View allAll Photos Tagged Realization
Prompts: We're dead inside It goes on and on, let this go When it stops, we'll never know We're hypnotized And they won't stop 'til you're ( zombified), go, soft touch.
Song Inspiration: ✩ Explicit Content. ✩
Falling In Reverse - "ZOMBIFIED"
Created with #midjourney #photoshop
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"The only limit to our realization of tomorrow will be our doubts of today. Let us move forward with strong and active faith."
Looking south-southwest at an inscription in the fourth "room" of the Franklin D. Roosevelt Memorial in Washington, D.C., on March 15, 2012. This quotation is from Roosevelt's undelivered Jefferson Day Address, scheduled for a nationwide radio address on April 14, 1945. Roosevelt wrote the speech on the night of April 11. He he died from a cerebral hemorrhage the following day.
The memorial was designed landscape architect Lawrence Halprin and dedicated on on May 2, 1997, by President Bill Clinton. It's spread over 7.5 acres (3.0 hectares) of West Potomac Park. (Roosevelt was an avid conservationist. Fittingly, West Potomac Park is made up of silt dredged from the bottom of the Potomac River from 1880 to 1911.) The main entrance is at the north end, although just as many people enter from the south end (walking along the Tidal Basin from the Jefferson Memorial).
The memorial consists of four roofless, outdoor "rooms" created by gigantic blocks of rough red South Dakota granite. Each "room" represents one of Roosevelt's terms in office, and each room has a waterfall, inscriptions, and sculpture. The first room's walls are more smoothed and the blocks of stone aligned, and the waterfall is small, smooth, and quiet. The subsequent rooms express the increasing complexity of Roosevelt's presidency as depression and war intruded. The stone becomes less smooth, some blocks of stone are misaligned or jut from the walls; in the third room, massive stones actually lie in the center of the space, tumbled on top of one another. The waterfalls become larger, more complex, more chaotic.
Interestingly, the waterfalls were designed to be played in. But the National Park Service, deeply worried that someone would slip and fall on the algae-covered rocks, quickly banned people from doing so.
Out of respect for Roosevelt's own disability, the entire memorial is wheelchair accessible. All the sculptures are meant to be touched, and the second "room" contains a huge wall "quilt" of images -- an artwork known as "Social Programs" -- that depicts the people Roosevelt helped (with Braille inscriptions describing each one next to the panels).
Stonecarver John Benson did the granite inscriptions seen throughout the memorial. Here's a list of the sculptures in the memorial, along with their creators:
* "Prologue" - By Robert Graham, this is the life-size sculpture of Roosevelt in his wheelchair which stands in front of the main entrance to the memorial.
* "Presidential Seal, 1932" - By Tom Hardy, this is in the "first room" and depicts the Great Seal of the President of the United States as it existed in 1932 at the time of Roosevelt's first inauguration.
* "First Inaugural" - By Robert Graham, this bas-relief panel in the "first room" depicts an image inspired by film footage taken during the first inaugural parade.
* "The Fireside Chat" - By George C. Segal, this sculpture in the "first room" depicts a man seated in a chair, listening to one of Roosevelt's radio addresses (the "fireside chats").
* "Farm Couple" - By George C. Segal, this life-size sculpture in the "second room" depicts a farmer standing next to his wife (seated in a chair) in front of a barn door (with the upper half of the door open). It symbolizes Roosevelt's commitment to saving American agriculture.
* "Depression Bread Line" - By George C. Segal, this sculpture in the "second room" depicts six life-size male figures stand in a line to get free bread. The men face west, and it is just a few feet west of "Farm Couple."
* "Social Programs" - By Robert Graham, these 54 bronze panels on a wall and four pillars in the "second room" depict the social programs Roosevelt enacted.
* "Funeral Cortege" - By Leonard Baskin, this bas-relief bronze panel in the "fourth room" depicts the funeral of Roosevelt in 1945.
* "Eleanor Roosevelt" - By Neil Estern, this life-size statue of the First Lady stands between the "third" and "fourth" rooms. Placed in a niche, it depicts her later in life in a cloth coat, the Seal of the United Nations behind her and to her left. It is the only depiction of a First Lady at a national memorial.
* "Fala and Franklin D. Roosevelt" - By Neil Estern, this slightly larger-than-life statue in the "fourth room" is based on depictions of an aging, sick Roosevelt at the Yalta Conference. His cloak masks the chair in which he sits. (If you look closely at the back of the statue, you can see that the chair has wheels, although it is not a wheelchair.) Roosevelt's faithful Scottish Terrier dog, Fala, stands beside him.
In the "third room" -- the room dedicated to the war years -- is a massive tumble of granite blocks. Inscribed on a block tilted against another are the words "I Hate"; the block on which this is tilted contains the word "War." This sculpture (for that is what it is) is the "I Hate War" piece. Its placement and design was by Halprin, and Benson carved the words. It was inspired by Roosevelt's 1936 "I Hate War" speech, given in Chautauqua, New York. A longer inscription from the speech is on the stone wall next to the waterfall.
It should be noted that the Estern sculpture, as originally planned, more prominently featured Roosevelt in a wheelchair. But this was changed because various project overseers said Roosevelt had not been depicted in a wheelchair in public.
Disability advocates strongly criticized this decision when the memorial opened and there was no image of Roosevelt in a wheelchair. The National Park Service permitted disability advocates to add a sculpture near the memorial's entrance, which is the "Prologue" statue by Robert Graham.
Memorial designer Lawrence Halprin applauded the move. He said that Roosevelt loved debate and discussion, and rarely made decisions himself but rather ordered his subordinates to "hash it out" and come to a decision. Halprin said adding the sculpture is a true memorial to Roosevelt, for it exemplified people of good will coming together in disagreement but forging a compromise that will allow everyone to move ahead.
I took almost the exact same photo from almost the exact same spot 4 years before this photo was taken. putanginacupnstir.deviantart.com/art/View-from-the-garden...
It was such a strange feeling revisiting this place. The first time I came to the meditation gardens, I was not even aware that I was in Encinitas. So before I came to the meditation gardens this time around, I thought it was my first time in Encinitas. It was not, apparently. It felt almost as if my life came full circle. But not really.
The Self-Realization Fellowship meditation garden has a cactus bed that overlooks the crashing waves of the Pacific Ocean in Encinitas, California
The realization that l33tspeak could be applied to hex values in Photoshop led to a few minutes of frivolity.
UPDATE: the sequel, based on some of your suggestions and a few of my own.
Today I had a realization that went something like this - oh crap I'm leaving thursday and I need to get a photo in now or i'll have to skip a week. So this was sort of last minute. I had no lighting in my room and my walls looked a horrible neon shade in all the pictures I took, so I threw on the 'antique light' preset on LR. I test how that preset looks on most photos that I import into LR and I love it. I don't use it too often. But I am really enjoying it with the tinsel photos :P
Marco nailed this photoshoot. He was just *on*. Even though it took me forever to find something I considered working with. He posed the whole time like a professional.
I should rent him out to modeling agencies. The boy is bringing sexy back and he knows it, lol.
He reminded me why I'm keeping him in 52 weeks for next year. Not that I forgot at all. But the dog is such a friggin rebel in all other aspects of life, he's a difficult puppy (especially with mister perfect Perry showing him up). But I've developed a fantastic connection with him through photography. He will pose proudly for me even if he's uncomfortable, even if i contort him or make him wear embarrassing stuff. I guess he knows that he can't fail (if a picture comes out bad its the photographer's fauly, not the models ;) This is really the one aspect of life where he's glad to play along with me. Good boy, Marco.
i rarely smile a full smile in my outfit pics! hmm.
pink cropped blouse - grlfrndz
high-waisted jeans - topshop
two-tone brogues - vintage
more at the blog (:
Scenes from the closing of the 62nd Session of the Commission on the Status of Women, held at UN Headquarters in New York on 23 March 2018.
The UN’s largest annual gathering on gender equality and women’s rights concluded in New York with the strong commitment by UN Member States to achieving gender equality and the empowerment of rural women and girls. Coming on the heels of unprecedented global activism and public outcry to end gender injustice and discrimination worldwide, the 62nd session of the UN Commission on the Status of Women (CSW) reached a robust agreement highlighting the urgency of empowering and supporting those who need it most and have, for too long, been left behind.
Today, 1.6 billion people still live in poverty, and nearly 80 per cent of the extreme poor live in rural areas. Many of them are rural women. They continue to be economically and socially disadvantaged – for instance, they have less access to economic resources and opportunities, quality education, health care, land, agricultural inputs and resources, infrastructure and technology, justice and social protection.
The outcome of the two-week meeting, known as the Agreed Conclusions adopted by Member States, puts forth concrete measures to lift rural women and girls out of poverty and to ensure their rights, well-being and resilience. These include ensuring their adequate living standards with equal access to land and productive assets, ending poverty, enhancing their food security and nutrition, decent work, infrastructure and technology, education and health, including their sexual and reproductive health and reproductive rights, and ending all forms of violence and harmful practices. Member States recognize in the conclusions rural women’s important role in addressing hunger and food insecurity. This strong outcome provides a roadmap on next steps that governments, civil society and women’s groups can undertake to support the realization of rural women’s rights and address their needs.
Read More: www.unwomen.org/en/news/stories/2018/3/press-release-csw6...
Photo: UN Women/Ryan Brown
Towards the end of the Korean War, the USAF came to the realization that their transport fleet was becoming obsolete. The C-46 Commandos and C-47 Skytrains in service were no longer adequate, while the C-119 Flying Boxcar was having difficulties. In 1951, the USAF issued a requirement for a new tactical transport, an aircraft that would need to carry at least 72 passengers, be capable of dropping paratroopers, and have a ramp for loading vehicles directly into the cargo compartment. Moreover, it must be a “clean sheet” design, not a conversion from an existing airliner, and the USAF preferred it be a turboprop design. Five companies submitted designs, and six months later the USAF chose Lockheed’s L-402 design—over the misgivings of Lockheed’s chief designer, Clarence “Kelly” Johnson, who warned that the L-402 would destroy the company. Little was Johnson to know that, fifty years later, the L-402—designated C-130 Hercules by the USAF—would still be in production, and one out of only five aircraft to have over 50 years of service with the original purchaser.
The C-130 was designed to give mostly unfettered access to a large cargo compartment—the ramp forms an integral part of the rear fuselage, the wing is mounted above the fuselage, and the landing gear is carried in sponsons attached to the fuselage itself, while the fuselage has a circular design to maximize loading potential. The high wing also gives the C-130 good lift, especially in “high and hot” situations. The Allison T56 turboprop was designed specifically for the Hercules, and has gone on to become one of the most successful turboprop designs in history.
After two YC-130 prototypes, the Hercules went into production as the C-130A in 1956, to be superseded by the improved C-130B in 1959. The latter became the baseline Hercules variant: C-130As had three-blade propellers and a rounded “Roman” nose, while the B introduced the more familiar, longer radar nose and four-blade propellers. In the 50 years hence, the basic C-130 design has not changed much: the C-130E introduced underwing external fuel tanks, while the C-130H has a slightly different wing. Even the new C-130J variant only introduced new engines with more fuel efficient six-bladed propellers: the basic design remains the same. Lockheed also offers stretched versions of the Hercules, initially as a civilian-only option (the L-100-30); the British Royal Air Force bought this version as the C-130K and it was later adopted by other nations, including the United States.
The basic C-130 is strictly a transport aircraft, but the versatility of the aircraft has meant it has been modified into a dizzying number of variants. These include the AC-130 Spectre gunship, the HC-130 rescue aircraft and WC-130 weather reconnaissance version. Other versions include several dozen EC-130 electronic warfare/Elint variants, KC-130 tankers, and DC-130 drone aircraft controllers. The USAF, the US Navy, and the US Marine Corps are all C-130 operators as well. Besides the United States, there are 67 other operators of C-130s, making it one of the world’s most prolific aircraft. C-130s are also used extensively by civilian operators as well as the L-100 series.
The “Herky Bird,” as it is often nicknamed, has participated in every military campaign fought by the United States since 1960 in one variation or the other. During Vietnam, it was used in almost every role imaginable, from standard transport to emergency bomber. It was also instrumental in resupplying the Khe Sanh garrison during its three-month siege. Hercules crews paid the price as well: nearly 70 C-130s were lost during the Vietnam War. In foreign service, C-130s have also been used heavily, the most famous instance of which was likely the Israeli Entebbe Raid of 1976, one of the longest-ranged C-130 missions in history. C-130s are often in the forefront of humanitarian missions to trouble spots around the world.
As of this writing, over 2300 C-130s have been built, and most are still in service. It remains the backbone of the USAF’s tactical transport service; attempts to replace it with the Advanced Tactical Transport Program (ATTP) in the 1980s and to supplement it with the C-27J Spartan in the 2000s both failed, as the USAF realized that the only real replacement for a C-130 is another C-130.
Though I don't have a tail number on this model, this 1/72 scale Italeri kit represents an EC-130E Airborne Command and Control Center (ABCCC), as they appeared during the Vietnam War. As the designation hints at, the job of the ABCCC was to coordinate airstrikes around Southeast Asia--by operating in the air, its radios were not limited by the curvature of the earth, and at altitude, it could not be shut down by enemy attack. It also cut down on response time for USAF aircraft moving to help troops in contact on the ground, as the ABCCC could quickly shift assets where they were needed the most. ABCCCs worked closely with forward air control (FAC) aircraft in this role. They were still subject to rules of engagement, and targets were subject to approval from 7th Air Force headquarters in Saigon. This more than occasionally negated the ABCCC's effectiveness. Nonetheless, using the codenames Hillsboro, Alleycat, Moonbeam, Trump and Cricket, ABCCCs were invaluable to the air war over South Vietnam, Cambodia and Laos, and one was usually in the air at all times.
Dad built this EC-130 for Capt. Ron Dallenger, his former boss at 24th NORAD at Malmstrom AFB. During Vietnam, Dallenger flew 93 missions in ABCCCs, assigned to the 7th Expeditionary Airborne Command and Control Squadron (ACCS) at Korat RTAFB, Thailand. It required some conversion work: the two air vents on the forward fuselage of the EC-130E are one of the hallmarks of an ABCCC aircraft. The wheeled "box" below the model is the actual ABCCC trailer--it could be towed out of one EC-130 and placed in another quickly if needed, and kept the system self-contained. Dad scratchbuilt the trailer out of sheet styrene and airliner wheels.
This is the centerpiece of Dallenger's career shadowbox, and contains mementos, medals, pictures and other models showing off a 30-year career in the USAF. Because it's mounted vertically behind glass, it's not the easiest model to photograph.
Miguel Angel Guzman
Direction & Choreography
María Cecilia Cuesta, Marianna Escobedo, Lucía González, Cinthia Pérez Navarro, Amira Ramírez, Carolina Tabares & Jimena Villegas
Performers
Angelina Del Buey
Costume Design
Gonzalo Aguilar
Photography
Realization and imagination co star : Sky Sone, Mom, Bro.
The use of this photo is allowed only with written authorization of Svante Oldenburg
With the realization that I would be joining some world class photographers in Banff, one of the most spectacular places on Earth, a realistic photography plan would be most helpful! Landscape photography is not a forte of mine but the opportunity to try and capture my impressions on such a big scale was very exciting!
So the idea of 'intimate landscapes' took form and mixed with my artistic nature, this image is what I had envisioned. Little magical scenes that were scattered throughout the region to taste. Nibble. My goodness, the Canadian Rockies landscape was beyond powerful, it took my breath away! And then I watched Anne Strickland and Paul Bruin set up their tripods and face these most staggering scenes that they appeared to me to be in a battle of epic proportions. Is it even possible that such raw beauty be captured by man/woman and camera?
Oh, and they did! Masterfully! But for mere mortals such as myself, it was too humbling! Shooting the Rockies is a little like love at first sight! The impossible becomes possible and slowly one gets more and more assured, falling deeper under it's spell. I'm still in the state of dazzling breathlessness where all is overwhelming. Perhaps a few more return trips will settle me down. But right now I'm intoxicated! And those little kisses of small scenes are all I can handle! :-)
"The only limit to our realization of tomorrow will be our doubts of today. Let us move together with strong and active faith."
The Franklin Delano Roosevelt Memorial, dedicated on May 2, 1997, is spread out over 7.5 elaborate landscaped acre along the Cherry Tree Walk on the Western edge of the Tidal Basin as part of the National Mall. Designed by Lawrence Halprin, it traces 12 years of the history of the United States through a sequence of four outdoor gallery rooms--one for each of FDR's terms of office-- defined by walls of red South Dakota granite.
The idea for a memorial originated in 1946. In 1955, the Franklin Delano Roosevelt Memorial Commission was established by Congress. The current plot of land was secured in 1959 with design competitions following in 1960 and 1966. It wasn't until 1978 that the committee finally approved a design by Halprin and authorized construction in 1982. Ground was broken in September of 1991.
Running water is an important physical and metaphoric component of the memorial. Each of the four "rooms" representing Roosevelt's respective terms in office contains a waterfall. As one moves from room to room, the waterfalls become larger and more complex, reflecting the increasing complexity of a presidency marked by the vast upheavals of economic depression and world war.
The first room introduces Roosevelt's first term as President (1932-1936). Robert Graham's relief sculpture depicts his first inauguration. Tom Hardy's a bronze sculpture depicts The Presidential Seal and a Roman-American eagle. In this room, the single large drop of water symbolizes the crash of the economy that led to the Great Depression.
The second room, Social Policy, details Roosevelt's second term from 1936-1940 and the impact of the New Deal, which created social security, worker's compensation, unemployment insurance, welfare, and fair labor standards. Three sculptural groups by George Segal--Breadline, The Rural Couple, and The Fireside Chat--represent Americans during the Great Depression. The wall opens to an open area with five tall pillars and a large mural, created by Robert Graham, representing the New Deal. The five-panelled mural is a collage of various scenes and objects, including initials, faces, and hands; the images on the mural are inverted on the five columns. In this room, the multiple stairstep drops symbolize the Tennessee Valley Authority dam-building project.
The third room, The War Years, covering the period from 1940-1944 and World War II, explodes to a destructive presence, as giant granite blocks line the path, and a chaotic waterfall rushes down. On the wall, one of 21 inscriptions carved by John Benson, is Roosevelt's famous "I have seen war" quote. To the left of the waterfall sits a Neil Estern's 10-foot tall sculpture of Roosevelt, seated in a dining room chair with roller casters and wearing a floor-length cape, with his dog Fala seated nearby.
The fourth room, Seeds of Peace, covers the period from 1945 to 1955, including Rosevelt's final term, his passing and beyond. It includes Leonard Baskin's Funeral Relief and Neil Estern's sculpture of Eleanor Roosevelt, standing next to the United Nations emblem. In this room, the still pool represents Roosevelt's death.
In the forecourt is Robert Graham's life-size bronze portrait statue of Roosevelt, seated in a wheel chair, facing the Washington Monument. This statue was added in January, 2001, after advocates objected to Estern's depiction which concealed Roosevelt's disability. Though Roosevelt suffered from paralysis as a result of polio, he went through great pains to hide his ailment from the public.
National Register #01000271 (1997)
As I was eating breakfast, I was anticipating possibilities of my planned afternoon stranger search in Philadelphia. I considered that for some time I’ve desired to do a portrait using long steps as leading lines, but I simply did not know where a set of steps that would be expansive enough was located. Then it hit me. I recalled the iconic scene in the movie ‘Rocky’ when Rocky triumphantly climbed a massive flight of steps before his big fight …..’Rocky’ took place in Philadelphia…..I was in Philadelphia…...Eureka!!! All I had to do was find that location. It didn’t take long for me to figure out that that scene was filmed at the Philadelphia Museum of Art. I was now excitedly planning the portrait in my mind to the point that I even remembered that at the top of the steps Rocky did his thing looking back into the sunrise. Therefore I surmised that in the late afternoon the sun would be behind any potential strangers sitting on these steps. I now had my location, framing, and lighting planned out before I had ever set foot on the sight. I can be such a geek.
My friend Matt and I met up and did about an hour of stranger searching before I suggested we head to the art museum. He was entirely game, and off we went. Before I knew it we were standing at the base of the steps, and it was exactly as I had envisioned. However, there was a problem. Not only had Rocky inspired my photography, but dozens and dozens of people were using the steps as their own, low tech stair climber. There were people running on the steps, hopping on the steps, skipping on the steps, crawling on the steps, and all other kinds of physical activity up and down the steps. I could see that finding an open area on the steps to take a portrait would be a challenge.
I had another issue, and that was finding a stranger. Of course there were lots of people actively exercising, but they were clearly busy and I didn’t see interrupting their workout as a viable option. There were also a few groups tourist around, many of whom were occupied taking portraits with fists pumped in the air in their cheesy attempts to recreate the Rocky scene. None of them really piqued my interest, and I began to think that my grand plan might have to be delayed until another day…..that is until I spotted stranger #81 sitting calmly along the edge of the steps.
My first impression of him was that I had envisioned a model a little grittier, but the more I thought about it I realized his positive features far outweighed any perceived shortcomings. His appearance and physique were certainly decent enough. I really liked the fact that he was wearing dark clothing because I anticipated this would be a B&W shot and I figured I might need some contrasts from the mid-toned concrete steps. Finally, with the realization that these steps were a virtual urban gymnasium, it only seemed appropriate that I should capture one of the ‘gym members’.
His name was Rob, and he had just finished his yoga workout and was getting ready to do his aerobic stair climbing routine. After we assured him that I would not be doing anything weird or illicit with the portrait, he agreed to take part. Earlier, upon our arrival, Matt volunteered to do a few poses for me on the steps to help me size up the framing, so I knew exactly what I had in mind once I asked Rob to take a seat at my preplanned location. It was only a matter finding a gap in the stream of people running up and down the steps, but it didn’t take too long before I was able to capture this image.
I am pleased that the final result came out pretty much like I had planned. With the success of this portrait, who knows? I may have to start researching other movie scenes in order to plan other backdrops. I know they just filmed the new Captain America movie in my hometown of Cleveland this past spring. All I have to do is find a stranger in blue tights and a mask.
Check out the rest of the stranger street portraits in my project at Paco's 100 Strangers Project and find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page.
Be content with what you have; rejoice in the way things are. When you realize there is nothing lacking, the whole world belongs to you.
----Lao-Tzu
By the beginning of the 1970s, the nations of Western Europe had come to the realization that a dedicated strike aircraft was desperately needed. Most of NATO was depending on the F-104G Starfighter as their primary interdiction and strike aircraft, while France had only aging Mysteres and modified Mirage IIIs. The United Kingdom did not even have that: the promising TSR.2 had been cancelled, as had a British version of the F-111 Aardvark. Moreover, the UK also lacked an interceptor, relying on the outdated Lightning F.6. Finally, as the emerging European Common Market (the forerunner of the European Union) sought to distance itself from the United States, Western Europe desired an aircraft designed by Europeans for Europeans, rather than depending on American designs.
All parties agreed that the new Multi-Role Combat Aircraft (MRCA) should be a twin-engined dedicated strike aircraft, with variable-sweep wings that would allow it high dash speed at low-level to the target, yet allow it to operate from short runways or semi-improved fields. Political infighting over who would lead the MRCA project led France to withdraw from the program, followed by Canada, Belgium, and the Netherlands, leaving just West Germany, Britain, and Italy by 1971. Production of the MRCA would be divided between Messerschmitt-Bolkow-Bohm (MBB) of Germany, the British Aircraft Company (BAC) of the UK, and Fiat of Italy, under the umbrella of Panavia; the engines would similarly be produced by all three nations, with Britain’s Rolls-Royce in the lead, as Turbo-Union. Though Germany preferred a single-seat aircraft and the UK wanted an interceptor, the nations agreed to a two-seat aircraft to lessen the pressure on the pilot, while the MRCA would also be developed as an interceptor to satisfy the British requirement. The emphasis, however, was on the immediate development of a strike aircraft.
With the finalization of the aircraft design, what became the Panavia Tornado came together relatively quickly, with the first prototype flight in August 1974. Testing also went smoothly: the loss of two prototypes to crashes was traced to problems with the variable-flow intakes and the thrust reverser, which had been added to the design to improve its short-field landing performance. The strike version, designated Tornado IDS (Interdiction/Strike) for Germany and Italy, and Tornado GR.1 for Britain, entered service in 1979. Despite the hopes of the Panavia partners, the Tornado was never an export success, with only Saudi Arabia purchasing the aircraft: the F-16 and Mirage F.1 were cheaper alternatives, with more weapons options and less mechanically complex.
The Tornado IDS nonetheless proved to be a superb aircraft, with excellent handling in all flight profiles, and open to continual improvement. After the success of the American Wild Weasel program, Germany and Italy opted for a further development of the Tornado IDS to a dedicated anti-SAM aircraft, the Tornado ECR (Electronic Countermeasures/Reconnaissance).
The Tornado would never be called on to fight a war in Central Europe against the Soviet Union, which it had been designed to do. Instead, its first combat would come in the deserts of Iraq in the First Gulf War. RAF Tornados were tasked specifically with runway interdiction of Iraqi airfields—tactics that had been practiced often in anticipation of a Third World War. The result was near-disastrous: Iraqi antiaircraft fire accounted for three Tornados in as many days, as RAF pilots had trained to use terrain avoidance in Europe to mask them from ground fire; in Iraq, there was no terrain to hide behind. This forced the Tornado force to medium altitudes and freefall bombs only, as the Tornado IDS/GR.1 lacked the ability to launch precision-guided munitions.
The Tornado has since done better. Continually improved to carry a wide variety of weaponry, including the ALARM antiradar missile, Brimstone antitank missile, Kormoran and Sea Eagle antiship missiles, and American-built JDAMs, Tornados from Germany, Italy, and the UK have participated in wars in Bosnia, Kosovo, Iraq, Afghanistan, and Libya. In Afghanistan, German Tornado ECRs have been invaluable using their onboard sensors to detect improvised explosive devices, while Italian Tornado IDS and RAF Tornado GR.4s essentially grounded the Libyan Air Force in the first days of the conflict by hitting runways and hangars; RAF Tornados flew from bases in the UK to Libya in the longest missions since the 1982 Falklands conflict. RAF, Luftwaffe, and AMI Tornado IDS/GR.4s will remain in service until at least 2025, to be replaced by either more Typhoons or the F-35 Lightning II. With 992 Tornados produced, the aircraft has easily been the most successful European aircraft built since World War II.
Tornado IDS 45+11 started its career in 1986 as a testbed, flying with ETG 11 at Erding, in then-West Germany; it was then activated as an operational strike aircraft with JBG 33 at Buchel. In 1999, 45+11 made the trip across the Atlantic to Holloman AFB, New Mexico, where it joined the German Air Force Flying Training Center (GAFFTC). Because of limited airspace over Europe, New Mexico was chosen as the training ground for Luftwaffe pilots in the Tornado, and a small number of Tornado IDS were based at Holloman. In 2009, it was retired, and in 2010 45+11 was placed on display as a gate guard for GAFFTC headquarters at Holloman.
As GAFFTC was wound down, with the Luftwaffe retiring its Tornados in favor of Eurofighter Typhoons, a number of high-time Tornados were available that the Luftwaffe preferred not to fly back to Germany. One was donated to the Pima Air and Space Museum in Arizona, and another made 45+11 redundant. Reluctant to simply scrap the aircraft, 45+11 was instead donated to the nearby New Mexico Museum of Space History in 2019, allowing another Tornado to take its place at Holloman.
While on display at Holloman, 45+11 wore the wraparound green tactical camouflage used by Luftwaffe Tornados in the late 1980s and early 1990s; that, however, had been replaced with an overall light gray camouflage, which was found to be more effective when dealing with ground defenses. 45+11 was repainted in this scheme while still at Holloman, and the small GAFFTC shield was replaced by one that covered the whole tail: the emblem shows two stylized Tornados against the New Mexico flag, with the state bird--a roadrunner. Under the wings are two drop tanks and two ECM pods, the usual configuration for training missions over the Holloman ranges.
Most of the sources I use on my travels didn't mention 45+11 being at the museum, but we had intended to go mainly for the space exhibits. This was a big surprise just a few days before arrival, when a friend sent me an article on the aircraft. For now, 45+11 is displayed in the museum parking lot until a more permanent location can be found on the museum grounds. It's good to see that such a striking color scheme has been preserved--and aside from the Tornado at Holloman, getting 45+11 means I have now seen three of the four Tornados in North America!
Towards the end of the Korean War, the USAF came to the realization that their transport fleet was becoming obsolete. The C-46 Commandos and C-47 Skytrains in service were no longer adequate, while the C-119 Flying Boxcar was having difficulties. In 1951, the USAF issued a requirement for a new tactical transport, an aircraft that would need to carry at least 72 passengers, be capable of dropping paratroopers, and have a ramp for loading vehicles directly into the cargo compartment. Moreover, it must be a “clean sheet” design, not a conversion from an existing airliner, and the USAF preferred it be a turboprop design. Five companies submitted designs, and six months later the USAF chose Lockheed’s L-402 design—over the misgivings of Lockheed’s chief designer, Clarence “Kelly” Johnson, who warned that the L-402 would destroy the company. Little was Johnson to know that, fifty years later, the L-402—designated C-130 Hercules by the USAF—would still be in production, and one out of only five aircraft to have over 50 years of service with the original purchaser.
The C-130 was designed to give mostly unfettered access to a large cargo compartment—the ramp forms an integral part of the rear fuselage, the wing is mounted above the fuselage, and the landing gear is carried in sponsons attached to the fuselage itself, while the fuselage has a circular design to maximize loading potential. The high wing also gives the C-130 good lift, especially in “high and hot” situations. The Allison T56 turboprop was designed specifically for the Hercules, and has gone on to become one of the most successful turboprop designs in history.
After two YC-130 prototypes, the Hercules went into production as the C-130A in 1956, to be superseded by the improved C-130B in 1959. The latter became the baseline Hercules variant: C-130As had three-blade propellers and a rounded “Roman” nose, while the B introduced the more familiar, longer radar nose and four-blade propellers. (Virtually all A models were later retrofitted to the long nose, though they kept the three-blade propellers.) In the 50 years hence, the basic C-130 design has not changed much: the C-130E introduced underwing external fuel tanks, while the C-130H has a slightly different wing. Even the new C-130J variant only introduced new engines with more fuel efficient six-bladed propellers: the basic design remains the same. Lockheed also offers stretched versions of the Hercules, initially as a civilian-only option (the L-100-30); the British Royal Air Force bought this version as the C-130K and it was later adopted by other nations, including the United States.
The basic C-130 is strictly a transport aircraft, but the versatility of the aircraft has meant it has been modified into a dizzying number of variants. These include the AC-130 Spectre gunship, the HC-130 rescue aircraft and WC-130 weather reconnaissance version. Other versions include several dozen EC-130 electronic warfare/Elint variants, KC-130 tankers, and DC-130 drone aircraft controllers. The USAF, the US Navy, and the US Marine Corps are all C-130 operators as well. Besides the United States, there are 67 other operators of C-130s, making it one of the world’s most prolific aircraft, with its only rivals the Bell UH-1 Iroquois family and the Antonov An-2 Colt biplane transport. C-130s are also used extensively by civilian operators as well as the L-100 series.
The “Herky Bird,” as it is often nicknamed, has participated in every military campaign fought by the United States since 1960 in one variation or the other. During Vietnam, it was used in almost every role imaginable, from standard transport to emergency bomber: as the latter, it dropped M121 10,000 pound mass-focus bombs to clear jungle away for helicopter landing zones, and it was even attempted to use C-130s with these bombs against the infamous Thanh Hoa Bridge in North Vietnam. (Later this capability was added as standard to MC-130 Combat Talon special forces support aircraft; the MC-130 is the only aircraft cleared to carry the GBU-43 MOAB.) It was also instrumental in resupplying the Khe Sanh garrison during its three-month siege. Hercules crews paid the price as well: nearly 70 C-130s were lost during the Vietnam War. In foreign service, C-130s have also been used heavily, the most famous instance of which was likely the Israeli Entebbe Raid of 1976, one of the longest-ranged C-130 missions in history. C-130s are often in the forefront of humanitarian missions to trouble spots around the world, most recently in the 2011 Sendai earthquake disaster in Japan.
As of this writing, over 2300 C-130s have been built, and most are still in service. It remains the backbone of the USAF’s tactical transport service; attempts to replace it with the Advanced Tactical Transport Program (ATTP) in the 1980s and to supplement it with the C-27J Spartan in the 2000s both failed, as the USAF realized that the only real replacement for a C-130 is another C-130.
When 63-7868 joined the USAF in 1964, probably few could have predicted that it would have a 47-year career. The aircraft's first stop was the 464th Troop Carrier Wing at Pope AFB, North Carolina. It was almost its last stop: on 20 November 1964, 63-7868 was one of several 464th C-130s scrambled to Belgium to participate in Operation Red Dragon. In the Belgian Congo (now Democratic Republic of the Congo), Congolese rebels had seized hostages in Stanleyville. As Belgium did not have the airlift capability to send paratroopers that distance, it asked the USAF for assistance. The C-130s first dropped Belgian paratroopers over Stanleyville early on 23 November, then, once the hostages were freed, landed to evacuate 2000 civilians to Leopoldville. As 63-7868 was taking off, it was hit by ground fire that punctured a fuel tank. The crew elected to keep going and made the 800-mile trip on three engines, with 100 people aboard. For their actions during Red Dragon, all the crews involved were awarded the Mackay Trophy for 1964; the crew of 63-7868 were awarded Air Medals.
63-7868's career was far from over. in 1971, it was assigned to the 374th Tactical Airlift Wing at Clark AFB, Philippines, for operations over Vietnam. It would be more than the normal tactical airlift duties for 63-7868, however: it was seconded to Air America, the CIA's "secret airline" supplying friendly Laotians against the North Vietnamese and Communist Pathet Lao. Though 63-7868 kept its USAF markings and crew, it also carried CIA personnel aboard, and "officially" it never flew anywhere near Laos. This ended with American involvement in Southeast Asia in 1973, and 63-7868 went back to more mundane duties. It would leave Clark in 1987 for duties back in the United States, and would end a remarkable career in 2011 as a conversion trainer with the 314th Airlift Wing at Little Rock AFB, Arkansas. Because of its combat record, it was slated for preservation and was donated to the Museum of Aviation at Robins AFB, Georgia.
As displayed currently, 63-7868 still wears its last color scheme of overall AMC Gray, with "The Rock" tail stripe carried by Little Rock AFB-assigned units. It remains in superb condition as of this writing.
On my way out of the Guthrie I saw this gentleman smoking a hand rolled cigarette. I asked him if I could take his portrait. He began to tell me about how he had never believed his father when he said, the world would change as he got older and that he would hardly recognize it. He got a glazed look in his eye and then he was a million miles away.
Parish History
A History of St. Stephen Church
St. Stephen Parish is the realization of a dream of about six couples who felt that they needed a place of worship and gathering in the Bentonville area. Going to outlying churches, they just couldn't feel the closeness, warmth and unity of a parish family. Also, it was difficult getting to church in inclement weather.
These people rallied the Catholics in the Bentonville area and began positive steps toward building a parish family. Toward the end of 1987 the request was presented to the Most Reverend Andrew J. McDonald, Bishop of the Diocese of Little Rock.
The Bishop approved the project and thus the first Catholic Community in Bentonville was taking shape. The embryonic Catholic Church of Bentonville was designated a mission of St. Vincent de Paul Church of Rogers with the Pastor, Rev. Richard Oswald with Rev. John Marconi, Associate Pastor, in charge. As a result, the first Mass of the Bentonville Catholic Church was celebrated on March 5, 1988 in a public building. About 150 souls comprised the new parish.
The name of St. Stephen was chosen for the parish. A building committee was formed. A Pastoral Council was elected. A building fund was underway and enthusiastic parishioner pledges were received. Financing was arranged through the Diocese. Building contractors, H.W. Roper, Inc., with architect, Rex Morris, were engaged. Good progress was soon apparent.
The initial plan called for a multi-purpose building with facilities to serve a growing parish. Today a permanent church building is attached just west of the present structure. This multi-purpose building is now our Parish Life Center.
After two moves to public school buildings and the necessary planning and construction of the new building at 1300 NE “J” Street, the first Mass in the new facility was happily celebrated on October 6, 1991 at 10:00 AM.
The rapid rate of construction and final completion was certainly the result of the fine supervision of the building superintendent and the cooperation of our enthusiastic pastors and lay people involved. During all the moving and shifting, a number of other positive things were happening. The PSR program with about 50 children registered was started. First Communion was held, as were Confirmation readiness classes. The CYO (later changed to Catholic Youth Ministry) was formed. The Ladies Altar Society was organized. Our choir was established. The Sunday bulletins were published and church dinners on special occasions were started.
The formal dedication by the Most Reverend Andrew J. McDonald was held on November 9, 1991. Assisting clergy were Rev. Richard Oswald, Pastor; Rev. Laval Coutre, Associate Pastor; Rev. John Marconi, former Assoc. Pastor and Rev. Mr. Leslie Vendl, Deacon.
A number of changes have since taken place. Father John Marconi was transferred and Father Laval Coutre was assigned as temporary Associate Pastor. Father Laval was later transferred, and Father Michael Sinkler was sent to us. He is still with us.
Besides the Eucharist on Saturday at 5:00 PM and Sunday at 7:45 AM & 10:00 AM, Communion Service and/or Mass is celebrated on Thursdays at 8:30 AM in the Chapel with Fr. Mike, or Carol Patterson officiating.
Our new worship space was dedicated on March 28, 2004. Seating 950 people immediately, and expandable to 1400 as we continue to grow.
To further note the progress, St. Stephen has baptisms, marriages, funerals, First Communions and Confirmations. Our Religious Education programs have grown to over 425 students. We have Wednesday Evening Scripture Study, and Monday morning women’s Scripture Study programs, Sunday Morning Catholic Café Adult Formation and RCIA (Rite of Christian Initiation). We also have dinners and various other activities. Very important to the administration of the church is a Pastoral Administrator/Director of Religious Education, Administrative Assistants, Accountant/Liturgist, Youth Ministers, teachers, bookkeepers, choir, musicians and choral leaders, altar servers, sacristans, lectors, Eucharist ministers, ushers, greeters, social committee, welcoming committee, groundskeeper, church clean-up crews, and volunteers for any task or program which arises.
We dedicated our new Columbarium February 19, 2006. The current capacity is 144. Its stone façade is similar to the Baptism Font in the worship space.
The facility now provides us the dedicated worship space we have needed for so long. The environment of this area is simplistic but beautiful in its angles and colors. The stained glass that adorns the tower and Eucharistic Chapel, Baptistery, sculpture of the Risen Christ and Liturgical décor all reflect the vision of who we are as a parish and brings into full focus a setting of holiness to be in communion with our Lord.
In addition, our worship space has many wonderful areas that are attached for our use.
The Narthex that you enter from is for gathering before and after Mass, for parents to take their children to calm them and then return to Mass. This area also houses the Parish office, Accounting/Liturgy office and Elementary Education office. We have three Chapels, one Eucharistic Devotional Chapel and St. Francis of Assisi Day Chapel and Reconciliation Chapel. Three large meeting rooms, Library/Conference room, work sacristy and liturgical environment store room, choir practice room, dressing sacristy for priest, deacon and altar servers surround the perimeter of the worship space.
Parish Life Center
We are now fortunate to be able to use our old worship space as our new Parish Life Center. This will give us so many opportunities to gather in fellowship for our parish dinners, social gathering on Sundays, youth retreats, etc. When this building was originally built it was designed to be both an area of fellowship for the Eucharistic celebration and parish social events. We now have both dedicated buildings to experience all aspects of parish life.
"To commune daily with God in deep meditation, and to carry His love and guidance with you into all your dutiful activities, is the way that leads to permanent peace and happiness."
Paramahansa Yogananda
Photographed at the Self-Realization Fellowship retreat center, Encinitas, CA
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Featured in Flickr EXPLORE 2012.08.03 #73
Peter Barron, Google's Director of External Relations for Europe, the Middle East and Africa, speaking at the panel discussion: Internet Freedom: Promoting Human Rights in the Digital Age.
In his presentation, Peter Barron made the following points:
"I don't think it's an exaggeration to say that we are standing at a critical crossroads in ensuring human rights and civil liberties for people around the world. And the Internet is at the centre of this discussion.
On the one hand, every day we see evidence of the Internet’s promise as a way to give voice to those who once were silenced. We’re seeing it in the Middle East today. Millions the world over are taking advantage of the Internet’s ability to leap borders and allow for unprecedented debate - on blogs, social networks and online video platforms. There are more than 5 billion mobile subscribers in the world today, and the mobile phone is on course to become the primary way of accessing the internet
On the other hand, those who want to monopolize the power to speak are increasingly concerned by the implications of this technology. The number of governments that censor the Internet in one way or another has grown to about 40, up from about 4 in 2002. More and more governments are building firewalls and cracking down on dissent in order to prevent free expression both online and offline.
The bad news is that this trend is likely to continue. Left to their own devices, governments will continue to construct new obstacles. But the good news is that all of us – individuals, groups, companies and governments – can work together to uphold and advance the fundamental human right to free expression. Our real challenge is to summon the political will to act.
Three years ago, Google joined negotiations with Microsoft, Yahoo, human rights groups and others in Europe and the United States to see if we could arrive at a code of conduct for how information technology companies could best operate to promote freedom of expression and protect the privacy of their users. The result is the Global Network Initiative.
This Initiative is by no means a silver bullet, but it is real progress. Members commit to standards in training and guidelines for handling cases where governments demand information about users. The GNI has also reinforced company practices of conducting human rights assessments prior to launching new products or opening new markets. But the greatest potential for the GNI is as a forum for common action -- the realization that companies and NGOs acting together can have a far more powerful impact when we act in concert rather than alone.
Our goal now must be to gather companies and groups from around the world to join the GNI to give it a truly global character that will further enhance its power.
Let me also make a special plea for European and democratically elected governments the world over to rise to this occasion. We need your help and the help of those you represent.
As a global community, it's our responsibility to ensure that an open, transparent and free Internet is respected and consciously preserved. "
The icon of very American culture Iron Man is now Japanese Samurai, the very soul of Japanese culture! He will eat sushi instead of cheeseburger! It is amazing to see Japanese culture almost in every aspect of our life scenes. They did not win the last war but won the hearts of people over the years with their culture…
Manufactured by Bandai in 2017. About 7 inches tall.
#361/365 I made an unnerving realization last night at work. My eyesight is rapidly deteriorating. While helping an apprentice prepare for an upcoming test I was able to read a micrometer no problem but couldn’t read a calipers if my job depended on it. A coworker was able to help him and also tell me what his doctor once said “if you’re 40 and don’t wear glasses you’re lucky, if you’re 45 and don’t wear glasses you’re in denial”. Guess how old I turned a couple days ago? I’m not in denial, it’s just a little unsettling.
We all go through moments in life where we wonder our hypothetical life-glass is half full or half empty; we assess our viewpoint and determine if we are optimistic, pessimistic, or a blending of the two. As we begin the journey towards self-realization we are forced to understand how we view the world and accept that it is alright that we may view the world in a different light than other people.
Photographs are © Copyright Galactic Dreams (or others when indicated) and are not in the public domain and may not be used on blogs, websites, or in other media without advance written permission from Galactic Dreams.
I had a huge realization today. What could that be you may ask yourselves? Well, I must say or more like a confession that I enjoy shooting manual lenses. I would never have thought this to be the case, but so far this has been my experience.
I've tried several manual focus lenses including the Hexanons and the Olympus OM series and I must say I enjoy the latter more. So much, that I recently added the OM Zuiko 28mm f/3.5(purchased at KEH). Still, some of you may remember I also have the 28mm f/3.5 Hexanon as well. Talk about an obsession with this focal length ah, but after having what I consider to be decent results with with OM Zuiko 50mm f/1.8, I decided to give this lens a go so I ordered it yesterday.
Let me take you through this shot. I was standing in the corner, zone focused at f/11 or f/16 with the 50mm, I think it was the latter, and this was my vantage point for all the shots I took today. To be honest, the area is adjacent to Jackson Memorial Hospital and its got to be one of Miami's most "difficult" zones to be at, much less to do some street photography, so I decided to just hang out there, actually talking the guy from the hot dog stand and shoot as I saw fit. I particularly like this frame which I did crop. I normally don't crop my shots but I thought it was warranted in order bring this gentlemen up to the forefront of the frame(some nuggets I recently read on the book titled "Within the Frame").
Note: edited in Lightroom 3 and Silver Efex Pro 2 inspired by a post from Eric Kim.
Your comments and faves are very appreciated.
Press "L" for a lightbox view
This five shot sequence begins with the realization by the Great Blue Heron that I am close by and have a long lens pointed at him. As this becomes clear in the heron's mind, the heron (instead of flying off) slowly turns and walks ashore hoping to find a more private place.
Towards the end of the Korean War, the USAF came to the realization that their transport fleet was becoming obsolete. The C-46 Commandos and C-47 Skytrains in service were no longer adequate, while the C-119 Flying Boxcar was having difficulties. In 1951, the USAF issued a requirement for a new tactical transport, an aircraft that would need to carry at least 72 passengers, be capable of dropping paratroopers, and have a ramp for loading vehicles directly into the cargo compartment. Moreover, it must be a “clean sheet” design, not a conversion from an existing airliner, and the USAF preferred it be a turboprop design. Five companies submitted designs, and six months later the USAF chose Lockheed’s L-402 design—over the misgivings of Lockheed’s chief designer, Clarence “Kelly” Johnson, who warned that the L-402 would destroy the company. Little was Johnson to know that, fifty years later, the L-402—designated C-130 Hercules by the USAF—would still be in production, and one out of only five aircraft to have over 50 years of service with the original purchaser.
The C-130 was designed to give mostly unfettered access to a large cargo compartment—the ramp forms an integral part of the rear fuselage, the wing is mounted above the fuselage, and the landing gear is carried in sponsons attached to the fuselage itself, while the fuselage has a circular design to maximize loading potential. The high wing also gives the C-130 good lift, especially in “high and hot” situations. The Allison T56 turboprop was designed specifically for the Hercules, and has gone on to become one of the most successful turboprop designs in history.
After two YC-130 prototypes, the Hercules went into production as the C-130A in 1956, to be superseded by the improved C-130B in 1959. The latter became the baseline Hercules variant: C-130As had three-blade propellers and a rounded “Roman” nose, while the B introduced the more familiar, longer radar nose and four-blade propellers. (Virtually all A models were later retrofitted to the long nose, though they kept the three-blade propellers.) In the 50 years hence, the basic C-130 design has not changed much: the C-130E introduced underwing external fuel tanks, while the C-130H has a slightly different wing. Even the new C-130J variant only introduced new engines with more fuel efficient six-bladed propellers: the basic design remains the same. Lockheed also offers stretched versions of the Hercules, initially as a civilian-only option (the L-100-30); the British Royal Air Force bought this version as the C-130K and it was later adopted by other nations, including the United States.
The basic C-130 is strictly a transport aircraft, but the versatility of the aircraft has meant it has been modified into a dizzying number of variants. These include the AC-130 Spectre gunship, the HC-130 rescue aircraft and WC-130 weather reconnaissance version. Other versions include several dozen EC-130 electronic warfare/Elint variants, KC-130 tankers, and DC-130 drone aircraft controllers. The USAF, the US Navy, and the US Marine Corps are all C-130 operators as well. Besides the United States, there are 67 other operators of C-130s, making it one of the world’s most prolific aircraft, with its only rivals the Bell UH-1 Iroquois family and the Antonov An-2 Colt biplane transport. C-130s are also used extensively by civilian operators as well as the L-100 series.
The “Herky Bird,” as it is often nicknamed, has participated in every military campaign fought by the United States since 1960 in one variation or the other. During Vietnam, it was used in almost every role imaginable, from standard transport to emergency bomber: as the latter, it dropped M121 10,000 pound mass-focus bombs to clear jungle away for helicopter landing zones, and it was even attempted to use C-130s with these bombs against the infamous Thanh Hoa Bridge in North Vietnam. (Later this capability was added as standard to MC-130 Combat Talon special forces support aircraft; the MC-130 is the only aircraft cleared to carry the GBU-43 MOAB.) It was also instrumental in resupplying the Khe Sanh garrison during its three-month siege. Hercules crews paid the price as well: nearly 70 C-130s were lost during the Vietnam War. In foreign service, C-130s have also been used heavily, the most famous instance of which was likely the Israeli Entebbe Raid of 1976, one of the longest-ranged C-130 missions in history. C-130s are often in the forefront of humanitarian missions to trouble spots around the world.
As of this writing, over 2300 C-130s have been built, and most are still in service. It remains the backbone of the USAF’s tactical transport service; attempts to replace it with the Advanced Tactical Transport Program (ATTP) in the 1980s and to supplement it with the C-27J Spartan in the 2000s both failed, as the USAF realized that the only real replacement for a C-130 is another C-130.
Whoever did take this picture was probably aware that 61-2358 was the first C-130E to come off the production line. They would be unaware that it would also be the last C-130E to leave USAF service. 61-2358 entered service as a JC-130E testbed, flying from both Lockheed Georgia at Dobbins AFB and the Air Force Test Center at El Centro, California, where it would remain between 1961 and 1972.
It was then transferred to its intended role, flying with the 172nd Tactical Airlift Group (Mississippi ANG) at Jackson until 1980. 61-2358 then went to the 146th TAW (California ANG) at Van Nuys until 1994, then to the 191st Airlift Group (Michigan ANG) at Selfridge ANGB until 2003, before going to the 189th AW (Arkansas ANG) at Little Rock AFB. Surprisingly, it was transferred back to an active duty unit, the 314th AW--also at Little Rock--in 2007. 61-2358 was finally retired after an incredible 51 years of service in 2012. Because of its unique and long-lasting service, it was decided to preserve 61-2358, and its last flight was to Edwards AFB, California for eventual public display at the Air Force Test Center Museum.
Fittingly enough, this picture looks to have been taken at 61-2358's eventual home, Edwards AFB. It carries the white over bare metal markings usually used by test transports during the 1960s; at the time, the aircraft was still a JC-130. The engines are being run up to taxi; probably the ramp is still down to ward off the heat of the desert.
(Disclaimer: I found this picture among other photos in my dad’s slides. I’m not sure who took them; some of them may be his. If any of these pictures are yours or you know who took them, let me know and I will remove them from Flickr, unless I have permission to let them remain. These photos are historical artifacts, in many cases of aircraft long since gone to the scrapyard, so I feel they deserve to be shared to the public at large—to honor the men and women who flew and maintained them.)
In 1960, the US Army came to the realization that it had no real scout helicopter: the OH-13 Sioux could operate effectively in the role, but it was aging and its slow speed made it vulnerable to ground fire. The O-1/L-19 Birddog was a good scout aircraft, but it did not have the mobility of a helicopter. With this in mind, the Army issued a requirement for a Light Observation Helicopter (LOH). The new helicopter needed reasonably high speed, good visibility from the cockpit, and be not too expensive. Bell, Hiller and Hughes all developed prototypes; in 1965, the Army chose Hughes' Model 369 as the OH-6A Cayuse, and placed an order for 1300 helicopters.
The Army was then presented with a problem. Hughes did not have a large factory, and was run by the mercurial and unpredictable Howard Hughes: there was a real concern that Hughes could not deliver the order. Moreover, the Army learned that Hughes had deliberately undercut Bell's and Hiller's bids to win the contract, and as such was taking massive losses on the OH-6. The Army then reopened the competition, and Bell's OH-58A Kiowa won this time: the Army would use both helicopters. As for Hughes, the company would later make up the losses by marketing the OH-6 as the Model 369 and later the Model 500.
The OH-6A entered service in 1966, and was sent to Vietnam soon thereafter. Though given the name Cayuse (as part of the US Army's tradition of naming helicopters after native tribes), this name never stuck: instead, the helicopter was nicknamed Loach, after the LOH project name and its buglike appearance. Loaches were quickly armed with field modification kits to carry machine guns, and were usually paired with the also newly-arrived AH-1 Cobra as a "Pink Team." The job of the Pink Team was to scout ahead of the UH-1 "slicks" carrying troops: the OH-6 would come over at low level to see if it drew ground fire. If it did, it would then call in the AH-1s to attack the enemy position and clear the landing zone. This hunter-killer team proved very effective, if dangerous to the OH-6 crews: of 1420 OH-6s built, 842 were shot down over Vietnam.
Because of the heavy losses over Vietnam, the scout role after the war was gradually taken over by the OH-58A, which was cheaper to buy and easier to maintain. OH-6s began to be passed on to Reserve and National Guard units, but got a new lease on life after 1980: the Army still needed a small helicopter that could land in places the OH-58 or UH-1 could not. The OH-6 was the only aircraft that fit the bill, and several dozen were seconded to Task Force 158 in preparation for an operation to free the American hostages in Tehran, Iran. The hostages were freed by the Iranians themselves in 1980, but the Army recognized the need for an elite force trained in night operations, and renamed the unit Task Force 160--known to its crews as the "Nightstalkers."
TF 160 proved its worth during Operation Prime Chance, the United States' undeclared naval and air war against Iran in 1988, and the OH-6s were redesignated MH-6 (for transport OH-6s) and AH-6 (for armed versions). Nicknamed "Little Birds" by their crews, TF 160 worked closely with the elite and secretive Delta Force, most notably in the Battle of Mogadishu in 1993, where they were the only gunships available to the beleaguered Army forces in the Somalian city. The standard OH-6 has been retired from Army units, but the MH-6 and AH-6 remain in service. The Cayuse also remains operational with Spain and Japan, though in both cases it is being replaced.
The career of this particular helicopter is rather obscure. It was built as 67-16066, an OH-6A for the US Army, and saw combat in Vietnam. In 1972, 67-16066 was chosen to join the Silver Eagles US Army Helicopter Demonstration Team, a unit specially formed for Transpo '72, an exhibition held at Dulles International Airport outside Washington DC. The Silver Eagles were given nine OH-6s and the crews formed from instructors at Fort Rucker, Alabama.
The team was a big hit, and the Army decided to retain them after Transpo '72 ended. The Silver Eagles flew across the United States, including the Bicentennial celebrations of 1976. Sadly, the Bicentennial would be the last appearance of the Silver Eagles: budget cuts forced the Army to disband the team that year. 67-16066 returned to regular Army service and camouflage; it probably served with National Guard units (where most of the OH-6s ended up), and was retired in the 1980s.
According to what little I could find on 67-16066, it was then donated to the Combat Air Museum in Topeka, Kansas, but due to lack of room, was moved just down the road to the Kansas National Guard Museum. It was returned to its Silver Eagles scheme sometime after that.
Before researching 67-16066, I had no idea the Silver Eagles existed--I assumed this was a Kansas Highway Patrol aircraft!
Towards the end of the Korean War, the USAF came to the realization that their transport fleet was becoming obsolete. The C-46 Commandos and C-47 Skytrains in service were no longer adequate, while the C-119 Flying Boxcar was having difficulties. In 1951, the USAF issued a requirement for a new tactical transport, an aircraft that would need to carry at least 72 passengers, be capable of dropping paratroopers, and have a ramp for loading vehicles directly into the cargo compartment. Moreover, it must be a “clean sheet” design, not a conversion from an existing airliner, and the USAF preferred it be a turboprop design. Five companies submitted designs, and six months later the USAF chose Lockheed’s L-402 design—over the misgivings of Lockheed’s chief designer, Clarence “Kelly” Johnson, who warned that the L-402 would destroy the company. Little was Johnson to know that, fifty years later, the L-402—designated C-130 Hercules by the USAF—would still be in production, and one out of only five aircraft to have over 50 years of service with the original purchaser.
The C-130 was designed to give mostly unfettered access to a large cargo compartment—the ramp forms an integral part of the rear fuselage, the wing is mounted above the fuselage, and the landing gear is carried in sponsons attached to the fuselage itself, while the fuselage has a circular design to maximize loading potential. The high wing also gives the C-130 good lift, especially in “high and hot” situations. The Allison T56 turboprop was designed specifically for the Hercules, and has gone on to become one of the most successful turboprop designs in history.
After two YC-130 prototypes, the Hercules went into production as the C-130A in 1956, to be superseded by the improved C-130B in 1959. The latter became the baseline Hercules variant: C-130As had three-blade propellers and a rounded “Roman” nose, while the B introduced the more familiar, longer radar nose and four-blade propellers. In the 50 years hence, the basic C-130 design has not changed much: the C-130E introduced underwing external fuel tanks, while the C-130H has a slightly different wing. Even the new C-130J variant only introduced new engines with more fuel efficient six-bladed propellers: the basic design remains the same. Lockheed also offers stretched versions of the Hercules, initially as a civilian-only option (the L-100-30); the British Royal Air Force bought this version as the C-130K and it was later adopted by other nations, including the United States.
The basic C-130 is strictly a transport aircraft, but the versatility of the aircraft has meant it has been modified into a dizzying number of variants. These include the AC-130 Spectre gunship, the HC-130 rescue aircraft and WC-130 weather reconnaissance version. Other versions include several dozen EC-130 electronic warfare/Elint variants, KC-130 tankers, and DC-130 drone aircraft controllers. The USAF, the US Navy, and the US Marine Corps are all C-130 operators as well. Besides the United States, there are 67 other operators of C-130s, making it one of the world’s most prolific aircraft. C-130s are also used extensively by civilian operators as well as the L-100 series.
The “Herky Bird,” as it is often nicknamed, has participated in every military campaign fought by the United States since 1960 in one variation or the other. During Vietnam, it was used in almost every role imaginable, from standard transport to emergency bomber. It was also instrumental in resupplying the Khe Sanh garrison during its three-month siege. Hercules crews paid the price as well: nearly 70 C-130s were lost during the Vietnam War. In foreign service, C-130s have also been used heavily, the most famous instance of which was likely the Israeli Entebbe Raid of 1976, one of the longest-ranged C-130 missions in history. C-130s are often in the forefront of humanitarian missions to trouble spots around the world.
As of this writing, over 2300 C-130s have been built, and most are still in service. It remains the backbone of the USAF’s tactical transport service; attempts to replace it with the Advanced Tactical Transport Program (ATTP) in the 1980s and to supplement it with the C-27J Spartan in the 2000s both failed, as the USAF realized that the only real replacement for a C-130 is another C-130.
Much to my regret (I am a fighter fan), the 120th Wing of the Montana Air National Guard reequipped with C-130H Hercules in 2014, becoming the 120th Airlift Wing; they were previously a F-15 operator. This was the first public outing for the 120th's C-130s during the ALSIB Lend-Lease anniversary celebration in July 2015. This C-130H, 74-1679, has undergone the Avionics Modernization Program (AMP) upgrade, as indicated by the bulge on the rear fuselage, and is painted in standard overall AMC Gray. The 120th kept the famous Montana script stripe and the "Vigilantes" mountain/buffalo skull tail logo (though the latter can't be seen in this picture).
As my dad used to say, if you have to pilot a "garbage hauler," at least the C-130's a great one.