporating recordings of the Shanghai Quintet’s Chinese players alongside a wide range of sources. Its dense construction—juxtaposing recontextualized operatic fragments, improvisational passages, reeds, strings, cut‑up voices, turntablist gestures, and electronic textures—resulted in a monumental sound‑sculpture of rare scope. Harth himself provided detailed liner notes, situating each piece within the larger project and affirming the work’s status as both archive and reinvention. For those steeped in the avant‑garde, China Collection resists categorization: more than a sampler of Harth’s Chinese collaborations, it reimagines them as a total artwork.
The Quintet’s trajectory continued with an invitation in 2016 to perform at Shanghai’s Power Station of Art, a milestone reflecting both institutional recognition and the group’s sustained vitality. Harth subsequently released documentation of this appearance as ShangShan / Stone Age Music (KSE, 2017), further expanding the dialogue between live practice and crafted release. In 2019, his solo tour of China reaffirmed long‑standing ties with the region, a relationship that had its roots as far back as 2004, when he undertook a first exploratory journey there with Yi Soonjoo.
Across these exchanges and releases, Harth and the Shanghai Quintet exemplified the fluid networks of the contemporary improvised music world: committed to experimentation, deeply collaborative, and alert to the political, cultural, and historical resonances of performance.
January 29 – May 30, 2022
Leonard Reidelbach’s installation cruising into becoming is a material, spiritual and social exploration of embodiment. Through an emphasis on touch and intimacy, this work urges you to cruise toward your own recessed desires. The images resting on the surface of these materials build a poetic texture to an alternate world. If you look closely, a pattern emerges which transports the past and recontextualizes itself across time, space and body. These reconfigurations of a moment are colorful pronunciations of an evolving physical reality.
Curated by Leila Weefur.
January 29 – May 30, 2022
Leonard Reidelbach’s installation cruising into becoming is a material, spiritual and social exploration of embodiment. Through an emphasis on touch and intimacy, this work urges you to cruise toward your own recessed desires. The images resting on the surface of these materials build a poetic texture to an alternate world. If you look closely, a pattern emerges which transports the past and recontextualizes itself across time, space and body. These reconfigurations of a moment are colorful pronunciations of an evolving physical reality.
Curated by Leila Weefur.
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou
The pilot stage of Actors of Urban Change has come to an end, and yet it is the beginning of a beautiful friendship since Actors has already become a vivid network of commited people.
From May 8 to 11, the Participants of the first generation and local guest from the participating cities came again to Berlin to celebrate and show their achievements during the Closing Ceremony in the representative office of the Robert Bosch Stiftung.
This was following in depth workshops, evaluating the respective developments within the teams, projects and the program, which were carried out on the premises of the ZKU - Zentrum für Kunst und Urbanistik.
Getting back to real urban challenges, May 10, was filled with three field trips in different districts of the city to recontextualize the Berlin experience.
More information at actors-of-urban-change.eu.
Photo by Panos Georgiou