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After discovering the work of Russian artist Olga Suvorova (b1966) through my purchase of 4 Pomegranate jigsaw puzzles, I was eager to learn more about her. I found this book (published 2020) by Michael Fishel, which is a first-person account of her career, and which features many illustrations of her paintings. Recommended!
The Fantasy Faire Radio & Live at the FaireChylde Party Region
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A priest, a slave trader and some warriors from the Meridian Realm.
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Linderhof Palace and Gardens, Ettal, Bavaria, Germany
Some background information:
Linderhof Palace is a royal mansion in southwest Bavaria near Ettal Abbey. It is the smallest of the three palaces built by King Ludwig II of Bavaria (who was also named "The Fairy Tale King") and the only one which he lived to see completed. His other two palaces are Neuschwanstein and Herrenchiemsee.
King Maximilian II of Bavaria, the father of Ludwig II, had a hunting lodge on the same spot which Ludwig II knew, because he had often accompanied his father on his hunting trips. When Ludwig II from the reigning House of Wittelsbach became king in 1864, he inherited the so-called "Königshäuschen" from his father and predecessor, and in 1869 began to enlarge the building. In 1874 he decided to tear down the old hunting lodge and rebuild it on its present-day location in the park. At the same time three new rooms and the staircase were added to the remaining U-shaped complex, while the previous wooden exterior was clad with stone façades. The building was designed in the style of the second rococo-period. Between 1863 and 1886 a total of 8.4 million marks was spent for constructing Linderhof, which is the equivalent of about 134.4 million € today.
Although Linderhof is much smaller than Versailles, it is evident that the palace of the French Sun-King Louis XIV, who was an idol for Ludwig, was its inspiration. The staircase, for example, is a reduction of the famous Ambassador's staircase in Versailles, which was copied in full at Herrenchiemsee. Stylistically, however, the building and its decor take their cues from the mid-18th century Rococo of Louis XV, and the small palace in the Graswang Valley was more directly based on that king's Petit Trianon on the grounds of Versailles. The symbol of the sun that can be found everywhere in the decoration of the rooms represents the French notion of absolutism that, for Ludwig, was the perfect incorporation of his ideal of a God-given monarchy with total royal power. However, such a monarchy could no longer be realised in Europe in the second half of the nineteenth century.
The bedroom was important to the ceremonial life of an absolute monarch; Louis XIV of France used to give his first and last audience of the day in his bedchamber. In imitation of Versailles, the bedroom is also the largest chamber of Linderhof Palace. By facing north, however, the bedroom at Linderhof Palace inverts the symbolism of its Versailles counterpart, showing Ludwig's self-image as a "Night-King".
The location of the palace near Ettal Abbey again presents another interesting point. Because of its architecture Ludwig saw the church of the monastery as the room where the Holy Grail was preserved. This fact connects the idea of a baroque palace to the one of a medieval castle such as Neuschwanstein and reminds of the operas of Richard Wagner whose patron Ludwig was.
For Ludwig the second most important room at Linderhof Palace was the Hall of Mirrors, which used to be some kind of living room for him. He enjoyed sitting in the niche, sometimes reading there the whole night. Because Ludwig II used to sleep in the daytime and stay awake in the night, the mirrors created an unimaginable effect for him when they reflected the light of the candles a thousand times. Furthermore, the parallel placement of some of the mirrors evoke the illusion of a never ending avenue. The most essential item in the Hall of Mirrors was a candelabra with 16 branches, which was completely made from ivory. Already at that time its worth was immense.
Another interesting room at Linderhof Palace is Ludwig’s dining room with the so-called "table be laid" (In German: "Tischlein deck Dich"). This table was a disappearing dumb-waiter, so to say, where Ludwig used to dine alone. The table could be winded up from and down to the domestics floor below, where the servants had to lay the table for at least four persons because it is said that the king used to talk to imaginary people like Louis XV, Mme de Pompadour or Marie Antoinette while he was eating. For Ludwig II enjoyed the imaginary company of those people and admired them. You can find portraits of them in the cabinets, and scenes of their lives everywhere in the palace's rooms.
Also rather amazing are the gardens that surround Linderhof Palace. They are considered one of the most beautiful creations of historicist garden design, designed by Court Garden Director Carl von Effner. The park combines formal elements of Baroque style and Italian Renaissance gardens with landscaped sections that are similar to the English garden.
Visitors can also have a look at the Marrocan House or the Moorish Kiosk there. The latter one’s most notable piece of furniture is the so-called Peacock Throne. But probably the most fascinating "building"in the gardens is the Venus Grotto. It is a completely artificial cave with a subterranean pond girded by fake stalactites. The Venus Grotto was built for the king as an illustration of the First Act of Wagner's "Tannhäuser". Ludwig liked to be rowed over the pond in his golden swan-boat but at the same time he wanted his own blue grotto of Capri. Therefore 24 dynamos had been installed and so already in the time of Ludwig II it was possible to illuminate the grotto in changing colours. Wagner’s operas were also performed there for Ludwig solely – with a complete orchestra and professional opera singers, while the king was watching the play from different alcoves in the cave, which were made to look like natural rock shelters but in fact were Ludwig’s personal loges from where he could watch the operas from different angles.
Well, it cannot be denied that Ludwig II was a pathetic and lousy king. He hardly ever cared for his official duties and his kingdom in general. Instead he was mainly interested in building fantasy worlds for his personal use. Just like Linderhof Palace his other building projects costed vast sums of money which he took from the Bavarian citizens, resp. from their taxes. By doing this he almost bled Bavaria to death. In 1871, Ludwig received a donation of 4 million thalers (the equivalent of about 200 million € today) for his agreement to the proclamation of William I, King of Prussia, as the new German emperor. This money enabled him to carry on the construction activities at his different personal building projects.
Although Ludwig was engaged to Sophie of Bavaria, he was never married. Today it is quite evident why. Based on numerous letters to his aide-de-camp Paul von Thurn und Taxis it can be assumed that he was homosexual. You may also know that in 1886 Ludwig II died at the age of 41, presumably by committing suicide when walking into the waters of Lake Starnberg. However, there are still rumours that he was murdered. If you would ask me if he was mentally ill, I would answer: "Yes, in my opinion he was." But due to his splendid, fanciful and also unhappy life his is still shrouded in myth. Not least because of this fact Linderhof Palace is visited by more than 500,000 people from all over the world each year. Unfortunately it is not permitted to take photos inside the palace.
Step into a realm of refined elegance at the entrance to Pierre Gagnaire à Tokyo, an exquisite fine-dining destination housed within the ANA InterContinental Tokyo. This grand entryway is a symphony of luxurious design, where deep, tufted purple velvet panels exude opulence, framing the doorway like a regal invitation. Gilded portraits add an air of sophistication, highlighting the legacy and culinary mastery of Chef Pierre Gagnaire, a pioneer in modern French cuisine.
The backdrop, a towering wine wall, showcases an unparalleled collection of vintages, encased in glass and illuminated to create a mesmerizing display. This architectural feature not only reflects the restaurant’s dedication to pairing fine wines with its culinary creations but also establishes a sense of grandeur that complements the Tokyo skyline, visible through expansive windows beyond the entrance.
Every detail in this space speaks of thoughtful craftsmanship, from the soft, ambient lighting to the clean, modern lines of the surrounding architecture. The juxtaposition of the plush velvet against sleek glass and polished tile flooring captures a balance between traditional luxury and contemporary style. Elevated high above the bustling streets of Tokyo, this setting offers more than just a meal; it’s an experience that merges culinary artistry with breathtaking views.
Whether you’re here for a romantic dinner, a special celebration, or simply to indulge in one of the finest gastronomic offerings in Tokyo, the entrance sets the tone for the unforgettable journey that lies ahead. Pierre Gagnaire à Tokyo promises not only a feast for the palate but also for the eyes and soul.
Im in the rubber-realm a fantasy rubber world in the latex-universe which is all mine :) I have everything latex is im the latex goddess and im very spoiled :)
More latex land links below.
Avalon Beach
All rights are reserved. Please contact me if you are interested in using this image. Thanks for looking at my work
Feel free to visit my website 4G Images
It is a small commercial site offering high quality prints
D&D, medieval fantasy, elves, drow, orc, tiefling, dwarf, human, dungeon & dragons, faerun, forgotten realms, the dalelands, wizards, magic
Taken at Mulmaster - A Forgotten Realms Sim, The Dalelands (184, 142, 37)
Now out in the Wishbox store and on the Marketplace!
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Isaac Grünewald (Swedish - 1889 - 1946)
In the Realm of Fantasy (1915)
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waldemarsudde.se/en/exhibitions/isaac-grunewald-art-and-t...
Waldemarsudde presents a comprehensive and research-based exhibition showing the breadth and remarkable diversity in the rich oeuvre of Swedish painter Isaac Grünewald (1889–1946). The material includes painting, study sketches for stage designs for opera and ballet, theatre costume drawings, studies for decorative schemes for public spaces, applied art, design, illustrations and film. The exhibitionl considers Grünewald’s strong standing in Swedish cultural life against the background of societal changes of the early and mid-twentieth century, and in relation to his social contacts and networks in Sweden and internationally. An extensive and richly illustrated catalogue accompanies the exhibition, with essays written by a range of eminent researchers in the fields of art and theatre.
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”Second to the arts, I think flowers are my greatest joy,” Prince Eugen wrote in a letter in 1901.
A visit to the beautiful park and garden at Waldemarsudde is a treat for many senses and offers more than a century old garden history. The design of the garden determined by Prince Eugen, is still managed according to the Prince’s instructions and directions. The park is also rich in sculptures, all of them bought by Prince Eugen, often with specific sites in mind.
Prince Eugen was an art collector of note, with special emphasis on Nordic and French art. The Collections number around 7,000 works and comprise painting, sculpture and crafts objects. The Painting Collection includes works by Ernst Josephson, Anders Zorn, Julia Beck, Isaac Grünewald, Sigrid Hjertén and Sven X:et Erixson. International artists such as Edvard Munch and Auguste Rodin are also represented. Throughout the year, a selection of Prince Eugen’s own art and works from the Collections, are on display.
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Prince Eugen's Waldemarsudde (Swedish for Cape Waldemar), is a museum located on Djurgården in central Stockholm. The name is composed of Waldemar, an Old German noble male name, and udde, meaning cape. It is derived from a historical name of the island Djurgården, Valmundsö.
It was the former home of the Swedish Prince Eugen, who discovered the place in 1892, when he rented a house there for a few days. Seven years later he bought the premises and had a new house designed by the architect Ferdinand Boberg, who also designed Rosenbad (the Prime Minister's Office and the Government Chancellery), and erected 1903–1904.
Prince Eugen had been educated as a painter in Paris and after his death the house was converted to a museum of his own and others paintings. The prince died in 1947 and is buried by the beach close to the house.
The complex consists of a castle-like main building—the Mansion—completed in 1905, and the Gallery Building, added in 1913. The estate also includes the original manor-house building, known as the Old House and an old linseed mill, both dating back to the 1780s. The estate is set in parkland which features centuries-old oak trees and reflects the prince's interest for gardening and flower arrangement. The Art Nouveau interior, including the cocklestoves, by Boberg are designed in a Gustavian style and makes good use of both the panoramic view of the inlet to Stockholm and the light resulting from the elevated location of the building.
en.wikipedia.org/wiki/Waldemarsudde
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I don't usually do cute. But the next door neighbor's daughter is having her first birthday tomorrow, and she shares a name with my own daughter--who was born long before I started working in polymer clay; hence, she never got one of these. So I am making up for it now. I hope little Sam grows up in a world of magical possibility....
Genre: Medieval Fantasy
Sim Owners : trista.haiku & lillithea Resident
Sim: maps.secondlife.com/secondlife/Realm%20Of%20Toritha/186/1...
Painted with liquid gold: Reflection of the Thai Pavilion at Olbrich Botanical Gardens, Madison, Wisconsin.
"This is not suposed to make sense. . . . . . .
A dream repeating itself, night after night, its not scary but surprising. Does it reflect whats happening in life or is it some strange phenomena that some will never understand? Its cold, its hot, or can the breeze be felt if it even exists in the realm of the dream. Meeting people across the sea's our souls leave our bodies while we sleep, living their own life until the time we wake up is the time they enter again into our bodies so that we "humans" function. Robots, repeating everything day after day the same way but never the same. Everyone is unique yet the same. Hopes, Dreams, life, love, hate...
A hand is shaking me..
its time to wake up.."
-Me
✰ This photo was featured on The Epic Global Showcase here: ift.tt/24SttfJ
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In dreams nothing can hurt you… not even your own fears. Dream Sequence (2008). #conceptualart #dreams #whpdaydream #theinvisiblerealm
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Something about the white aspen trunk with the green shrubs and berries just captured my imagination.
Hasselblad 500CM | Kodak Portra 160
Castle Creek Road, Colorado
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©2011 Blomerus Calitz (All rights reserved)
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One flash was below the setup and one above the setup. I also placed another photo above the cubes to create the blue sky effect above the cubes and ball bearing.
Please let me know what you think.