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printed in Roadkill, 3 ... have been moving away from abstraction, trying to make sense of it all ... but also to work on backgrounds and characters.
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Let there be light. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
If anyone is going to Kauai, I highly recommend taking a helicopter tour of the island to get a spectacular perspective. It was a bit challenging in some angles to get photos because of window reflections, but completely worthwhile, and I was happy with the shots I was able to take. There is one company that has photography tours without doors on the helicopter - next time I'll take that one to be able to get more shots (plus, how fun would that be!!!!!)
TMG Quick Critique - I struggle with knowing how to best capture scenes where there is both sun and shade. In this situation (in a helicopter), where there isn't a lot of time to react, not sure how to best quickly determine the optimal settings. I decided to use Aperture priority (f/11) and focus on the peak of the mountain. Not sure if I would have had a better image if I had gone completely manual and metered it differently.
ISTANBUL, TURKEY - SEPTEMBER 7: Bryan "pANcada" Luna (L) and Erick "aspas" Santos of LOUD react at the VALORANT Champions 2022 Istanbul Groups Stage on September 7, 2022 in Istanbul, Turkey. (Photo by Colin Young-Wolff/Riot Games)
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Reacting camera on Rublevo station of water cleaning. Build in 1907, now it's out of use.
More about this you may find here: steal86.livejournal.com/222525.html
Taken with Canon EOS 5D Mark III, Sigma 12-24/4.5-5.6 EX HSM and two Canon 550EX flashes. The flashes was in my hands and I fired them as many times as possible during 30 sec. exposure. I tries to accent the light on the rusted water pipes and tubes and also made increasement to the forms of the walls and stairs.
#React, #GoaHead, #NoStop, #Belive, #KeepWalking, #Respect, #UrbanPhotography, #StreetPhoto, #SPLovers, #Canon, #Photo, #Photography, #ConceptualPhotography, #Brazil, #BraveBrazilianPeople, #HRSouza,
Star Trek- The Menagerie , “Return to Talos IV”
youtu.be/v5XBfgPy43A?t=2s The full feature.
The Menagerie Review: February 8, 2014 by neoethereal
As the only two-part episode in The Original Series, “The Menagerie” also cleverly serves as a re-telling of the very first Star Trek story ever filmed, “The Cage.” This week on The Uncommon Geek, I examine all of these episodes in full detail, highlighting their connections to other aspects of the Trek mythos. As well, I take a look at the ground broken by Gene Roddenberry concerning the nature of reality, decades before movies like “The Matrix” challenged the perception of our everyday world.
Equipped with little more than a shoestring budget and massive constraints on time with which to work, Gene Roddenberry and his Star Trek production team had to get extremely creative in order to make the show work. Nowhere, in my opinion, is that more evident than here in “The Menagerie,” an entry that served the purpose of buying the production team time to properly finish subsequent episodes, and as well, afforded Gene Roddenberry a unique opportunity to re-tell the story he had wanted to get on the air all along, “The Cage.”
This episode begins with the Enterprise having been called out of its way, to Starbase 11. Confusion arises when the starbase’s commanding officer, Commodore Mendez, reveals to Captain Kirk that the base never sent any message to the Enterprise. Spock claims to have received that message, which puts Kirk into the difficult position of whether to trust the starbase computers, or the word of his first officer and friend.
It turns out that Captain Christopher Pike, the former commander of the Enterprise, who was recently crippled and disfigured in a terrible accident, is on Starbase 11, and suspicion arises that perhaps he relayed a message to Spock. When Kirk finally gets to see Pike, however, he realizes that it would have been impossible for Spock’s former commanding officer to have done this, for Pike is now wheelchair bound, and his communication with others is limited to electronic beeps that fill in for “yes” and “no.
While Kirk and Mendez wrestle over the truth, Spock executes a daring and clever plan to hijack the Enterprise, taking Captain Pike with him. It goes to show just how dangerous an opponent someone as smart and calculating as Spock can be when he puts his mind to it. Spock sets the Enterprise on a locked course for Talos IV, a planet which the ship visited on a past mission under Christopher Pike, and a planet that invites the death penalty upon any Starfleet officer who goes there
The secret file on Talos IV, and the article of General Order 7
I personally find the idea of a death penalty being associated with Talos IV to be somewhat dubious; although there is a very good reason why Starfleet wants the existence of the Talosians kept secret, I find it hard to believe that if the Federation is capable of having a death penalty, that it only applies to one law. It may just be a grand bluff, and indeed, there is some evidence to that effect later in the episode. Regardless, breaking General Order 7 is a serious offense, and Spock is if nothing else, putting his career and livelihood on the line.
Kirk, of course, isn’t going to sit by while his ship is abducted. He and Mendez make a daring attempt to chase the Enterprise in the Shuttlecraft Picasso, knowing full well that while they would never catch up, they would appear on the Enterprise sensors. Kirk gambles his life on the fact that his friend Spock would not leave him to die in the void of space, as the shuttle runs out of fuel. Kirk’s illogical gambit causes Spock’s plan to unravel, and he surrenders himself to custody, pleading guilty to every charge leveled against him. However, Spock has locked the Enterprise into a course for Talos IV that cannot be broken, which will potentially extend the death sentence that is on himself, to Kirk as well.
The court martial that proceeds against Spock is highly unusual; as mentioned, Spock pleads guilty without defense, but through some legal technicality, manages to arrange for the court to hear out his evidence as to why he went through with his illegal actions. Given that Kirk is presiding over the hearing, and that the crew has little else to do but wait until they reach Talos IV, I get the lenience, but I am not sure what real court would remain in session to examine evidence for someone who just admitted their guilt. Or admittedly, maybe I just don’t know enough about legal proceedings.
Spock’s evidence, as it turns out, is a transmission from Talos IV, beamed directly to the Enterprise, which details the vessel’s first trip there under the command of Captain Pike. Of course, this transmission is the original Star Trek pilot, “The Cage,” and from this point on, “The Menagerie” consists almost entirely of footage from that episode.
Aside from some really goofy tech dialogue, and incomplete characterizations, “The Cage” holds up surprisingly well. We get to see that Jeffrey Hunter’s Captain Pike is a darker, colder man than James Kirk; he is someone whose decisions and responsibilities as a commander are weighing on him heavily, and he is nearing the point of considering resignation. Pike’s first officer is only referred to as Number One (played by Majel Barrett), who is an amazing example of a strong female role for 1960’s television, but unfortunately her character had to be discarded by Roddenberry when the studio forced him to choose between keeping his strong, logical female, or his alien Spock. Roddenberry ended up giving Spock Number One’s cold, emotionless, logical persona, and thus the Spock we know and love was born.
It really is a shame that NBC put so much pressure on Roddenberry to alter his concept of women in the 23rd Century; aside from Number One, the other female crew members of the Cage-era Enterprise also seem to be on equal footing with the men, and there isn’t a mini-skirt in sight. Of course, this reviewer by no means, from an aesthetic point view, objects to how the women of the Enterprise look in said mini-skirts, but cheekiness and my own red-blooded male impulses aside, the female officers in Starfleet should have been offered the same, more professional uniform as the males. Unfortunately we would have to wait until The Motion Picture to see more fairness in the way men and women are presented in Star Trek.
When Enterprise finds evidence of human survivors on Talos IV, from a doomed expedition many years ago, Pike, Spock, and an away team beam down to investigate. What at first seems like a wonderful discovery of lost, homesick men, turns out to be just an elaborate, life like illusion created by the Talosians. Pike is abducted when he is lured in by the only true human survivor from the crash, Vina, whom he is extremely attracted to.
Pike is subjected to a variety of illusions crafted by the Talosians, in order to foster cooperation, as well as to strengthen his attraction toward Vina. Vina is presented to Pike in a variety of forms; as a damsel in distress on Rigel VII, as a wife in the countryside on Earth, and as a primal, animalistic Orion slave woman, all in an attempt to make him submit to his situation.
However, Pike is every bit as stubborn as Captain Kirk, and certainly has a darker, more furious edge to him. When he discovers that primitive, base human emotions such as hatred, and anger, block out the Talosian’s illusions and their telepathic abilities, he mines that weakness long enough to take one of them captive. Once the illusion is broken, the Enterprise crew find out that their attempts to break Pike out from his underground cage with phaser fire were actually working, but all along they weren’t able to see it.
The Talosians had, thousands of centuries ago, devastated their planet and their civilization with war. They retreated underground, where their telepathic abilities flourished, but their physical bodies and their technology atrophied. They had apparently been testing various species for many years, looking for a suitable slave race to use for rebuilding their world, but none had shown as much promise as humanity.
However, when the away team threatens to kill themselves with an overloaded phaser, and as well when the Talosians finish screening the Enterprise‘s records, they realize that humans would rather die than be enslaved, and would be too violent to keep in captivity. With of course, the sad exception of Vina, who in reality is too badly disfigured to live a normal life outside of Talos IV.
(I once heard a suggestion that Vina could be repaired using the transporter. I don’t think 23rd century transporters were sophisticated enough for that, plus, there wouldn’t be an original, unaltered version of her pattern to reference.)
The ending of “The Cage” leads us to the final moments of “The Menagerie,” where it is revealed that not only have the Talosians been transmitting a signal to the Enterprise, but even Commodore Mendez himself has been one of their illusions all along!
It is also revealed that Spock’s only intention was to take Captain Pike to Talos IV, so that the crippled starship commander could live out the rest of his life as a healthy, happy man with Vina. Even Kirk seems to relent that it is better to live with an illusion of health and happiness, than a reality of living as a useless vegetable. That Commodore Mendez was an illusion, and that Starfleet sends a signal to the Enterprise, apparently excusing their violation of Talos space, seems to let Spock off the hook. Perhaps too easily in fact; despite acting out of nothing but loyalty to his former Captain, and despite that the way he enacted his plan was done in such a manner as to put the blame only on himself, Spock seems to get out of his predicament with apparently no trouble at all. We can make a guess that perhaps this incident is why he doesn’t receive a promotion or command of his own until years later, but there is nothing spoken on-screen to that effect.
We are also left to ponder about how much of the incident was real at all. Since the Talosians can apparently project their powers through subspace, one wonders just how long they conspired with Spock, and also, how much we see of Mendez was real or an illusion. My guess is that the Mendez we see at the base was real, and what goes onto the shuttle with Kirk was the illusion, but unfortunately, again, there is little to back that up. What we do know for sure is that the Talosian’s powers are not to be trifled with, and it is truly for wise for Starfleet to give them a wide berth.
Despite some problems with logic and consistency, “The Menagerie” is an entertaining, fascinating episode that shows original series Trek at some of its most interestingly cerebral. Gene Roddenberry’s first pilot examines the nature of reality decades before The Matrix did, and asks the questions: What is real? How does one define their purpose, their reality? Is our reality just relative, defined only by experience? Is there a such thing as an absolute reality, or only what our senses perceive, or for that matter what they think they perceive? This is smart, ahead of its time writing for the 1960s.
Through the tragedies that befell both Vina and Pike, we must also question the quality of human life, and the value we place on it. Is it worth staying alive if you can’t function? If your brain is sound but your body is broken, can you still truly live? Speaking for myself, I certainly would despise the existence that Captain Pike is forced to endure in his wheelchair. I’d rather be dead than live that way. I’m not sure how I would react exactly to being forced to live in an illusion, but it is certainly preferable to a reality of uselessness and immobility. Besides, is our everyday life not just an elaborate series of deceptions spun before our very eyes; maybe not as powerful as a trick of telepathy played by an alien race, but an illusion nonetheless?
For even provoking these thoughts, and much more, “The Cage,” and by extension, “The Menagerie,” are what I consider among the best of Star Trek’s purely cerebral stories about human nature. It is imaginative, thoughtful, and quite engaging.
I liked Arthur Miller. He was a bloke who got to shag Marilyn Monroe (they were married - what was he thinking?!? Must have been a bit of a luvvie, sadly) and wrote some good stuff. He was something of a moral compass - of a type I don't think we have any more - throughout the last century . He did this book on his life, Timebends, and in it, he says summat about a film star and how things that you might not notice when filming can be massively significant when magnified on the big screen. What I'm getting at, apart from suggesting that I've read a few books, is that little things really can matter, if you can see them.
This was me, on Wednesday, before going in to The Public, in West Bromwich, for what's almost certainly turned out to be the last time. I was doing something with a bunch of lads around some sort of alternative form of social reporting, drawing on journalism and social media. But it didn't work out, so I won't be back.
Good bunch of lads, the place is a cool cultural space, and the people who'd asked me there are the exact type of rarity we should have more of in education. But, it was obvious that what I thought we needed to do and what we needed to do to get there wasn't working at an early stage, so I've walked.
I'm going to have a good think around the lessons of this. One of them, I think, is motivation and indications of what people may need to do to tap into a psychological vibe that'd work in the long-term as well as the short-term with social media.
I keep thinking of these influences that can impact on information, communication and relationships. I think that's important. Where I am while I'm writing this - Caffe Nero in Kidderminster - is a space where the environment's loaded with potential influences that can alter your mindset in quite powerful ways.
Maybe I'm going over-the-top, but I don't think I am on this. The little things really can matter, not in a way to make you stressed, but in ways that should make you at least think. Think butterfly effect, sort of thing.
Before I went in The Public, I was going to post that fact on Foursquare, but I realised a while ago that it's probably time to think about certain things, a bit more seriously, and so I didn't, realising the motivation was all wrong for why I was there.
Even this post is loaded with little clues about the impact of my environment, along with my psychosocial approach to it (that's not necessarily a bad thing).
Maybe I got carried away with what I wanted to do at The Public. I think most people in social media - all over the place - are mainstream to the core and just don't get it. Such people do the potential of the medium harm and some people think it's already too late to do anything about it. I'm not sure about that, but I haven't thought much about it.
The people getting what they can from social media, especially in the UK, have their ration ale - don't they always - but I'm not playing. At all. I think social media is too potential important a technology to enter their vibe and compete on their terms within a framework they'll always default to. So much in society has failed and failed miserably - official politics - for example, but it seems that the motivations and the mindsets they're part of work hard to obscure that, with wide-reaching consequences that could and should be much, much better. This isn't difficult to see when you have some independence from the mainstream mindset, but it is easy to dismiss when you're thinking and living within that mainstream mindset.
Back to Nero's and, earlier, I was having my first coffee of the day, feeling quite fresh while writing to the people at The Public, to tell them that I wouldn't be back. As I was sitting there, Mad Sue, a ridiculously lost, official depressive started asking me if I was all right. Remember what I wrote this morning about abuse and misinformation? This was all to do with the corrosive culture at Kidderminster's Caffe Nero.
Despite what I know groups of people in this town are capable of, I want my coffee without bullshit from official lunatics, like Mad Sue. Mad Sue's approach was all about colluding with the mood and momentum of the neg-regs she's so attracted to. Her eyes lit up when I reacted assertive to all this, because this desperate saddo would have something to talk about with the rest of the psychosocially fucked animals, later. There's a good reason for this. Mad Sue has a tragic track records of being attracted to seriously abusive people. She is a victim who, partly because she's never got on top of it - for whatever reason - is vulnerable to being taken in by other abusive types and so becoming a perpetrator of certain forms of abuse.
Well, I wanted my coffee, I wanted to challenge this rubbish (possibly an indication that my smartphone era vibe needs adjusting, in theatre, perhaps), that's all designed to position and disempower me according to this town's bogus and illogical, naive office politics hierarchy, that taps into and perpetuates the ugly culture, here, so I told her a few home truths. Very publicly. Very honestly.
Mad Sue is clearly a nutter, according to the mainstream mindset she'll probably never know any alternative to, and yet clearly maintains her existence as a nutter, which she's brainwashed herself into thinking she's clearly happy with. Bollocks!
I hope we'll never interact again, partly because it's become amazingly fucking tiresome, when I'm talking in a different psychosocial space to most of the people here, with the occasionally interesting person who probably accidentally landed here after taking a wrong turn or misreading their map, to find Mad Sue butting in - yet again - to change the direction and whole vibe of the chat to reach the information that ahead wants everyone to hear: that her life is shit and that she's anti-depressants. Not-fucking-interested-you-fucking-nut. If she's big on abuse and official lunacy, I'm just not playing. NOT PLAYING.
Anyway, it all tends to come together, when you really are able to think about it, here. Mad Sue's daughter, who I think is similarly lost, though there is hope, came by not long ago. We didn't speak. No need. I've go no reason to associate with most of these people any longer. However, Mad Sue's daughter has a child. She don't come here much, since having her child. I hope she can see it, for her child's sake. I can and that taps into why I'm not playing with the UK social media scene, with its mainstream mindset, or with Mad Sue, with her deep-rooted abusive one.
Maybe I did throw myself into what I was trying to do at The Public, too much, in a way. I need to think about that. What it did give me, at a crucial time, was a degree of focus, motivation and confidence to not be afraid of exploring disruptive ideas and thinking. I think that might be the best thing I take from the experience, partly because it's something that can be developed further.
There's a couple of thirty-something women, talking iPhone 4Gs, here. They're having a laugh about stuff they've worn to social stuff. Good. I'm happy for them. What they're talking about is boring shit, but there's no sense of anything ugly, well, not yet, and they seem like nice, if boring, chicks.
One of the baristas, who thinks that his above-average ability to work the punters points to a great level of intelligence he'll probably never have, partly because of this idea, lied to the one girl, saying she's really pretty and lied when she questioned whether he said that to 'all the girls'. She's not bad, but she's not really pretty. I won't tell her, though. That was a bit ofna chat that had good intentions, to make people feel better. Within hours, the same processes, including the same 'moves' in chat, will say.something very different, suggesting something very different.
Makes me wonder about all those people at the top of mainstream thinking, who benefit from all this. Makes me wonder about open source and proprietary approaches and how far we may be from being open to something genuinely new.
Anyway, although it's a drag having to eat and drink in the Smartphone Era, because there's better things to do, I'm going to have to sort it, somehow. Sushi, I reckon. Fish. Fish can go deep, so I've heard, so maybe, if I'm going to make the most of the Smartphone Era amidst so many conservative, limiting influences, both online and off, to really make this work, maybe fish is the answer. Or just depth. Dunno.
Keep em peeled...
React did this outline on paper and the piece you can see the beginning of to the right. Fun times under the railroad bridge in Boston.
Phoenix Arizona Living History Village
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Madampu Sankaran Namboothiri, popularly known as Madampu Kunjukuttan, is a Malayalam author and a screenplay writer. A prolific and versatile actor, a Sanskrit scholar, a teacher of repute, priesthood in a famous temple, National awards for the best screenplay in 2000 for the film " Karunam' and the Ashdod International Film Award for Best Screenplay for the film Parinamam (The Change) in 2003-- his life has been extremely colorful and eventful. He lives in the Kiralur village in the Thrissur district of Kerala, India, 77 years young.
LONDON, ENGLAND - MAY 13: Gen.G Esports reacts with excitement at the League of Legends - Mid-Season Invitational Bracket Stage on May 13 2023 in London, England. (Photo by Liu YiCun/Riot Games)
“We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.”
― Aldous Huxley, The Doors of Perception
Madampu Sankaran Namboothiri, popularly known as Madampu Kunjukuttan, is a Malayalam author and a screenplay writer. A prolific and versatile actor, a Sanskrit scholar, a teacher of repute, priesthood in a famous temple, National awards for the best screenplay in 2000 for the film " Karunam' and the Ashdod International Film Award for Best Screenplay for the film Parinamam (The Change) in 2003-- his life has been extremely colorful and eventful. He lives in the Kiralur village in the Thrissur district of Kerala, India, 77 years young.
During sunrise August 7th, a M1151 Enhanced Armament Carrier HMMWV gunner from 1st Squadron 303rd Cavalry Regiment scans his sector minutes before an opposing force engagement during the 41st Infantry Brigade Combat Team’s field training exercise at eXportable Combat Training Capability (XCTC) 2018 in Fort Hunter Liggett, California. (U.S. Army Photo by Maj. W. Chris Clyne, 41st IBCT Public Affairs)
My little niece has a surprising reaction to the very sight of my cousin. If she sees him make eye contact, even from across the room, she bursts into tears. SO funny.
Quality of life: from safe food to data protection
What does quality of life mean for you? Safe food? Accessible medical care? Breathable air and clean environment? Strong consumers’ rights? Or knowing that your data and privacy are safe? European Parliament holds improving of the quality of life in the EU high on its agenda. Read more here and follow 4th ReACT conference on quality of life on 23 January in Rome live!
In the past few years, European parliament worked on wide range of rules to improve the quality of life in Europe: ensuring safe and accessible medicines and medical treatments, strengthening passenger rights, enabling consumers to buy clearly and correctly labelled food, cutting CO2 emissions and preventing other environmental pollution, but also making sure that privacy of European citizens is protected and their data safe. Read more in our Top Story.
Three of those topics: environment, health and food and the “European way” to protect them are to be debated during fourth ReACT conference “Cutting Quality of life: past, present and future” that takes place on 23 January in Rome. Chef Carlo Cracco, climatologist Riccardo Valentini and Professor Michele Mirabella present their points of view and debate them with the audience. Conference is moderated by geologist Mario Tozzi. Follow live and comment #Reactroma via links on the right.
ReAct Roma is the fourth in a series of five interactive conferences on subjects vital to the EU, ahead of the European elections in May 2014. They take place in different European cities where opinion leaders will share their ideas about today's issues. Previous events were dedicated to jobs and employment (15/10 Paris), EU in world (14/11 Warszawa), EU and finances (5/12 Frankfurt). The fifth event will be about EU and economy and will take place on 20/2 in Madrid.
Streaming ReACT Rome, 23 January 19:00
www.europarl.it/view/it/react.html
ReACT Rome: web site in IT
This photo is free to use under Creative Commons license (CC) and must be credited: "© European Union 2014 - European Parliament" (Attribution-NonCommercial-NoDerivs Creative Commons license). For HR files please contact: webcom-flickr(AT)europarl.europa.eu
Quality of life: from safe food to data protection
SPAGHETTI ALL’UOVO, AGLIO, OLIO E PEPERONCINO
di Carlo Cracco
Per la pasta all’uovo:
kg 1sale grosso affumicato
gr 250zucchero
n 12tuorli d’uovo
Per l’aglio affumicato:
n 1 ½ testa d’aglio
lt 2latte
sale
peperoncino
olio extravergine
prezzemolo fritto
Impastare il sale con lo zucchero , mettere i tuorli d’uovo a marinare per circa 4/5 ore, dopodiché sciacquare sotto l’acqua corrente.
Prendere i 12 tuorli marinati e metterli tra 2 fogli di carta da forno e con l’aiuto di un matterello stenderli in modo uniforme formando uno strato sottile.
Togliere dalla carta e passare la sfoglia nella trafila per spaghetti.
Far bollire l’aglio con il latte e ridurre della metà.
Passare il tutto a maglia fine e tenere da parte.
In una padella, mettere un goccio d’olio, aggiungere gli spaghetti e poco peperoncino.
Saltare per un paio di minuti e servire in una fondina con alla base la crema d’aglio.
Finire con il prezzemolo fritto e un goccio di olio crudo.
-------------------------------------
What does quality of life mean for you? Safe food? Accessible medical care? Breathable air and clean environment? Strong consumers’ rights? Or knowing that your data and privacy are safe? European Parliament holds improving of the quality of life in the EU high on its agenda. Read more here and follow 4th ReACT conference on quality of life on 23 January in Rome live!
Streaming ReACT Rome, 23 January 19:00
www.europarl.it/view/it/react.html
ReACT Rome: web site in IT
This photo is free to use under Creative Commons license (CC) and must be credited: "© European Union 2014 - European Parliament" (Attribution-NonCommercial-NoDerivs Creative Commons license). For HR files please contact: webcom-flickr(AT)europarl.europa.eu